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Charles Henry Turner papers

Creator:
Turner, Charles Henry, 1848-1908  Search this
Names:
Carlsen, Emil, 1853-1932  Search this
Garrett, Edmund H. (Edmund Henry), 1853-1929  Search this
Lesrel, Adolphe Alexandre  Search this
Murray, Henry -- Art of painting and drawing in coloured crayons  Search this
Extent:
0.54 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Drawings
Works of art
Sketchbooks
Sketches
Date:
1875-circa 1973
bulk circa 1890-circa 1910
Summary:
The papers of Massachusetts and New Hampshire painter and printmaker Charles Henry Turner, measure 0.54 linear feet and date from 1875-circa 1973, with the bulk of the material dating from circa 1890-circa 1910. The collection includes an auction catalog and a price list of Turner's paintings, biographical material, five letters, artwork, miscellaneous printed material, photographs of Turner, his studio, European travel, and artwork, and two glass plate negatives.
Scope and Contents:
The papers of Massachusetts and New Hampshire painter and printmaker Charles Henry Turner, measure 0.54 linear feet and date from 1875-circa 1973, with the bulk of the material dating from circa 1890-circa 1910. The collection includes an auction catalog and a price list of Turner's paintings, biographical material, five letters, artwork, miscellaneous printed material, photographs of Turner, his studio, European travel, and artwork, and two glass plate negatives.
Arrangement:
The collection is arranged as one series.

Series 1: Charles Henry Turner Papers, 1875-circa 1973 (0.5 linear feet; Box 1, OV 2, MGP 1-2)
Biographical / Historical:
Massachusetts and New Hampshire painter and printmaker Charles Henry Turner (1848-1908) was known for his landscapes, portraits, illustrations, and genre scenes. Born in Newburyport, Massachusetts, Turner studied under Otto Grundmann at the Boston Museum of Fine Arts School in the late 1870s. He studied in Europe in the 1880s, before returning to Boston, where he had a studio above his home on Mount Vernon Street.

Turner established a summer home in the White Mountains of New Hampshire and built a studio resembling a Swiss chalet on a hillside in Jackson, where he and his family spent many summers.

Turner was a member of the Unity Art Club and served as president of the Boston Art Club, where his work was exhibited many times. His work was also exhibited at the Pennsylvania Academy of Fine Arts.
Separated Materials:
Also in the Archives of American Art is material lent for microfilming (reel 4781) including drawings, a watercolor by Turner, and two charcoal landscapes by Edmund H. Garrett and [Emil?] Carlsen. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
The collection was donated to the Archives of American Art by G. Frances Souther, granddaughter of Turner, in 1973 and 1979. The artworks on reel 4781 were lent for microfilming in 1993 by Robert and Connie Rosen, antiques dealers, who purchased the material at auction. The drawings may have come from Miss Souther's estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The Charles Henry Turner papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists' studios -- France -- Paris -- Photographs  Search this
Artists' studios -- New Hampsire -- Jackson -- Photographs  Search this
Artists' studios -- Pictorial works  Search this
Painting, Modern -- 19th century  Search this
Etching -- 19th century  Search this
Etchers  Search this
Painters  Search this
Genre/Form:
Photographs
Drawings
Works of art
Sketchbooks
Sketches
Citation:
Charles Henry Turner papers, 1875-circa 1973, bulk 1890-1910. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.turnchar
See more items in:
Charles Henry Turner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-turnchar
Online Media:

Ferargil Galleries records

Creator:
Ferargil Galleries  Search this
Names:
Arkell, Bartlett  Search this
Benton, Thomas Hart, 1889-1975  Search this
Bliss, Lizzie P. (Lizzie Plummer), 1864-1931  Search this
Carlsen, Emil, 1853-1932  Search this
Dabo, Leon, 1868-1960  Search this
Davey, Randall, 1887-1964  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Diedrich, Hunt  Search this
Lawson, Ernest, 1873-1939  Search this
Lowrie, Agnes Potter  Search this
Lucioni, Luigi, 1900-1988  Search this
Miller, Barse, 1904-1973  Search this
Parrish, Maxfield, 1870-1966  Search this
Parsons, Lloyd  Search this
Pike, John, 1911-1979  Search this
Platt, Dan Fellows, 1873-1938  Search this
Price, F. Newlin (Frederic Newlin)  Search this
Sample, Paul, 1896-1974  Search this
Sawyer, Wells, 1863-1960  Search this
Van Soelen, Theodore  Search this
Van Vleck, Natalie, 1901-1974  Search this
Willams, Lois  Search this
Photographer:
Käsebier, Gertrude, 1852-1934  Search this
Extent:
18.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Prints
Drafts (documents)
Gallery records
Scrapbooks
Sketches
Date:
circa 1900-1963
Summary:
The Ferargil Galleries records date from circa 1900-1963 and document the activities of this New York gallery that dealt primarily in American contemporary art from shortly after its 1915 founding by Frederic Newlin Price (1884-1963) to it's closure in 1955. 18.7 linear feet of records include incoming and outgoing correspondence with artists, dealers, schools and colleges, and museums and other art institutions; artist files; estate and legal records including papers relating to the Arthur B. Davies estate; gallery business and financial records; printed material; scrapbooks; scattered personal papers of Price; artwork; and photographs of artists, exhibitions and artwork.
Scope and Content Note:
The Ferargil Galleries records date from circa 1900-1963 and document the activities of this New York gallery that dealt primarily in American contemporary art from shortly after its 1915 founding by Frederic Newlin Price (1884-1963) to it's closure in 1955. 18.7 linear feet of records include incoming and outgoing correspondence with artists, dealers, schools and colleges, and museums and other art institutions; artist files; estate and legal records including papers relating to the Arthur B. Davies estate; gallery business and financial records; printed material; scrapbooks; scattered personal papers of Price; artwork; and photographs of artists, exhibitions and artwork.

Correspondence is both incoming and outgoing and documents the day-to-day activities of the galleries, primarily from the 1920s to the 1950s. Significant correspondence with, or relating to, many of the artists represented by Ferargil Galleries can be found here including correspondence with Bartlett Arkell, Thomas Hart Benton, Randall Davey, Hunt Diedrich, Ernest Lawson, Agnes Potter Lowrie, Luigi Lucioni, Barse Miller, Maxfield Parrish, John Pike, Paul Sample, Wells M. Sawyer, Theodore van Soelen and many others.

Artist files consist primarily of material compiled about artists represented by Ferargil Galleries, including biographical information, press releases for exhibitions, and scattered price lists and information about individual works of art.

Estate and legal records include estate inventories for the estates of Lizzie P. Bliss, Arthur B. Davies, and Dan Fellows Platt, and document several legal actions involving Ferargil Galleries. Of particular significance are the records documenting Price's involvement with the estate of Arthur B. Davies, including correspondence with Davies's wife, Virginia, and sales and inventory records for Davies's artwork at Ferargil Galleries and elsewhere.

Business and financial records date primarily from the 1920s and document inventories, sales, insurance, shipping, and taxes for the bulk of the gallery's operating years.

Printed material contains Ferargail Galleries exhibition catalogs and announcements from 1918 to the 1950s in addition to scattered printed material from other galleries and one folder relating to Arthur B. Davies.

Scrapbooks provide a more comprehensive and detailed history of the gallery's exhibitions, through multiple news clippings of press coverage, in addition to catalogs, announcements, and photographs. Of particular note is a circa 1908 photograph of Arthur B. Davies taken by Gertrude Kasëbier.

Scattered personal records of Frederic Newlin Price document Price's work with the Benjamin West Society at Swarthmore College and further reveal Price's interests through an inventory of his art collection and drafts and copies of his writings on artists such as Arthur B. Davies, and on changing trends and tastes in the art world.

A small series of artwork includes 6 pencil sketches, a print, 3 plans, and an Arthur B. Davies exhibition catalog mock-up with pencil sketches, all by unidentified artists.

Gallery photograph files include some photos of artists such as Emil Carlsen, Leon Dabo, Lloyd Parsons, Natalie Van Vleck and Lois Williams, in addition to 13 folders of photos relating to collections and exhibitions, and photographs of artwork.
Arrangement:
The collection is arranged as 9 series:

Series 1: Correspondence, 1920s-1963 (Boxes 1-15; 6.0 linear ft.)

Series 2: Artist Files, circa 1920s-1950s (Boxes 16-17; 0.7 linear ft.)

Series 3: Estate and Legal Records, circa 1925-circa 1939 (Boxes 17-18; 0.3 linear ft.)

Series 4: Business and Financial Records, 1919-1956 (Boxes 18-21; 1.2 linear ft.)

Series 5: Printed Material, circa 1900-1956 (Boxes 21-22; 0.7 linear ft.)

Series 6: Scrapbooks, circa 1920s-1950s (Boxes 23-34, 40, OV 41; 5.4 linear ft.)

Series 7: Frederic Newlin Price Records, 1920s-1950s (Box 34; 6 folders)

Series 8: Artwork, circa 1920s-circa 1950s (Box 34, OV 41; 2 folders)

Series 9: Photographs, circa 1920-1950s (Boxes 35-39, OV 40; 4.4. linear ft.)
Historical Note:
Frederic Newlin Price (1884-1963) opened Ferargil Galleries in 1915 at 24 East 49th Street and 607 Fifth Avenue in New York City. Art critic W. Frank Purdy (1865-1943)was the President of the Art Alliance of America in 1918 and director of the School of American Sculpture worked at the galleries as director of sculpture.

Named from a combination of "fer" (ferrous-iron) and "argil" (clay), Ferargil Galleries dealt in wrought iron, sculpture, paintings and prints, and focused on exhibitions of work by American artists such as George Bellows, Thomas Hart Benton, Emil Carlsen, John Steuart Curry, Arthur B. Davies, W. Hunt Diederich, Thomas Eakins, Edward Hicks, Ernest Lawson, Albert P. Ryder and Grant Wood. Ferargil was also known for its representation of a group of contemporary watercolorists including Charles Dickinson, Phil Dike, Hardie Gramatky, Barse Miller, and Paul Sample.

In 1927 the business moved to 37 East 57th Street (later 63 East 57th Street) and housed a print room, a sculpture gallery with a fountain, and the main painting galleries.

In 1931 Price became the Director of the newly-formed Benjamin West Society at his alma mater, Swarthmore College. There, he promoted the arts at Swarthmore through annual lectures and exhibitions by contemporary artists and also acquired artwork for the college, primarily by Benjamin West. Price served as President of the American Art Dealers Association in the early 1930s and published a number of books and articles on artists including Arthur B. Davies, Walter Griffin, Eric Hudson, Ernest Lawson, Arthur P. Ryder and Horatio Walker.

Price closed Ferargil Galleries in 1955.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming (reels D321-D322, and N68-14-N68-15) including personal and business correspondence with artists and other records. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
In 1958, Frederic Newlin Price donated circa 70 letters to the Archives of American Art and loaned material for microfilming on reels D321-D322. The remaining records were donated anonymously in 1968.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Ferargil Galleries records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art dealers -- New York (State) -- New York  Search this
Art, American -- New York (State) -- New York  Search this
Art -- Collectors and collecting  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Gallery owners  Search this
Genre/Form:
Photographs
Prints
Drafts (documents)
Gallery records
Scrapbooks
Sketches
Citation:
Ferargil Galleries records, 1900-1963. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.feragall
See more items in:
Ferargil Galleries records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-feragall
Online Media:

Emil Carlsen and Carlsen family photographs

Creator:
Carlsen, Emil, 1853-1932  Search this
Names:
Carlsen, Dines  Search this
Carlsen, Luella May  Search this
Extent:
1.6 Linear feet
Type:
Collection descriptions
Archival materials
Glass plate negatives
Copy prints
Photographs
Date:
circa 1885-circa 1930
bulk 1910-1930
Summary:
The photographs of Emil Carlsen and the Carlsen family measure 1.6 linear feet and date from circa 1885 to circa 1930, with the bulk from circa 1910 to circa 1920s. Included in this collection are 169 glass plate negatives, black and white copy prints of all glass plate negatives, and four plastic safety negatives. Some descriptive annotations by Emil Carlsen are included.
Scope and Contents:
The photographs of Emil Carlsen and the Carlsen family measure 1.6 linear feet and date from circa 1885 to circa 1930, with the bulk from circa 1910 to circa 1920s. Included in this collection are 169 glass plate negatives, black and white copy prints of all glass plate negatives, and four plastic safety negatives. Some descriptive annotations by Emil Carlsen are included.

Also included are approximately 54 original glass plate negative sleeves containing contextual and descriptive information about the images penned by Emil Carlsen, which have been kept with their respective copy prints. Within the collection, 29 black and white copy prints and four plastic safety negatives were produced by the Smithsonian Archives of American Art from nitrate negatives no longer with the collection. Photographs include Emil Carlsen and his family, landscapes and animals, buildings and industrial exteriors, and artwork.

One third of the collection is made up of photographs of the artist and his family. Images of Emil Carlsen show the artist at work in his studio, painting outdoors, and enjoying time with his wife, Luella May Carlsen, and his son, Dines Carlsen. Also included are many photographs of Luella May and Dines over the years, alone and together. Additionally, Windham is listed as the town where several photographs of a very young Dines and Luella May were taken. The location of the rest of the photographs, when provided, is Port Washington.

Over half of the glass plate negatives depict landscapes, mostly of trees and various interiors and exteriors of the woods of Port Washington, New York. Landscape photographs also depict cornfields, a meadow, fences and roads, hills and mountains, boats and a marina, horses, and cattle.

Buildings and industrial exteriors contain multiple views of the exteriors of several houses and barns; cityscapes; a sand pit and quarry containing wooden building structures, equipment, and wagons.

Photographs of artwork include images of Emil Carlsen's painted landscapes, still-lifes, a single self-portrait, and two seascapes.
Arrangement:
The collection is arranged as 6 series. Photographs are arranged by subject. Cross reference numbers have been provided to match copy prints with with their respective glass plate negative originals housed separately in Series 6.

Series 1: Photographs of People, circa 1890s-circa 1920s (31 folders; Box 1)

Series 2: Photographs of Buildings and Industrial Exteriors, circa 1885-circa 1930 (7 folders; Box 1)

Series 3: Photographs of Landscapes and Animals, circa 1885-circa 1930 (20 folders; Boxes 1-2)

Series 4: Photographs of Artwork, circa 1885-circa 1930 (18 folders linear feet; Box 2)

Series 5: Miscellaneous Notes, circa 1920s (1 folder; Box 2)

Series 6: Glass Plate Negatives, circa 1885-circa 1930 (1 linear foot; Boxes 3-4)
Biographical / Historical:
Painter Emil Carlsen (1853-1932) was born Soren Emil Carlsen in Copenhagen, Denmark in 1853. He studied architecture at the Danish Royal Academy for four years, and also painted alongside cousin and painter Viggo Johansen, one of Denmark's most notable painters. In 1872, he immigrated to the United States where he worked as an architectural assistant and as an assistant for Danish marine painter Laurits Bernhard Holst (1848-1934) in Chicago, Illinois. After studying in Paris for several years, he set up a painting studio in New York and then Boston, then spending two years (1887-1889) as the Director of the San Francisco Arts Association School. In 1891, he moved back to New York and taught at the National Academy of Design until 1918. He spent most of his time with his family at their vacation home in Falls Village, Connecticut when he didn't have teaching commitments in New York, where they also kept an apartment. In 1904, after struggling to become known for his work for many years, he was elected as an associate of the New York National Academy; he won the Shaw Prize from the Society of American Artists; and was awarded the Gold Medal at the 1904 World's Fair in St. Louis for his still-life "Blackfish and Clams". Carlsen is best known for his still-life paintings and has been called "The American Chardin." Before purchasing his own property in Falls Village, Carlsen stayed often with friend and painter J. Alden Weir (1852-1919) at his farm, painting landscapes.

After deciding to make a career in painting rather than architectural design, Carlsen spent many years experimenting and finding his style. His paintings during 1872-1874 reflected his time spent assisting Laurits Bernhard Holst, and were in the style of traditional Danish marine paintings. Struggling financially, Holst arranged for Carlsen to receive his studio when Holst moved back to Denmark in 1874. At the recommendation of Chicago sculptor Leonard Wells Volk, Carlsen became an art instructor at the now Chicago Arts Institute, though he left for an opportunity to study classical painting for 6 months in Paris, where he spent time studying the painting of Jean-Baptiste-Simeon Chardin.

After Paris, he moved to a boarding house in New York, and then spent several years in Boston where he had his first exhibit at the Boston Art Club. In 1879 he moved back to New York and set up a studio, supplementing his painting with work as an engraver. During the 1880s Carlsen began becoming known for his still-life paintings, and commission work sent him to Paris again, this time for two years. He was commissioned by T. J. Blakeslee to produce bright flower paintings which were popular at the time, creating about one per month. Other American dealers began wanting his flower paintings as well, but Carlsen soon grew bored and returned to New York, refusing to paint any more flowers for Blakeslee, in 1887. It was during this time that Carlsen developed an interest in still-lifes with Chinese porcelain. His time in Paris also saw a brightening of his landscapes, as was the European style of the time. In the late 1800s he also became interested in painting white objects, such as porcelain, ceramics, garlic cloves, clothing, etc.

He married Luella May Ruby, a young model, in 1896, and his son Dines Carlsen was born in 1901. From 1900-1932, Carlsen favored a subdued color palette in his work. As still-life paintings fell out of vogue, he also painted more landscapes and marines, favoring Falls Village, Connecticut; Windham, Maine; and Port Washington, New York.

He died in New York at the age of 78, in 1932.
Provenance:
The Emil Carlsen and Carlsen family photographs were donated to the Archives of American Art on June 28, 1995, by Elizabeth M. Campanile of Campanile Galleries, Inc., which were purchased from the Dines Carlsen Estate.
Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists at or with their work  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Glass plate negatives
Copy prints
Photographs
Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.carlemil
See more items in:
Emil Carlsen and Carlsen family photographs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-carlemil
Online Media:

Woods, Waterfalls

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
2 copy prints
Container:
Box 2, Folder 7
Type:
Archival materials
Photographs
Copy prints
Date:
circa 1885-circa 1930
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 3: Photographs of Landscapes and Animals
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref102

Painting by Emil Carlsen, Self Portrait

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
1 copy print
Container:
Box 2, Folder 8
Type:
Archival materials
Copy prints
Date:
circa 1890s
Scope and Contents:
"E. C.'s self portrait (holding glass)"
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 4: Photographs of Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref103

Paintings by Emil Carlsen, Landscapes and Flowers

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
3 copy prints (Prints taken from nitrate negatives)
Container:
Box 2, Folder 9
Type:
Archival materials
Photographs
Copy prints
Date:
circa 1885-1895
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 4: Photographs of Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref105

Paintings by Emil Carlsen, Still Life

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
1 copy print
Container:
Box 2, Folder 10
Type:
Archival materials
Photographs
Copy prints
Date:
circa 1894
Scope and Contents:
'Still Life with Swan'
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 4: Photographs of Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref106

Paintings by Emil Carlsen, Still Life

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
3 copy prints
Container:
Box 2, Folder 11
Type:
Archival materials
Photographs
Copy prints
Date:
circa 1890s
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 4: Photographs of Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref108

Emil and Dines Carlsen

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
3 copy prints
Container:
Box 1, Folder 5
Type:
Archival materials
Copy prints
Date:
circa 1902
Scope and Contents:
"E. C. and D. C."

"E. C. and D. C. with ball"
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 1: Photographs of People
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref26

Luella May and Dines Carlsen

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
1 copy print
Container:
Box 1, Folder 7
Type:
Archival materials
Photographs
Copy prints
Date:
circa 1901
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 1: Photographs of People
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref29

Luella May and Dines Carlsen, Port Washington

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
2 copy prints
Container:
Box 1, Folder 8
Type:
Archival materials
Copy prints
Date:
circa 1902
Scope and Contents:
"M. C. and D. C."

"D. C. and M. C., blurred, Port Washington"
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 1: Photographs of People
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref30

Dines Carlsen, with Dah

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
2 copy prints
Container:
Box 1, Folder 15
Type:
Archival materials
Copy prints
Date:
circa 1901
Scope and Contents:
"Dah and D. C."

"Dah and D. C., Port Washington"
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 1: Photographs of People
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref40

Dines Carlsen

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
2 copy prints
Container:
Box 1, Folder 16
Type:
Archival materials
Copy prints
Date:
circa 1902-circa 1904
Scope and Contents:
"D. C. in long clothes"

"D. C. sitting on wall, Windham"
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 1: Photographs of People
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref42

Luella May Carlsen

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
2 copy prints
Container:
Box 1, Folder 22
Type:
Archival materials
Copy prints
Date:
circa 1890s
Scope and Contents:
"Mrs. C. dark corner"

"Mrs. C. in field, Port Washington"
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 1: Photographs of People
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref50

Luella May Carlsen in Woods

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
2 copy prints
Container:
Box 1, Folder 23
Type:
Archival materials
Copy prints
Date:
circa 1904
Scope and Contents:
"M. C. in wood interior, Port Washington"

"M. C. in woods"
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 1: Photographs of People
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref52

Glass Plate Negatives

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Container:
Box 3
Type:
Archival materials
Negatives
Date:
circa 1885-circa 1930
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 6: Glass Plate Negatives
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref642

Glass Plate Negatives

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Container:
Box 4
Type:
Archival materials
Negatives
Date:
circa 1885-circa 1930
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 6: Glass Plate Negatives
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref643

Old House

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
2 copy prints
Container:
Box 1, Folder 32
Type:
Archival materials
Copy prints
Date:
circa 1885-circa 1930
Scope and Contents:
"Old House with corn stalks"

"Old Barn, Port Washington"
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 2: Photographs of Buildings and Industrial Exteriors
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref68

House, Exteriors

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
5 copy prints
Container:
Box 1, Folder 33
Type:
Archival materials
Photographs
Copy prints
Date:
circa 1885-circa 1930
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 2: Photographs of Buildings and Industrial Exteriors
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref70

House, Exterior

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
1 copy print (Prints taken from nitrate negatives)
Container:
Box 1, Folder 34
Type:
Archival materials
Photographs
Copy prints
Date:
circa 1885-circa 1930
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 2: Photographs of Buildings and Industrial Exteriors
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref72

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