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MS 7563 Stabilization of Kin Klizhin, Chaco Canyon National Monument, Fiscal Year 1938

Creator:
Vivian, Gordon  Search this
Extent:
13 Pages
Type:
Archival materials
Collection descriptions
Pages
Date:
undated
Local Numbers:
NAA MS 7563
Local Note:
Carbon of typescript, bound, with photographs
Topic:
Kin Klizhin -- New Mexico -- Chaco Canyon -- stabilization  Search this
Citation:
Manuscript 7563, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS7563
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms7563

Captain Max E. Malan USN Pilot Logs

Creator:
Malan, Max E.  Search this
Extent:
0.13 Cubic feet (one shoebox)
Type:
Archival materials
Collection descriptions
Date:
1945-1963
Summary:
This collection consists of Captain Max E. Malan's Navy pilot logs, 1945-1963.
Scope and Contents:
This collection consists of Captain Max E. Malan's Navy pilot logs, that span his career from 1945 to 1963.
Arrangement:
Three logbooks, arranged chronologically.
Biographical / Historical:
Captain Max E. Malan, USN (1922-2018) joined the United States Navy in 1944. Malan was a career Naval Officer and served his country for 31 years as a naval aviator.
Provenance:
Tammy Malan, Gift, 2019, NASM.2019.0014
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Aeronautics  Search this
Korean War, 1950-1953 -- Aerial operations  Search this
logs  Search this
Naval aviation  Search this
Citation:
Captain Max E. Malan USN Pilot Logs, NASM.2019.0014, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.2019.0014
See more items in:
Captain Max E. Malan USN Pilot Logs
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-2019-0014

To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records

Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Extent:
13.04 Linear feet (18 boxes)
Type:
Archival materials
Collection descriptions
Exhibit scripts
Exhibition records
Brochures
Photographic prints
Correspondence
Place:
Washington (D.C.)
Date:
1992-01 - 1992-07
Summary:
An exhibition on 187 years of civil rights activism in Washington, DC. The show was created by the Anacostia Neighborhood Museum and exhibited there from January 1992 to July 1992. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit script, administrative records, brochures, press coverage, education packets, loan agreements, floor plans, and catalogues.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
Museum exhibits  Search this
Civil rights  Search this
Genre/Form:
Exhibit scripts
Exhibition records -- 1990-2004
Brochures
Photographic prints
Correspondence
Citation:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.03-033
See more items in:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_collection:sova-acma-03-033
Additional Online Media:

Climbing Jacob's Ladder: the Rise of Black Churches in Eastern American cities, 1740 - 1877 Exhibition Records

Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Smith, Edward D.  Search this
Extent:
27.63 Linear feet (63 boxes)
Type:
Collection descriptions
Archival materials
Photographic prints
Catalogs
Exhibit scripts
Correspondence
Exhibition records
Brochures
Date:
1987 October - 1988 October
Summary:
An exhibition on the growth of African American churches in the eastern United States. The exhibit was organized by the Anacostia Neighborhood Museum and held there from October 1987 to October 1988. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit scripts, administrative records, brochures, press coverage, education packets, loan agreements, floor plans, and catalogues.
Related Archival Materials note:
Audiovisual materials related to this exhibition located in Anacostia Community Museum Archives.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Topic:
Museum exhibits  Search this
African American churches  Search this
Genre/Form:
Photographic prints
Catalogs
Exhibit scripts
Correspondence
Exhibition records -- 1967-1989
Brochures
Citation:
Climbing Jacob's Ladder: the rise of Black churches in Eastern American cities, 1740 - 1877 exhibition records, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.03-036
See more items in:
Climbing Jacob's Ladder: the Rise of Black Churches in Eastern American cities, 1740 - 1877 Exhibition Records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_collection:sova-acma-03-036
Additional Online Media:

Giuseppe M. Bellanca Collection

Creator:
Bellanca, Giuseppe M., 1886-1960  Search this
Names:
Bellanca  Search this
Wright Aeronautical Corporation  Search this
Chamberlin, Clarence  Search this
Extent:
248.5 Cubic feet (245 boxes)
Type:
Collection descriptions
Archival materials
Correspondence
Financial records
Newspaper clippings
Drawings
Photographic prints
Date:
1919-1959
Summary:
This collection consists of the archives of Giuseppe M. Bellanca and his company, including the following types of mediums: drawings, stress analysis tests, reports, photographs/negatives, documents, correspondence, patent information, newspaper clippings, business records, and financial statements.
Scope and Contents:
Series I: Mr. Bellanca's professional life

Here, the researcher will find documents regarding the day-to-day operations of the Bellanca Aircraft Corporation. The material is generally divided into core documents of the corporation, correspondence, financial documents, subcontracting pursuits, patents, employee relations, and company history.

Series II: Technical Material

This material is separated into the following subseries: Miscellaneous Handwritten Notes and Sketches, Bellanca Aircraft Technical Data, Bellanca Aircraft Corporation Reports, Technical Research Files, Bellanca Aircraft Drawing Lists, Bellanca Aircraft Drawings, and Bellanca Aircraft Drawing Indexes. The Bellanca Collection is not a complete history of the Bellanca Aircraft Corporation. Over the years, it appears that many items were loaned out by the Bellanca Family to researchers and not returned. Therefore, there are significant gaps in correspondence, formal, numbered reports, and other areas of the collection. For example, the earliest report in the Bellanca Collection is Report #28, the next report which appears is report #45.

The Giuseppe M. Bellanca Collection contains over 10,000 drawings. (At the time of processing, not all drawings were entered into the Bellanca Drawings Database. These drawings will be entered as time allows.) The drawings vary in size from 8 x 11 inches to 36 x 185 inches. There are original pencil drawings, blueprints, and blueline drawings. Over 130 models of Bellanca aircraft are represented in the Collection. There are General Arrangement, or Three-View drawings for over 80 of these models. Bellanca drawings are not easy to decipher. Most of the drawings have data blocks which contain only a finite amount of information. Often the aircraft has been identified only by serial number. In some cases the model number of the aircraft is also the drawing number. Other times, the aircraft name would be given, but no model number, i.e. Skyrocket. Also, words were abbreviated and it was left up to the processing archivist to determine their probable meaning. Despite the explanation in the scope and content notes, the Bellanca Corporation was not consistent when assigning model numbers. Letters were sometimes assigned that reflected a United States War Department designation, i.e. the VSO and the VF. By using the Bellanca Drawing indexes, the processing archivist was able to supply model numbers for some of the drawings.

7136 Bellanca Aircraft Company Drawings have been added to the National Air and Space Museum Miscellaneous Drawings Database. As time allows, the remaining Bellanca Drawings will be added to this database. An Archives Staff member will assist researchers in retrieving these materials from the database finding aid.

The Bellanca drawings were stored for over thirty years in less-than-ideal conditions. Many of the drawings were drawn on poor-quality tracing paper, and have become extremely brittle and fragile. Therefore, many of the drawings in the Bellanca Collection may not be available to researchers.

During processing of the collection, the project archivist has gained some insight about how Mr. Bellanca chose the model designations for his aircraft. The earliest system of model designations was based upon letters of the alphabet. No model designations appear for any Bellanca design until his work for Maryland Pressed Steel in 1916. The CD, which he designed for that company, was his fourth aircraft design that was built, and the letter D is the fourth letter of the alphabet. This pattern continues through the Bellanca CF. During 1926, when Mr. Bellanca worked for the Wright Corporation, he already had in mind an improved version of the CF, which was designated the CG. This aircraft received the designation WB-1 from the Wright Corporation.

When Mr. Bellanca formed his own company in 1927, the letter pattern described above reasserted itself for a time with the introduction of the Bellanca CH. It was a common practice of manufacturers of the time to also include the engine horsepower as part of the model number, so the Bellanca CH actually received its Approved Type Certificate (ATC) as the CH-200. When the next model came out, it was the CH-300 with a 300 horsepower Wright Whirlwind engine. This system remained in place through the CH-400. Names were given to some Bellanca aircraft. It appears that the names were a marketing tool meant to appeal to the buying public. With this idea in mind, the CH-300 became the "Pacemaker", the CH-400 became the "Skyrocket", and the P 100 was christened the "Airbus". In the early 1930's, the Bellanca Corporation moved away from the alphabetical designations and moved to numerical designations. Later Bellanca aircraft model designations consist of a series of numbers, such as 31-50. The first number was the wing area, in this case, 310 square feet, divided by 10. The second number was the horsepower of the engine, 500, divided by 10. This resulted in a distinctive system of model designations, which lasted until Mr. Bellanca sold the company.

Series III: Mr. Bellanca's personal material.

In this series, the researcher will find personal correspondence among family members, from both Giuseppe and Dorothy Bellanca's families and personal, legal and financial records for Bellanca family. As the lines between Mr. Bellanca's personal and professional lives were sometimes blurred, a fine line of separation between the two was not always possible. For example, at one time or another, two of Mr. Bellanca's brothers, John and Frank, worked for the Bellanca Aircraft Corporation and Andrew Bellanca, Mr. Bellanca's nephew, was his lawyer throughout his life. Therefore, the processing archivist suggests that the researcher look in the professional series of documents as well as Mr. Bellanca's personal papers for a more complete representation of Mr. Bellanca's correspondence.

After processing was completed, publications which previously had been offered to the NASM Branch Library were returned to the collection. They are listed in an addendum at the end of this finding aid.

Series IV: Photographs.

The researcher will find photographs of Bellanca aircraft, including the Bellanca Aircraft Corporation's Master Photograph Files, photographs of the Bellanca factory and factory workers, and photographs of Giuseppe M. Bellanca, business associates, and family members.

Series V: Miscellaneous and Oversize Materials.

This series contains ephemera of the Bellanca Collection: Scrapbooks, Loose Newspaper Clippings, Artwork, Ephemera and Magazine Clippings.

The Bellanca Collection included 27 motion picture films. In May of 2000, this film was transferred to the NASM Film Archives. Researchers wishing to access this part of the collection should contact the NASM Film Archivist.
Arrangement:
Series I: Mr. Bellanca's Professional Life

Series II: Technical Data

Series III: Personal Papers

Series IV: Photographs

Series V: Miscellaneous and Oversize Materials
Biographical / Historical:
Giuseppe Mario Bellanca was born in 1886 in Sciacca, Sicily. As a young man, he attended the Technical Institute in Milan, graduating with a teaching degree in mathematics in 1908. During his quest for a second mathematics and engineering degree, he became enamoured of aviation, and set out to design and build his own airplane. Bellanca's first aircraft design was a "pusher" aircraft, somewhat similar to the Wright Flyer. Lacking funds for such an endeavor, he joined with two partners, Enea Bossi, and Paolo Invernizzi. The union of the three produced the first flight of a totally Italian-designed and Italian-built aircraft in early December of 1909. The flight was short, but it was a start. Bellanca's second design was a tractor-type aircraft. Although the aircraft was successfully constructed, it was never flown due to insufficient funds for an engine.

At the urging of his brother Carlo, who was already established in Brooklyn, New York, Giuseppe Bellanca immigrated to America in 1911. Before the end of the year, he began construction of his third airplane design, a parasol monoplane. After construction was completed, he took the small craft to Mineola Field on Long Island, NY, and proceeded to teach himself to fly. He began by taxiing. He then, taxied faster, which gave way to short hops. The hops got longer, until, on May 19, 1912, there was not enough room to land straight ahead, and Bellanca had to complete a turn in order land safely. Having successfully taught himself to fly, Bellanca then set about teaching others to fly, and from 1912 to 1916, he operated the Bellanca Flying School. One of his students was a young Fiorello La Guardia, the future mayor of New York City. In return for flying lessons, La Guardia taught Bellanca how to drive a car.

In 1917 the Maryland Pressed Steel Company of Hagerstown, MD hired Bellanca as a consulting engineer. While there, he designed two trainer biplanes, the CD, and an improved version, the CE. With the conclusion of WWI, Maryland Pressed Steel's contracts were cancelled and the company entered into receivership. Thus, the CE never went into production.

In 1921, a group of investors lured Bellanca westward to Omaha, NE, in hopes of establishing that town as a center for aircraft manufacture. Before the aircraft could be built, the company went bankrupt, but construction of the aircraft continued under the financial backing of a local motorcycle dealer named Victor Roos. The resultant aircraft, the Bellanca CF, was called by Janes's All the World's Aircraft "the first up-to-date transport aeroplane that was designed, built, and flown with success in the United States." Among the local people helping to build the aircraft was the daughter of Bellanca's landlord, Dorothy Brown. Giuseppe and she were married on November 18, 1922.

Despite its advanced design, the Bellanca CF could not compete with the economics of the time. In the days just after World War I, a surplus Curtiss Jenny could be purchased for as little as $250.00. A Bellanca CF, with a price tag of $5000.00, was just too expensive and the aircraft never went into production. After the disappointment of the CF, Bellanca designed wings for the Post Office Department's DH-4's. His new wings were a tremendous improvement over the original design, but only a few aircraft were so modified.

In 1925, Bellanca went to work for the Wright Aeronautical Corporation of Paterson, NJ. His assignment there was to develop an aircraft around the new Wright Whirlwind engine. He already had a design in mind, which was an improved version of the CF, called the CG. This design evolved into the Wright-Bellanca WB-1.

The WB-1 enjoyed a short, but successful flying career. The aircraft had already won one race and efficiency contest before an untimely accident destroyed the craft during preparation for an attempt to break the world's non-refueled endurance record. Fortunately, at the time of the crash, Bellanca was already working on an improved version, of the WB-1 designated the WB-2.

During 1926, the WB-2 won two efficiency trophies at the National Air Races in Philadelphia. Wright considered putting the aircraft into production, but decided against it to avoid alienating other aircraft companies that were potential customers for their engines. Disappointed by Wright's decision, Bellanca left the company and joined with a young businessman named Charles Levine to form the Columbia Aircraft Company. Wright sold the WB-2 and all drawings and production rights to the new company. The WB-2 went on to a long and fruitful flying career starting with establishing a new world's non-refueled endurance record of 51 hours, 11 minutes, and 59 seconds in April of 1927.

In the latter half of 1926, Charles Lindbergh wanted to buy the WB-2, now named the 'Columbia', for his proposed flight from New York to Paris. He was rebuffed by Levine who also had designs on the flight and the $25,000 prize money. Lindbergh then went to Ryan for his specially designed NYP. Meanwhile Levine, in choosing the crew, managed to promise two seats to three people. So while the Columbia was grounded by a court order brought by the third party, Lindbergh took off on his successful flight to Paris.

Eventually, the 'Columbia' was cleared of litigation and took off on its successful transatlantic flight on June 4, 1927. In the cockpit were Clarence Chamberlin, one of the pilots of the endurance record and Charles Levine, who became the first transatlantic passenger. The plan was to fly all the way to Berlin, and Chamberlin had vowed to fly until they ran out of fuel. Forty-three hours later, they landed in Eisleben, Germany, the first of two successful Atlantic crossings for Bellanca's most famous aircraft.

Disappointed because the 'Columbia' was not the first aircraft to accomplish the New York to Paris flight, Bellanca severed all relations with Levine, and started his own company, the Bellanca Aircraft Corporation of America, and rented facilities on Staten Island, NY. The new Bellanca model was designated the CH, and was basically a commercial version of the WB-2. The new company also had two other models that were built for special orders, the Bellanca Model J and the Model K.

It was not long before Bellanca caught the attention of the Du Pont family of Delaware. They wanted to start aircraft manufacturing in Delaware, and in late 1927, an agreement was made with Bellanca to locate his factory outside of Wilmington. The site was large enough for a first-class airfield, with a seaplane ramp on the nearby Delaware River.

This was a busy time in Bellanca's life. Along with all that was happening in his professional life, he and Dorothy celebrated the birth of their son August T. Bellanca in March of 1927.

With the exception of a few years immediately before and during the early stages of WWII, Bellanca was President and Chairman of the Board from the corporation's inception on the last day of 1927 until he sold the company to L. Albert and Sons in 1954. After his departure from the company, Giuseppe and his son, August, formed the Bellanca Development Company with the purpose of building a new aircraft. It would have increased performance due to the use of lighter materials for its structure. Work on this aircraft was progressing when Giuseppe Bellanca succumbed to leukemia and died on December 26, 1960. After his father's death, August continued the project, and under his guidance, the aircraft first flew in 1973.

In 1993, August Bellanca donated his father's personal and professional papers to the National Air and Space Museum Archives. Prior to that time, they were kept in the Bellanca home near Galena, MD, and administered by Dorothy and August Bellanca.

1886 -- Born in Sciacca, Sicily

1909 -- Built first airplane. It completed the first flight of an Italian-designed, Italian-built, aircraft on December 8, 1909.

1911 -- Immigrated to America, settled in Brooklyn, NY.

1912 -- Completed construction of parasol monoplane. Successfully learned to fly this aircraft at Mineola, Long Island, NY.

1912 - 1916 -- Taught others to fly the parasol monoplane, including Fiorello LaGuardia.

1917 - 1920 -- Employed as a consulting engineer for Maryland Pressed Steel Company of Hagerstown, MD. While there, Bellanca designed and built the Bellanca CD and CE tractor biplanes.

1921 - 1922 -- Moved to Omaha, NE, and with Victor Roos, formed the Roos-Bellanca Aircraft Company. Bellanca designed and built the Bellanca CF. Married Dorothy Brown on November 18, 1922, in Omaha, NE.

1923 -- Moved back to New York, and designed and built new sets of wings for the Post Office Department's DH-4 mailplanes

1925 -- Employed by the Wright Aeronautical Corporation of Paterson, NJ, designing an aircraft around their new "Whirlwind" engine. The Wright-Bellanca 1, or WB-1, was the result, and was first flown in the latter part of that year.

1926 -- First flight of the WB-2.

1927 -- Bellanca started the Bellanca Aircraft Corporation of America, on Staten Island, NY. Bellanca established the Bellanca Aircraft Corporation of New Castle, DE. Wright decided not to enter into quantity production of the WB-2. Bellanca entered into a partnership with Charles A. Levine, and together, they formed the Columbia Aircraft Corporation. From Tuesday, April 12 to Thursday, April 14, Clarence Chamberlin and Bert Acosta set a new world's non-refueled endurance record in the WB-2, which was shortly thereafter, renamed the "Columbia". On June 4th, the Columbia set off across the Atlantic, and landed in Eisleben, Germany.

1941 - 1943 -- Head of the aviation department at Higgins Industries, Inc., in New Orleans, designing large cargo aircraft for troop movement during the war.

1954 -- Formed the Bellanca Development Company, to conduct research in lightweight aircraft construction materials.

1960 -- Died of leukemia in New York, December 26.
Provenance:
Mr. and Mrs. August Bellanca, Gift, 1993, NASM.1993.0055
Restrictions:
No restrictions on access.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Aeronautics  Search this
Bellanca WB-2 "Miss Columbia"  Search this
Transatlantic flights  Search this
Genre/Form:
Correspondence
Financial records
Newspaper clippings
Drawings
Photographic prints
Citation:
Giuseppe M. Bellanca Collection, Acc. NASM.1993.0055, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.1993.0055
See more items in:
Giuseppe M. Bellanca Collection
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-1993-0055
Additional Online Media:

Hattie Meyers Junkin Papers

Creator:
Junkin, Hattie Meyers, 1896-1985  Search this
Names:
Advance Aircraft Company  Search this
Waco Aircraft Company  Search this
Weaver Aircraft Company  Search this
Barnaby, Ralph S. (Ralph Stanton), 1893-1986  Search this
Brukner, Clayton J., 1896-1977  Search this
Junkin, Elwood J. (Elwood James), 1897-1926  Search this
Weaver, George E. "Buck", 1895-1924  Search this
Extent:
3.3 Cubic feet (12 Boxes)
Type:
Collection descriptions
Archival materials
Scrapbooks
Diaries
Publications
Photographs
Correspondence
Date:
1906-1982
bulk 1920-1933
Summary:
This collection consists of the personal papers of Hattie Meyers Junkin. The material consists of correspondence, scrapbooks, and manuscripts, as well as material on Junkin's husbands and Weaver Aircraft Co.
Scope and Contents:
This collection contains the personal papers of Hattie Meyers Junkin. The material consists of correspondence, scrapbooks, photographs, periodical articles and manuscripts, including material about her three husbands and about the history of the Waco Aircraft Company. This collection could very easily be called the Hattie and George "Buck" Weaver collection since much of the collection material revolves around her life with him and his Weaver/Waco Aircraft Company legacy.
Arrangement note:
The collection has been divided into nine series. These series are described below.

Series 1: General correspondence

Series 2: Soaring and gliding

Series 3: General materials of Hattie Meyers Junkin

Series 4: Waco Company History

Series 5: George "Buck" Weaver materials

Series 6: Scrapbooks

Series 7: Miscellaneous

Series 8: General Photographs

Series 9: Negatives

Series 1: General Correspondence.

This series is divided into two sub-series, personal and business correspondence. The personal correspondence materials consists primarily of letters written by George "Buck" Weaver to Hattie between 1917 to 1923. It also includes letters from family members, friends and acquaintances including Charles Meyers (Hattie's brother), Katherine Stinson, and "Matty" Emil Laird. There are also invitations, christmas cards and special occasion announcements. The business sub-series is comprised of mostly letters to publishers, but also includes letters to women's organizations, business associates, news media and other formal correspondence. Materials have been arranged chronologically.

Series 2: Soaring and Gliding.

This series contains primarily newspaper articles and photographs related directly to Ms. Junkin's soaring activities. There is also correspondence related directly to the topic of soaring, contest programs, bulletins and miscellaneous materials.

Series 3: General materials Hattie Meyers Junkin.

This series contains primarily her writings in major periodical publications, but also contains periodical articles about her children and her personal activities, club correspondence, Early Bird Dinner materials and other general materials.

Series 4: Waco Company History.

This series contains materials directly related to the Waco company and the activities of its founders including, early drafts of Hattie's history of the Waco Company--The Human Investment in Waco Aircraft, Elwood "Sam" Junkin biography, materials related to the Bruckner litigation for control of the Waco Aircraft Company, photographs of early Waco aircraft, and publicity materials including a Waco $0.13 stamp.

Series 5: George "Buck" Weaver materials.

This series contains materials related directly to George "Buck" Weaver. Much of the material in this series pertains to Weaver's activities as a civilian aviation instructor, in Waco, Texas during World War I. Most of the materials found in this series were found together when processing began.

Series 6: Scrapbooks.

This series contains six scrapbooks dating primarily between the years 1914-1926. Much of the material pertains to George "Buck" Weaver's activities at Waco, Texas, his barnstorming activities, promotional activities for the Weaver Aircraft Company and his marriage to Hattie and their family life. Some of the more recent materials deals with Hattie's soaring activities. PLEASE NOTE: Most of the pages in these scrapbooks are loose and the materials fragile. PLEASE HANDLE WITH EXTREME CARE.

Series 7: Miscellaneous materials.

This series contains materials that were organized by Ms. Junkin in a specific fashion or did not fit logically into any of the series listed. In most cases materials in this series are duplications, but their organization offers a researcher insight into materials she thought most important.

Series 8: General Photographs.

This series contains general photographs which did not fit into any of the series above. Many of these photos are publicity shots or photos of family and friends.

Series 9: Negatives.

This series contains 72 negatives found in the collection. These have been separated out and rehoused as a preservation measure. Some of the negatives have prints, but most do not. These associations have been noted in the list below. They are described first by item number (i.e. #27), general topic (i.e Soaring and Gliding), subject and date if known, and if a print is available. They have been arranged by general topic groups. Please request assistance from a staff member when handling these negatives. The staff member will also be able to inform you of ordering procedures if you wish to order copies of these negatives and prints.
Biographical/Historical note:
Hattie Meyers Junkin (1896-1985) was an aviator and observer of a number of historical events. Always interested in aviation, in 1917 she married George "Buck" Weaver ( -1924), a civilian flying instructor at the military training center at Waco, TX. Weaver, along with Clayton Bruckner and Elwood "Sam" Junkin, founded the Advance Aircraft Company in 1921 (Weaver Aircraft Company, 1922-29; Waco Aircraft Co., 1929-1946). Following Weaver's death she married Junkin ( -1926), but he died shortly afterwards and control of Weaver Aircraft slipped away. In 1929 she married Ralph Stanton Barnaby (1893-1986), a glider pilot and aviation pioneer. In 1931 she became one of the first women to earn a glider class C license and attended the University of Washington (DC) studying law, although she was unable to take the bar exam. In 1940 she moved to Garden City, NJ, where she remained until moving to Alabama in the late 1970s. She spent much of her life writing, including articles on Weaver Aircraft.
General note:
Other type of material: printing block.
Related Materials:
The National Air and Space Museum (NASM) Archives Division holds additional material about people related to Hattie Meyers Junkin, although at present this particular collection is all the information available about Hattie Meyers Junkin. Biographical information about Charles William Meyers and George "Buck" Weaver can be found in the biographical fiche collection at the NASM Archives/Garber Facility. Biographical material about Ralph Stanton Barnaby can be found in the Ralph Stanton Barnaby Collection (1915-1986), Accession number 1987-0048. It is also stored at the NASM Archives/Garber Facility. In the NASM Archives downtown facility, we recommend the biographical files which contains additional materials about George "Buck" Weaver and Charles William Meyers. There is also aircraft information available in the Waco Aircraft Technical Files found also in the NASM Archives downtown facility. For additional material related to aircraft, please see the Waco Aircraft Company Records, Accession number XXXX-0151. This collection contains mostly drawings of Waco aircraft and some company records. It is stored at the NASM Archives/Garber Facility.

For additional photographic materials about Charles William Meyers and Waco Aircraft, please see the NASM videodisc files located at the NASM Archives facility downtown. Images of Charles W. Weaver can be seen on NASM videodisc 2B-19072 to 2B-19078. Images of various types of Waco Aircraft can been seen on NASM videodiscs 1B, 2A, and 3B. In some cases, there are original videodisc prints available in the NASM Archives facility downtown and copy negatives at the Smithsonian Institution, Office of Printing and Photographic Services (OPPS). Please consult a staff member for more details and about ordering procedures.
Provenance:
Hattie Meyers Junkin, Gift, 1983, NASM.XXXX.0171
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Periodicals  Search this
Aeronautics  Search this
Aeronautics, Commercial -- United States  Search this
Women in aeronautics  Search this
Gliding and soaring  Search this
Genre/Form:
Scrapbooks
Diaries
Publications
Photographs
Correspondence
Identifier:
NASM.XXXX.0171
See more items in:
Hattie Meyers Junkin Papers
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-xxxx-0171
Additional Online Media:

Sally K. Ride Papers

Creator:
Ride, Sally, 1951-2012  Search this
Extent:
24 Cubic feet (63 boxes)
Type:
Collection descriptions
Archival materials
Date:
1970-2012
Summary:
The Sally K. Ride Papers consists of over 23 cubic feet of papers, photographs, certificates, and film, created or collected by Sally Ride and chronicling her career from the 1970s through the 2010s. The papers document Ride's lifetime of achievements and include material relating to her astronaut training and duties; her contributions to space policy; her work as a physicist; and her work as an educator, including Sally Ride Science and related STEM projects.
Scope and Contents:
The Sally Ride Papers reflect Ride's careers as a student, astronaut, physicist, professor, author, and CEO of Sally Ride Science. This collection consists of material gathered by Sally Ride over the course of her life. This material is particularly rich in training materials from her astronaut days, but also provides significant insight into her career in academia and her interest and support of STEM (Science, Technology, Engineering, and Math) education.

The bulk of this collection consists of materials related to Ride's professional work. This includes correspondence, memoranda, meeting minutes, reports and papers, notes, speeches, photographs, brochures, pamphlets, programs, newsletters, newspaper and magazine articles, and miscellaneous materials. Materials of a personal nature were retained by her family and therefore do not figure in this collection.
Arrangement:
The collection is organized chronologically into the following 12 series:

Series 1: Schooling

Series 2: NASA Career

Subseries 2.1: Training and Flights

Subseries 2.1.1: T-38 Training

Subseries 2.1.2: Space Shuttle Flight Training, General

Subseries 2.1.3: STS-7 Challenger Flight Training

Subseries 2.1.4: STS-41G Space Shuttle Challenger Flight Training

Subseries 2.1.5: Miscellaneous Space Shuttle Flight Training

Subseries 2.2: NASA Commissions and Reports

Subseries 2.2.1: Presidential Commission on the Space Shuttle Challenger Accident (Rogers Commission Report) 1986

Subseries 2.2.2: NASA Leadership and America's Future in Space: A Report to the Administrator [Ride Report] 1987

Subseries 2.2.3: Columbia Accident Investigation Board / NASA's Implementation Plan for Space Shuttle Return to Flight and Beyond Report 2003

Subseries 2.2.4: Review of United States Human Space Flight Plans Committee (Augustine Committee)

Subseries 2.3: White House Commissions and Reports

Subseries 2.3.1: President's Committee of Advisors on Science and Technology (PCAST)

Subseries 2.3.2: Briefing for the Vice President of the United States, 1986

Subseries 2.3.3: Briefing for the Clinton/Gore Transition, 1992

Series 3: Space.com

Series 4: Academia Subseries 4.1: Physics Research Papers by Ride

Subseries 4.2: Ride's Physics Research Proposals and Projects

Subseries 4.3: Physics Research Files

Subseries 4.4: Physics Classes Taught by Ride

Subseries 4.5: Non-Physics Classes Taught by Ride

Subseries 4.6: Physics Conferences and Seminars

Subseries 4.7: Miscellaneous Department of Physics Materials

Subseries 4.8: California Space Institute

Series 5: Sally Ride STEM [science, technology, engineering and mathematics] Education Projects

Subseries 5.1: KidSat/EarthKAM Project Subseries 5.2: Imaginary Lines/Sally Ride Science

Subseries 5.3: STEM Books

Series 6: Space and STEM Education Advocacy

Subseries 6.1: Space Advocacy

Subseries 6.1.1: Space Advocacy Articles

Subseries 6.1.2: Space Advocacy Speeches

Subseries 6.1.3: Space Advocacy Committees.

Subseries 6.2: STEM Advocacy, Committees and Conferences

Series 7: Awards and Publicity

Subseries 7.1: Awards

Subseries 7.2: Correspondence/Invitations

Subseries 7.3: Boards

Subseries 7.4: Publicity Files

Series 8: Research Files

Subseries 8.1: Space:

Subseries 8.1.1: Space Articles, Reports, and NASA Publications

Subseries 8.1.2: Space Files – Commission, Workshops, and Special Reports

Subseries 8.2: Education

Series 9: Miscellaneous

Series 10: First Day Covers/Autographs

Series 11: Oversized material

Series 12: Films, Audio Tapes, and Media
Biographical / Historical:
Dr. Sally K. Ride became a national icon of achievement in science and space on June 18, 1983, when she became the first American woman to fly in space. Born in 1951 in suburban Encino, California, she took up tennis as a teenager and within a few years was ranked eighteenth nationally. In 1968, she enrolled at Swarthmore College as a physics major, but she dropped out after three semesters to train full-time at tennis. In 1970, Ride gave up tennis and entered Stanford University, where she took a double major in physics and English literature. She went on to complete a Masters and Ph.D. in physics from Stanford. Her doctoral dissertation dealt with the theoretical behavior of free electrons in a magnetic field.

While completing her Ph.D. in physics, she saw an announcement that National Aeronautics and Space Administration (NASA) was looking for young scientists to serve as mission specialists and she immediately applied. She passed NASA's preliminary process and became one of 208 finalists. Ride was flown to Johnson Space Center outside Houston for physical fitness tests, psychiatric evaluation, and personal interviews. Three months later, she was an astronaut and one of six women selected for the class of 1978.

While learning to use a new space shuttle remote manipulative arm for a future mission, Ride acted as backup orbit Capsule Communicator (CAPCOM) for STS-2 and prime orbit CAPCOM for STS-3. She was named a mission specialist on the seventh flight of the Space Shuttle Challenger in 1983. As a mission specialist in the first five-member Shuttle crew, she operated a variety of orbiter systems and experiment payloads; she participated in the launch of two commercial communications satellites and also operated the remote manipulator system arm to maneuver, release, and retrieve a free-flying satellite. Ride also flew on a second mission, STS-41G in 1984, again on the Challenger. She spent a total of more than 343 hours in space.

Ride's career and legacy extended well beyond her missions in space. Ride had completed eight months of training for her third flight (STS-61-M, a TDRS deployment mission) when the space shuttle Challenger disaster occurred, and she was named to the Rogers Commission (the presidential commission investigating the accident) and headed its subcommittee on operations. Following the investigation, Ride was assigned to NASA headquarters where she led a strategic planning effort for NASA that yielded the 1987 report NASA Leadership and America's Future in Space: A Report to the Administrator (also known as the Ride Report), and she served as the first chief of the new NASA Office of Exploration. In 1993, she was named to the Columbia Accident Board, appointed to investigate the causes and to recommend remedies after that tragic loss.

In 1987, Ride left NASA to become a full-time educator. She first worked at the Stanford University Center for International Security and Arms Control and in 1989 she became a professor of physics at the University of California, San Diego (UCSD) and Director of the California Space Institute. From the mid-1990s until her death, Ride led two public-outreach programs for NASA — the ISS EarthKAM and GRAIL MoonKAM projects, in cooperation with NASA's Jet Propulsion Laboratory and UCSD. The programs allowed middle school students to request images of the Earth.

Ride continued her endeavors to improve science education and encourage young people to study science through her independent initiatives as an author or co-author of seven books on space aimed at children, and as a co-founder of Sally Ride Science, a company founded in 2001 that creates entertaining science programs and publications for upper elementary and middle school students, with a particular focus on science education for girls.

Ride died on July 23, 2012, at the age of 61, seventeen months after being diagnosed with pancreatic cancer.
Provenance:
Gift of Tam O'Shaughnessy, received March 2014.
Restrictions:
No restrictions on access.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Space shuttles  Search this
Science -- Study and teaching  Search this
Space Shuttle Remote Manipulator Arm  Search this
Manned space flight  Search this
Physics  Search this
Astronautics  Search this
Citation:
Sally K. Ride Papers, Acc. 2014-0025, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.2014.0025
See more items in:
Sally K. Ride Papers
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-2014-0025
Additional Online Media:

Warshaw Collection of Business Americana Subject Categories: Business Colleges

Creator:
Warshaw, Isadore, d. 1969  Search this
Extent:
0.29 Cubic feet (consisting of .5 box, 3 oversize folders.)
Type:
Collection descriptions
Archival materials
Business ephemera
Ephemera
Date:
undated
1865-1966
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Business Colleges forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Business Colleges is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Colleges  Search this
Genre/Form:
Business ephemera
Ephemera
Citation:
Warshaw Collection of Business Americana Subject Categories: Business Colleges, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.BusinessColleges
See more items in:
Warshaw Collection of Business Americana Subject Categories: Business Colleges
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-businesscolleges

Warshaw Collection of Business Americana Subject Categories: Billiards

Creator:
Warshaw, Isadore, d. 1969  Search this
Extent:
0.53 Cubic feet (consisting of 1 box, 4 oversize folders, 1 map case folder.)
Type:
Collection descriptions
Archival materials
Business ephemera
Ephemera
Date:
undated
1904
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Billiards forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Billiards is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Billiards  Search this
Genre/Form:
Business ephemera
Ephemera
Citation:
Warshaw Collection of Business Americana Subject Categories: Billiards, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Billiards
See more items in:
Warshaw Collection of Business Americana Subject Categories: Billiards
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-billiards

Antonio Zeno Shindler photographs of Indians and agents

Photographer?:
Shindler, A. Zeno (Antonio Zeno), 1823-1899  Search this
Names:
Gill, De Lancey, 1859-1940  Search this
Extent:
22 Negatives (glass)
Type:
Collection descriptions
Archival materials
Negatives
Glass negatives
Photographs
Date:
circa 1867-1871
Scope and Contents note:
The collection consists of studio portraits of men, probably American Indians and Indian agents. The photographs were probably made by Antonio Zeno Shindler, though they may have been made by De Lancey W. Gill, and may relate to those commissioned by William Henry Blackmore.
Biographical/Historical note:
Antonio Zeno Shindler (1823-1899) was a photographer and artist for the Smithsonian Institution and benefactor of William Blackmore during the second half of the 20th century. Though the facts of his young life are highly speculative, he was probably born Antonio (or Antonion) Zeno in Bulgaria or Romania. He adopted the name Shindler from a patron in Geneva, Switzerland, with whom he moved to and lived with in Paris, where he studied art. While it is uncertain exactly when Shindler first arrived in the United States, he is listed in an 1852 directory for Philadelphia, Pennsylvania as working as a drawing instructor. From then until 1863, he exhibited his artwork in the Pennsylvania Academy of the Fine Arts. In 1867, Shindler moved with his family and his brother-in-law's family to Washington, DC. In Washington, Shindler took propriotorship of the Addis Photographic Gallery, where he worked under the name Shindler and Company with his brother-in-law. Shindler was commissioned by English philanthropist William Henry Blackmore and the Smithsonian to make copies of Blackmore's collection of photographs, create a catalog for their exhibition, and photograph delegations of American Indians visiting Washington. The Blackmore project was completed circa 1872 and Shindler continued to work for the Smithsonian as an artist until his death in July 1899.
Local Call Number(s):
NAA Photo Lot 31
Location of Other Archival Materials:
Additional Shindler and Gill negatives are available in the National Anthropological Archives in the BAE historical negatives.
Restrictions:
The negatives are in special storage and will normally not be made available to researchers.
Rights:
Contact the repository for terms of use.
Genre/Form:
Glass negatives
Photographs
Citation:
Photo lot 31, Antonio Zeno Shindler photographs of Indians and agents, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.31
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-31
Additional Online Media:

Warshaw Collection of Business Americana Subject Categories: Borax

Creator:
Warshaw, Isadore, d. 1969  Search this
Extent:
0.33 Cubic feet (consisting of .5 box, plus digital images of some collection material.)
Type:
Collection descriptions
Archival materials
Ephemera
Business ephemera
Date:
undated
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Borax forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
This subject category- Bridges consists primarily of materials relating to bridge builders and suppliers of bridge building materials as well as individual bridges, publications, and other materials relating to bridge building. Bridge types include beam, truss, suspension, highway and railroad bridges. Various construction types, such as iron, steel and concrete are represented. Most of the material in this collection was produced in the north eastern United States; a few items are European. While the material dates from 1818 to 1941, the bulk of it was produced between 1870 and 1910. A considerable number of bridge images are present.

The material is arranged in four series.
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Borax is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Ephemera
Business ephemera
Citation:
Warshaw Collection of Business Americana Subject Categories: Borax, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Borax
See more items in:
Warshaw Collection of Business Americana Subject Categories: Borax
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-borax
Additional Online Media:

Warshaw Collection of Business Americana Subject Categories: Civil Defense

Creator:
Warshaw, Isadore, d. 1969  Search this
Extent:
0.23 Cubic feet (consisting of .5 box.)
Type:
Collection descriptions
Archival materials
Business ephemera
Ephemera
Date:
1958-1961
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Civil Defense forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
This material consists primarily of memorandums, pamphlets and booklets covering such topics as home fire protection, trapped victims, fallout protection and defense mobilization. The material dates from 1958-1961 and is arranged by type.
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Civil Defense is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Civil defense  Search this
Genre/Form:
Business ephemera
Ephemera
Citation:
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.CivilDefense
See more items in:
Warshaw Collection of Business Americana Subject Categories: Civil Defense
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-civildefense

Warshaw Collection of Business Americana Subject Categories: Combs

Creator:
Warshaw, Isadore, d. 1969  Search this
Extent:
0.23 Cubic feet (consisting of .5 box.)
Type:
Collection descriptions
Archival materials
Business ephemera
Ephemera
Date:
1837-1956
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Combs forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
This material consists primarily of bills, receipts, import/export documents and printed advertisements from manufacturers, dealers and importers of combs. There is not a substantial number of items for any company. The material dates from 1832 to 1856.
Arrangement:
Materials are organized by name of company. There are two folders grouped by type: import/export documents and miscellaneous items.
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Combs is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Combs  Search this
Dry-goods  Search this
Genre/Form:
Business ephemera
Ephemera
Citation:
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Combs
See more items in:
Warshaw Collection of Business Americana Subject Categories: Combs
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-combs

Warshaw Collection of Business Americana Subject Categories: Baking Soda

Creator:
Warshaw, Isadore, d. 1969  Search this
Extent:
0.27 Cubic feet (consisting of .5 box, 1 folder, 1 oversize folder, plus digital images of some collection material.)
Type:
Collection descriptions
Archival materials
Ephemera
Business ephemera
Date:
undated
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Baking Soda forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents note:
Materials relate to baking soda produced in the United States and originate from the manufacturers of baking soda. The oversize materials are comprised of printed advertisements, date from the late nineteenth and early twentieth centuries.
Arrangement:
Arranged alphabetically by company.
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Baking Soda is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Ephemera
Business ephemera
Citation:
Warshaw Collection of Business Americana Subject Categories: Baking Soda, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.BakingSoda
See more items in:
Warshaw Collection of Business Americana Subject Categories: Baking Soda
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-bakingsoda
Additional Online Media:

Warshaw Collection of Business Americana Subject Categories: Bibles

Creator:
Warshaw, Isadore, d. 1969  Search this
Extent:
0.45 Cubic feet (consisting of 1 box.)
Type:
Collection descriptions
Archival materials
Business ephemera
Ephemera
Date:
1730-1930
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Bibles forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
The material consist primarily of advertisements, catalogs, circulars and notices to agents from publishers of Bibles. There are also annual reports and constitutions from Bible societies. The material dates from ca. 1730-1918, but the bulk is late nineteenth century.

Materials are organized by name of publisher. There are seven folders of material arranged by type: Bible societies, Bibles, general images, import/export documents and miscellaneous items.
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Bibles is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Bibles  Search this
Books  Search this
Genre/Form:
Business ephemera
Ephemera
Citation:
Warshaw Collection of Business AmericanaSubject Categories: Bibles, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Bibles
See more items in:
Warshaw Collection of Business Americana Subject Categories: Bibles
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-bibles

Warshaw Collection of Business Americana Subject Categories: Ball Bearings

Creator:
Warshaw, Isadore, d. 1969  Search this
Extent:
0.45 Cubic feet (consisting of 1 box.)
Type:
Collection descriptions
Archival materials
Ephemera
Business ephemera
Date:
1880-1930
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Ball Bearings forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents note:
This material consists primarily of scattered correspondence on letterhead stationery, pamphlets, bills/receipts, books, printed advertisements and catalogues. The material dates from 1897-1919.

Materials are organized by name of company. There are two folders of related publications.
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Ball & Roller Bearings is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Hardware stores  Search this
Roller bearings  Search this
Genre/Form:
Ephemera
Business ephemera
Citation:
Warshaw Collection of Business Americana Subject Categories: Ball & Roller Bearings, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Ball
See more items in:
Warshaw Collection of Business Americana Subject Categories: Ball Bearings
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-ball

Warshaw Collection of Business Americana Subject Categories: Bands

Creator:
Warshaw, Isadore, d. 1969  Search this
Extent:
0.45 Cubic feet (consisting of 1 box.)
Type:
Collection descriptions
Archival materials
Business ephemera
Ephemera
Date:
1889-1925
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Bands forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
This material consists primarily of scattered correspondence on letterhead stationery, circulars, notices and announcement from various hands pertaining to their activities around the country. The material dates from ca. 1889 - 1914.

Materials are organized by name of band or band leader. There are three folders of material arranged by type: business cards, band instruments and miscellaneous items.
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Bands is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Bands (Music)  Search this
Genre/Form:
Business ephemera
Ephemera
Citation:
Warshaw Collection of Business Americana Subject Categories: Bands, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Bands
See more items in:
Warshaw Collection of Business Americana Subject Categories: Bands
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-bands

MS 3992-a A man bewitched within the house by a woman without... and The patient welcomes his physicians

Creator:
ANONYMOUS  Search this
Extent:
2 Pages
Culture:
Iroquois Indians  Search this
Indians of North America -- Northeast  Search this
Type:
Collection descriptions
Archival materials
Pages
Drawings
Date:
1830-50?
Biographical / Historical:
Probably collected by J. N. B. Hewitt, ca. 1928-1936, at either Nedrow, N. Y., Onondaga Reservation, N. Y., Tuscarora, N. Y., or Six Nations Reserve, Grand River, Ontario, Canada. See undated field photograph by Hewitt of drawing and possible tribal attribution of "The patient welcomes his physicians..." See Photo Lot 155, J.N.B. Hewitt photographs.
Local Numbers:
NAA MS 3992-A

OPPS NEG 44,516

OPPS NEG 44,516-A
Local Note:
watercolor drawings
Topic:
Medicine -- Iroquois  Search this
Witchcraft -- Iroquois  Search this
Genre/Form:
Drawings
Citation:
Manuscript 3992-A, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS3992A
See more items in:
MS 3992-a A man bewitched within the house by a woman without... and The patient welcomes his physicians
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms3992a

Photograph collection of Navajo archeological sites

Creator:
Correll, J. Lee  Search this
Photographer:
Bell, Loren  Search this
Brugge, David M.  Search this
De Harport, David  Search this
Fowler, Don D.  Search this
Gedekoh, Clifford  Search this
Kurtz, Ronald Joseph  Search this
Link, Martin A.  Search this
Van Valkenburgh, Richard F.  Search this
Whitegoat, Willie  Search this
Wilmeth, Roscoe  Search this
Yazzie, Maxwell  Search this
Extent:
160 Prints (silver gelatin)
Culture:
Indians of North America -- Southwest, New  Search this
Navajo Indians  Search this
Type:
Collection descriptions
Archival materials
Prints
Photographs
Place:
Navajo Indian Reservation -- Antiquities
Date:
1952-1962
Scope and Contents note:
Photographs depicting archeologists and Navajo archeological structures in and around the Navajo reservation. The photographs were made by various photographers including Don Fowler, David Brugge, and Richard Van Valkenburgh, and one photograph each by Maxwell Yazzie and Loren Bell.
Biographical/Historical note:
These photographs were made during reconnaissance in connection with Navajo land claim, Docket 229, before the Indian Claims Commission.
Local Call Number(s):
NAA Photo Lot 74-8
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lot 74-8, Photograph collection of Navajo archeological sites, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.74-8
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-74-8

Gerald Cannon Hickey photographs of Montagnard peoples in South Vietnam

Creator:
Hickey, Gerald Cannon, 1925-2010  Search this
Extent:
16 Prints (silver gelatin)
Culture:
Jarai (Southeast Asian people)  Search this
Rhade (Vietnamese people)  Search this
Montagnards (Vietnamese people)  Search this
Stieng (Southeast Asian people)  Search this
Type:
Collection descriptions
Archival materials
Prints
Photographs
Date:
circa 1960-1969
Scope and Contents note:
Photographs depicting Montagnard people utilizing items such as baskets, axes, hoes, and crossbows, as well as interiors and exteriors of dwellings. They include one image of the King of Fire, a Jarai shaman.

The photographs are a sample submitted to illustrate the use of artifacts which Hickey also donated to the Smithsonian. In a letter describing the photographs, Hickey noted that "with most of them [photographs], however, the ethnic group does not match the ethnic origin of the item [donated artifact] but the use of them is nonetheless the same." Included in the collection are pictures showing the use of a large crossbow, hoes, and baskets. Ethnic groups depicted are Jarai, Jeh, and Stieng.
Biographical/Historical note:
Gerald Cannon Hickey (1925-2010) was an anthropologist who worked in Southeast Asia, primarily Vietnam. From 1956 through 1973, he conducted ethnographic research in Vietnam; during the 1960s his research was sponsored by the Rand Corporation. He built ties with many of the tribes of South Vietnam and wrote several books on the people living in Vietnam's Central Highlands.
Local Call Number(s):
NAA Photo Lot 73-34
Location of Other Archival Materials:
The National Anthropological Archives holds additional Gerrald Canon Hickey papers and photographs, in ACC 2011-33.
These photographs were donated in connection with artifacts donated to the Department of Anthropology, accession 304150.
Other artifacts donated by Gerald Cannon Hickey can be found in the Department of Anthropology, accession 309097.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Crossbows  Search this
Hoes  Search this
Baskets  Search this
Dwellings  Search this
Shamans  Search this
Genre/Form:
Photographs
Citation:
Photo lot 73-34, Gerald Cannon Hickey photographs of Montagnard peoples in South Vietnam, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.73-34
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-73-34

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