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Alexander Liberman papers, circa 1912-2003

Creator:
Liberman, Alexander Semeonovitch, 1912-1999  Search this
Subject:
Kline, Franz  Search this
Dalí, Salvador  Search this
Frankenthaler, Helen  Search this
De Kooning, Willem  Search this
Motherwell, Robert Burns  Search this
Dietrich, Marlene  Search this
Barr, Alfred H.  Search this
Picasso, Pablo  Search this
Newton, Helmut  Search this
Vreeland, Diana  Search this
Klein, William  Search this
Chernow, Burt  Search this
Steichen, Edward  Search this
Ritts, Herb  Search this
Snowdon, Antony Armstrong-Jones  Search this
Beaton, Cecil Walter Hardy  Search this
Parks, Gordon  Search this
Vogel, Lucien  Search this
Emmerich, Andre  Search this
Penn, Irving  Search this
Newman, Barnett  Search this
Hopps, Walter  Search this
Parsons, Betty  Search this
Namuth, Hans  Search this
Greenberg, Clement  Search this
Cartier-Bresson, Henri  Search this
Leibovitz, Annie  Search this
Mulas, Ugo  Search this
Museum of Modern Art (New York, N.Y.)  Search this
André Emmerich Gallery  Search this
Bennington College  Search this
Solomon R. Guggenheim Museum  Search this
Type:
Video recordings
Transcripts
Sound recordings
Photographs
Scrapbooks
Drawings
Sketches
Interviews
Drafts (documents)
Topic:
Graphic designers  Search this
Publishers  Search this
Photographers  Search this
Fashion photography  Search this
Photography  Search this
Painters  Search this
Sculptors  Search this
Record number:
(DSI-AAA_CollID)15871
(DSI-AAA_SIRISBib)295430
AAA_collcode_libealex
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_295430
Additional Online Media:

Burt Chernow papers, 1930-2002

Creator:
Chernow, Burt, 1933-1997  Search this
Subject:
Avery, Milton  Search this
Peterdi, Gabor  Search this
Johnson, Lester Frederick  Search this
Arman  Search this
Hendricks, Barkley L.  Search this
Christo  Search this
Zúñiga, Francisco  Search this
Jeanne-Claude  Search this
Woodham, Jean  Search this
Westport-Weston Arts Council (Westport, Conn.)  Search this
Housatonic Museum of Art  Search this
Westport Schools Permanent Art Collection  Search this
Type:
Photographs
Video recordings
Interviews
Sound recordings
Transcripts
Topic:
Authors  Search this
Art critics  Search this
Educators  Search this
Art historians  Search this
Record number:
(DSI-AAA_CollID)6021
(DSI-AAA_SIRISBib)235373
AAA_collcode_cherburt
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_235373
Additional Online Media:

Alexander Liberman papers

Creator:
Liberman, Alexander, 1912-1999  Search this
Names:
André Emmerich Gallery  Search this
Bennington College  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Solomon R. Guggenheim Museum  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Beaton, Cecil Walter Hardy, Sir, 1904-  Search this
Cartier-Bresson, Henri, 1908-  Search this
Chernow, Burt  Search this
Dalí, Salvador, 1904-  Search this
De Kooning, Willem, 1904-  Search this
Dietrich, Marlene  Search this
Emmerich, André  Search this
Frankenthaler, Helen, 1928-2011  Search this
Greenberg, Clement, 1909-1994  Search this
Hopps, Walter  Search this
Klein, William  Search this
Kline, Franz, 1910-1962  Search this
Leibovitz, Annie, 1949-  Search this
Motherwell, Robert  Search this
Mulas, Ugo  Search this
Namuth, Hans  Search this
Newman, Barnett, 1905-1970  Search this
Newton, Helmut, 1920-  Search this
Parks, Gordon, 1912-2006  Search this
Parsons, Betty  Search this
Penn, Irving  Search this
Picasso, Pablo, 1881-1973  Search this
Ritts, Herb  Search this
Snowdon, Antony Armstrong-Jones, Earl of, 1930-  Search this
Steichen, Edward, 1879-1973  Search this
Vogel, Lucien  Search this
Vreeland, Diana  Search this
Extent:
59 Linear feet
Type:
Collection descriptions
Archival materials
Drafts (documents)
Drawings
Scrapbooks
Interviews
Photographs
Sketches
Sound recordings
Transcripts
Video recordings
Date:
circa 1912-2003
Summary:
The papers of sculptor, painter, and publishing executive Alexander Semeonovitch Liberman date from circa 1913-2003 and measure 59 linear feet. Found within the papers are biographical materials; correspondence with family, galleries, museums, and many artists; numerous recorded interviews and transcripts with and by Liberman, including one of Walter Hopps; writings and writing project files; extensive subject files maintained by Liberman; exhibition files; printed materials; scattered drawings; and extensive photographs of Liberman's artwork, exhibitions, Liberman, and of Liberman with notable artists, dealers, collectors, and critics. Many of the photographs were taken by noted photograhers. Also found within the papers are unidentified sound and video recordings. Additional sound and video recordings have been integrated into other series.
Scope and Contents:
The papers of sculptor, painter, and publishing executive Alexander Semeonovitch Liberman date from circa 1913-2003 and measure 59 linear feet. Found within the papers are biographical materials; correspondence with family, galleries, museums, and many artists; numerous recorded interviews and transcripts with and by Liberman, including one of Walter Hopps; writings and writing project files; extensive subject files maintained by Liberman; exhibition files; printed materials; scattered drawings; and extensive photographs of Liberman's artwork, exhibitions, Liberman, and of Liberman with notable artists, dealers, collectors, and critics. Many of the photographs were taken by noted photograhers. Also found within the papers are unidentified sound and video recordings. Additional sound and video recordings have been integrated into other series.

Biographical materials include awards, biographies and chronologies, family history materials, membership cards, writings by Liberman's mother, and a scrapbook about his father.

Correspondence is extensive and concerns both personal and professional affairs. It is with artists and photographers, art magazines, organizations and museums, art collectors, businesses, and family. Notable correspondents include Cecil Beaton, Henri Cartier-Bresson, Burt Chernow, Salvador Dali, Robert Motherwell, Helen Frankenthaler, Barnett and Annalee Newman, Additional correspondence is found within the subject files compiled and organized by Liberman (series 6).

There are sound and video recordings and transcripts of interviews with and by Liberman, most completed for broadcast television and radio shows. Of particular interest are sound cassettes, a sound tape reel, and a transcript of an interview with Walter Hopps by Liberman.

Writings by Liberman include essays, short stories, and a play entitled 2+1. Writing project files were organized by Liberman for writing projects for which he was the author, collaborator, or subject. There are numerous files concerning Barbara Rose's book about Liberman Alexander Liberman that also include recorded interviews with Liberman and transcripts. Other books for which there are files include The Art and Technique of Color Photography, The Artist in His Studio, Vogue: The First 100 Years, Vogue History of Fashion Photography, and others.

Subject files were organized by Liberman for a wide variety of work projects, activities, topics, and entities of interest. Files cover commissions, the filming and distribution of the 1981 documentary film Alexander Liberman: A Lifetime Burning, Liberman's personal collection of art, gifts of artwork, and his relationship with galleries and dealers, particularly André Emmerich Gallery.

Exhibition files document exhibitions of Liberman's artwork, and include those held at André Emmerich Gallery, Bennington College, the Guggenheim, Museum of Modern Art, among other venues. Files contain correspondence, contracts, photographs, plans and drawings, notes, etc. Also found are inventory records of Liberman's artwork in the form of lists, index cards, bound registers, and notes.

Ten linear feet of printed materials include exhibition announcements and catalogs, books and book flyers, brochures, calendars, clippings, postcards, posters, press releases, and other materials.

There are scattered drawings and sketches found within the papers, some of which are sketches of sculpture pieces.

Nearly one-half of the collection is comprised of photographs of Liberman and his artwork, and of artists and colleagues, many of which were taken by noted photographers, including Cecil Beaton, Henri Cartier-Bresson, William Klein, Henri Lartique, Annie Leibowitz, Inge Morath, Ugo Mulas, Hans Namuth, Helmut Newton, Gordon Parks, Irving Penn, Herb Ritts, and Lord Snowden, among others. Subjects of note found in the photographs include Alfred Barr, Salvador Dali, Marlene Dietrich, Willem de Kooning, Andre Emmerich, Helen Frankenthaler, Clement Greenberg, Franz Kline, Robert Motherwell, Barnett Newman, Betty Parsons, Pablo Piccaso, Edward Steichen, Lucien Vogel, and Diana Vreeland, among many others.
Arrangement:
The collection is arranged into twelve series. Photographs retain Liberman's original numerical and alpha schemas and the corresponding indexes are found in the Inventory Records in Series 8.

Series 1: Biographical Materials, circa 1930s-1999 (1 linear foot; Box 1, 56)

Series 2: Correspondence, 1944-1997 (4 linear feet; Boxes 1-5, 56, OV 65)

Series 3: Interviews, 1946-1996 (1.4 linear feet; Boxes 5-7, 56)

Series 4: Writings, 1948-1995 (0.9 linear feet; Boxes 7-8)

Series 5: Writing Project Files, 1951-1997 (1.8 linear feet; Boxes 8-9, 56)

Series 6: Subject Files, 1946-2000 (6 linear feet; Boxes 9-15, 56, OV 66-67)

Series 7: Exhibition Files, 1954-1991 (0.7 linear feet; Boxes 15-16, 56, OV 68)

Series 8: Inventory Records, 1938-1998 (6 linear feet; Boxes 16-22)

Series 9: Printed Materials, 1932-2003 (10 linear feet; Boxes 22-31, 56-57, OV 69)

Series 10: Artwork, circa 1940s-1990s (0.4 linear feet; Boxes 32, 57, OV 70)

Series 11: Photographic Materials, circa 1912-1999 (26 linear feet; Boxes 32-55, 57-64, OVs 71-77)

Series 12: Unidentified Sound and Video Recordings, circa 1941-1999 (0.8 linear feet; Boxes 55, 64)
Biographical / Historical:
Alexander S. Liberman (1912-1999) was a sculptor, painter, photographer, graphic designer, writer, and publishing executive who worked primarily in New York City. He held senior positions at Condé Nast Publications for 32 years.

Alexander Semeonovitch Liberman was born in 1912 in Kiev Russia. He was educated in London and the École des Beaux Art in Paris. He began his journalistic career in Paris at VU magazine owned by Lucien Vogel and there he befriended photographers Henri Cartier-Bresson, Brassai, Robert Capa, and André Kértesz. He served in the French army for a short time in 1940, but he and his family fled Paris in 1941 to New York City. Condé Nast hired Liberman in 1941 as an assistant to the art director of Vogue magazine. Liberman became art director in 1943 and editorial director of Condé Nast Publications in 1962, a position he held until his retirement in 1994.

Liberman was also a photographer whose subjects included Georges Braque, Alexander Calder, Alberto Giacometti, Henri Matisse, Pablo Picasso, and Marlene Dietrich, among others, many represented in his 1960 book entitled The Artist in his Studio and Marlene: An Intimate Photographic Memoir (1992). He was also the subject of the work of noted photographers Cecil Beaton, Irving Penn, Henri Cartier-Bresson, Gordon Parks, Lord Snowden, Jill Krementz, Henri Lartique, Annie Leibovitz, and Hans Namuth.

Liberman took up painting and sculpting in the 1950s. Although his first exhibition was at the Betty Parsons Gallery, he was primarily associated with the André Emmerich Gallery in New York City. His monumental sculptures were mostly assembled from industrial parts and painted and can be seen in museums and public sites worldwide.

Liberman was briefly married to Hildegarde Sturm. He married his second wife Tatiana Yacovleff du Plessix in 1942. Before their marriage, they fled occupied France together. She was a noted hat designer, working for Henri Bendel and Saks, where she became known as Tatiania of Saks. She died in 1991 and, in 1992, Liberman married Melinda Pechangco, a nurse who had earlier cared for Tatiania. Alexander Liberman died in 1999 in Miami, Florida.
Related Materials:
Related collections found at the Archives of American Art include the Dodie Kazanjian and Calvin Tomkins research materials on Alexander Liberman and numerous collections of gallery records.
Provenance:
The Alexander Liberman papers were donated to the Archives of American Art by Liberman Art Partners in 2010 via Dodie Kazanjian.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Alexander S. Liberman papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Publishers -- New York (State) -- New York  Search this
Graphic designers  Search this
Topic:
Photographers -- New York (State) -- New York  Search this
Photography  Search this
Sculptors -- France -- Paris  Search this
Sculptors -- New York (State) -- New York  Search this
Fashion photography  Search this
Painters -- France -- Paris  Search this
Painters -- New York (State) -- New York  Search this
Photographers -- France -- Paris  Search this
Genre/Form:
Drafts (documents)
Drawings
Scrapbooks
Interviews
Photographs
Sketches
Sound recordings
Transcripts
Video recordings
Citation:
Alexander Liberman Papers, circa 1912-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.libealex
See more items in:
Alexander Liberman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-libealex
Additional Online Media:

Burt Chernow papers

Creator:
Chernow, Burt  Search this
Names:
Housatonic Community College (Bridgeport, Conn.)  Search this
Housatonic Museum of Art  Search this
Westport Schools Permanent Art Collection  Search this
Westport-Weston Arts Council (Westport, Conn.)  Search this
Arman, 1928-2005  Search this
Avery, Milton, 1885-1965  Search this
Christo, 1935-  Search this
Christo, 1935- (Wrapped Reichstag)  Search this
Hendricks, Barkley L., 1945-  Search this
Jeanne-Claude, 1935-2009  Search this
Johnson, Lester, 1919-2010  Search this
Peterdi, Gabor  Search this
Woodham, Jean, 1925-  Search this
Zúñiga, Francisco, 1912-1998  Search this
Extent:
21.8 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Transcriptions
Video recordings
Sound recordings
Photographs
Date:
1930-2002
Summary:
The papers of Burt Chernow measure 21.8 linear feet and consist mainly of research materials gathered and produced in the course of writing Christo and Jeanne-Claude: A Biography over an extensive period of close contact with the subjects, from the early 1980s until Chernow's death in 1997. Research materials for the biography include photocopies of personal documents of the Christos, hundreds of recorded interviews with Christo, Jeanne-Claude, their family members, and their associates, transcripts of interviews and research on interview subjects, other collected research material compiled chronologically, drafts of the biography written by Chernow, drafts of the biography and its epilogue produced after Chernow's death, and business records related to the book's production, which include significant correspondence with the Christos. Also found are the published German and U.S. editions of the biography, printed materials and photographs related to the book's subject matter, and fabric samples from five of the Christos' projects undertaken during Chernow's association with them. Chernow's career as an art critic, writer, educator, and arts advocate, primarily in Southern Connecticut, is documented in Chernow's other writings, organizational records, printed materials, and photographs.
Scope and Contents:
The papers of Burt Chernow measure 21.8 linear feet and consist mainly of research materials gathered and produced in the course of writing Christo and Jeanne-Claude: A Biography over an extensive period of close contact with the subjects, from the early 1980s until Chernow's death in 1997. Research materials for the biography include photocopies of personal documents of the Christos, hundreds of recorded interviews with Christo, Jeanne-Claude, their family members, and their associates, transcripts of interviews and research on interview subjects, other collected research material compiled chronologically, drafts of the biography written by Chernow, drafts of the biography and its epilogue produced after Chernow's death, and business records related to the book's production, which include significant correspondence with the Christos. Also found are the published German and U.S. editions of the biography, printed materials and photographs related to the book's subject matter, and fabric samples from five of the Christos' projects undertaken during Chernow's association with them.

Chernow's career as an art critic, writer, educator, and arts advocate, primarily in Southern Connecticut, is documented in Chernow's other writings, organizational records, printed materials, and photographs. Other writings include drafts of articles, lectures, exhibition reviews, and catalog essays, some of which include research material gathered on the subjects. Artists written about by Chernow include Arman, Milton Avery, Barkley Hendricks, Francisco Zuñiga, Lester Johnson, Gabor Peterdi, and Jean Woodham, among many others, and including many Connecticut artists. A recorded interview with Arman, as well as transcripts of multiple interviews with Zuñiga, are filed with these writings. Also found are many writings and lectures related to the value of visual art in public life and in elementary and higher education. Numerous lectures by Chernow about several of the Christos' large-scale projects are also found, one of which, on the Wrapped Reichstag, is recorded on video.

Organizational records document Chernow's involvement in various art education organizations, his years of teaching at Housatonic Community College, his development of the Housatonic Museum of Art collection, and his work with several local arts organizations in Westport, Conn., including the Westport Arts Advisory Council, the Westport Arts Center, the Westport Schools Permanent Art Collection Committee, and the Westport Weston Arts Council. Types of documents found include correspondence, clippings, photographs, flyers, and notes.

Printed material includes many of the books written by Chernow, and monographs and magazines which included essays on specific artists by Chernow. A file of clippings about Chernow spanning his career is also found. Photographs include prints, negatives, and contact sheets, and consist mainly of photographs of artists, many of which were taken by Chernow, and many of which are signed by the artists with a personal note to the Chernows. A handful of personal photographs of the Chernows are also found.
Arrangement:
Collection is arranged as 5 series.

Series 1: Research Material for -- Christo and Jeanne-Claude: A Biography -- , 1930-2002 (17.1 linear feet; Boxes 1-17, 23, OV 24)

Series 2: Other Writing, 1962-1999 (1.5 linear feet; Boxes 17-19)

Series 3: Organizational Records, 1963-2000 (1.1 linear feet; Boxes 19-20, 23, OV 24)

Series 4: Printed Material, 1960-2002 (1.3 linear feet; Boxes 20-21, 23)

Series 5: Photographs, 1950-1997 (0.8 linear feet; Boxes 21-23, OV 24)
Biographical / Historical:
Burt Chernow was an art historian, writer, educator, collector, and dealer who founded the Housatonic Museum of Art in Bridgeport, Connecticut, and who, upon his retirement from Housatonic Community College, became the authorized biographer of Christo and Jeanne-Claude, which he researched through close contact with the Christos from 1984 until his death in 1997. Although he had not completed the biography when he died, his wife Ann Chernow saw the manuscript through to publication, and the biography, Christo and Jeanne-Claude: A Biography, was first published in Germany in 2000, and then in the United States in 2002.

Born in New York City in 1933, Chernow earned a master's degree in art education at New York University in 1960, and began his career as an art teacher in the Westport, Connecticut public schools, later joining the faculty of the Art Department at the Housatonic Community College, where he eventually became the department's director. He also taught at the Museum of Modern Art, organizing the Children's Art Carnival in Harlem through the museum, and at Silvermine School of the Arts, the A.B.C.D. Arts Center in Bridgeport, Conn., and the Stamford Museum. While on faculty at Housatonic Community College, he began collecting original artworks, mainly through donations directly from the artists, for what eventually became the Housatonic Museum of Art. Over the course of nearly 30 years he amassed over 4000 works for the collection, the largest of its kind for a community college, and remained the museum's Emeritus Director until his death. He remained active in civic arts organizations in Westport as well, where he was a founding member of the Westport Arts Center, served on the Westport Arts Advisory Council, and helped to establish the annual Westport Arts Awards.

Upon his retirement from the Housatonic faculty in 1984, Chernow approached Christo and Jeanne-Claude about becoming their authorized biographer. He had participated in their project Surrounded Islands in Miami in 1983, and had played a role in exhibitions and artist talks by Christo at the Aldrich Museum (1981) and the Wadsworth Atheneum (1978) as well. He and his wife Ann Chernow attended and helped to document the Wrapped Pont Neuf (1985) in Paris, and then visited Christo's family in Bulgaria in 1986. It was after their Bulgarian trip that Christo and Jeanne-Claude agreed to authorize him to write their biography, and Chernow's research began in earnest. He conducted hundreds of interviews with them, their family, and associates, participated in the major large-scale projects that took place between 1985 and 1995, and completed a draft of the biography up to the year 1982 before he died suddenly in 1997. After his death, his wife Ann Chernow saw the biography through to publication. It was published with an epilogue by Wolfgang Volz, the Christos' official photographer, bringing the Christos' story up to date from where Chernow had left off, first in Germany, and later in the United States and Italy.

Chernow wrote many books, catalogs, and articles about other artists as well, including Milton Avery, Francisco Zuniga, Gabor Peterdi, Will Barnet, Jean Woodham, and Lester Johnson, among others, and published and lectured widely on the subjects of art education and public art.
Provenance:
Donated 2002 by Ann Chernow, the widow of Burt Chernow.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Burt Chernow papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art historians -- Connecticut  Search this
Topic:
Art -- Study and teaching  Search this
Art critics -- Connecticut  Search this
Authors -- Connecticut  Search this
Educators -- Connecticut  Search this
Genre/Form:
Interviews
Transcriptions
Video recordings
Sound recordings
Photographs
Citation:
Burt Chernow papers, 1930-2002. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cherburt
See more items in:
Burt Chernow papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cherburt
Additional Online Media:

Teaching Material

Collection Creator:
Chernow, Burt  Search this
Container:
Box 19, Folder 9
Type:
Archival materials
Date:
1956-1984
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Burt Chernow papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Burt Chernow papers, 1930-2002. Archives of American Art, Smithsonian Institution.
See more items in:
Burt Chernow papers
Burt Chernow papers / Series 2: Other Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cherburt-ref1002

Other Writings

Collection Creator:
Chernow, Burt  Search this
Extent:
1.5 Linear feet (Boxes 17-19)
Type:
Archival materials
Date:
1962-1999
Scope and Contents:
This series contains drafts of writings by Burt Chernow other than his biography of Christo and Jeanne-Claude. Most of his writings are in the form of articles, reviews, and lectures. Some writing projects include significant material in addition to drafts, including a lengthy unpublished article on the artist Arman, which includes drafts, research, and a 1993 interview with the artist on one sound cassette. Other writings with significant additional material include multiple pieces on Jean Woodham along with notes and research, and a lengthy article on Francisco Zuniga with three transcripts of interviews with the artist and research material collected for the article. Material found with drafts for a book on Milton Avery drawings include correspondence with Sally Avery and a draft of her preface to the book, as well as numerous photographs of Avery's artwork. Also common among the articles in the series are reviews of exhibitions held in Connecticut during the 1980s, and essays written for many exhibition catalogs. Art education and public art are also common subjects among Chernow's writings in this series.

Additional writings about the Christos found in this series include lectures by Chernow on Surrounded Islands, Umbrellas, and Wrapped Reichstag. These writings are particularly significant because they are projects undertaken while Chernow was following the Christos closely during his research for the biography, and also because they are projects that Chernow had not yet covered in the biography at the time of his death, so the lectures represent his only completed writings on these projects. Found with the Wrapped Reichstag text is a video recording of Burt and Ann Chernow delivering this lecture in Westport. Lectures also include multiple talks given on art education and public art earlier in Chernow's career, and a lecture written for a traveling exhibition "12 Soviet Artists", shown in Westport, Conn. in 1976.

Poetry by Burt and Ann Chernow, as well as teaching notes, syllibi, and résumés are also found in this series. Writings by others include two lengthy typescripts of lectures on art education by Howard Conant, who was Chernow's teacher, as well as articles by others about Christo, and an interview with Burt Chernow by Brazilian journalist Georgia Lobacheff.
Arrangement:
Series is arranged by type of material, articles are arranged alphabetically by subject, and lectures are arranged by title. Published versions of many of the books and articles in this series are found in series 4, printed material.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Burt Chernow papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Burt Chernow papers, 1930-2002. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cherburt, Series 2
See more items in:
Burt Chernow papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cherburt-ref17

Articles

Collection Creator:
Chernow, Burt  Search this
Container:
Box 18
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Burt Chernow papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Burt Chernow papers, 1930-2002. Archives of American Art, Smithsonian Institution.
See more items in:
Burt Chernow papers
Burt Chernow papers / Series 2: Other Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cherburt-ref931

"Getting Behind the Barnes Curtain"

Collection Creator:
Chernow, Burt  Search this
Container:
Box 18, Folder 26
Type:
Archival materials
Date:
circa 1965-1980
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Burt Chernow papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Burt Chernow papers, 1930-2002. Archives of American Art, Smithsonian Institution.
See more items in:
Burt Chernow papers
Burt Chernow papers / Series 2: Other Writings / Articles
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cherburt-ref955

"The Housatonic Museum of Art: A Prototype the Explores the Potential of the Visual Arts in a Community College Education"

Collection Creator:
Chernow, Burt  Search this
Container:
Box 18, Folder 31
Type:
Archival materials
Date:
circa 1970-1979
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Burt Chernow papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Burt Chernow papers, 1930-2002. Archives of American Art, Smithsonian Institution.
See more items in:
Burt Chernow papers
Burt Chernow papers / Series 2: Other Writings / Articles
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cherburt-ref961

Lectures

Collection Creator:
Chernow, Burt  Search this
Container:
Box 18
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Burt Chernow papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Burt Chernow papers, 1930-2002. Archives of American Art, Smithsonian Institution.
See more items in:
Burt Chernow papers
Burt Chernow papers / Series 2: Other Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cherburt-ref985

On Art Collecting

Collection Creator:
Chernow, Burt  Search this
Container:
Box 18, Folder 62
Type:
Archival materials
Date:
circa 1980
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Burt Chernow papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Burt Chernow papers, 1930-2002. Archives of American Art, Smithsonian Institution.
See more items in:
Burt Chernow papers
Burt Chernow papers / Series 2: Other Writings / Lectures
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cherburt-ref994

Robert Wiegand papers and video art, 1953-1994

Creator:
Wiegand, Robert, 1934-1993  Search this
Subject:
Horowitz, Leonard  Search this
Browne, Vivian E.  Search this
Schneemann, Carolee  Search this
Rose, Alexandra  Search this
Brown, Trisha  Search this
Stockwell, Pamela  Search this
Larson, Susan  Search this
Foreman, Laura  Search this
Chernow, Burt  Search this
McLeon, James  Search this
Hirshhorn Museum and Sculpture Garden.  Search this
Phoenix Gallery (New York, N.Y.)  Search this
Type:
Photographs
Video recordings
Topic:
Video art  Search this
Painters  Search this
Video artists  Search this
Record number:
(DSI-AAA_CollID)6151
(DSI-AAA_SIRISBib)216376
AAA_collcode_wiegrobe
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216376
Additional Online Media:

Transcripts and Subject files

Collection Creator:
Chernow, Burt  Search this
Extent:
2 Linear feet (Boxes 6-7)
Type:
Archival materials
Date:
1959-1998
Scope and Contents:
Series contains mainly files for the interview subjects found in series 1.2, including the Christos, their associates, containing transcripts and sometimes other materials related to the interview subject, such as correspondence, photographs, clippings, and other printed material. Also found are files for individuals who were not interviewed by Chernow, or whose interviews were not recorded, containing research or other material. Transcripts of Christo's lectures and interviews of Chrsito by others that were collected by Chernow are also found in this series.

Transcripts for Burt Chernow's interviews with Christo and Jeanne are represented in two separate files, one containing interviews with Christo or both the Christos, and another for interviews with Jeanne-Claude interviewed alone. Each set of these transcripts has unedited and edited versions. The unedited file contains transcripts of all interviews in chronological order, as well as notes from unrecorded conversations, with continuous pagination for the entire set created by Chernow. The edited file contains photocopies of selected pages from these transcripts, with all but the portion used by Chernow in his writing crossed out. Note that many of the transcripts throughout the series contain notes summarizing portions of the session, so transcripts in this series are not a comprehensive record of the interviews found in series 1.2.

A large number of photocopies of photographs and exhibition checklists with prices are found with Christo transcripts from 1992. Transcripts throughout the file also include scattered copies of items related to matters discussed in the interviews.

Transcripts and subject files for subjects other than the Christos are in individual folders by the interview subject's name or by project. Files for Arman, Ray Johnson, and Mary Bauermeister are particularly rich with additional research and other material. A file of edited transcripts also exists for this portion of the series. Transcripts of Christo lectures and interviews of Christo by others are filed chronologically at the end of the series. A file of tyepscript notes regarding questions for interviews is also found at the end of the series.

Note that not all of the transcripts found in this series have recordings in series 1.2. Transcripts and subject files with no corresponding recorded interview in series 1.2 include Lourdes Castro, Paul Cummings, Sam Hunter, James Juszczyk, Nam June Paik, Dieter Rosenkranz, Satcho Todorov, and John Weber, among others.
Arrangement:
Transcripts for the Christos are arranged chronologically, followed by transcripts and subject files for other subjects, arranged alphabetically or by project. Most of the transcripts for Christo's lectures, as well as interviews of the Christos conducted by others, are filed at the end of the series, although some are integrated into the unedited Christo transcripts. Note that while most of the interviews with both the Christos are filed with the Christo transcripts, a single interview conducted 8/16/95 with both of them is filed with the Jeanne-Claude transcripts. Additional material related to Arman is found in series 2, Other Writings.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Burt Chernow papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Burt Chernow papers, 1930-2002. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cherburt, Subseries 1.3
See more items in:
Burt Chernow papers
Burt Chernow papers / Series 1: Research Material for Christo and Jeanne-Claude: A Biography
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cherburt-ref10

Poetry

Collection Creator:
Chernow, Burt  Search this
Container:
Box 19, Folder 7
Type:
Archival materials
Date:
circa 1986
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Burt Chernow papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Burt Chernow papers, 1930-2002. Archives of American Art, Smithsonian Institution.
See more items in:
Burt Chernow papers
Burt Chernow papers / Series 2: Other Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cherburt-ref1000

Résumés

Collection Creator:
Chernow, Burt  Search this
Container:
Box 19, Folder 8
Type:
Archival materials
Date:
1978-1986
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Burt Chernow papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Burt Chernow papers, 1930-2002. Archives of American Art, Smithsonian Institution.
See more items in:
Burt Chernow papers
Burt Chernow papers / Series 2: Other Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cherburt-ref1001

By Others

Collection Creator:
Chernow, Burt  Search this
Container:
Box 19
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Burt Chernow papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Burt Chernow papers, 1930-2002. Archives of American Art, Smithsonian Institution.
See more items in:
Burt Chernow papers
Burt Chernow papers / Series 2: Other Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cherburt-ref1003

"Christo and Jeanne-Claude" by Bob Schroeder

Collection Creator:
Chernow, Burt  Search this
Container:
Box 19, Folder 10
Type:
Archival materials
Date:
1995
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Burt Chernow papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Burt Chernow papers, 1930-2002. Archives of American Art, Smithsonian Institution.
See more items in:
Burt Chernow papers
Burt Chernow papers / Series 2: Other Writings / By Others
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cherburt-ref1004

"How to Start and Fund a Public Art Collection" by D. Murphy Wagner

Collection Creator:
Chernow, Burt  Search this
Container:
Box 19, Folder 11
Type:
Archival materials
Date:
circa 1980
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Burt Chernow papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Burt Chernow papers, 1930-2002. Archives of American Art, Smithsonian Institution.
See more items in:
Burt Chernow papers
Burt Chernow papers / Series 2: Other Writings / By Others
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cherburt-ref1005

Interview with Burt Chernow by Georgia Lobacheff

Collection Creator:
Chernow, Burt  Search this
Container:
Box 19, Folder 12
Type:
Archival materials
Date:
1995
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Burt Chernow papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Burt Chernow papers, 1930-2002. Archives of American Art, Smithsonian Institution.
See more items in:
Burt Chernow papers
Burt Chernow papers / Series 2: Other Writings / By Others
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cherburt-ref1006

Unpublished Article on Christo by Joey Lenti

Collection Creator:
Chernow, Burt  Search this
Container:
Box 19, Folder 13
Type:
Archival materials
Date:
1996-1999
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Burt Chernow papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Burt Chernow papers, 1930-2002. Archives of American Art, Smithsonian Institution.
See more items in:
Burt Chernow papers
Burt Chernow papers / Series 2: Other Writings / By Others
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cherburt-ref1007

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