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Handbook of North American Indians records

Topic:
Handbook of North American Indians
Creator:
Smithsonian Institution. Department of Anthropology  Search this
Editor:
Goddard, Ives, 1941-  Search this
Sturtevant, William C.  Search this
Extent:
513 Linear feet (The total extent of the collection is 513 linear feet with 11 boxes of oversized material, four boxes of rolled maps and three large map folders )
Culture:
Indians of North America  Search this
Type:
Collection descriptions
Archival materials
Articles
Bibliographies
Correspondence
Financial records
Illustrations
Manuscripts
Maps
Photographs
Publications
Research
Date:
circa 1966-2008
Summary:
This collection is comprised of the working records of the Handbook of North American Indians, the unpublished photographs, published photographs, editorial correspondence, Illustrations and Bibliographic research as well as administrative files and linguistics research.
Scope and Contents:
This collection is comprised of the working records of the Handbook of North American Indians, which includes published and unpublished photographs, editorial correspondence, illustrations, bibliographic and linguistic research, and administrative files. The total extent of the collection is 513 linear feet with 11 boxes of oversized material, four boxes of rolled maps and three large map folders.

Series 1: Published photographs (78.75 linear feet) contains the printed, photocopied or digital representations of the photographs and illustrations published in The Handbook of North American Indians (HNAI). The series also contains the correspondence and documentation surrounding the research and use of these images. The files are organized by published volume (culture area or special topic), chronologically by publication date and, therein segmented alphabetically by chapter author. Authors who have contributed multiple chapters within the same volume are further delineated by the chapter title.

Series 2: Unpublished photographs (91.5 linear feet) contains original photographs, photocopied images and/or digital representations of the photographs and illustrations not published in The Handbook of North American Indians (HNAI). It is primarily the result of research trips made by Joanna Cohan Scherer, Illustrations Researcher from 1970-2006. The series also contains the correspondence and documentation surrounding the accession of these images and their potential use in the HNAI project or future use by the NAA.

Series 3: Photo repository files (16 linear feet) contains an alphabetical listing of repositories or photographers that were utilized or inventoried in the collecting of the photographs for volume publication and research. Each file represents a discreet repository- files are arranged alphabetically. Folders contain correspondence, newspaper clippings and company information when available.

Series 4: Central editorial files (134 linear feet) contains the working files of various editors within the office of the Handbook of North American Indians. Within this series you will find correspondence with chapter authors, manuscript edits and related research. Folder titles are organized first by volume publication date, beginning with Volume 8- California and those volumes are organized alphabetically by the last name of each chapter author. Further chapter organization is delineated in the following manner: the front folder contains an original working copy of the chapter manuscript and a bibliography, the second folder contains a file copy of the manuscript and three smaller folders titled: "orthography", "illustrations" and "correspondence". The final portion of the chapter folders consists of the superseded manuscript text.

Series 5: General Editor files (30 linear feet) contains the files of William C. Sturtevant as they relate to his work as General Editor for the Handbook of North American Indians. This material was packed in the order in which it was found in the sub-office of the General Editor. The General Editor oversaw the production of all volumes of HNAI. Included are superseded files from the Indians in Contemporary Society Volume, volume reviews, original author questionnaires for the soliciting of volume contributors as well as a number of research publications.

Series 6: Linguistic Editor files (9 linear feet) consists of files from the office of Linguistic Editor Dr. Ives Goddard. Included are orthographies, alphabets, typologies and personal names gathered in the publication of all volumes of the Handbook of North American Indians but mostly focused on the Language Volume.

Series 7: Managing Editor files (5 linear feet) consists of the files from Dr. Ives Goddard's time as the managing editor of the Handbook. Correspondence, volume production schedules and chapter edits can be found in this series. The managing editor took over the role of the general editor.

Series 8: Editorial assistant files (24 linear feet) consists of the files of Editorial Assistant Paula Cardwell. Ms. Cardwell worked as the assistant to General Editor William C. Sturtevant. This series is unprocessed.

Series 9: Illustrator research files (9 linear feet and 11 boxes of oversized materials) contains the files associated with the illustrations research function of the Handbook of North American Indians office. It is comprised heavily of correspondence with chapter authors and of oversized illustrations for the volumes.

Series 10: Bibliographer files (12 linear feet) contains the files of bibliographer Cesare Marino and others who helped to compile the bibliographies for all volumes of the Handbook.

Series 11: Bibliographic card files and lists (18 linear feet) consists of the Bibliographic card files created to organize the information content of the handbook volumes and stored for potential use in the unpublished Bibliography volumes 19 and 20. This series is unprocessed.

Series 12: Coordinator files (3 linear feet) consists of the papers of the HNAI coordinator office and includes documents related to typesetting, printing, indexing, schedules and documentation of the Handbook publication practices. These files were maintained by Dianne Della-Loggia.

Series 13: Administrative (13 linear feet) consists of the administrative papers of the Handbook of North American Indians office and were maintained by administrator Melvena Jackson. This series is unprocessed.

Series 14: Quarterly reports (3 linear feet) consistss of the quarterly financial reports of the Handbook office from 1976 to 1992.

Series 15: Vertical file (16 linear feet) contains published reference data for use in the making of HNAI, including scholarly articles, research and other publications. This series is unprocessed.

Series 16: Maps (4 boxes of rolled maps and 3 folders of annotated maps).
Arrangement:
The collection is organized into 16 series: 1) Published photographs; 2) Unpublished photographs; 3) Photo repository files; 4) Central editorial files; 5) General Editor files; 6) Linguistic Editor files; 7) Managing Editor files; 8) Editorial assistant files; 9) Illustrator research files; 10) Bibliographer files; 11) Bibliographic card files and lists; 12) Coordinator files; 13) Administrative; 14) Quarterly reports; 15) Vertical file; 16) Maps.
Historical Note:
The Handbook of North American Indians, originally a project of the Smithsonian Office of Anthropology, was transferred to the Center for the Study of Man upon its organization in the late 1960's. With the center's winding down in the late 1970's, the Handbook was returned to the Department of Anthropology. William C. Sturtevant was Editor from the inception until 2007. The office of the Handbook was concerned with the production of a multivolume work intended to supersede F.W. Hodge's two-volume Handbook of Indians North of Mexico, Bureau of American Ethnology Bulletin 30, 1907-1910. The Handbook office was terminated in December of 2007 having published 15 of the planned 20 volumes.

1966 -- William C. Sturtevant officially named general editor

1968 -- Office of the Handbook is established

1970 -- First staff member hired by Sturtevant- Joanna Cohan Scherer

1972 -- First manuscript submitted to the Office, April 28

1978 -- California volume published Northeast volume published

1979 -- Southwest volume published

1981 -- Subarctic volume published

1983 -- Second Southwest volume published

1984 -- Arctic volume published

1986 -- Great Basin volume published

1988 -- History of Indian-White Relations volume published

1990 -- Northwest Coast volume published

1996 -- Languages volume published

1998 -- Plateau volume published

2000 -- Plains volume published

2004 -- Southeast volume published

2006 -- Environment, Origins and Populations volume published

2007 -- General Editor William C. Sturtevant retires in January General Editor William C. Sturtevant Passes away on March 2nd Office terminated in December

2008 -- Indians in Contemporary Society volume published
Provenance:
These records from the Office of the Handbook of North American Indians were moved in November of 2008 from the office of the Handbook of North American Indians to the National Anthropological Archives at the Museum Support Center.
Restrictions:
Advanced notice must be given to view portions of the collection stored off-site. Consult the reference archivist for more information.
Rights:
The NAA does not own rights to many of the photographs and illustrations in Series 1 Published Photographs and Series 2: Unpublished Photographs. Permission to use photographs must be obtained from the corresponding repository and or source (ie photographer and or anthropologist). Photographers and anthropologists who contributed their original material often gave permission for the Smithsonian to freely use their materials, corresponding catalog cards will often indicate whether there are restrictions on use.

Contact the repository for more information.
Genre/Form:
Articles
Bibliographies
Correspondence
Financial records
Illustrations
Manuscripts
Maps
Photographs
Publications
Research
Citation:
Handbook of North American Indians records, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.MS2008-25
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw39244069f-8786-4b72-b3bb-b4d9a7841bcd
EDAN-URL:
ead_collection:sova-naa-ms2008-25

Bridge history (technical articles)

Collection Creator:
Baltimore and Ohio Railroad Company  Search this
Collection Author:
Garrett, John W. (John Work), 1820-1884  Search this
Latrobe, Benj. H. (Benjamin Henry), 1807-1878  Search this
Container:
Box 1, Folder 17
Type:
Archival materials
Date:
1922-1951
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Baltimore and Ohio Railroad Records, Archives Center, National Museum of American History
See more items in:
Baltimore and Ohio Railroad Records
Baltimore and Ohio Railroad Records / Series 2: Bridge Histories
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8812de485-8a1c-4276-8abc-26ec605a4ebf
EDAN-URL:
ead_component:sova-nmah-ac-1086-ref36

Nordic Ware records

Topic:
Bundt Brand Bakeware
Creator:
Nordic Ware Division, Northland Aluminum  Search this
Donor:
Dalquist, H. David  Search this
Dalquist, Dorothy  Search this
Extent:
28 Cubic feet (53 boxes and 25 oversize folders )
Type:
Collection descriptions
Archival materials
Correspondence
Photographs
Legal records
Catalogs
Financial records
Design drawings
Place:
Minneapolis (Minn.)
Date:
1940-2006
Summary:
Records of a family-owned manufacturing firm, best known for kitchenware products including the Bundt Pan and Micro-Go-Round. The collection richly documents the entrepreneurial spirit of the Minnesota firm and its history of product innovation through technical files, marketing materials, and administrative and financial records.
Scope and Contents:
The Nordic Ware collection consists of approximately twenty-eight cubic feet of records from the Northland Aluminum Company, most dealing with its Nordic Ware business. The Dalquist family recognized the importance of record keeping, and this collection documents very well the evolution of an entrepreneurial, family-owned American business from its earliest years.

Of particular interest for researchers may be the Pillsbury and Bundt Cake Pan dual marketing strategies, showcased mainly in Series 3, Marketing and Sales Records, 1948-2004, the introduction of ethnic cookware into American Culture through such dishes as the Rosettes and Timbales set and Taco dinner kit, the segmentation of product lines by price level to target consumers of differing incomes, and the issue of a trademarked term like "Bundt" becoming generic as seen in Series 6, Legal Records, 1962-1978. Series 4, Engineering Department Records, 1950-1994, provide in-depth documentation of the technical development of several of Nordic Ware's innovative products.

Series 1: Historical and Background Materials, 1940s-2006

These materials provide a history of Dave Dalquist as an entrepreneur and how this led to his ownership of Northland Aluminum Products and the Nordic Ware brand. There are histories put together by the company as well financial summaries for some years. The series contains The Nordic Ware Saga, a book edited and produced by the Dalquist family, and America at Home: A Celebration of Twentieth-Century Housewares. Both books have valuable background information on the company and how it fits into the housewares industry. There also are materials from the original business, Plastics for Industry. An undated marketing booklet, published about 1990, briefly describes the company's history and its product line and corporate structure. Additional company history is found in six installments written by Dave Dalquist under the title "From the Skipper" and covering the years 1946 to l985.

Series 2: David Dalquist Files, 1963-1993

David Dalquist, the president and founder of the company, kept these files in his office and home. Dalquist had no formal filing system and preferred to group records together as he used them. This order has been maintained as much as possible to the folder level. Several files contain information and notes from Dalquist's attendance at the National Housewares Shows and the meetings held there with his sales representatives. The annual Housewares Shows in Chicago were key events in this industry and Nordic Ware made them a high priority. The sales meetings materials include speeches Dalquist delivered. This series reveals Dalquist's involvement with every aspect of the company. It portrays an entrepreneur who began with an engineering degree, very limited capital, and no business experience. Dalquist built a multi-million dollar company while insisting on high ethical and business standards.

The several companies owned by the Dalquist family are documented in these files. There is a merger agreement between Northland Metal Finishers and Northland Aluminum. The records show the company went through several phases and had several brands besides Nordic Ware, including Minnesota Ware, DuNord, and Norcast.

Series 3: Marketing and Sales Records, 1948-2004 The Marketing and Sales Records focus mainly on the promotion of the Nordic Ware Brand and the sale and distribution of products, especially to the retail trade industry. There is evidence of how Nordic Ware presented its products to the industry and of other types of promotions to build brand awareness. These records are divided into three subseries: Subseries 1, General and Department Records, 1967-1995; Subseries 2, Promotional and Trade Sales Materials, 1958-2004; and Subseries 3, Public Relations, 1948-1992

Subseries 3.1: General and Department Records, 1967-1995

Dave Dalquist initially handled most of the company's marketing and sales, but as the company grew, a separate department was created. Among other things, this department created sketches of new product ideas that employees submitted as part of the New Product Idea meetings periodically scheduled by Dave Dalquist. Several files contain this artwork and a design notebook. There are also the files of Doug White, a Vice President of Marketing and Sales. Other art renderings, such as line art used in catalogs, are in this series.

Subseries 3.2: Promotional and Trade Sales Materials, 1958-2004

This subseries consists both of advertising geared towards the trade industry and that aimed at the consumer to promote brand image and sales. A 1970s scrapbook is a record of cross-promotional offers in which Nordic Ware and other firms advertised their products together in a single advertisement. The scrapbook also documents Nordic Ware products offered as sales premiums. The advertisements are organized by the brand co-featured in the advertisement. The Bundt Pan was the predominant Nordic Ware product in these advertisements. The Pillsbury file is especially important as it shows the building of the dual marketing arrangement which allowed Bundt Pans to be packaged with Pillsbury mixes. Nordic Ware received national publicity that it would otherwise have been difficult to generate. The Bundt Pan was integrated into magazine recipes and articles and included in mentions of other brands. These records document the remarkably brief time in which the Bundt Pan achieved national recognition.

The trade market was critical to Nordic Ware. The Sales Guides, 1982-2004, were given to regional sales representatives with information on sales promotions and incentives to representatives for sales of Nordic Ware products in specific markets. The Guides also have product descriptions, so that each representative was fully familiar with the products. Along with these guides, Nordic Ware put out trade catalogs, also found in this subseries. Although there is no master list of the catalogs, many have been hand-dated by Nordic Ware employees. Many of the models in the catalogs and the advertisements were members of the Dalquist family, neighbors, and other acquaintances.

Subseries 3.3: Public Relations, 1948-1992

These materials mainly document a series of campaigns created by Sara Jean Thomas, a public relations contractor. She worked with the marketing and sales department to build the Nordic Ware brand and to create a series of television and radio product promotions in the form of household hints. Several scripts are included here along with details of the overall campaigns. There also are files documenting the reach of these promotions. Other materials include a press kit for Chef Tell, a celebrity chef who represented Nordic Ware products for several years and who made appearances at its booth at the National Housewares Shows. New product press releases (with photographs) and general public relations files (1986-1989), along with the Marketing Communication Plans (1987-1989), give details on the planning of other public relations efforts. The trade press clippings scrapbook documents mentions of Nordic Ware and its products, competitors' advertising, and general developments in the house wares industry. Trade press clippings also are found in Series 8, subseries 4.

Series 4: Engineering Department Records, 1950-1994

The Engineering Department was vital to the success of Nordic Ware. Records in this series reveal the process by which a new product idea was developed, built, tested, and turned into a saleable product. Museum staff members selected the records in this series, occupying about five cubic feet, from a much larger group of files, roughly twenty-five feet in extent. The criteria for selection included substantive information on the design development of new products, especially those requiring substantial engineering work, and on product re-design to create cost efficiencies and resolve product problems.

Subseries 4.1: General Records, 1969-1992

These records deal with general departmental business and include incoming and outgoing correspondence and general files kept by individual engineers. They also provide operational information such as source for production materials, work orders processing, and treatment of employee issues in the department.

Subseries 4.2: Laboratory Notebooks, 1972, 1984-1993

Engineers in the department kept these notebooks mainly for developing design ideas and working out the technical logistics of bringing the designs into production. The notebooks also served as evidential records for patent disputes. The engineers signed and dated the pages of their notebooks as proof of when ideas were conceptualized and who recorded them.

Subseries 4.3: Product Files, 1976-1993, undated

These records originally were organized by product number, but no index to the numbering system accompanied the records so files of like products were grouped together. The Micro-Go-Round, Oven-Aire, and Wok are the most thoroughly documented. The records include blueprints at various stages of the products development, work orders for research and development, outside quotations, invoices, quality control tests and guidelines, memoranda to and from other company offices about product development, and other types of operational materials. Most of these products had multiple versions, and evidence of ongoing testing and modification is seen in the records.

These records document some of the innovation that made Nordic Ware an important presence in the housewares industry. The Micro-Go-Round was a particularly revolutionary product at the time, and the records show how the company recognized a need for the product and did what was necessary to develop it, although it had little or no experience with microwave technology. Micro-Go-Round records also are found in Subseries 5 of this series. The Oven-Aire required extensive development efforts to bring to fruition. The idea behind this product was to make conventional ovens cook more evenly and operate like a convection oven. The records include photographs of the original working model, tests done in some of the engineers' home kitchens, and comparison photographs of foods cooked with and without the device. Though the product never took off in the market, the invention and development process is documented here from the perspective of the several parties who worked on it. To a much more limited degree, records for some of the other products -- like the Popgun Popcorn Popper and the Supremer Ice Creamer --demonstrate the design and development process. There is even information about packaging design for some of the products.

Subseries 4.4: New Product Ideas Files, 1976-1993

These records document Nordic Ware's efforts to identify and develop a stream of new products and to involve employees in that process. They include product ideas submitted from outside the firm but primarily relate to New Product Meetings at which employees shared their own ideas. The meetings often included voting for the best ideas and for those that would be most feasible to manufacture. Most of the files contain original artwork, usually brought to the meeting by the marketing department. They also include lists of product ideas and who submitted them, ballots for the voting on the best ideas, and notes taken at the meetings. Several files have memoranda to the employees encouraging submission of ideas outside the annual meeting cycle. Related materials are found in Series 3, Marketing and Sales Records, 1948-2004, Subseries 1, General and Department Records, 1967-1995.

Subseries 4.5: General Research and Development, 1976-1993

This subseries mainly contains files on the development of microwave cookware products and the Micro-Go-Round. Dr. T.K. Ishii, a leading researcher in microwave technologies from Marquette University, served as a consultant to Nordic Ware. He advised on technical problems and explained processes to the Nordic Ware engineers to enable them to develop products. Other materials deal with the application and certification process for Underwriters Laboratories, an independent organization that tested products and certified them as meeting its safety standards.

Subseries 4.6: Patent Materials, 1950-1994

Many records in this subseries deal with the patent application process. An outside legal firm submitted Nordic Ware's applications and negotiated with the Patent Office. The records include correspondence surrounding patent disputes and sworn affidavits by engineers submitted as proof of their work. Several reference files of non-Nordic Ware patents are in this subseries. Many were sent by the law office to Nordic Ware engineers to keep them current on new developments.

Subseries 4.7: Trade Associations, 1977-1994

These records reflect the participation of Engineering Department staff in trade associations, especially The Society of the Plastics Industry, Inc. Lloyd Keleny and several others were involved with the Microwave Oven Cookware Committee. The Society was concerned with the absence of standards for microwave ovens and the resulting problem that cookware used in these ovens was not always effective. The Committee gathered data and encouraged the microwave industry to recognize that consistency was needed. There also are files from the Frankfurt International Housewares Fair, 1994. Nordic Ware tried to build its presence internationally, and fairs such as this were opportunities to meet foreign manufacturers and distributors. They also enabled the company to see what was happening on a global level.

Series 5: Financial Records, 1948-1982

These records include financial information for Nordic Ware and other Dalquist interests, including Maid of Scandinavia Company, when it was still joined with Northland Aluminum Products, and the Minnesota Brand of Cookware. The intermixing of financial reports, invoices and receivables, petty cash receipts, and bank statements for the various enterprises demonstrates the close relationship of all of the beginning operations of the Dalquist family. There are many examples of consolidated financial information in the records including the balance sheets, combined financial reports, income statements, and the audit reports. Of particular interest is the accounting ledger (1949-1950) for Plastics for Industry, the Dalquist brothers' original company. It has handwritten entries and shows the company's simplified bookkeeping system. It also provides important financial data on the startup capital and the progress in the first year of business.

Reports created by the research firm Dunn and Bradstreet contain information submitted by the Dalquists to prove their credit worthiness to lenders. Several loan agreements document the company's practice of borrowing money on future earnings in order to meet operating expenses and finance innovation. Machinery owned by Nordic Ware is listed in several factory inventories. The firm also leased machinery instead of buying in order to save money. Inventory summaries (1950-1978) detail the numbers and value of the unsold product then on hand.

Though Nordic Ware stock was never traded publically, there was an employee shareholder plan that included profit sharing. Records in this subseries document the evolution and operation of the plan, including one employee's case for a public offering of the company stock. At some point Dave Dalquist did consider making the company public but decided to maintain private ownership. The emphasis on taking pride and ownership in the company was often repeated in memoranda that Dalquist wrote to employees about stock options. The records show that he was very conscious of morale and high standards of work within the company.

Series 6: Legal Records, 1962-1978

The bulk of these records deals with trademark issues, especially Nordic Ware's creation, licensing, and protection of the "Bundt" mark. Included are copies of correspondence with the law firms that handled applications to the Patent and Trademark Office and correspondence from that office. Correspondence and legal papers document licensing negotiations with Pillsbury and others. In several instances Nordic Ware took legal steps when the Bundt Pan trademark was being misused.

Series 7: Recipes and Cookbooks, 1966-2004, undated

This series is comprised of a large selection of cookbooks and recipe files maintained by Dotty Dalquist and reflect her active role in business activities. She did much of her cooking and experimenting in a test kitchen in her own home and was integral to the preparation of foods to be photographed in Nordic Ware products. These photographs demonstrated the use of the products and were included in the advertisements, catalogs, and product or recipe brochures.

Subseries 7.1: Dotty Dalquist Recipe Files, bulk 1950s-1970s, mainly undated

Dotty Dalquist kept recipes, product booklets, notes, and other materials to aid in the development of her own recipes. She organized much of the material by food type, but she also had several files for specific Nordic Ware products. The Bundt Pan was a major product, and the files on it reflect that. As Nordic Ware sought new ways to promote the use of its products, Dalquist's development of new and inventive recipes was a major part of that effort.

Subseries 7.2: Bundt Pan Cookbooks, 1966-2004

Nordic Ware published several books by Dotty Dalquist to promote use of the Bundt Pan. Pillsbury and other firms also published their own books. Pillsbury incorporated its products into the recipes to promote the dual product relationship between the Bundt Pan and the Pillsbury brand of cake mixes. These books were sold in stores and added as premiums to go along with the purchase of the other products.

Subseries 7.3: Other Recipe and Public Relations Materials, 1970-1996, undated

Recipe contests and a cookbook were among the efforts to involve employees with the Nordic Ware products and to generate new recipes and ideas. These files include photographs and entries and correspondence about these employee activities.

A file of correspondence, mainly to and from Dotty Dalquist, concerns problems consumers encountered using specific recipes that she had published. Consumers also wrote about recipes they had tried on their own and could not get satisfactory results with a Nordic Ware product. Dalquist's problem-solving efforts were an example of the personal customer service in which Nordic Ware took pride.

Series 8: Non-Nordic Ware Reference Materials, 1940-2001, undated

The materials in this series were used by Nordic Ware as reference resources. They have been organized into subseries by type.

Subseries 8.1: Sponsored Cookbooks, 1943-1996, undated

Dotty Dalquist collected cookbooks published by a wide range of manufacturers and trade organizations. The cookbooks are arranged in alphabetical order by the name of the sponsor. Many companies, such as Pillsbury and General Foods, put out these kinds of books to promote their own brands. This may have influenced Dalquist's creation of her own Bundt Pan cookbook.

Subseries 8.2: Product Guides (some with recipes), 1940-1992, undated

These product guides, for appliances and other items used in Dotty Dalquist's kitchen, include use instructions and, often, recipes. Nordic Ware often included recipes in the print materials packaged with its products and associated with its advertising.

Subseries 8.3: Home and Food Related Ephemera, 1950-1980, undated

These materials include booklets of general household hints, recipe cards published by various organizations, and information on food processes.

Subseries 8.4: Periodicals, 1967-2001

Several scrapbooks in this subseries contain clippings from various trade publications. Some focus on Nordic Ware and Northland Aluminum Products in articles or advertisements while others contain industry, including competitors', product advertisements. There are several issues of trade periodicals with Nordic Ware related stories. Trade press clippings also are found in Series 3, Marketing and Sales Records, 1948-2004, Subseries 3, Public Relations, 1948-1992.

Subseries 8.5: Newsletters, 1961, 1973-1987, undated

Most of these newsletters were for reference use with Nordic Ware's microwave cookware projects. With its extensive line of these microwave products, there was an active effort to stay up to date with the field. The firm also tried to find different kinds of foods and recipes that could be prepared using a microwave oven.

Series 9: Photographs, 1940s-2006, undated

This series consists of a wide range of photographic prints re-housed in archival sleeves and assembled into a single binder. The photographs are arranged roughly by image content and document the Dalquist family and employees; factory and offices scenes, including a series of black and white images by Mel Jacobsen, a commercial photographer; and product displays at trade shows and other locations. The photographs also include a few images of Nordic Ware products and of baked foods and black and white images of plastic molds created by Plastics for Industry. Most of the photographs are undated and many are unidentified. There is a View Master viewer with one viewing card containing photographs assembled for Nordic Ware's sixtieth anniversary in 2006. Series 2, David Dalquist Files, includes five photographs of foods baked in Bundt Pans. Series 3, Marketing and Sales Records, Subseries 1, General and Department Records, 1967-1995, has photographs of a factory outlet store and product displays.
Arrangement:
The collection is divided into nine series.

Series 1: Historical and Background Materials, 1940s-2006

Series 2: David Dalquist Files, 1963-1993

Series 3: Marketing and Sales Records, 1948-2004

Subseries 1, General and Department Records, 1967-1995

Subseries 2, Promotional and Trade Sales Materials, 1958-2004

Subseries 3, Public Relations, 1948-1992

Series 4: Engineering Department Records, 1950-1994

Subseries 1, General Records, 1969-1992

Subseries 2, Laboratory Notebooks, 1972, 1984-1993

Subseries 3, Product Files, 1976-1993, undated

Subseries 4, New Product Ideas Files, 1976-1993

Subseries 5, General Research and Development, 1950-1994

Subseries 6, Patent Materials, 1950-1994

Subseries 7, Trade Associations, 1977-1994

Series 5: Financial Records

Series 6: Legal records

Series 7: Recipes and Cookbooks

Subseries 1, Dotty Dalquist Recipe Files, 1950s-1970s, undated

Subseries 2, Bundt Pan Cookbooks, 1966-2004

Subseries 3, Other Recipe and Public Relations Materials, 1970-1996, undated

Series 8, Non-Nordic Ware Reference Materials

Subseries 1, Sponsored Cookbooks, 1943-1996, undated

Subseries 2, Product Guides (with some recipes), 1940-1992, undated

Subseries 3, Home and Food Related Ephemera, 1950-1980, undated

Subseries 4, Periodicals, 1967-2001

Subseries 5, Newsletters, 1961, 1973-1981, undated

Series 9: Photographs, 1940s-2006, undated
Biographical / Historical:
In 1946, the year he returned from Navy service in the Pacific, H. David (Dave) Dalquist (1918-2005) joined his brother Mark to launch a new manufacturing firm, Plastics for Industry, in Minneapolis. The two University of Minnesota graduates soon were making foundry patterns and industrial plastic products for area businesses, as well as aluminum consumer cookware. Among their earliest products were ebelskiver pans, krumkake irons, and rosette irons, essential kitchen tools for the area's large Scandinavian population. Their first employee, Donald Nygren, remained as head designer for many decades.

In 1950, the brothers bought Northland Aluminum Products, a small firm with a line of "Nordic Ware" products including griddles and steak platters. The same year, Dave Dalquist created a cast aluminum, fluted cake pan at the request of two local women, members of the Hadassah organization. The women sought to replicate a heavy mold used in Europe. Northland Aluminum registered the trademark "Bundt" for the new product and began to sell it to local department stores. (The women sold manufacturing "seconds" as a fund raiser for their group.) Mark Dalquist created a firm, Maid of Scandinavia, to market products by mail. It separated from Northland Aluminum in 1963. Over the years, Northland Aluminum increasingly used "Nordic Ware" to identify itself for marketing and public relations purposes.

Northland Aluminum created a subsidiary finishing and coating firm, Northland Color Anodizing Company, in 1962. In 1964, Northland became one of the first to license the use of Teflon from its inventor, DuPont, and non-stick products became an important part of the company's line. Northland also did coating work for many industries including medical, computer, and commercial food processing. For many years Northland also had a division to produce heads for video recording machines. Product sales reached $1,000,000 in 1964.

During the 1960s, Nordic Ware grew slowly, gradually increasing its product line to include specialty baking and cookware items and stove-top cookware. The company also expanded its production capacity and built its sales and marketing capabilities, including a national network of sales representatives working on commission. Dorothy Dalquist, Dave's wife, played a vital role in the company's history. She joined him at crucial annual sales conventions to demonstrate products, tested new products, and developed recipes for them in her home kitchen. Additionally, she represented the firm in public relations activities.

Although the Bundt Pan was only one of many Nordic Ware products, it became a national celebrity in 1966 when a Texas woman used it for her prize-winning Tunnel of Fudge Cake in the immensely popular Pillsbury Bake-Off Contest. In 1970, Nordic Ware licensed the Bundt trademark to Pillsbury for use with a line of cake mixes. Customers received a cake pan at a small additional price with the purchase of the packaged mix. Although this pan was spun of light aluminum, not cast like the original models, the Pillsbury promotion was very successful. In addition to the classic Bundt design, the company began producing special designs, including a cathedral, a castle, a rose, a heart, and, in 2006, a stadium shaped pan. The Bundt Pan continues to be the most popular cake pan in America, and the company estimates it has sold sixty million pans over the past six decades.

Despite the steady popularity of the Bundt Pan, Dalquist and his firm knew that the spike in Bundt Pan sales resulting from the Pillsbury promotion was temporary, and they continued their strategy of seeking new products to buoy overall sales revenues. In 1978 Nordic Ware developed a "new thermoset plastic molding technology to create an extensive line of cookware designed to work in both conventional and microware ovens." In these same years, as microwave oven use rapidly spread, Nordic Ware developed its second celebrity product. Designed by the company's own engineers, the Micro-Go-Round was promoted in print and television advertising and is still its most successful product. Since then, Nordic Ware has introduced a wide range of new products, some of them successful (for example, nonstick Barbecue Grill Cookware), others not (including a device to create convection currents in a baking oven and a bicentennial cake platter). Northland Aluminum holds at least twenty-five patents for its products.

Today David Dalquist (born 1949) -- son of founder "Dave Dalquist" and, like his father, an engineer -- heads Nordic Ware. He has been involved with the company for his entire working life with major executive responsibilities since the early 1980s. David Dalquist's mother, Dotty, is on the Board of Directors and serves as Corporate Secretary. David's three sisters—Corrine, Linda, and Susan—are also involved in the business. The firm employs between 200 and 400 people and continues, as a point of pride, to manufacture its products in the United States. The family has refused numerous buyout offers. Nordic Ware has managed to design and market products for the large, low price retailers, including Wal-Mart, and for the upscale, specialty gourmet market. Williams-Sonoma, a leader in the latter field, has exclusive sales for a small number of new Nordic Ware products each year.

For its sixtieth anniversary, Nordic Ware produced a company history, H. David Dalquist, The Nordic Ware Saga: An Entrepreneur's Legacy (Kirk House Publishers, Minneapolis, 2006). The volume provides edited recollections of "Dave," many family members, and other employees drawn from oral history interviews. This finding aid is based largely on that information, other historical sources within the collection, and visits to Nordic Ware offices by National Museum of American History staff members Paula Johnson and Nanci Edwards (June 2006) and Paula Johnson and John Fleckner (August 2006).
Related Materials:
The Division of Work and Industry holds thirty-six objects from Nordic Ware (Accession # 2007.0034), including Bundt Pans in a variety of shapes, foundry patterns and molds for Nordic Ware products, a wood panel display of products manufactured by Plastics for Industry, three versions of the Micro-Go-Round, and other kitchenware products.
Provenance:
This collection was donated by Dorothy M. Dalquist and H. David Dalquist in 2007.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Ethnic food industry  Search this
Cookery, American  Search this
Kitchen utensils  Search this
Aluminum  Search this
Kitchen utensil industry  Search this
Baked products  Search this
Bakery equipment and supplies industry  Search this
Baking pans  Search this
Baking  Search this
Genre/Form:
Correspondence -- 1950-2000
Photographs -- 2000-2010
Legal records
Catalogs
Correspondence -- 2000-2010
Financial records
Photographs -- 20th century
Design drawings -- 1950-2000
Citation:
Nordic Ware Collection, 1942-2006, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0980
See more items in:
Nordic Ware records
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep894dc31f0-f3a9-457d-9097-4906863295b5
EDAN-URL:
ead_collection:sova-nmah-ac-0980
Online Media:

Charismic Productions Records of Dizzy Gillespie

Creator:
Gillespie, Dizzy, 1917-1993  Search this
Fishman, Charles  Search this
Extent:
20 Cubic feet ( 31 boxes, 2 map folders)
Type:
Collection descriptions
Archival materials
Awards
Business records
Clippings
Manuscripts
Financial records
Photographs
Music
Posters
Audiovisual materials
Date:
1941-2006
bulk 1987-1993
Summary:
Collection documents the career of noted American jazz musician Dizzy Gillespie, through a donation from his former manager, Charles Fishman.
Scope and Contents:
The collection primarily documents Charles Fishman's tenure as Gillespie's manager, 1985-1993, and is composed of business records. There is also a significant amount of personal material and photographs from the 1940s-1980s, much of which was saved by Mr. Fishman when Dizzy Gillespie wanted to throw these materials away or take them home.
Arrangement:
The collection is divided into eleven series.

Series 1, Personal Materials, 1988-1993, undated

Series 2, Correspondence, 1987-2002

Series 3, Business Files, 1979-2001, undated

Series 4, Contracts, 1987-1993

Series 5, Performance Programs, 1984-1997

Series 6, Awards and Honors, 1989-1991

Series 7, Music Manuscripts, undated

Series 8, Photographs, 1941-1993, undated

Subseries 8.1, Dizzy Gillespie, 1941-1993, undated

Subseries 8.2, Albums, 1988-1993

Subseries 8.3, Other Artists, undated

Subseries 8.4, Negatives, undated

Series 9, Newspaper Clippings and Magazine Articles, 1958-2000, undated

Series 10, Artwork and Posters, 1982-2006, undated

Subseries 10.1, Artwork, 1990-2004, undated

Subseries 10.2, Posters, 1982-2006, undated

Series 11, Audio Visual Materials, 1950-1992, undated

Subseries 11.1, Sound Recordings, 1989-1992, undated

Subseries 11.2, Moving Images, 1946-1992, undated
Biographical / Historical:
Born in South Carolina in 1917, John Birks "Dizzy" Gillespie was a master jazz trumpeter, bandleader, singer, and composer. In the 1940s, he was one of the principal developers of both bebop and Afro-Cuban jazz. Through the multitudes of musicians with whom he played and who he encouraged; he was one of the most influential players in the history of jazz.

The youngest of nine children, Gillespie was exposed to music by his father, a part-time bandleader who kept all his band's instruments at home, where young Gillespie tried them out. At age twelve, he received a music scholarship to the Laurinburg Institute in North Carolina, where he played trumpet in the school band. In 1935, at age eighteen, he moved to Philadelphia and joined his first band, where his clownish onstage behavior and sense of humor earned him his nickname, "Dizzy." Thereafter, he was almost constantly joining and leaving, or forming and disbanding, bands of various size and style, as he set out to first hone his talent, then to develop his own creative innovations and to publish his recordings, and then to fulfill his lifelong desire to lead his own band. Along the way, he played with, collaborated with, encouraged, and influenced, all the major – and most of the minor – jazz musicians of his age, including Charlie Parker, Duke Ellington, Ella Fitzgerald, Benny Carter, Billy Eckstine, Cab Calloway, and John Coltrane.

In 1937, Gillespie moved to New York, where he joined Teddy Hill's band; with Hill he made his first overseas tour, to England and France. By 1939, he had joined Cab Calloway's band and had received his first exposure to Afro-Cuban music. In 1940, Gillespie met Charlie "Bird" Parker, Thelonious Monk, and Kenny Clarke and together they began developing a distinctive, more complex style of jazz that became known as bebop or bop. In the early 1940s, Gillespie made several recordings of this new sound. In 1945, he formed and led his own big band, which was quickly downsized into a quintet due to financial problems. He was able to reform the band the next year and keep it together for four years, but it was disbanded in 1950. During this time, he began to incorporate Latin and Cuban rhythms into his work. In 1953, a dancer accidentally fell on his trumpet and bent the bell. Gillespie decided he liked the altered tone and thereafter had his trumpets specially made that way.

In 1956, after leading several small groups, the United States State Department asked Gillespie to assemble a large band for an extensive cultural tour to Syria, Pakistan, Turkey, Greece, and Yugoslavia; a second tour, to South America, took place several months later. Although he kept the band together for two more years, the lack of government funding prevented him from keeping such a large group going and he returned to leading small ensembles. In 1964, displaying the humor for which he was well-known, Gillespie put himself forward as a candidate for President.

Gillespie continued to tour, perform, record, and to collaborate with a wide range of other musicians throughout the 1970s and 1980s. He continued to encourage new styles and new talents, such as Arturo Sandoval, whom he discovered during a 1977 visit to Cuba. In 1979, Gillespie published his autobiography, To Be or Not to Bop. In the late 1980s, he organized and led the United Nations Orchestra, a 15-piece ensemble that showcased the fusion of Latin and Caribbean influences with jazz. In these later years, although still performing, he began to slow down and enjoy the rewards of his extraordinary talent. He received several honorary degrees, was crowned a chief in Nigeria, was awarded the French Commandre d'Ordre des Artes et Lettres, won a Grammy Lifetime Achievement Award, and received both the Kennedy Center Medal of Arts and the ASCAP Duke Ellington Award for Fifty Years of Achievement as a composer, performer, and bandleader. Dizzy Gillespie passed away on January 6, 1993.
Related Materials:
Materials held in the Archives Center

John and Devra Hall Levy Collection NMAH.AC1221

Paquito Rivera NMAH.AC0891

James Moody Papers NMAH.AC1405

Chico O'Farrill Papers NMAH.AC0892

Boyd Raeburn Papers NMAH.AC1431

William Claxton Photographs NMAH.AC0695

Ray Brown Papers NMAH.AC1362

Earl Newman Collection of Monterey Jazz Festival Posters NMAH.AC1207

Graciela Papers NMAH.AC1425

Leonard Gaskin Papers NMAH.AC0900

Ella Fitzgerald NMAH.AC0584

Herman Leonard Photoprints NMAH.AC0445

Stephanie Myers Jazz Photographs NMAH.AC0887

John Gensel Collection of Duke Ellington Materials NMAH.AC0763

Duke Ellington Collection NMAH.AC0301

Benny Carter Collection NMAH.AC0757

Chuck Mangione NMAH.AC1151

Bill Holman Collection NMAH.AC0733

Duncan Schiedt Photograph Collection NMAH.AC1323

Fletcher and Horace Henderson Music and Photographs NMAH.AC0797

Ernie Smith Jazz Film Collection NMAH.AC0491

W. Royal Stokes Collection of Music Publicity Photoprints, Interviews, and Posters NMAH.AC0766

William Russo Music and Personal Papers NMAH.AC0845

Pat and Chuck Bress Jazz Portrait Photographs NMAH.AC1219

Milt Gabler Papers NMAH.AC0849

Floyd Levin Reference Collection NMAH.AC.1222

Materials held in the Division of Culture and the Arts

Includes Dizzy Gillespie's iconic "bent" trumpet (1986.0003.01); sound recordings, a button, and a sculpture.

Materials held in the Smithsonian Institution Archives

National Museum of American History. Office of Public Affairs Accession 95-150

Smithsonian Press/Smithsonian Productions Accession 04-091

Smithsonian Associates. Resident Associate Program Accession 03-086

Smithsonian Resident Associate Program Accession 98-031

Smithsonian Productions Accession 06-181

Smithsonian Resident Associate Program. Office of Public Affairs Record Unit 632

National Museum of American History. Department of Public Programs Accession 17-312

National Museum of American History. Office of Special Events Record Unit 595

Smithsonian Institution. Division of Performing Arts Accession T90055

America's Smithsonian. (Traveling exhibition) Accession 98-142

Smithsonian Institution. Division of Performing Arts Accession 84-012

Smithsonian Institution. Office of Telecommunications Record Unit 296

Smithsonian Institution. Office of Telecommunications Record Unit 590

Materials held in the Archives of American Art, Smithsonian Institution

Gertrude Abercrombie AAA.abergert

Materials at Other Organizations

Dizzy Gillespie Collection, circa 1987-2000, University of Idaho Library, Special Collections and Archives
Provenance:
The collection was donated by Charles Fishman, Dizzy Gillespie's manager, in 2007.
Restrictions:
The collection is open for research. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz musicians -- United States  Search this
Trumpet players -- 20th century  Search this
Genre/Form:
Awards
Business records -- 20th century
Clippings -- 20th century
Manuscripts -- Music -- 20th century
Financial records -- 20th century
Photographs -- Black-and-white photoprints -- 1940-2000
Music -- Manuscripts
Posters -- 20th century
Audiovisual materials
Citation:
Charismic Productions Records of Dizzy Gillespie, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0979
See more items in:
Charismic Productions Records of Dizzy Gillespie
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep845912e18-7dc1-4340-81f5-68770d687b08
EDAN-URL:
ead_collection:sova-nmah-ac-0979
Online Media:

Animal and human helminthology

Author:
Commonwealth Agricultural Bureaux  Search this
Commonwealth Bureau of Helminthology  Search this
Commonwealth Institute of Helminthology  Search this
Commonwealth Institute of Parasitology  Search this
C.A.B. International Institute of Parasitology  Search this
C.A.B. International Bureau of Animal Health  Search this
Physical description:
20 v. ; 25 cm
Type:
Abstracts
Periodicals
Date:
1970
1989
1970-1989
Topic:
Helminthology  Search this
Helminths  Search this
Parasitology  Search this
Call number:
QL392 .H47a
QL392.H47a
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_65355

Audiovisual Records, 1995-2023

Creator:
Lemelson Center  Search this
Physical description:
30 cu. ft. unprocessed holdings
Type:
Manuscripts
Audiotapes
Video recordings
Brochures
Color transparencies
Color photographs
Electronic records
Compact discs
Videotapes
Date:
1995
1995-2023
Topic:
Video recordings--Production and direction  Search this
Museums--Educational aspects  Search this
Congresses and conventions  Search this
Inventors  Search this
Inventions  Search this
Museum exhibits  Search this
Local number:
SIA RS01130
See more items in:
Audiovisual Records 1995-2023 [Lemelson Center]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_246623

Representative Women

Artist:
L. Schamer, active c. 1870  Search this
Lithographer:
Louis Prang Lithography Company, active 1856 - 1899  Search this
Sitter:
Lucretia Coffin Mott, 3 Jan 1793 - 11 Nov 1880  Search this
Sara Jane Clarke Lippincott, 23 Sep 1823 - 20 Apr 1904  Search this
Elizabeth Cady Stanton, 12 Nov 1815 - 26 Oct 1902  Search this
Anna Elizabeth Dickinson, 28 Oct 1842 - 22 Oct 1932  Search this
Susan Brownell Anthony, 15 Feb 1820 - 13 Mar 1906  Search this
Mary Ashton Rice Livermore, 19 Dec 1820 - 23 May 1905  Search this
Lydia Maria Francis Child, 11 Feb 1802 - 20 Oct 1880  Search this
Medium:
Lithograph on paper
Dimensions:
Image: 40.8 × 31.2 cm (16 1/16 × 12 5/16")
Sheet: 60.5 × 50.8 cm (23 13/16 × 20")
Type:
Print
Date:
1870
Topic:
Costume\Jewelry\Necklace  Search this
Costume\Jewelry\Brooch  Search this
Costume\Headgear\Veil  Search this
Anna Elizabeth Dickinson: Female  Search this
Anna Elizabeth Dickinson: Society and Social Change\Reformer\Abolitionist  Search this
Anna Elizabeth Dickinson: Literature\Writer\Playwright  Search this
Anna Elizabeth Dickinson: Education and Scholarship\Orator  Search this
Elizabeth Cady Stanton: Female  Search this
Elizabeth Cady Stanton: Literature\Writer\Magazine article writer  Search this
Elizabeth Cady Stanton: Society and Social Change\Reformer\Abolitionist  Search this
Elizabeth Cady Stanton: Society and Social Change\Reformer\Activist\Civil rights activist\Suffragist  Search this
Elizabeth Cady Stanton: Society and Social Change\Reformer\Temperance  Search this
Susan Brownell Anthony: Female  Search this
Susan Brownell Anthony: Literature\Writer  Search this
Susan Brownell Anthony: Education and Scholarship\Educator\Lecturer  Search this
Susan Brownell Anthony: Journalism and Media\Newspaper publisher  Search this
Susan Brownell Anthony: Education and Scholarship\Educator\Teacher  Search this
Susan Brownell Anthony: Society and Social Change\Reformer\Activist\Civil rights activist\Suffragist  Search this
Susan Brownell Anthony: Society and Social Change\Reformer\Temperance  Search this
Susan Brownell Anthony: Society and Social Change\Reformer\Feminist  Search this
Sara Jane Clarke Lippincott: Female  Search this
Sara Jane Clarke Lippincott: Literature\Writer  Search this
Sara Jane Clarke Lippincott: Journalism and Media\Journalist  Search this
Mary Ashton Rice Livermore: Female  Search this
Mary Ashton Rice Livermore: Education and Scholarship\Educator\Lecturer  Search this
Mary Ashton Rice Livermore: Society and Social Change\Reformer\Social reformer  Search this
Mary Ashton Rice Livermore: Literature\Writer\Poet  Search this
Mary Ashton Rice Livermore: Literature\Writer\Magazine article writer  Search this
Mary Ashton Rice Livermore: Literature\Writer\Novelist  Search this
Mary Ashton Rice Livermore: Society and Social Change\Reformer\Activist\Civil rights activist\Suffragist  Search this
Mary Ashton Rice Livermore: Society and Social Change\Reformer\Temperance  Search this
Lydia Maria Francis Child: Female  Search this
Lydia Maria Francis Child: Journalism and Media\Magazine publisher  Search this
Lydia Maria Francis Child: Education and Scholarship\Educator\Teacher  Search this
Lydia Maria Francis Child: Literature\Writer\Novelist  Search this
Lydia Maria Francis Child: Society and Social Change\Reformer\Abolitionist  Search this
Lucretia Coffin Mott: Female  Search this
Lucretia Coffin Mott: Education and Scholarship\Educator\Lecturer  Search this
Lucretia Coffin Mott: Society and Social Change\Reformer\Social reformer  Search this
Lucretia Coffin Mott: Education and Scholarship\Educator\Teacher  Search this
Lucretia Coffin Mott: Society and Social Change\Reformer\Abolitionist  Search this
Lucretia Coffin Mott: Society and Social Change\Reformer\Activist\Civil rights activist\Suffragist  Search this
Lucretia Coffin Mott: Society and Social Change\Reformer\Feminist  Search this
Lucretia Coffin Mott: Religion and Spirituality\Clergy\Minister  Search this
Lucretia Coffin Mott: Society and Social Change\Reformer\Activist\Civil rights activist\Women's rights advocate  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.77.196
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Location:
Currently not on view
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm46a3cd7aa-3bde-4df3-b6c2-5d5c48decf02
EDAN-URL:
edanmdm:npg_NPG.77.196

Cleve Gray papers, 1933-2005

Creator:
Gray, Cleve, 1918-2004  Search this
Subject:
Richter, Hans  Search this
Marin, John  Search this
Lipchitz, Jacques  Search this
Pollock, Jackson  Search this
Grace, Louise N.  Search this
Gray, Francine du Plessix  Search this
Duchamp, Marcel  Search this
Dillenberger, Jane  Search this
Gabo, Naum  Search this
Ernst, Jimmy  Search this
Davis, Jim  Search this
Calder, Alexander  Search this
Barzun, Jacques  Search this
Weber, Nicholas Fox  Search this
Smith, David  Search this
Villon, Jacques  Search this
Pratt Institute  Search this
Rhode Island School of Design  Search this
Neuberger Museum of Art  Search this
Jacques Seligmann & Co  Search this
Betty Parsons Gallery  Search this
Connecticut. Commission on Arts, Tourism, Culture, History and Film  Search this
Princeton University  Search this
Berry-Hill Galleries  Search this
Type:
Poems
Articles
Photographs
Reviews (documents)
Notes
Illustrations
Notebooks
Sketches
Drafts (documents)
Video recordings
Sound recordings
Interviews
Manuscripts
Paintings
Prints
Watercolors
Drawings
Lectures
Citation:
Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.
Topic:
Art, Modern -- 20th century -- United States  Search this
Vietnam War, 1961-1975 -- Protest movements -- United States  Search this
Designers  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9567
(DSI-AAA_SIRISBib)211768
AAA_collcode_grayclev
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211768
Online Media:

The Sounds of Ozarks Religion, Beyond the Bible Belt

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Tue, 12 Dec 2023 20:18:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_909f1623a90c3e2cb0fd0426022c0b8d

“Sitting at the Loom Is a Prayer”: Kevin Aspaas Weaves Diné History and Culture

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Wed, 09 Aug 2023 06:17:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_6adee373ca2f650ebfb4bf31c1e83537

Signs of the Times: Breaking the Language Barrier

Creator:
Cooper-Hewitt, National Design Museum  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Fri, 16 Feb 2024 16:00:41 +0000
Topic:
Design  Search this
See more posts:
Cooper Hewitt, Smithsonian Design Museum
Data Source:
Cooper-Hewitt, National Design Museum
EDAN-URL:
edanmdm:posts_c97da3301e49bb9d72979f9e04e91cd3

White Oak Basketry of the Ozarks: How Trees and Traditions May Fade and Regrow

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Mon, 16 Oct 2023 17:55:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_c344b76361037b7f9672882802494b4a

A Look into the World Premiere of Faith in Blackness: An Exploration of Afro-Latine Spirituality

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Mon, 02 Oct 2023 17:31:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_e020973bef045e883af9e77518a56cf9

Holistic Healing in the Ozarks: The Loves and Life’s Work of Sasha Daucus

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Thu, 31 Aug 2023 18:57:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_5e822ea5a49cbd0d6c16519215a365c8

Women and Water: Connections in Caribbean Music and Spirituality

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Fri, 02 Feb 2024 05:00:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_63eda4bce43509c45c5b730cd6e1c532

"Seven Continents Finisher" medal received by Tony Reed

Created by:
Marathon Tours & Travel, American, founded 1979  Search this
Received by:
Tony Reed, American, born 1956  Search this
Medium:
metal with enamel paint and ribbon
Dimensions:
H x W: 3 1/4 x 4 in. (8.3 x 10.2 cm)
Type:
medals
Date:
after 2007
Topic:
African American  Search this
Athletes  Search this
Sports  Search this
Track and field  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anthony and Deborah Reed
Object number:
2012.69.4
Restrictions & Rights:
Unknown - Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Awards, Medals, and Insignia
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd58aeb5033-1788-4e48-bb0e-97ab973a7ad3
EDAN-URL:
edanmdm:nmaahc_2012.69.4
Online Media:

Simplicity and the Computer

Maker:
Goldman, Robert N.  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 8 1/2 in x 11 in; 21.59 cm x 27.94 cm
Object Name:
documentation
Credit Line:
Harry D. and Velma R. Huskey
ID Number:
1988.3106.20
Catalog number:
1988.3106.20
Nonaccession number:
1988.3106
See more items in:
Medicine and Science: Computers
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ac-ca8a-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1373851

Camera, Television, Surveyor

Manufacturer:
Hughes Aircraft Co.  Search this
Materials:
Metal, plastic.
Dimensions:
Overall: 5 in. tall x 1 ft. 5 in. wide x 8 in. deep (12.7 x 43.18 x 20.32cm)
Type:
SPACECRAFT-Uncrewed-Instruments & Payloads
Country of Origin:
United States of America
Credit Line:
Transferred from the National Aeronautics and Space Administration
Inventory Number:
A19761264000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9fbfe8b8f-a780-4833-a423-fd878e628189
EDAN-URL:
edanmdm:nasm_A19761264000

Frank A. Dubinskas papers

Creator:
Dubinskas, Frank A. (Frank Anthony)  Search this
Names:
Apple Computer, Inc.  Search this
Extent:
3.25 Linear feet (7 document boxes)
1.86 Megabytes (207 files)
Culture:
Mende (African people)  Search this
Type:
Collection descriptions
Archival materials
Megabytes
Place:
Africa, West
Sierra Leone
Croatia
Yugoslavia
Date:
1964-1996
Summary:
The papers of Frank A. Dubinskas, a noted anthropologist of organizational culture, primarily documents his research into automated manufacturing at Apple Computer, Inc., but also includes material relating to his research in Sierra Leone and Yugoslavia. Also included is some biograhical material as well as manuscripts and publications.
Scope and Contents:
The Frank A. Dubinskas papers primarily document his research into the social aspects of automated manufacturing at Apple Computer, but also includes a small mount of material from his earlier research as well as biographical information and writings.

Series 1. Biographical, comprises newsclippings, photographs, and other documents relating to Dubinskas' education, opposition to the draft, and employment. Also included are photographs of Dubinskas, as well as obituaries and memorials that followed his death.

Series 2. Research, includes a small amount of correspondence home and final paper relating to Dubinskas' Sierra Leone research into Mende woodcarving, and correspondence home and completed dissertation relating to research into Slavonian folklore in Yugoslavia. The bulk of the research series comprises Dubinskas' work on automated manufacturing at Apple Computer, Inc., specifically related to the istallation and implementation of an automated assembly line at Apple's Fremont facility. Materials consist of both paper and born-digital files and include correspondence, notes, reports, and presentations.

Series 3, Writings, include drafts and published articles and chapters by Dubinskas, as well as reviews of his edited volume, Making Time: Ethnographies of High-Technology Organizations. Also included are case studies that Dubinskas prepared for Harvard Business School and Digital Equipment Corporation.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
The collection is arranged in three series: 1. Biographical; 2. Research; and 3. Writings.
Biographical Note:
Frank A. Dubinskas (1946-1993) was an anthropologist of organizational behavior best known for his pioneering work in the field of the anthropology of science and technology. He went to Yale Universtiy for undergraduate studies in 1964, and in 1967 he conducted research in Sierra Leone, looking at the aesthetics of Mende woodcarving. He received his B.A. in anthropology 1972. He then went to Stanford University for his M.A. (1976) and Ph.D. (1983) in Anthropology, focusing his doctoral research on village expressive culture in Yugoslavia.

Dubinskas is most well known for his research into culture and technology in high-tech companies, particularly in manufacturing automation, knowledge management, and Chaos Theory in organizations. Among his various projects was his groundbreaking research into automated manufacturing implementation at Apple Computer in 1989-1990.

Dubinskas joined the faculty of the Organizational Studies Department in the Carroll School of Management at Boston College in 1987. From 1991-1992 he was a visiting scholar at the School of American Research in Santa Fe, NM, and in 1992 became the Howard W. Alkire Chair in International Business and Economics at Hamline University in St. Paul, MN.

1946 -- Born

1964-1972 -- Undergraduate studies at Yale University (BA 1972)

1967 -- Research in Sierra Leone

1970-1972 -- Research assistant, Biology/biochemistry, Yale University

1972-1974 -- Research associate, physiology, Anatomy and biochemistry departments, UC Berkeley

1975-1976 -- MA in anthropology, Stanford University

1977-1980 -- Doctoral research in Yugoslavia

1983 -- PhD in anthropology, Stanford University

1983-1984 -- Exxon Fellow, MIT Science, Technology, and Society program

1984-1985 -- Visiting scholar, MIT Science, Technology and Society program and program in anthropology and archaeology

1981-1986 -- Research into US biotechnology industry

1984, 1988 -- Follow up research in Yugoslavia

1985-1987 -- Associate for Case Development, Harvard Business School, Production and Operations Management Group

1985-1993 -- Research into US computer industry and computer integrated manufacturing

1986-1988 -- Research into US and European automotive industry

1987-1992 -- Assistant professor, Organizational Studies Department, Carroll School of Management Boston College

1989-1991 -- Research into automated manufacturing at Apple Computer

1991-1992 -- NEH resident scholar, School of American Research

1992-1993 -- Howard W. Alkire Chair in International Business and Economics, associate professor of Anthropology, and director of international studies, Hamline University

1993, October 25 -- Dies in St. Paul, MN
Provenance:
Received from Anna Hargreaves and Dorothy W. Dubinskas in 1998 and 2000.
Restrictions:
The collection is open for research. Access to the Frank A. Dubinskas papers requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Folklore  Search this
Organizational behavior  Search this
Citation:
Frank A. Dubinskas papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.1998-07
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw370cce331-5e92-44a7-a1fa-5750dde52568
EDAN-URL:
ead_collection:sova-naa-1998-07

J. Horace McFarland Company collection

Creator:
McFarland, J. Horace (John Horace), 1859-1948  Search this
American Rose Society  Search this
Names:
J. Horace McFarland Company  Search this
Mount Pleasant Press  Search this
Extent:
30 Cubic feet (2718 photographs: black and white; 450 glass lantern slides; 41 glass negatives; color records; plant patents; publications. )
Type:
Collection descriptions
Archival materials
Photographs
Black-and-white photographs
Lantern slides
Place:
Breeze Hill (Harrisburg, Pennsylvania)
Pennsylvania -- Harrisburg
Date:
1899-1974
Summary:
The J. Horace McFarland Collection includes over 3,100 photographic images of private and public gardens throughout the United States, as well as some from foreign countries, dating from 1899 to 1963. Many of these images, generated for Mount Pleasant Press (later the J. Horace McFarland Company), were used to illustrate trade catalogs published by the firm as well as journal and newspaper articles. The collection also contains color records that were used as reference aids during the printing process, plant patents, and various publications of the McFarland Company.
Scope and Contents note:
The J. Horace McFarland Collection includes over 2,700 black and white mounted photographs, 448 glass lantern slides, and 41 glass plate negatives of gardens throughout the United States dating from 1899 to 1963. A small number of images show gardens in Austria, Canada, England, Mexico, Scotland and Wales. Many of the images, which were generated and used by the J. Horace McFarland Company to illustrate trade catalogs and journal and newspaper articles, indicate the publication(s) in which they appeared. A series of portraits of rosarians, many of them featured in Modern Roses 6, rounds out the image collection. The McFarland Collection also includes color records, plants patents, and miscellaneous publications. Color records are plant 'portraits' that were painted by McFarland Company staff artists in watercolor. They were referenced by the printing department in order to render illustrations of plants in colors as close to the originals as possible. The plant patents are patents for plants issued by the United States Patent Office. They include the plant name, source, filing and patent dates, patent number, and growth characteristics. Most are accompanied by a colored image of the plant identified in the patent. The miscellaneous publications are various pamphlets and booklets published by the J. Horace McFarland Company.
Arrangement:
The collection is arranged into 5 series:

1) Garden images (including mounted photographs, glass plate negatives, and glass lantern slides)

2) Portraits of Rosarians

3) Color Records

4) Plant Patents

5) Miscellaneous Publications
Biographical/Historical note:
Dr. J. Horace McFarland (1859-1948) was an influential civic leader, author, publisher, horticulturist, and authority on roses. His printing company, Mount Pleasant Press (later the J. Horace McFarland Company), was based in Harrisburg, Pennsylvania. It published many of the seed and nursery trade catalogs in the United States during the first half of the twentieth century and was one of the first to apply color processes to commercial print applications. J. Horace McFarland Company staffers photographed thousands of different gardens and plant specimens throughout the United States. These images were used to illustrate numerous nursery and seed catalogs, journals and books. Among its many services, the firm sold various themed lectures illustrated by sets of hand-colored glass lantern slides.

McFarland wrote over 200 articles in popular journals as well as a dozen books on roses and gardening. He served as the first president of the American Civic Association from 1904-1924 and led several local and national campaigns to protect communities and scenic areas from urban blight and overdevelopment including the city of Harrisburg and Niagara Falls. McFarland, who served as the president of the American Rose Society (1930-1932) and helped establish a standardized rose identification and registration method, used the gardens on his own 2.5 acre property in Harrisburg, "Breeze Hill," to test hundreds of varieties of roses and plant cultivars. "Breeze Hill" was used as the backdrop for many photographs taken by McFarland's firm.
Related Materials:
The Pennsylvania State Archives in Harrisburg, Pennsylvania includes the J. Horace McFarland Company Records (Manuscript Group 453) and the J. Horace McFarland Papers (Manuscript Group 85).

The Historical Society of Dauphin County in Harrisburg, Pennsylvania includes the J. Horace McFarland Collection (MG 229).
Separated Materials note:
The Smithsonian Institution's Botany and Horticulture Library includes seed and nursery trade catalogs, books, and published materials from the J. Horace McFarland Company.

The United States Department of Agriculture's National Agricultural Library in Beltsville, Maryland has various photographic images, nursery catalogs, publications and miscellaneous records from the J. Horace McFarland Company in its J. Horace McFarland Collection.
Provenance:
Donated in 1992 by James W. Walsh, who purchased the J. Horace McFarland Company from its founder's heirs. (The business was later renamed the Roebuck Printing Company.)
Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Printers -- United States  Search this
Horticulturists  Search this
Printers -- Pennsylvania  Search this
Gardening -- Washington (D.C.)  Search this
Seeds -- Catalogs  Search this
Seed industry and trade -- United States  Search this
Gardens -- United States  Search this
Seed industry and trade -- Catalogs  Search this
Rose breeders -- United States  Search this
Genre/Form:
Photographs
Black-and-white photographs
Lantern slides
Citation:
Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Company Collection.
Identifier:
AAG.MCF
See more items in:
J. Horace McFarland Company collection
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb69dd45f0c-ce66-4097-bc0f-68f5be9a5b11
EDAN-URL:
ead_collection:sova-aag-mcf
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