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Music for Harlem Renaissance

Creator:
Anacostia Neighborhood Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Sam Morgan's Jazz Band  Search this
Armstrong, Louis, 1900-1971  Search this
Bechet, Sidney, 1897-1959  Search this
Blake, Eubie, 1883-1983  Search this
Ellington, Duke, 1899-1974  Search this
Johnson, James P. (James Price), 1894-1955  Search this
Morton, Jelly Roll, -1941  Search this
Ory, Kid, 1886-1973  Search this
Waller, Fats, 1904-1943  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
2 sound recordings (open reel, 1/4 inch)
Culture:
African American  Search this
Type:
Archival materials
Sound recordings
Music
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
circa 1985
Scope and Contents:
Clips and full sound recordings performed by African American musicians, including Sam Morgan's Jazz Band, Sidney Bechet, Thomas "Fats" Waller, Duke Ellington, Eubie Blake, Louis Armstrong, Jelly Roll Morton, Edward "Kid" Ory, and James P. Johnson.
Music. Part of The Renaissance: Black Arts of the Twenties Audiovisual Records. AV003437: undated. AV003440: dated 19861110.
Biographical / Historical:
The exhibition - The Renaissance: Black Arts of the Twenties - showcased the evolution and achievements of the Renaissance, which was the explosion of literary, visual, performance, and cinematic creativity generated by black artists between the end of World War I and the early days of the Great Depression. Represented is the creativity of Marian Anderson, Richard Barthe, Countee Cullen, Aaron Douglas, Duke Ellington, Meta Warrick Fuller, Roland Hayes, Zora Neale Hurston, Malvin Gray Johnson, Alain Locke, "Jelly Roll" Morton, Paul Robeson, George Schuyler, and Wallace Thurman, among others. The exhibition, held at the Anacostia Neighborhood Museum, ran from September 1985-December 1986.
Local Numbers:
ACMA AV003440
General:
Title transcribed from physical asset.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Topic:
African Americans  Search this
African American musicians  Search this
Musicians  Search this
Music  Search this
Jazz  Search this
Blues (Music)  Search this
Harlem Renaissance  Search this
Museum exhibits  Search this
Genre/Form:
Sound recordings
Music
Citation:
Music for Harlem Renaissance, Exhibition Records AV03-024, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-024, Item ACMA AV003437
See more items in:
The Renaissance: Black arts of the Twenties exhibition records
The Renaissance: Black arts of the Twenties exhibition records / Series ACMA AV03-024: The Renaissance: Black arts of the Twenties audiovisual records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-024-ref502

Harlem Renaissance Exhibit Tape

Creator:
Anacostia Neighborhood Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Cotton Club  Search this
National Association for the Advancement of Colored People  Search this
Roseland Ballroom (New York, N.Y.)  Search this
Savoy Ballroom (Harlem, New York, N.Y.)  Search this
Small's Paradise (Nightclub : Harlem, New York, N.Y.)  Search this
United States.. Army. Infantry Regiment, 369th  Search this
Barthé, Richmond, 1901-1989  Search this
Blake, Eubie, 1883-1983  Search this
Cullen, Countee, 1903-1946  Search this
Douglas, Aaron  Search this
Du Bois, W. E. B. (William Edward Burghardt), 1868-1963  Search this
Ellington, Duke, 1899-1974  Search this
Fauset, Jessie Redmon  Search this
Garvey, Marcus, 1887-1940  Search this
Henderson, Fletcher, 1897-1952  Search this
Hughes, Langston, 1902-1967  Search this
Johnson, Charlie, 1891-1959  Search this
Johnson, James Weldon, 1871-1938  Search this
Johnson, Malvin Gray, 1896-1934  Search this
Johnson, William H., 1901-1970  Search this
Locke, Alain, 1885-1954  Search this
McKay, Claude, 1890-1948  Search this
Randolph, A. Philip (Asa Philip), 1889-1979  Search this
Robeson, Paul, 1898-1976  Search this
Sissle, Noble, 1889-1975  Search this
Smith, Bessie, 1894-1937  Search this
Toomer, Jean, 1894-1967  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 video recording (open reel, 1 inch)
3 sound recordings (open reel, 1/4 inch)
Culture:
African American  Search this
Type:
Archival materials
Video recordings
Sound recordings
Documentary films
Narration
Place:
Harlem (New York, N.Y.)
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
circa 1985
Scope and Contents:
Harlem Renaissance Exhibit Tape provides a brief overview of the exhibition, The Renaissance: Black Arts of the Twenties, which presents the evolution and achievements of black creative expression beginning in Harlem and spreading across the United States during th 1920s. Literary, visual, performance, and cinematic achievements are highlighted. Including Marcus Garvey, James Weldon Johnson, Jessie Fauset, A. Philip Randolph, Claude McKay, Langston Hughes, Countee Cullen, Alain Locke, Paul Robeson, Fletcher Henderson, Bessie Smith, and Duke Ellington. Exhibit Tape also provides historical context of Harlem and the Renaissance, and highlights educational offerings provided by the Anacostia Neighborhood Museum, including artifacts, film footage, and programs.
Short exhibition film. Part of The Renaissance: Black Arts of the Twenties Audiovisual Records. AV003431: outtakes. AV003439: narration. AV003430: narration outtakes. AV003325 and AV003431: undated. AV003439 and AV003430: dated 19861110.
Biographical / Historical:
The exhibition - The Renaissance: Black Arts of the Twenties - showcased the evolution and achievements of the Renaissance, which was the explosion of literary, visual, performance, and cinematic creativity generated by black artists between the end of World War I and the early days of the Great Depression. Represented is the creativity of Marian Anderson, Richard Barthe, Countee Cullen, Aaron Douglas, Duke Ellington, Meta Warrick Fuller, Roland Hayes, Zora Neale Hurston, Malvin Gray Johnson, Alain Locke, "Jelly Roll" Morton, Paul Robeson, George Schuyler, and Wallace Thurman, among others. The exhibition, held at the Anacostia Neighborhood Museum, ran from September 1985 - December 1986.
Local Numbers:
ACMA AV003431

ACMA AV003439

ACMA AV003430
General:
Title transcribed from physical asset.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Topic:
African Americans  Search this
African American women  Search this
Harlem Renaissance  Search this
African American authors  Search this
African American women authors  Search this
Authors  Search this
African American artists  Search this
Artists  Search this
Sculpture  Search this
Painting  Search this
African Americans in the performing arts  Search this
Musical theater  Search this
African American musicians  Search this
Musicians  Search this
Jazz  Search this
Museum exhibits  Search this
Genre/Form:
Video recordings
Sound recordings
Documentary films
Narration
Citation:
Harlem Renaissance Exhibit Tape, Exhibition Records AV03-024, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-024, Item ACMA AV003325
See more items in:
The Renaissance: Black arts of the Twenties exhibition records
The Renaissance: Black arts of the Twenties exhibition records / Series ACMA AV03-024: The Renaissance: Black arts of the Twenties audiovisual records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-024-ref504

Music Manuscripts

Composer:
Ellington, Duke, 1899-1974  Search this
Strayhorn, Billy (William Thomas), 1915-1967  Search this
Still, William Grant, 1895-1978  Search this
Blake, Eubie, 1883-1983  Search this
Hamilton, Jimmy  Search this
Lacy, Steve  Search this
Williams, Mary Lou, 1910-  Search this
Collector:
Ellington, Duke, 1899-1974  Search this
Robison, Willard, orchestra conductor  Search this
Musical History, Division of (NMAH, SI)  Search this
Creator:
Whaley, Thomas L. (copyist)  Search this
Robison, Willard  Search this
Brown, Lawrence  Search this
Carney, Harry  Search this
Redman, Don  Search this
Names:
Duke Ellington Orchestra  Search this
Ellington, Mercer Kennedy, 1919-1996 (musician)  Search this
Collection Collector:
Musical History, Division of (NMAH, SI)  Search this
Collection Creator:
Ellington, Duke, 1899-1974  Search this
Extent:
212 Cubic feet (Approx.; 530+ boxes)
Type:
Archival materials
Music
Sheet music
Scores
Lead sheet
Notebooks
Parts (musical)
Piano vocal scores
Date:
circa 1930-1981, undated
Scope and Contents:
Includes original manuscripts (parts and scores), copy scores, lead, lyric and copyright sheets, published music and arrangements of compositions by Duke Ellington and his main collaborator, Billy Strayhorn. This series also contains arrangements by Ellington, Strayhorn, Tom Whaley and others for songs encompassing African-American spirituals and traditional songs from the nineteenth century, pre-World War II standards, Broadway tunes, film themes and pop songs from the 1950s to 1970s. Original manuscripts of compositions and arrangements created for Duke Ellington and His Orchestra by Mary Lou Williams and Don Redman among others can be found in this series. Of particular interest are original manuscripts of twentieth-century notable composers including Eubie Blake and William Grant Still that were not created for or used by Duke Ellington and His Orchestra. Scattered throughout the Collection are early works by contemporary jazz artists including Quincy Jones and Steve Lacy. Scores and parts for a 1982 posthumous Broadway musical tribute, Sophisticated Ladies, based on Ellington/Strayhorn compositions, is also included in this series.

The music manuscripts were the ephemera of Ellington and the band's life on the road and reflect their peripatetic existence. Frequently there are phone numbers, personal notes, and shopping lists jotted on the original manuscripts. The music manuscripts were not deliberately collected for posterity but maintained by band members or assembled by a "band boy" for distribution to band members for performances. Individual arrangements are not necessarily complete. Each title has been separated by arrangement and key when possible, but for most titles additional research is necessary to complete the arrangement or to document a specific performance or recording.

The manuscripts provide documentation that Ellington wrote his arrangements for his individual band members. Directions on the scores and most of the parts indicate the soloist's name or nickname rather than the instrument he played (for example; Johnny Hodges's parts are usually indicated by "Johnny" or "Rab" for his nickname "Rabbit" instead of Alto Saxophone).

The bulk of the scores and parts are hand-written by Ellington, Strayhorn or Tom Whaley (Ellington's chief copyist, circa 1942-1969); in many instances identifications are attached to the music or listed on the folder. A reference notebook available to researchers identifies the handwriting of composers, arrangers, and copyists found in the Collection.

The titles range from short songs to large-scale, multi-movement works and are arranged alphabetically. The title list is not a definitive research document. However, alternate titles provided by reference publications and research by Ellington scholars or Archives Center staff suggest a relationship between certain titles. Titles in italics indicate that there is additional music, in a separate location, which might be of interest to the researcher.

There are four reference abbreviations used in the title list: see, sa (see also), aka (also known as), and verso. Title fragments, abbreviations, working titles, or nicknames which are written on the music are cross-referenced to the proper title. They are distinguished by the use of "see" followed by the proper title to indicate the location of the music (for example; Mon-Sat see Never On A Sunday). Some songs are known by more than one title and the different titles denote a change significant enough to warrant its listing under two separate titles (for example; "Concerto For Cootie" was an instrumental arrangement which became Do Nothing Til You Hear From Me when words were added). In this and similar cases, the music is located under both titles and the reference "sa" with the alternate title in italics designates an alternate location (for example; "Do Nothing Til You Hear From Me" sa "Concerto For Cootie"). Some identical songs were recorded and performed under two different titles. In this instance, the music will be found under one title with reference to the alternate title (for example; Altitude see "Main Stem", "Main Stem" aka "Altitude"). Some titles have akas (also known as) and in this document "aka" is used to indicate that there is no music under the other known title (for example; "Merry-Go-Round" aka "Ace Of Spades"). Some music is located on the reverse side of a score or part with a different title. In this instance "verso" indicates that there is additional music with this title located elsewhere (for example; "Eggo" verso "Kick").

Sixty-seven extended works by Ellington and other collaborators, composers, arrangers, and lyricists---most notably Billy Strayhorn---have been identified and filed alphabetically. The extended works are distinguished in the finding aid by capital letters and bold text (for example; FAR EAST SUITE). The individual titles which are elements of an extended work have been relocated to their respective suites (for example: Agra see FAR EAST SUITE). Series 1 also contains ten non-Ellington extended works. These are distinguished by lower-case bold lettering (for example: Mikado Swing).

One box of songbooks containing published sheet music of Ellington and Strayhorn compositions is physically located at the end of Subseries 1.1: Oversize scores are physically located at the end of this series but are listed alphabetically and indicated in the title list by the abbreviation OS (for example; I Fell And Broke My Heart sa OS).

The music manuscripts in Series 1 have been organized into eight subseries. Each subseries has its own container list, but titles in Subseries 1.2, 1.3, and 1.4 are referenced in the Subseries 1.1 title list (for example: Caravan see also 1.2).

The bulk of the material is located in Subseries 1.1, Music Manuscripts, consisting of scores and parts composed and arranged by Duke Ellington, Billy Strayhorn and others for performance by Duke Ellington and His Orchestra. Scattered throughout this series are arrangements by Tom Whaley for bands that performed during his tenure as musical director of various Harlem Theatres including the Apollo Theatre, circa 1930-1942. Eubie Blake manuscripts of his original compositions contained in this series also were not created for performance by Duke Ellington and His Orchestra. Contained within this series are complete unpublished and unrecorded scores and parts by composers, most notably Mary Lou Williams, submitted to Ellington for possible performance or recording. Subseries 1.2, Manuscript Sketchbooks consists of three cubic feet of bound manuscript notebooks including ones by Ellington, Strayhorn, Jimmy Hamilton and Tom Whaley. These "sketchbooks" are particularly valuable and fragile and may not be photocopied. The notebooks are available to researchers with special instructions for handling. Subseries 1.3, Sidemen's Books consists of ten cubic feet of parts for individual soloists, including Lawrence Brown and Harry Carney, or for a specific instrument.

Subseries 1.4, Unidentified Music consists of five cubic feet of untitled and unidentified parts and scores including original Ellington and Strayhorn manuscripts.

Subseries 1.5, Willard Robison Arrangements consists of nine cubic feet of scores and parts that were arranged for Robison's Deep River Orchestra and in particular for the Deep River Hour, a weekly radio show broadcast from New York City that aired from 1929 to 1932. Most of these arrangements are original manuscripts of William Grant Still (1895-1978) who is considered one of the most significant African-American classical composers of the twentieth century.

Subseries 1.6, Published Sheet Music consists of nine cubic feet of published sheet music unrelated to the titles in Subseries 1.1 including one-half cubic feet of published songs in Spanish and Portuguese that were most likely presented to Ellington during his 1967 Latin American tour.

The bulk of the material in Subseries 1.2, Music Manuscript Sketchbooks consists of spiral-bound notebooks or "sketchbooks" containing original scores, incomplete scores, sketches and lyrics by Duke Ellington, Billy Strayhorn, Tom Whaley and Ellington band members Jimmy Hamilton and John Sanders. There is one notebook created by Ann Michlau. The material is very fragile and valuable.

Titles or title fragments are listed in the order they appear. In some notebooks, researchers' notes identifying the material are included, and special care is necessary to maintain this order. Each folder contains one notebook or loose pages grouped for creation or copyright. The creator of each notebook is identified by name and underlined at the beginning of the folder; change of creator within each folder is also designated. Most of the folders contain untitled works.

Subseries 1.3, Sidemen's Books consists of parts for Ellington Orchestra soloists including Johnny Hodges, Barney Bigard, Harry Carney and Lawrence Brown. In the early years, Duke Ellington's band members maintained their own "books" for performances; later the "books" were distributed by a band manager. A new band member inherited the "book" of the sideman he replaced, therefore each "book" frequently contains parts originally written for a former band member (for example, Barney Bigard clarinet parts can be found in Jimmy Hamilton's "book"). The material is in fair to poor condition.

The folders are arranged alphabetically by band members' last name, followed by folders with parts for specific instruments. The titles in each folder are filed alphabetically. To reduce handling of the material a title guide directs the researcher to a specific soloist. The title guide identifies the set number and copyist - when known-for researchers to determine if the material in this subseries corresponds with their search in Subseries 1.1, The container list marks the location of the material.

Subseries 1.4, Untitled Scores and Parts consists of untitled complete and incomplete scores and parts. The material is arranged by type of material (for example Duke Ellington scores, alto sax parts). There is no container list available for this subseries.

Subseries 1.5, Scores and Parts for Willard Robison's Deep River Orchestra, circa 1929-1931 consists of scores and parts arranged for Willard Robison's Deep River Orchestra. The bulk of these scores were created for Robison's radio show Deep River Hour. Many of the scores are the seminal arrangements of William Grant Still who was later crowned the "Dean Of Afro-American Classical Composers". The material is arranged alphabetically. Oversize scores are interfiled alphabetically but are physically located in Subseries 1.1 oversize boxes.

Subseries 1.6, Arrangements for Della Reese consists of music parts arranged by instrument.

Subseries 1.7, Non-Ellington Published Music consists of published sheet music never performed by Duke Ellington and his Orchestra. The individual titles are arranged alphabetically, followed by published songbooks. This subseries contains foreign language material; of particular interest is the material in Spanish which was most likely presented to Duke Ellington on his 1967 Latin American tour.

Subseries 1.8, Ephemera contains Duke Ellington's discography, Mercer Ellington's discography, and assorted lyrics and set lists.
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.
Topic:
Composers -- 20th century  Search this
Jazz -- 20th century -- United States  Search this
Big bands  Search this
African American musicians  Search this
Popular music -- 20th century -- United States  Search this
Music -- 20th century -- United States  Search this
African Americans -- History  Search this
Piano music (Jazz)  Search this
Musicians  Search this
Genre/Form:
Music -- Manuscripts
Sheet music
Scores
Lead sheet
Notebooks
Parts (musical)
Piano vocal scores
Collection Citation:
Duke Ellington Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0301, Series 1
See more items in:
Duke Ellington Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0301-ref36665

That great day is here [music]

Composer:
Blake, Eubie, 1883-1983  Search this
Lyricist:
Sissle, Noble, 1889-1975  Search this
Collection Creator:
Ellington, Ruth (Ruth Ellington Boatwright), 1915-  Search this
Extent:
1 Item (part (photocopy), 34 cm.)
Container:
Box 36, Folder 5
Type:
Archival materials
Manuscripts
Music
Photocopies
Piano vocal scores
Scope and Contents:
1 score
That great day is here is contained in one folder consisting of 1 four page piano vocal score in Ab Major concert -- in photocopy -- in unidentified hand.
Piano vocal score lyrics begin "At long last the war is won ...". -- from the Ruth Ellington Collection.
General:
Handwriting and other details have been reported based on the notes of David Berger, Andrew Homzy, Dr. Theodore Hudson, Walter van de Leur, Wayne Shirley, and Dr. Mark Tucker.
Condition: brittle, worn.
Related Materials:
Ruth Ellington Collection Music Manuscripts (Series 3), 1940-1991
Collection Restrictions:
Collection is open for research. Researchers must handle unprotected photographs with gloves. Copyright restrictions. Contact staff for information. Only reference copies of audiovisual materials are available for use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Music -- United States -- 20th century  Search this
Genre/Form:
Manuscripts
Music
Photocopies
Piano vocal scores
Collection Citation:
Ruth Ellington Collection, 1923-1992, Archives Center, National Museum of American History.
See more items in:
Ruth Ellington Collection of Duke Ellington Materials
Ruth Ellington Collection of Duke Ellington Materials / Series 1: Music Manuscripts, Scripts, and Compositional Materials / 1.1: Music Manuscripts
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0415-ref2244

Bleeding moon [music]

Composer:
Blake, Eubie, 1883-1983  Search this
Lyricist:
Sissle, Noble, 1889-1975  Search this
Collection Creator:
Ellington, Ruth (Ruth Ellington Boatwright), 1915-  Search this
Extent:
1 Item (copy score, 32 cm.)
Container:
Box 4, Folder 7
Type:
Archival materials
Copy scores
Manuscripts
Music
Piano vocal scores
Scope and Contents:
1 score
Bleeding moon is contained in one folder consisting of 1 two page piano vocal score in F Major concert -- in ink -- in unidentified hand (Whaley?).
Piano vocal score includes partial lyrics. Lyrics begin "When the moon is bleeding ...". -- from the Ruth Ellington Collection.
Biographical / Historical:
Statement of responsibility taken from the research of Annie Kuebler.
General:
Handwriting and other details have been reported based on the notes of David Berger, Andrew Homzy, Dr. Theodore Hudson, Walter van de Leur, Wayne Shirley, and Dr. Mark Tucker.
Condition: fair.
Unsigned Strayhorn composition.
Related Materials:
Ruth Ellington Collection Music Manuscripts (Series 3), 1940-1991
Collection Restrictions:
Collection is open for research. Researchers must handle unprotected photographs with gloves. Copyright restrictions. Contact staff for information. Only reference copies of audiovisual materials are available for use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Music -- United States -- 20th century  Search this
Genre/Form:
Copy scores
Manuscripts
Music
Piano vocal scores
Collection Citation:
Ruth Ellington Collection, 1923-1992, Archives Center, National Museum of American History.
See more items in:
Ruth Ellington Collection of Duke Ellington Materials
Ruth Ellington Collection of Duke Ellington Materials / Series 1: Music Manuscripts, Scripts, and Compositional Materials / 1.1: Music Manuscripts
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0415-ref970

Bongo-boola [music]

Topic:
Shuffle along
Composer:
Blake, Eubie, 1883-1983  Search this
Lyricist:
Sissle, Noble, 1889-1975  Search this
Collection Collector:
Musical History, Division of (NMAH, SI)  Search this
Collection Creator:
Ellington, Duke, 1899-1974  Search this
Extent:
1 Item (part (photocopy), 33 cm.)
Container:
Box 60, Folder 5
Type:
Archival materials
Manuscripts
Music
Photocopies
Piano vocal scores
Scope and Contents:
see Shuffle Along
1 score
Bongo-boola is contained in one of twelve folders for "Shuffle along" consisting of 1 eight page piano vocal score in C Major concert -- in photocopy -- in unidentified hand.
Lyrics begin "A bongo beating drummer from Martinique ...". -- from the Duke Ellington Library.
General:
Handwriting and other details have been reported based on the notes of David Berger, Andrew Homzy, Dr. Theodore Hudson, Walter van de Leur, and Dr. Mark Tucker.
Condition: worn, brittle.
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.
Topic:
Music -- United States -- 20th century  Search this
Genre/Form:
Manuscripts
Music
Photocopies
Piano vocal scores
Collection Citation:
Duke Ellington Collection, Archives Center, National Museum of American History
See more items in:
Duke Ellington Collection
Duke Ellington Collection / Series 1: Music Manuscripts / 1.1: Music Manuscripts / 1.1.3: B Titles
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0301-ref38093

By the sweat of your brow [music]

Composer:
Blake, Eubie, 1883-1983  Search this
Lyricist:
Mack, Cecil  Search this
Reddie, Milton  Search this
Collection Collector:
Musical History, Division of (NMAH, SI)  Search this
Collection Creator:
Ellington, Duke, 1899-1974  Search this
Extent:
1 Item (copy score, 32 cm.)
Container:
Box 65, Folder 4
Type:
Archival materials
Copy scores
Manuscripts
Music
Piano vocal scores
Scope and Contents:
1 score
By the sweat of your brow is contained in one folder consisting of 1 six page piano vocal score in Db Major concert -- in ink -- in unidentified hand (Jones?).
Lyrics begin "Life's not a shirkers game, ...". -- from the Duke Ellington Library.
Biographical / Historical:
There appears to be a number from the Duke Ellington Band Book: 27-A.
General:
Handwriting and other details have been reported based on the notes of David Berger, Andrew Homzy, Dr. Theodore Hudson, Walter van de Leur, and Dr. Mark Tucker.
Condition: fair, tape.
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.
Topic:
Music -- United States -- 20th century  Search this
Genre/Form:
Copy scores
Manuscripts
Music
Piano vocal scores
Collection Citation:
Duke Ellington Collection, Archives Center, National Museum of American History
See more items in:
Duke Ellington Collection
Duke Ellington Collection / Series 1: Music Manuscripts / 1.1: Music Manuscripts / 1.1.3: B Titles
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0301-ref38280

City called heaven [music]

Topic:
Shuffle along
Composer:
Johnson, Hall  Search this
Arranger:
Blake, Eubie, 1883-1983  Search this
Collection Collector:
Musical History, Division of (NMAH, SI)  Search this
Collection Creator:
Ellington, Duke, 1899-1974  Search this
Extent:
17 Items (copy scores, 32 cm.)
1 Item (manuscript, 24 cm.)
1 Item (manuscript, 32 cm.)
1 Item (part (photocopy), 32 cm.)
1 Item (copy score, 30 cm.)
Container:
Box 76, Folder 1
Type:
Archival materials
Manuscripts
Conductor scores
Copy scores
Music
Parts (musical)
Photocopies
Piano conductor scores
Piano vocal scores
Short scores
Scope and Contents:
see Shuffle Along
15 parts and an indefinite number of scores
City called heaven is contained in three of twelve folders for "Shuffle along" consisting of 1 seven page conductor score, 1 two page short score, 1 two page piano conductor score, 1 four page piano conductor score, 1 three page piano vocal score and 15 parts in f minor concert, and 1 four page piano conductor score in g minor -- in ink, pencil and photocopy -- in unidentified hands (Whaley, other?).
Folder A contains 5 parts. Parts for 2 reeds - Jimmy, Carney; 1 trombone - Brown; 1 violin - Ray; bass.
Folder B contains seven page conductor score, two page short score, two page piano conductor score, and 9 parts. Conductor score indicates parts for 5 voices - soprano, alto, tenor, baritone, bass. Lyrics begin "I am a poor pilgrim of sorrow ...". Short score does not indicate parts. Lyrics begin as above. Piano conductor score does not indicate parts. Parts for voices - soprano 1 (2), soprano 2, alto (2), tenor (2), baritone, bass. Lyrics begin as above or with humming.
Folder C contains four page piano conductor score in g minor, four page piano conductor score in f minor, three page piano vocal score, and 1 part. Piano conductor scores do not indicate parts. Lyrics for piano vocal score begin "I am a poor pilgrim of sorrow ...". Part for tenor 2. Lyrics begin with humming. -- from the Duke Ellington Library.
Biographical / Historical:
There appear to be numbers from the Duke Ellington Band Book: 257, 10.
General:
Handwriting and other details have been reported based on the notes of David Berger, Andrew Homzy, Dr. Theodore Hudson, Walter van de Leur, and Dr. Mark Tucker.
Condition: fair, tape.
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.
Topic:
Music -- United States -- 20th century  Search this
Genre/Form:
Manuscripts -- Music -- 20th century
Conductor scores
Copy scores
Copy scores
Music
Parts (musical)
Photocopies
Piano conductor scores
Piano vocal scores
Short scores
Collection Citation:
Duke Ellington Collection, Archives Center, National Museum of American History
See more items in:
Duke Ellington Collection
Duke Ellington Collection / Series 1: Music Manuscripts / 1.1: Music Manuscripts / 1.1.4: C
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0301-ref38589

Don't make a plaything out of my heart [music]

Composer:
Blake, Eubie, 1883-1983  Search this
Lyricist:
Sissle, Noble, 1889-1975  Search this
Collection Collector:
Musical History, Division of (NMAH, SI)  Search this
Collection Creator:
Ellington, Duke, 1899-1974  Search this
Extent:
1 Item (manuscript, 32 cm.)
Container:
Box 102, Folder 3
Type:
Archival materials
Manuscripts
Music
Piano vocal scores
Scope and Contents:
1 score
Don't make a plaything out of my heart is contained in one folder consisting of 1 six page piano vocal score in C Major concert -- in pencil -- in unidentified hand (Blake?).
Lyrics begin "Some fellows like to be play boys ...". -- from the Duke Ellington Library.
General:
Handwriting and other details have been reported based on the notes of David Berger, Andrew Homzy, Dr. Theodore Hudson, Walter van de Leur, and Dr. Mark Tucker.
Condition: fair, tape.
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.
Topic:
Music -- United States -- 20th century  Search this
Genre/Form:
Manuscripts -- Music -- 20th century
Music
Piano vocal scores
Collection Citation:
Duke Ellington Collection, Archives Center, National Museum of American History
See more items in:
Duke Ellington Collection
Duke Ellington Collection / Series 1: Music Manuscripts / 1.1: Music Manuscripts / 1.1.5: D
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0301-ref39163

Fall out! Fall in! [music]

Topic:
Shuffle along
Composer:
Blake, Eubie, 1883-1983  Search this
Lyricist:
Sissle, Noble, 1889-1975  Search this
Collection Collector:
Musical History, Division of (NMAH, SI)  Search this
Collection Creator:
Ellington, Duke, 1899-1974  Search this
Extent:
1 Item (part (photocopy), 33 cm.)
Container:
Box 115, Folder 3-4
Type:
Archival materials
Music
Photocopies
Piano vocal scores
Manuscripts
Scope and Contents:
see Shuffle Along
1 score.
Fall out! Fall in! is contained in one of twelve folders for "Shuffle along" consisting of 1 four- page piano vocal score in F Major concert -- in photocopy -- in unidentified hand.
Lyrics begin "Once more I hear my country's call ...". -- from the Duke Ellington Library.
General:
Handwriting and other details have been reported based on the notes of David Berger, Andrew Homzy, Dr. Theodore Hudson, Walter van de Leur, and Dr. Mark Tucker.
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.
Topic:
Music -- United States -- 20th century  Search this
Genre/Form:
Music
Photocopies
Piano vocal scores
Manuscripts -- Music -- 20th century
Collection Citation:
Duke Ellington Collection, Archives Center, National Museum of American History
See more items in:
Duke Ellington Collection
Duke Ellington Collection / Series 1: Music Manuscripts / 1.1: Music Manuscripts / 1.1.7: F
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0301-ref39565

Good night Angeline [music]

Composer:
Blake, Eubie, 1883-1983  Search this
Lyricist:
Sissle, Noble, 1889-1975  Search this
Collection Collector:
Musical History, Division of (NMAH, SI)  Search this
Collection Creator:
Ellington, Duke, 1899-1974  Search this
Extent:
1 Item (copy score, 32 cm.)
Container:
Box 133, Folder 7
Type:
Archival materials
Copy scores
Music
Piano vocal scores
Manuscripts
Scope and Contents:
1 score
Good night Angeline is contained in one folder consisting of 1 five-page piano vocal score in G Major concert -- in ink -- in unidentified hand (Whaley?).
Piano vocal score lyrics begin "Hear that old town clock a striking Angeline ..." -- from the Duke Ellington Library.
General:
Handwriting and other details have been reported based on the notes of David Berger, Andrew Homzy, Dr. Theodore Hudson, Walter van de Leur, and Dr. Mark Tucker.
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.
Topic:
Music -- United States -- 20th century  Search this
Genre/Form:
Copy scores
Music
Piano vocal scores
Manuscripts -- Music -- 20th century
Collection Citation:
Duke Ellington Collection, Archives Center, National Museum of American History
See more items in:
Duke Ellington Collection
Duke Ellington Collection / Series 1: Music Manuscripts / 1.1: Music Manuscripts / 1.1.8: G
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0301-ref40100

Gown song, The [music]

Topic:
Shuffle along
Composer:
Blake, Eubie, 1883-1983  Search this
Sissle, Noble, 1889-1975  Search this
Lyricist:
Javits, Joan  Search this
Collection Collector:
Musical History, Division of (NMAH, SI)  Search this
Collection Creator:
Ellington, Duke, 1899-1974  Search this
Extent:
1 Item (part (photocopy), 33 cm.)
Container:
Box 135, Folder 8
Type:
Archival materials
Manuscripts
Music
Photocopies
Piano vocal scores
Scope and Contents:
see Shuffle Along
1 score
The gown song is contained in one of twelve folders for "Shuffle along" consisting of 1 six page piano vocal score in C Major concert -- in photocopy -- in unidentified hand.
Piano vocal score lyrics begin "It's not what you make and who you show ...". -- from the Duke Ellington Library.
General:
Handwriting and other details have been reported based on the notes of David Berger, Andrew Homzy, Dr. Theodore Hudson, Walter van de Leur, Wayne Shirley, and Dr. Mark Tucker.
Condition: worn, brittle.
Other Title:
The gown song.
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.
Topic:
Music -- United States -- 20th century  Search this
Genre/Form:
Manuscripts
Music
Photocopies
Piano vocal scores
Collection Citation:
Duke Ellington Collection, Archives Center, National Museum of American History
See more items in:
Duke Ellington Collection
Duke Ellington Collection / Series 1: Music Manuscripts / 1.1: Music Manuscripts / 1.1.8: G
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0301-ref40177

Here's to the one we love [music]

Topic:
Shuffle along
Composer:
Blake, Eubie, 1883-1983  Search this
Lyricist:
Sissle, Noble, 1889-1975  Search this
Collection Collector:
Musical History, Division of (NMAH, SI)  Search this
Collection Creator:
Ellington, Duke, 1899-1974  Search this
Extent:
1 Item (part (photocopy), 33 cm.)
Container:
Box 145, Folder 6
Type:
Archival materials
Manuscripts
Music
Photocopies
Piano vocal scores
Scope and Contents:
see Shuffle Along
1 score
Here's to the one we love is contained in one of twelve folders for "Shuffle along" consisting of 1 three page piano vocal score in Ab Major concert -- in photocopy -- in unidentified hand.
Piano vocal score lyrics begin "Boys fill 'em and let 'em ring ...". -- from the Duke Ellington Library.
General:
Handwriting and other details have been reported based on the notes of David Berger, Andrew Homzy, Dr. Theodore Hudson, Walter van de Leur, Wayne Shirley, and Dr. Mark Tucker.
Condition: worn, brittle.
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.
Topic:
Music -- United States -- 20th century  Search this
Genre/Form:
Manuscripts
Music
Photocopies
Piano vocal scores
Collection Citation:
Duke Ellington Collection, Archives Center, National Museum of American History
See more items in:
Duke Ellington Collection
Duke Ellington Collection / Series 1: Music Manuscripts / 1.1: Music Manuscripts / 1.1.9: H
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0301-ref40468

I can't get you out of my mind [music]

Composer:
Blake, Eubie, 1883-1983  Search this
Lyricist:
Reddie, Milton  Search this
Collection Collector:
Musical History, Division of (NMAH, SI)  Search this
Collection Creator:
Ellington, Duke, 1899-1974  Search this
Extent:
1 Item (copy score, 32 cm.)
Container:
Box 151, Folder 8
Type:
Archival materials
Copy scores
Music
Manuscripts
Piano vocal scores
Scope and Contents:
1 score
I can't get you out of my mind is contained in one folder consisting of 1 five-page piano vocal score in F Major concert -- in ink -- in identified hand (Blake).
Piano vocal score lyrics begin "Each day I live is more eventful ...". -- from the Duke Ellington Library.
General:
Score bears an inscription "For Miss Lucia Hawkins." Handwriting and other details have been reported based on the notes of David Berger, Andrew Homzy, Dr. Theodore Hudson, Walter van de Leur, and Dr. Mark Tucker.
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.
Topic:
Music -- United States -- 20th century  Search this
Genre/Form:
Copy scores
Music
Manuscripts -- Music -- 20th century
Piano vocal scores
Collection Citation:
Duke Ellington Collection, Archives Center, National Museum of American History
See more items in:
Duke Ellington Collection
Duke Ellington Collection / Series 1: Music Manuscripts / 1.1: Music Manuscripts / 1.1.10: I
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0301-ref40685

Keep shuffling [music]

Composer:
Blake, Eubie, 1883-1983  Search this
Collection Collector:
Musical History, Division of (NMAH, SI)  Search this
Collection Creator:
Ellington, Duke, 1899-1974  Search this
Extent:
1 Item (manuscript, 32 cm.)
Container:
Box 191, Folder 8
Type:
Archival materials
Manuscripts
Music
Parts (musical)
Scope and Contents:
see also OS
1 part
Keep shuffling is contained in one folder consisting of 1 part in F Major concert -- in pencil -- in unidentified hand (Blake?).
Part for piano. -- from the Duke Ellington Library.
General:
Parts for "The latin in me" are noted on the verso of this part. Handwriting and other details have been reported based on the notes of David Berger, Andrew Homzy, Dr. Theodore Hudson, Walter van de Leur, and Dr. Mark Tucker.
Condition: worn, tape.
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.
Topic:
Music -- United States -- 20th century  Search this
Genre/Form:
Manuscripts
Music
Parts (musical)
Collection Citation:
Duke Ellington Collection, Archives Center, National Museum of American History
See more items in:
Duke Ellington Collection
Duke Ellington Collection / Series 1: Music Manuscripts / 1.1: Music Manuscripts / 1.1.12: K
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0301-ref41544

No good man [music]

Composer:
Blake, Eubie, 1883-1983  Search this
Lyricist:
Miller, F. E.  Search this
Collection Collector:
Musical History, Division of (NMAH, SI)  Search this
Collection Creator:
Ellington, Duke, 1899-1974  Search this
Extent:
1 Item (copy score, 32 cm.)
Container:
Box 247, Folder 13
Type:
Archival materials
Copy scores
Manuscripts
Music
Piano vocal scores
Scope and Contents:
1 score
No good man is contained in one folder consisting of 1 four page piano vocal score in C Major concert -- in ink -- in unidentified hand (Whaley?).
Piano vocal score lyrics begin "A no good man will make a good good woman bad ...". -- from the Duke Ellington Library.
General:
Handwriting and other details have been reported based on the notes of David Berger, Andrew Homzy, Dr. Theodore Hudson, Walter van de Leur, and Dr. Mark Tucker.
Condition: fair.
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.
Topic:
Music -- United States -- 20th century  Search this
Genre/Form:
Copy scores
Manuscripts
Music
Piano vocal scores
Collection Citation:
Duke Ellington Collection, Archives Center, National Museum of American History
See more items in:
Duke Ellington Collection
Duke Ellington Collection / Series 1: Music Manuscripts / 1.1: Music Manuscripts / 1.1.15: N
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0301-ref43120

Ole man river lonely now [music]

Composer:
Blake, Eubie, 1883-1983  Search this
Lyricist:
Miller, F. E.  Search this
Collection Collector:
Musical History, Division of (NMAH, SI)  Search this
Collection Creator:
Ellington, Duke, 1899-1974  Search this
Extent:
2 Items (manuscripts, 32 cm.)
1 Item (copy score, 32 cm.)
1 Item (copy score, 28 cm.)
1 Item (manuscript, 28 cm.)
Container:
Box 253, Folder 14
Type:
Archival materials
Conductor scores
Copy scores
Manuscripts
Music
Parts (musical)
Piano vocal scores
Scope and Contents:
3 parts and an indefinite number of scores
Ole man river lonely now is contained in one folder consisting of 1 three page piano vocal score, 1 three page conductor score and 1 part in F Major concert, and 2 lyric sheets -- in ink and pencil -- in unidentified hands (Blake, Whaley?).
Piano vocal score lyrics begin "The levy is obsolete, gone are those dancing feet ...". Conductor score does not indicate instrumentation. Conductor score includes lyrics as above. Part for 1 voice - baritone. Lyrics as above. 1 lyric sheet begins as above. 1 lyric sheet begins "If you think she's dumb, yes she's dumb like Solomon ...". Sheet may be unrelated to this piece. -- from the Duke Ellington Library.
General:
Piece is a part of Blake and Miller's larger work "Brown skin models." Handwriting and other details have been reported based on the notes of David Berger, Andrew Homzy, Dr. Theodore Hudson, Walter van de Leur, and Dr. Mark Tucker.
Condition: fair, brittle.
Other Title:
Ole man river.
Related Materials:
Duke Ellington Collection Music Manuscripts (Series 1), ca. 1930-1981
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.
Topic:
Music -- United States -- 20th century  Search this
Genre/Form:
Conductor scores
Copy scores
Manuscripts
Music
Parts (musical)
Piano vocal scores
Collection Citation:
Duke Ellington Collection, Archives Center, National Museum of American History
See more items in:
Duke Ellington Collection
Duke Ellington Collection / Series 1: Music Manuscripts / 1.1: Music Manuscripts / 1.1.16: O
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0301-ref43336

Oriental blues [music]

Composer:
Blake, Eubie, 1883-1983  Search this
Sissle, Noble, 1889-1975  Search this
Collection Collector:
Musical History, Division of (NMAH, SI)  Search this
Collection Creator:
Ellington, Duke, 1899-1974  Search this
Extent:
13 Items (manuscripts, 32 cm.)
Container:
Box 259, Folder 6
Type:
Archival materials
Manuscripts
Music
Parts (musical)
Scope and Contents:
see also Subseries 1.3 sa Pyramid
13 parts
Oriental blues is contained in one folder consisting of 13 parts in C Major concert -- in pencil -- in unidentified hand (Tizol?).
Parts in 2 groupings -- (i) Parts for 2 reeds - Barney, Carney; 3 trumpets - Freddy, Rex, Cooty; 1 trombone - Browne; bass. -- (ii) Parts for 1 unidentified Bb transposing instrument (tenor/trumpet?); 1 trumpet - Rex; 3 trombones - Tizol, Tricky, Browne; 1 bass - Hayes. -- from the Duke Ellington Library.
Biographical / Historical:
Statement of responsibility taken from Popular Music, 1920-1979, ed. Nat Shapiro.
General:
Parts for an untitled piece are noted on the verso of some parts in grouping i. Handwriting and other details have been reported based on the notes of David Berger, Andrew Homzy, Dr. Theodore Hudson, Walter van de Leur, and Dr. Mark Tucker.
Condition: worn, torn.
Unsigned Strayhorn composition.
Other Title:
Oriental.
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.
Topic:
Music -- United States -- 20th century  Search this
Genre/Form:
Manuscripts
Music
Parts (musical)
Collection Citation:
Duke Ellington Collection, Archives Center, National Museum of American History
See more items in:
Duke Ellington Collection
Duke Ellington Collection / Series 1: Music Manuscripts / 1.1: Music Manuscripts / 1.1.16: O
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0301-ref43442

Roll Jordan [music]

Composer:
Blake, Eubie, 1883-1983  Search this
Lyricist:
Razaf, Andy  Search this
Collection Collector:
Musical History, Division of (NMAH, SI)  Search this
Collection Creator:
Ellington, Duke, 1899-1974  Search this
Extent:
12 Items (copy scores, 32 cm.)
11 Items (manuscripts, 32 cm.)
Container:
Box 311, Folder 8-9
Type:
Archival materials
Conductor scores
Copy scores
Manuscripts
Music
Parts (musical)
Piano conductor scores
Piano vocal scores
Short scores
Scope and Contents:
16 parts and an indefinite number of scores
Roll Jordan is contained in two folders consisting of 1 six page piano vocal score, 1 three page short score, 1 four page short score, 2 seven page short scores, 1 four page piano conductor score, 1 four page conductor score and 16 parts in Eb Major concert -- in ink and pencil -- in unidentified hands (Blake, Whaley?).
Folder A contains piano vocal score. Lyrics begin "I'm so weary of this heavy load ...".
Folder B contains items in 5 groupings -- (i) Three page short score and parts. Short score indicates parts for soprano, 2 altos, tenor, baritone, bass. Lyrics begin "Roll Jordan roll ...". Parts for voices - soprano (2), alto 1, alto 2, tenor, baritone, bass. Lyrics correspond to score. -- (ii) Four page short score. Short score indicates parts for soprano, alto, tenor 2, baritone, bass. Lyrics begin "Roll Jordan roll". -- (iii) Seven page short score and parts. Short score does not indicate instrumentation. Lyrics begin "I'm so weary of this heavy load ...". Parts for voices -- soprano 2, alto, tenor, tenor 2, baritone, bass. Lyrics correspond to score. -- (iv) Seven page short score. Short score indicates parts for solo, tenor 1, tenor 2, baritone, bass. Lyrics for solo begin "I'm so weary of this heavy load ...". Lyrics for other voices begin "Roll Jordan roll ...". -- (v) Piano conductor score, conductor score and parts. Piano conductor score does not indicate instrumentation. Conductor score indicates parts for sax, brass, voice. Parts for 1 reed - alto 1; 2 trumpets - 1, 2. -- from the Duke Ellington Library.
Biographical / Historical:
There appear to be numbers from the Duke Ellington Band Book: 12, 57, 58.
General:
Handwriting and other details have been reported based on the notes of David Berger, Andrew Homzy, Dr. Theodore Hudson, Walter van de Leur, and Dr. Mark Tucker.
Condition: fair, tape.
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.
Topic:
Music -- United States -- 20th century  Search this
Genre/Form:
Conductor scores
Copy scores
Manuscripts
Music
Parts (musical)
Piano conductor scores
Piano vocal scores
Short scores
Collection Citation:
Duke Ellington Collection, Archives Center, National Museum of American History
See more items in:
Duke Ellington Collection
Duke Ellington Collection / Series 1: Music Manuscripts / 1.1: Music Manuscripts / 1.1.19: R
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0301-ref44453

Six shades of blue [music]

Composer:
Blake, Eubie, 1883-1983  Search this
Collection Collector:
Musical History, Division of (NMAH, SI)  Search this
Collection Creator:
Ellington, Duke, 1899-1974  Search this
Extent:
1 Item (copy score, 32 cm.)
Container:
Box 342, Folder 15
Type:
Archival materials
Copy scores
Manuscripts
Music
Parts (musical)
Scope and Contents:
1 part
Six shades of blue is contained in one folder consisting of 1 part in Ab Major concert -- in ink -- in unidentified hand (Whaley?).
Part for piano. -- from the Duke Ellington Library.
General:
Handwriting and other details have been reported based on the notes of David Berger, Andrew Homzy, Dr. Theodore Hudson, Walter van de Leur, and Dr. Mark Tucker.
Condition: fair, tape.
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.
Topic:
Music -- United States -- 20th century  Search this
Genre/Form:
Copy scores
Manuscripts
Music
Parts (musical)
Collection Citation:
Duke Ellington Collection, Archives Center, National Museum of American History
See more items in:
Duke Ellington Collection
Duke Ellington Collection / Series 1: Music Manuscripts / 1.1: Music Manuscripts / 1.1.20: S
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0301-ref45110

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