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Yōkai

Author:
Yumoto, Kōichi 1950-  Search this
Subject:
Yumoto, Kōichi 1950- Art collections  Search this
Miyoshi Mononoke Myūjiamu  Search this
Physical description:
509 pages illustrations (chiefly color) 31 cm
Type:
Catalogs
Catalogues
Catalog
catalogs (documents)
Place:
Japan
Miyoshi-shi
Date:
2021
Edo period, 1600-1868
1600-1868 (Époque d'Edo)
Topic:
Yōkai (Japanese folklore) in art  Search this
Painting, Japanese  Search this
Monsters in art  Search this
Yōkai dans l'art  Search this
Peinture japonaise  Search this
Monstres dans l'art  Search this
Art--Private collections  Search this
Painting, Japanese--Edo period  Search this
YMkai  Search this
Nihonga -- gashk  Search this
Nihonga-Gashū  Search this
Yōkai  Search this
Kaiga(nihon) -- gashk  Search this
YMkai -- bijutsujM  Search this
ART / General  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1165459

UK, Tytler (James), Caricature by John Kay [Photos]

Collection Creator:
National Air and Space Museum. Archives Division.  Search this
Type:
Archival materials
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
Identifier:
NASM.XXXX.1183.A, File A2U-247400-80
See more items in:
National Air and Space Museum Technical Reference Files: Aircraft
National Air and Space Museum Technical Reference Files: Aircraft / Series A2: Lighter than Air (LTA), Balloons / UK, Tytler (James)
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg221a6d500-da26-4b2b-ab90-9769d9a1da89
EDAN-URL:
ead_component:sova-nasm-xxxx-1183-a-ref61658

Cast Of Mammoth Sculpture, Part of Spear Thrower

Donor Name:
Thomas Wilson  Search this
Site Name:
Montastruc  Search this
Culture:
Magdalenian  Search this
Object Type:
Atlatl
Place:
Bruniquel, Tarn-Et-Garonne, France, Europe
Accession Date:
29 Jan 1904
Topic:
Archaeology  Search this
Accession Number:
042207
USNM Number:
A136681-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/3624e7fa7-6922-479e-9ca9-64c37826b8cf
EDAN-URL:
edanmdm:nmnhanthropology_8015796

Terracotta Grotesque Head

Donor Name:
Miss Olive R. Seward  Search this
Height - Object:
3.8 cm
Width - Object:
3.8 cm
Depth - Object:
3 cm
Culture:
Greek or Roman (?)  Search this
Object Type:
Figure
Place:
Cyprus, Europe
Accession Date:
29 Jul 1892
Topic:
Archaeology  Search this
Accession Number:
025988
USNM Number:
A154556-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/3fde4e88b-db65-48aa-9fc8-a00adf19b9de
EDAN-URL:
edanmdm:nmnhanthropology_8026317
Online Media:

Double Vase - Human Caricature - Pottery

Donor Name:
William H. Phillips  Search this
Object Type:
Vase
Place:
Guatemala, Central America
Accession Date:
17 Nov 1897
Topic:
Archaeology  Search this
Accession Number:
032872
USNM Number:
A196683-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/35f95e35f-9bf8-49b7-a5ca-562bc0b56ff1
EDAN-URL:
edanmdm:nmnhanthropology_8041787

Mask, Kolam, (The Black Man)

Collector:
Jason Schoonover  Search this
Donor Name:
Jason Schoonover  Search this
Object Type:
Mask
Place:
Sri Lanka, Asia
Accession Date:
10 Aug 1989
Collection Date:
1981 to 1982
Topic:
Ethnology  Search this
Accession Number:
364316
USNM Number:
E424124-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/35376c106-0f6b-46c2-a16c-f87a92350207
EDAN-URL:
edanmdm:nmnhanthropology_8457195
Online Media:

Carving Of Wolf, Caricature

Donor Name:
Edward W. Nelson  Search this
Object Type:
Figure
Place:
Norton Bay, Alaska, United States, North America
Accession Date:
1880
Topic:
Ethnology  Search this
Accession Number:
80A00050
USNM Number:
E44072-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/3a7c2efb9-0303-4b77-ad11-81dc7600bbca
EDAN-URL:
edanmdm:nmnhanthropology_8463065
Online Media:

Cast Of Mammoth Sculpture, Part of Spear Thrower

Donor Name:
Edward Lartet  Search this
Site Name:
Montastruc  Search this
Culture:
Magdalenian  Search this
Object Type:
Atlatl
Place:
Bruniquel, Tarn-Et-Garonne, France, Europe
Accession Date:
26 Apr 1869
Topic:
Archaeology  Search this
Accession Number:
001529
USNM Number:
A8148-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/3ae57acfd-6a40-47c0-8449-2bf5c1cf3086
EDAN-URL:
edanmdm:nmnhanthropology_8315053
Online Media:

Spoon

Collector:
Brig. Gen. William B. Hazen  Search this
William Courtenay  Search this
Donor Name:
Mrs. Mildred M. Hazen  Search this
Culture:
Hidatsa (?)  Search this
Arikara (Sahnish) (?)  Search this
Mandan (?)  Search this
Object Type:
Spoon
Place:
Fort Buford, Williams County, Dakota Territory / North Dakota, United States, North America
Accession Date:
25 May 1892
Collection Date:
1872
Topic:
Ethnology  Search this
Accession Number:
025748
USNM Number:
E153944-1
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/38f86484d-d1e8-4d54-943d-d47a3b16d24b
EDAN-URL:
edanmdm:nmnhanthropology_8343490
Online Media:

Indian Doctor's Hat Or Cap

Collector:
Dr. John B. White  Search this
Donor Name:
Dr. John B. White  Search this
Circumference - Object:
53 cm
Height - Object:
10 cm
Culture:
Apache  Search this
Object Type:
Hat
Place:
Arizona, United States, North America
Accession Date:
1876
Topic:
Ethnology  Search this
Accession Number:
004869
USNM Number:
E21521-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/3393070d4-0161-48be-8fc6-e90c9dc8239b
EDAN-URL:
edanmdm:nmnhanthropology_8361172
Online Media:

Watercolor Painting: Babu is taking selfie with his Bibi and dog with rose

Donor Name:
Jennie Kappenman  Search this
Length:
30 cm
Width:
38 cm
Object Type:
Painting
Place:
Kalighat, Kolkata (Calcutta), West Bengal, India, Asia
Topic:
Ethnology  Search this
Accession Number:
2090185
USNM Number:
E437464-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/30b5f27e8-70ee-4496-941f-fd52373afdad
EDAN-URL:
edanmdm:nmnhanthropology_16792210
Online Media:

On Miguel Covarrubias

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2012-07-16T18:46:52.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_Cic8qRfzBJo

Conan O' Brien As Seen by Artist John Kascht

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2011-03-25T18:25:22.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_IpUE-oMpjNE

Exploring Identity Through a Broken Lens: Caricature as Portraiture

Creator:
Smithsonian Asian Pacific American Program  Search this
Type:
Lectures
YouTube Videos
Uploaded:
2020-08-31T21:02:31.000Z
YouTube Category:
Education  Search this
Topic:
Asian Americans  Search this
See more by:
apacenter
Data Source:
Smithsonian Asian Pacific American Program
YouTube Channel:
apacenter
EDAN-URL:
edanmdm:yt_rix8NdRT68k

Goddard Lieberson

Artist:
Al Hirschfeld, 21 Jun 1903 - 21 Jan 2003  Search this
Sitter:
Goddard Lieberson, 1911 - 1977  Search this
Medium:
Ink on Illustration Board
Dimensions:
Sheet: 57 × 48cm (22 7/16 × 18 7/8")
Mount: 71 × 56cm (27 15/16 × 22 1/16")
Type:
Drawing
Date:
1968
Topic:
Caricature  Search this
Goddard Lieberson: Male  Search this
Goddard Lieberson: Business and Finance\Businessperson\Business executive\Company president  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; partial gift of Lisa Norsigian
Object number:
NPG.2014.4
Restrictions & Rights:
Usage conditions apply
Copyright:
© Al Hirschfeld
See more items in:
National Portrait Gallery Collection
Location:
Currently not on view
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4a75e1995-acbe-42a2-a1f3-987f342ff019
EDAN-URL:
edanmdm:npg_NPG.2014.4
Online Media:

Robert Henry Michel

Artist:
David Levine, 20 Dec 1926 - 29 Dec 2009  Search this
Sitter:
Robert Henry Michel, 2 Mar 1923 - 17 Feb 2017  Search this
Medium:
Ink on paper
Dimensions:
Sheet: 34.7 × 28 cm (13 11/16 × 11")
Type:
Drawing
Date:
1982
Topic:
Equipment\Sound Devices\Microphone  Search this
Caricature  Search this
Costume\Dress Accessory\Neckwear\Tie\Necktie  Search this
Robert Henry Michel: Male  Search this
Robert Henry Michel: Military and Intelligence\Soldier  Search this
Robert Henry Michel: Politics and Government\US Congressman\Illinois  Search this
Robert Henry Michel: Presidential Medal of Freedom  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of David Levine
Object number:
S/NPG.88.133
Restrictions & Rights:
Usage conditions apply
Copyright:
© David Levine
See more items in:
National Portrait Gallery Collection
Location:
Currently not on view
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4f7604f34-860c-44d1-a430-e721e88db91a
EDAN-URL:
edanmdm:npg_S_NPG.88.133
Online Media:

George Leslie Stout papers

Creator:
Stout, George L. (George Leslie)  Search this
Names:
Allied Forces. Supreme Headquarters. Monuments, Fine Arts and Archives Section  Search this
Fogg Art Museum  Search this
Isabella Stewart Gardner Museum  Search this
Worcester Art Museum  Search this
Correspondent:
Buck, Richard D.  Search this
Constable, W. G. (William George), 1887-1976  Search this
Gardner, G. Peabody (George Peabody)  Search this
Hall, Ardelia Ripley  Search this
Howe, Thomas Carr, 1904-1994  Search this
Ivins, William Mills, 1881-1961  Search this
Marceau, Henri, 1896-1969  Search this
Moore, Lamont  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Sizer, Theodore, 1892-1967  Search this
Warner, Langdon (1881-1955)  Search this
Extent:
6.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Sketchbooks
Date:
1855
1897-1978
Summary:
The papers of conservator and museum director George Leslie Stout measure 6.4 linear feet and date from 1855, 1897-1978. Stout was head of the conservation department at Harvard University's Fogg Art Museum, director of the Worcester Art Museum and Isabella Stewart Gardner Museum in Massachusetts, and a member of the Monuments, Fine Art and Archives (MFAA) Section of the U.S. Army during World War II. The bulk of the collection consists of correspondence with family, friends, colleagues and professional associations. There are letters from fellow Monuments Men who served in the MFAA section such as Thomas Carr Howe, Ardelia Hall, Lamont Moore, Theodore Sizer, Langdon Warner and several other prominent arts administrators. The papers also contain biographical materials, writings, sketches and one sketchbook, military records, printed materials, and photographs.

There is a 0.2 linear foot addition to this collection acquired in 2020 that includes four diaries, 1944-1946, kept by George Stout as a member of the Monuments, Fine Arts and Archives Section (MFAA) of the U.S. Army (known as the Monuments Men). The diaries describe Stout's experiences surveying war-caused damages in France, Germany, and Japan, and the recovery of Nazi impounded art works. Also included is a hand-made booklet that includes a "Glossary of Cha-no-yu Terms," which consists of quotes about Japanese art and tea drinking.
Scope and Contents:
The papers of conservator and museum director George Leslie Stout measure 6.4 linear feet and date from 1855, 1897-1978. Stout was head of the conservation department at Harvard University's Fogg Art Museum, director of the Worcester Art Museum and Isabella Stewart Gardner Museum in Massachusetts, and a member of the Monuments, Fine Art and Archives (MFAA) Section of the U.S. Army during World War II. The bulk of the collection consists of correspondence with family, friends, colleagues and professional associations. There are letters from fellow Monuments Men who served in the MFAA section such as Thomas Carr Howe, Ardelia Hall, Lamont Moore, Theodore Sizer, Langdon Warner and several other prominent arts administrators. The papers also contain biographical materials, writings, sketches and one sketchbook, military records, printed materials, and photographs.

There is a 0.2 linear foot addition to this collection acquired in 2020 that includes four diaries, 1944-1946, kept by George Stout as a member of the Monuments, Fine Arts and Archives Section (MFAA) of the U.S. Army (known as the Monuments Men). The diaries describe Stout's experiences surveying war-caused damages in France, Germany, and Japan, and the recovery of Nazi impounded art works. Also included is a hand-made booklet that includes a "Glossary of Cha-no-yu Terms," which consists of quotes about Japanese art and tea drinking.

Biographical materials include college and graduate school transcripts, various certificates, four small appointment books and passports.

Correspondence is between George Leslie Stout and family, friends, colleagues, professional associations and fellow Monuments Men. Family correspondence is with Stout's immediate and extended family, the bulk of which is from Stout to his wife Margaret and his son Thomas. Correspondents in the Monuments Men correspondence include Thomas Carr Howe, Ardelia Hall, Lamont Moore, Theodore Sizer, Langdon Warner, and many others. There is also substantial correspondence with friends and professional colleagues in the museum and art world, such as Walter Beck, Richard D. Buck, William George Constable, Earl of Crawford, George Peabody Gardner, Jr., William Ivins, Jr., Henri Marceau, and Paul Sachs, among many others.

Writings by Stout consist of typescript drafts and published articles, speeches, and miscellaneous notes. Most of the writings concern art conservation and the speeches are memorials for two of Stout's colleagues. Notes consists of drafts for the texts of holiday cards Stout designed, biographical notes, and images and captions for The Care of Pictures. There are also three conference papers on art conservation written by other people.

Subject files document Stout's conservation projects as a consultant for museums, universities, galleries and other organizations. Also found in this series are documents relating to Stout's work after retiring from the Isabella Gardner Museum and his membership or participation in various arts programs and organizations.

A separate series contains files relating to Stout's World War II service in the Monuments, Fine Arts & Archives (MFAA) Section. Found here are official military records, publications by Monuments Men, and a few scattered photographs. Military records include directives, reports, certificates and a bronze star medal. There are articles and books written by various Monuments Men such as Langdon Warner, Lincoln Kirstein and Theodore Sizer. There are also scattered photographs, only two of which depict tout (including one group photograph with Lamont Moore, Walker Hancock and other Monuments Men.) There are also 12 negatives with 4 prints depicting La Gleize Church and the town of Ambleve, Belgium in 1945. There are also four diaries documenting Stout's experiences in the MFAA Section in Europe and Japan from 1944-1946.

Personal business records include assorted legal and estate papers as well as financial papers such as receipts, travel expenses and donations.

Printed materials consists of news clippings, bulletins, brochures, press releases, conference papers, and magazine and journal articles, most of it related to art conservation.

Artwork includes pencil and ink drawings and sketches, mostly of travel scenes, people, and animals. There is one sketchbook of the human figure. Many sketches were loosely grouped together by Stout with titles such as "Pool Doodles" or "Park and Zoo." The is also one caricature of Eric Brown by Murray Pease.

The papers include photographs and negatives, mostly personal photographs of friends, family, relatives and colleagues. There are also photographs of art conservation conferences and travel photographs. Additional scattered photographs are located in the series containing the Monuments Men files.
Arrangement:
This collection is arranged as 9 series.

Missing Title

Series 1: Biographical Materials, circa 1919-1977 (0.1 linear feet; Box 1)

Series 2: Correspondence, 1922-1978 (2.5 linear feet; Box 1-3, OV 8)

Series 3: Writings, 1927-1978 (0.5 linear feet; Box 3-4)

Series 4: Subject Files, 1918, 1943-1978 (1 linear feet; Box 4, OV 8-9)

Series 5: Monuments, Fine Arts & Archives Section Files, 1918, 1942-1955, 1972-1975 (0.5 linear feet; Box 5, 10)

Series 6: Personal Business Records, 1938-1978 (0.1 linear feet; Box 5)

Series 7: Printed Materials, 1926-1977 (0.8 linear feet; Box 5-6, OV 9)

Series 8: Sketchbooks, circa 1924-circa 1938, 1970-1977 (0.1 linear feet; Box 6)

Series 9: Photographic Materials, circa 1855, 1897-1978 (0.2 linear feet; Box 6-7)
Biographical / Historical:
George Leslie Stout (1897-1978) was a museum director and prominent art conservator in Massachusetts. Stout was head of the conservation department at Harvard University's Fogg Art Museum, and director of the Worcester Art Museum and Isabella Stewart Gardner Museum, Massachusetts. During World War II, Stout served in the U.S. Army Monuments, Fine Art and Archives (MFAA) and played a leading role in the protection, location, and recovery of art work stolen by the Nazis.

Born in Winterset, Iowa in 1897, George Leslie Stout was the oldest of six children and attended Winterset High School and served in the U.S. army during World War I. Following the war, Stout studied at the State University of Iowa, received his B.A. in 1921, worked for a few years, and married Margaret Hayes in 1924 with whom he had two sons, Robert and Thomas. He attended Harvard graduate school in 1926 and graduated with a Master of Art in 1929. Stout began working as a lecturer and conservator at Harvard's Fogg Art Museum, later becoming the head of the conservation department in 1933, a position he held until 1947.

During World War II, Stout re-enlisted in the U.S. Navy, having served in the reserves since World War I. Stout was one of the first members of the Monuments, Fine Arts & Archives (MFAA) Section of the U.S. army. He was appointed to the MFAA Section for the Twelfth Army Group in 1944 and was one of the first Monuments Men to arrive at Normandy, France. He was later appointed Lieutenant Commander of the MFAA Section. Many of the Monuments Men's stolen art recovery achievements were directed by George Leslie Stout. Stout supervised the inventory and removal of looted art hidden by the Nazis in the salt mines of Merkers and Ransbach in Thuringia, Germany. Stout oversaw the organization, packing, and shipping of several thousand objects including paintings by Rubens and Goya, along with precious antiquities. At the Altaussee salt mines in Austria, he was in charge of the unit that recovered a large cache of stolen artwork that included Michelangelo's Madonna and Child and the Ghent Altarpiece or The Adoration of the Mystic Lamb by Hubert and Jan van Eyck. There, he also worked very closely with fellow Monuments Men Thomas Carr Howe. Stout went on to locate and recover looted artwork in other repositories in Germany, France, and the Netherlands. He maintained a relationship with many of his fellow Monuments Men after the war.

Stout left Europe in the latter half of 1945, then went to Japan where he served as the Chief of the Arts and Monuments Division at Headquarters of the Supreme Commander for the Allied Powers, Tokyo until the middle of 1946. After the war Stout received the Bronze Star and the Army Commendation Medal for his army service and work as a Monuments Man in Europe.

Stout resumed his position as the head of the conservation department at the Fogg Art Museum when he returned to America. In 1947 he became the director of the Worcester Art Museum in Massachusetts where he stayed until 1955, when he became the director of the Isabella Stewart Gardner Museum in Boston where he worked until his retirement in 1970. Stout wrote numerous articles about art conservation and wrote two books: Painting Materials, A Short Encyclopaedia (1942), co-authored with Harvard colleage R. J. Gettens, and Care of Pictures (1948). Stout died in Menlo Park, California in 1978 and was widely recognized as a distinguished art conservator.
Related Materials:
Also found in the Archives of American Art is an oral history interview with George Stout conducted by Paul Karlstrom in 1978.
Provenance:
George Leslie Stout donated his papers to the Archives of American Art in 1978. In that same year, Robert Stout, son of George Leslie Stout, loaned four diaries to the Archives of American Art for microfilming. The four diaries were acquired at auction by the Archives in 2020 with generous donations from Paul Neely, David Copperfield in memory of Kelly Asbury, Deborah Lehr and John Rogers, Ambassador Nicholas F. Taubman, The Whitney and Elizabeth MacMillan Foundation, Jeffrey P. Cunard and Mariko Ikehara; The Elbrun and Peter Kimmelman Family Foundation, Inc.; Peter and Paula Lunder; William and Christine Ragland in memory of William McKenzie Ragland Lt. JG, U.S. Navy, Pacific Theater, WWII; The Kurin Family in honor of WWII Veteran Saul Kurin, Paul and Corine Wegener, and Judy and Bob Huret.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Conservators -- California  Search this
Arts administrators  Search this
Topic:
Museum directors -- United States  Search this
World War, 1939-1945 -- Art and the war  Search this
Art -- Conservation and restoration  Search this
Genre/Form:
Photographs
Sketches
Sketchbooks
Citation:
George Leslie Stout papers, 1855, 1897-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stougeor
See more items in:
George Leslie Stout papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ccad7a5c-748e-4881-8fc3-5bf2bf18a811
EDAN-URL:
ead_collection:sova-aaa-stougeor
Online Media:

Artwork & Sketchbooks

Collection Creator:
Stout, George L. (George Leslie)  Search this
Extent:
0.1 Linear feet (Box 6)
Type:
Archival materials
Date:
circa 1924-circa 1938
1970-1977
Scope and Contents:
Artwork consists of numerous sketches and one sketchbook by George Leslie Stout. The sketchbook is filled with figure drawings. Sketches are in pencil and ink of landscapes, animals, people and scenes from travels. Stout loosely grouped the sketches together by topic with titles such as "Pool Doodles" of people lounging by a poolside and "Pencil Studies Zoo, Park Studies," which are sketches of animals and landscapes. Stout also made holiday greetings cards for which he drew illustrations and added text. Photocopies of several of the completed greeting cards are included. There is one caricature of Eric Brown, Director of the National Gallery of Canada, by Murray Pease, Stout's friend and colleague.
Arrangement:
The materials in this series have been arranged in loose chronological order. One drawing by Murray Pease is at the end of the series.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
George Leslie Stout papers, 1855, 1897-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stougeor, Series 8
See more items in:
George Leslie Stout papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e8176299-6f6f-4fae-ab5a-d19be4ab8555
EDAN-URL:
ead_component:sova-aaa-stougeor-ref325

Caricature of Eric Brown by Murray Pease

Collection Creator:
Stout, George L. (George Leslie)  Search this
Container:
Box 6, Folder 12
Type:
Archival materials
Date:
1935
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
George Leslie Stout papers, 1855, 1897-1978. Archives of American Art, Smithsonian Institution.
See more items in:
George Leslie Stout papers
George Leslie Stout papers / Series 8: Artwork & Sketchbooks
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw996a1d490-e284-48c1-9bec-c6da9ab2c3a3
EDAN-URL:
ead_component:sova-aaa-stougeor-ref335

Howe, Thomas Carr

Collection Creator:
Stout, George L. (George Leslie)  Search this
Container:
Box 1, Folder 48
Type:
Archival materials
Date:
1945-1978
Scope and Contents:
Includes one color photograph of George Stout seated at a dinner with M.F.K. Fisher and two photocopies of caricatures drawn by the artist Thomas Buechner.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
George Leslie Stout papers, 1855, 1897-1978. Archives of American Art, Smithsonian Institution.
See more items in:
George Leslie Stout papers
George Leslie Stout papers / Series 2: Correspondence / 2.2: Monuments Men
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d9190fe1-b16c-4fbf-b231-7f3c7d5c9ad0
EDAN-URL:
ead_component:sova-aaa-stougeor-ref68

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