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Maryette Charlton papers

Creator:
Charlton, Maryette  Search this
Names:
American University of Beirut -- Faculty  Search this
Art Institute of Chicago -- Faculty  Search this
Chicago Public School Art Society  Search this
Container Corporation of America  Search this
University of Iowa, Museum of Art  Search this
Andres, Jo  Search this
Bishop, Elizabeth, 1911-1979  Search this
Cage, Xenia  Search this
Calder, Alexander, 1898-1976  Search this
Court, Paula  Search this
Elliott, Leone  Search this
Elliott, Owen  Search this
Fujitomi, Yasuo, 1928-  Search this
Habachy, Nimet  Search this
Hadzi, Dimitri, 1921-2006  Search this
Haskins, Sylvia Shaw Judson, 1897-  Search this
Hoff, Margo  Search this
Kiesler, Frederick  Search this
Kiesler, Lillian, 1910?-2001  Search this
Lubar, Cindy  Search this
MacIver, Loren, 1909-  Search this
Matisse, Pierre, 1900-1989  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Nevelson, Louise, 1899-1988  Search this
Purdy, James  Search this
Reynal, Jeanne, 1903-  Search this
Smith, Kiki, 1954-  Search this
Takaezu, Toshiko  Search this
Tawney, Lenore  Search this
Von Brockdorff, Louise Medbery  Search this
Extent:
80.6 Linear feet
0.34 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Diaries
Sketchbooks
Sketches
Interviews
Scrapbooks
Sound recordings
Scripts (documents)
Drawings
Mail art
Motion pictures (visual works)
Video recordings
Date:
circa 1890-2013
Summary:
The papers of filmmaker, photographer, painter, printmaker, teacher, and arts advocate Maryette Charlton measure 81 linear feet and date from circa 1890 to 2013. This particularly rich collection includes biographical materials, correspondence, writings, 30 diaries, teaching files, professional and project files, major film project files, artist research files, exhibition files, printed material, scrapbooks, artwork, 22 sketchbooks, extensive photographic materials, numerous sound and film recordings, a digitized sound recording, and an unintegrated later addition to the papers containing additional biographical materials, journals, correspondence, subject files, printed materials, and scattered photographs.
Scope and Contents:
The papers of filmmaker, photographer, painter, printmaker, teacher, and arts advocate Maryette Charlton measure 81 linear feet and 0.34 gigabytes and date from circa 1890 to 2013. This particularly rich collection includes biographical materials, correspondence, writings, 30 diaries, teaching files, professional and project files, major film project files, artist research files, exhibition files, printed material, scrapbooks, artwork, 22 sketchbooks, extensive photographic materials, numerous sound and video recordings, motion picture film, a digitized sound recording, and an unintegrated later addition to the papers containing additional biographical materials, journals, correspondence, subject files, printed materials, and scattered photographs.

Biographical materials consist of material on Maryette Charlton and her family. The subseries on Maryette Charlton includes a biographical chronology, passports, records of her marriage to Hall Winslow, information on studio spaces, school transcripts, and other material. Family files include genealogical charts and files of family members containing correspondence, writings, printed material, sound and video recordings, and photographs. The bulk of the family files are for Charlton's parents, Etna and Shannon, and her husband and son, Hall and Kirk Winslow.

Extensive correspondence is with family, friends, artists, and colleagues. Family correspondence is with her husband and son, parents, and extended family. Personal correspondence is with friends and colleagues, many of whom were famous artists. Named correspondence files and chonological correspondence files contain exchanges with Jo Andres, Elizabeth Bishop, Xenia Cage, Paula Court, Yasuo Fujitomi, Dimitri Hadzi, Margo Hoff, Sylvia Shaw Judson, Lillian Kiesler, Cindy Lubar, Loren MacIver, Pierre Matisse, Nimet (Saba Habachy), Henri Seyrig, Robert Wilson, and many others. There is also correspondence with colleges, museums, and universities.

Writings include academic papers and college class notes, titled essays, a notebook with sketches, and miscellaneous notes. Thirty diaries cover the period 1943 - 2001 and document a wide variety of topics, from film projects to travels to the art world in New York City. Some diaries are illustrated, including one illustrated by Alexander Calder at a party with Maryette, Ellsworth Kelly, and actress Delphine Seyrig. Journals from 1978-1979 tell of Charlton's experiences while appearing in films made by avant-garde director Richard Foreman. There is also one diary of Maryette's mother Etna Barr Charlton.

Teaching files document Charlton's career as an instructor at the Art Institute of Chicago and as the founder of and instructor at the American University of Beirut's art department. Files include appointment calendars, schedules, notes, lectures, news releases, printed material, and photographs.

Professional and project files consist of material related to Maryette Charlton's professional work at the University of Iowa Museum of Art, as a lecturer at the Chicago Public School Art Society, color analyst at the Container Corporation of America, executor of the estate of artist Louise Medbery von Brockdorff, fellowships, conferences, organizations, and the filming industry in general. There are files for the screening of Zen in Ryoko-In. The University of Iowa Museum of Art subseries consists of correspondence with fellow co-founders Leone and Owen Elliott, files on art donations, museum administration, annual reports, printed material, photographs, and sound and video recordings.

Artist research files consist of books, articles, and clippings collected by Charlton for research. Notable artists chronicled include Alexander Calder, James Purdy, Louise Nevelson, Kiki Smith, and Toshiko Takaezu.

Major film project files document Maryette Charlton's films about or with artists Frederick Kiesler (Trienniale, The Universal Theater and Kiesler on Kieseler), Lenore Tawney, Dorothy Miller, Loren MacIver, and Jeanne Reynal. The files for Frederick Kiesler also contain materials about his wife Lillian Kiesler, with whom Charlton had a long relationship and collaborated with on film projects. Individual film project files contain a wide variety of research and production documentation, including correspondence, writings, printed material, research files, exhibition catalogs, photographic materials, sound recordings of interviews and lectures, and Charlton's documentation about the creation and producation of each film, such as contracts, scripts, and distribution information. The film project files for Kiesler and Dorothy Miller are particularly rich, containing substantial amounts of primary source materials not found elsewhere. Sound and video recordings are found throughout the series, as well as 4 film reels.

Files documenting Maryette Charlton's group and solo exhibitions include catalogs and announcements, publicity, printed material, mailing lists, art inventory, sales lists, correspondence, and other material.

Printed materials include other exhibition catalogs, books, posters, magazines, and clippings. There are many books on color theory from Maryette Charlton's job as a color analyst and substanial printed material on Frederick Kiesler. Scrapbooks document Maryette Charlton's personal life from high school, college, and summer camp, as well as exhibitions of her own work, and miscellaneous subjects.

Artwork includes sketches and drawings by Maryette Charlton, some drawings by Lillian Kiesler and others, and mail art created by various artists. There are also 22 sketchbooks filled with pencil, ink, and crayon drawings and sketches, with occasional annotations.

Photographic materials include photographs, slides, negatives, and photograph albums. There are photographs of Maryette Charlton, her travels, family, friends, and artists. Photographs are also found throughout other series.

Sound and video recordings which could not be merged with other series were arranged in an audiovisual series. There are recordings of radio programs and performances Maryette Charlton attended or participated in as well as miscellaneous recordings of artists and events.

The 2014 addition to the Maryette Charlton papers consists of biographical materials, journals, correspondence, subject files, printed materials, and a small number of photographs.
Arrangement:
This collection is arranged as 16 series.

Missing Title

Series 1: Biographical Material, 1896-2005 (3.4 linear feet; Boxes 1-4, 80)

Series 2: Correspondence, 1930-2010 (23.3 linear feet; Boxes 4-27, 80)

Series 3: Writings, 1942-1999 (1 linear feet; Boxes 27-28)

Series 4: Diaries, 1943-2001 (2.1 linear feet; Boxes 28-30)

Series 5: Teaching Files, 1946-1997 (3.6 linear feet; Boxes 30-33, 80)

Series 6: Professional and Project Files, 1923-1998 (7.6 linear feet; Boxes 34-41, 81, OV 87)

Series 7: Artist Research Files, 1949-circa 2000 (1.8 linear feet; Boxes 41-43, FCs 88-89)

Series 8: Major Film Projects, 1904-2007 (18.8 linear feet, 0.34 GB; Boxes 43-61, 81-82, OV 87, FC 90-91, ER01)

Series 9: Exhibition Files, 1950-2000 (0.8 linear feet; Boxes 61-62)

Series 10: Printed Material, 1924-2000 (3.2 linear feet; Boxes 62-65, 82, OV 87)

Series 11: Scrapbooks, 1939-2010 (0.8 linear feet; Box 65, 82-83)

Series 12: Artwork, 1950-1998 (0.9 linear feet; Boxes 65-66, 84)

Series 13: Sketchbooks, 1949-1996 (0.5 linear feet; Box 66)

Series 14: Photographic Materials, circa 1890-circa 2010 (7.8 linear feet; Boxes 67-74, 84-86)

Series 15: Sound and Video Recordings, circa 1953-2008 (1.2 linear feet; Boxes 74-75, 86)

Series 16: Addition to Maryette Charlton papers, 1951-2013 (3.7 linear feet; Boxes 75-79, 86)
Biographical / Historical:
Maryette Charlton (1924-2013) was a painter, printmaker, photographer, filmmaker and arts advocate based in Chicago, Illinois, and New York, New York.

Maryette Charlton was born in Manchester, Iowa on May 18, 1924. Her parents were Shannon and Etna Charlton and she had 2 siblings. Charlton pursued her undergraduate studies at Monticello College and Northwestern University in Illinois, Antioch College in Ohio, and the University of Colorado before receiving a B.F.A. from Pratt Institute in Brooklyn, New York in 1947. She continued her studies in Chicago, Illinois with Laszlo Moholy-Nagy and Hugo Weber at the Institute of Design and Art Institute of Chicago. From 1948 to 1952, she was a Department of Education lecturer at the Art Institute of Chicago museum galleries and also gave talks at schools for the Chicago Public School Art Society.

Between 1942-1951, Maryette Charlton worked as a color analyst for the Container Corporation of America. In 1952, Charlton founded the Art Department of the American University of Beirut and taught there as an assistant professor until 1956. While in Beirut, Charlton married photographer Hall Winslow in 1953 and their only child Kirk Winslow was born in 1955. Winslow and Charlton later divorced in 1973.

Charlton moved to New York City in 1955. She began a master's program at Columbia University and graduated with a M.F.A in film and printmaking in 1958.

Charlton made numerous documentary films, mostly about American artists including Alexander Calder, e. e. cummings, Jeanne Reynal, Dorothy Miller, Pierre Matisse, Lenore Tawney, and Loren MacIver. She also worked tirelessly to promote the work of sculptor, architect, and set designer Frederick Kiesler. She was the camera woman for Kiesler's Kiesler's Universal Theater which aired on CBS in 1962. She became close friends with Kiesler's widow, Lillian, and they collaborated on the film Kiesler on Kiesler and numerous other film and art projects, supporting the work of young artists. Charlton also worked on commissioned films, including The Mosaics of Jeanne Reynal and Zen in Ryoko-in. Charlton befriended many artists in the visual, literary, and film worlds, including Elizabeth Bishop, Dimitri Hadzi, Margo Hoff, James Purdy, and Delphine Seyrig.

A performer in her own right, Charlton appeared in the works of Richard Foreman, Jo Andres, and others. She also played the part of Helen Keller in the film Ghostlight (2003).

An Iowa native, Charlton founded the University of Iowa Museum of Art together with Leone and Owen Elliott. She maintained a close relationship with the Iowa Museum over many years as a donor and chronicler.

Charlton died in New York City on November 25, 2013.
Related Materials:
The Houghton Library at Harvard University and the University of Iowa Museum of Art also hold papers and artwork by Maryette Charlton. The Museum of Modern Art, New York, houses the film Kiesler on Kiesler, created by Maryette Charlton.

The Archives of American Art also has the papers of Frederick and Lillian Kiesler, a portion of which was donated by Charlton.
Provenance:
The Maryette Charlton papers were donated in multiple accretions from 1998-2011 by Maryette Charlton, and in 2013-2014 by the Maryette Charlton estate via Jo Andres, executor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Filmmakers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Art teachers -- New York (State) -- New York  Search this
Topic:
Museums -- Administration  Search this
Women artists  Search this
Women painters  Search this
Women photographers  Search this
Women printmakers  Search this
Women educators  Search this
Art -- Study and teaching  Search this
Color  Search this
Genre/Form:
Photographs
Diaries
Sketchbooks
Sketches
Interviews
Scrapbooks
Sound recordings
Scripts (documents)
Drawings
Mail art
Motion pictures (visual works)
Video recordings
Citation:
Maryette Charlton papers, circa 1890-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.charmary
See more items in:
Maryette Charlton papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw914a42bb1-d069-466f-8948-94f4bf257230
EDAN-URL:
ead_collection:sova-aaa-charmary
Online Media:

Makler Gallery records

Creator:
Makler Gallery  Search this
Names:
Avery, Milton, 1885-1965  Search this
Calder, Alexander, 1898-1976  Search this
Makler, Hope Welsh, 1924-2013  Search this
Makler, Paul Todd, 1920-  Search this
Nevelson, Louise, 1899-1988  Search this
Extent:
2.1 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1957-1989
Summary:
The records of Philadelphia's Makler Gallery measure 2.1 linear feet and date from 1957 to 1989. The collection comprises business records containing some printed material, correspondence, and financial records; printed material that include issues of Prometheus, a newsletter published by the gallery; photographic materials documenting the gallery's exhibitions and events, as well as works of art by Louise Nevelson, Milton Avery, Camille Bombois, David Smith, and others; and three scrapbooks containing material regarding the gallery's activities and history from 1959 to 1973.
Scope and Contents:
The records of Philadelphia's Makler Gallery measure 2.1 linear feet and date from 1957 to 1989. The collection comprises business records containing some printed material, correspondence, and financial records; printed material that include issues of Prometheus, a newsletter published by the gallery; photographic materials documenting the gallery's exhibitions and events, as well as works of art by Louise Nevelson, Milton Avery, Camille Bombois, David Smith, and others; and three scrapbooks containing material regarding the gallery's activities and history from 1959 to 1973.
Arrangement:
The collection is arranged as four series.

Series 1: Business Records, 1957-1989 (1.0 linear feet; Box 1)

Series 2: Printed Materials, 1960-1988 (0.2 linear feet; Box 2)

Series 3: Photographic Materials, circa 1960-circa 1975 (0.8 linear feet; Box 2)

Series 4: Scrapbooks, 1959-1973 (1.1 linear feet; Box 2, OV 3)
Biographical / Historical:
The Makler Gallery (est. 1960-1985) was an art gallery located in Philadelphia, Pennsylvania that exhibited primarily pre-1960s paintings and contemporary sculptures. The gallery was founded in 1960 by Dr. Paul Todd Makler and his wife Hope. Among the artists represented by the gallery were Milton Avery, Alexander Calder, Mary Frank, Hans Hofmann, George Rickey, and Jyoti Swaroop.
Related Materials:
Also found at the Archives of American Art is an interview of Hope Makler conducted on November 28, 1989 by Marina Pacini for the Archives of American Art Philadelphia Project.
Provenance:
The Makler Gallery records were donated in 1990 by Paul and Hope Mackler.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Function:
Art galleries, Commercial -- Pennsylvania
Genre/Form:
Scrapbooks
Citation:
Makler Gallery records, 1957-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.maklgall
See more items in:
Makler Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ad3bb4df-ded0-49fa-9a41-526942ecce36
EDAN-URL:
ead_collection:sova-aaa-maklgall
Online Media:

John Henry Bradley Storrs papers

Creator:
Storrs, John Henry Bradley, 1885-1956  Search this
Names:
Downtown Gallery (New York, N.Y.)  Search this
Andersen, Hendrik Christian, 1872-1940  Search this
Anderson, Sherwood, 1876-1941  Search this
Bennett, Edward H.  Search this
Biddle, George, 1885-1973  Search this
Blum, Jerome, 1884-1956  Search this
Braque, Georges, 1882-1963  Search this
Bryant, Louise, 1885-1936  Search this
Calder, Alexander, 1898-1976  Search this
Cole, Walter, b. 1891  Search this
Cret, Paul Philippe, 1876-1945  Search this
Dismorr, Jessica Stewart, 1885-1939  Search this
Dreier, Katherine Sophie, 1877-1952  Search this
Duchamp, Marcel, 1887-1968  Search this
Eastman, Max, 1883-1969  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Hartley, Marsden, 1877-1943  Search this
Heap, Jane  Search this
Hecht, Zoltan, 1890-1968  Search this
Hélion, Jean, 1904-1987  Search this
Lipchitz, Jacques, 1891-1973  Search this
Léger, Fernand, 1881-1955  Search this
Ray, Man, 1890-1976  Search this
Raynal, Maurice  Search this
Rodin, Auguste, 1840-1917  Search this
Sheeler, Charles, 1883-1965  Search this
Stella, Joseph, 1877-1946  Search this
Sterne, Maurice, 1878-1957  Search this
Stieglitz, Alfred, 1864-1946  Search this
Storrs, Marguerite Deville Chabrol  Search this
Survage, Leopold  Search this
Zorach, Marguerite, 1887-1968  Search this
Zorach, William, 1887-1966  Search this
Extent:
20.44 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Poems
Diaries
Sketches
Video recordings
Sketchbooks
Prints
Portfolios (groups of works)
Date:
1790-2007
bulk 1900-1956
Summary:
The papers of sculptor, painter, and printmaker John Henry Bradley Storrs measure 20.44 linear feet and date from 1790-2007, with the bulk of the papers dating from 1900 to 1956. The collection contains biographical material, correspondence, personal business records, forty-eight diaries of John Storrs, a few diaries of other family members, additional writings, printed material, photographs of Storrs and his family and friends, artwork, scrapbooks, estate records, and video recordings. Correspondence includes that of John Storrs, Marguerite Storrs, and the Storrs family.
Scope and Contents:
The papers of sculptor, painter, and printmaker John Henry Bradley Storrs measure 20.44 linear feet and date from 1790 to 2007, with the bulk of the papers dating from 1900 to 1956. The collection documents Storrs' career as an artist and his personal life through biographical material, correspondence with family, friends, and colleagues, personal business records, forty-eight diaries and other writings, printed material, photographs of Storrs and his family and friends, artwork, scrapbooks, estate records, and video recordings. There is also a substantial amount of Marguerite Storr's correspondence as well as scattered correspondence of other members of the Storr's family.

Biographical material consists of chronologies detailing the life of John Storrs, identification records, certificates, Storrs family documents, and records of John and Monique Storrs' French resistance activities during World War II.

Correspondence within this collection is divided into John Storrs Correspondence, Marguerite Storrs Correspondence, and Storrs Family Correspondence. The bulk of correspondence is John Storrs with friends, colleagues, art critics, patrons, art organizations and galleries. Correspondents of note include artists, architects, and writers such as Hendrick Andersen, Sherwood Anderson, Edward Bennett, George Biddle, Jerome Blum, Georges Braque, Louise Bryant, William Bullitt, Alexander Calder, Walter Cole, Paul Phillippe Cret, Katherine Dreier, Marcel Duchamp, Max Eastman, R. Buckminster Fuller, Marsden Hartley, Jane Heap, Jean Helion, Fernand Leger, Jacques Lipchitz, Man Ray, Charles Sheeler, Gertrude Stein, Joseph Stella, Maurice Sterne, Alfred Stieglitz, Leopold Survage, and William and Marguerite Zorach. There are also many letters to his wife Marguerite.

Marguerite Storrs' correspondence is with friends, family, colleagues, and others, including many letters to her husband. The letters are about general and family news, social activities and invitations, her work as a writer, and her husband's career. Storrs' family correspondence includes John and Marguerite's extensive correspondence with their daughter Monique as well as Monique's correspondence with others. Additional family correspondence is between John, his sister Mary ("Mae") and their parents David William and Hannah Storrs, much of it dating from 1900 to 1913.

Personal business records include address books, records regarding the sale and loan of Storrs' artwork, commission files regarding major public sculptures by Storrs, contracts, appraisals, financial records, and other documents regarding his professional activities. Of note are several files documenting Downtown Gallery's representation of Storrs' work during the 1960s, including correspondence between Edith Halpert and Monique Storrs. Various other documents include records of the Ecole de la Loire artists group (all in French.) Additionally there are records relating to Chateau de Chantecaille, an estate purchased by Storrs in the early 1920s as his primary residence and studio.

Forty-eight diaries contain scattered documentation of John Storrs' daily activities. Other writings by Storrs include four volumes of his memoirs that detail family history and his life from birth to 1906, notebooks, poetry, and personal accounts including the death of Auguste Rodin. Writings by others include poetry by Jessie Dismorr, essays by Zoltan Hecht and Maurice Raynal, and notebooks belonging to Storrs family members.

Printed material consists of books, art bulletins, brochures, invitations, announcements, and programs for art and social events. Also found are catalogs for exhibitions of Storrs' work and work by other artists; magazines, including a bound volume of the first ten issues of The Liberator; and clippings which include news about Storrs, his family, and friends.

Photographs depict John Storrs, his family, friends such as Arthur Bock and Gertrude Lambert, travels, and residences. Included are photographs of Storrs in his studio and in art classes. Also found are four photograph albums, primarily documenting his time in Europe from 1905 to 1907, exhibition photographs, and numerous photographs of his artwork.

Original artwork includes a portfolio of artwork created by Storrs as a youth, loose sketches, one sketchbook, 31 lithographs, and drawings for mural projects.

Four scrapbooks and a portfolio kept by John and Marguerite Storrs contain newspaper and magazine clippings of articles and illustrations as well as printed material from exhibitions, social events, and professional activities. Also found is a portfolio containing scattered items regarding the publication of Song of Myself with original wood engravings by John Storrs. One additional scrapbook was created by John Storrs around 1945 for his daughter, Monique Storrs, to document her service as a nurse in World War II.

This collection also includes records of John Storrs' estate immediately following his death in 1956, as well as records of several galleries that represented the estate in managing Storrs' artwork from the 1970s to 2002.

Three videocassettes, transferred from an unknown reel format, contain footage of Storrs' family life at Chantecaille and in Chicago, Illinois, in the 1930s.
Arrangement:
The collection is arranged as 11 series.

Some box and folder numbers in the container listing intentionally display out of sequence. An accretion was added in 2012 and integrated into the intellectual order, but not into the physical container order. Glass plate negatives are housed separately and closed to researchers.

Missing Title

Series 1: Biographical Material, 1837, 1860-1984 (Box 1, 20, 25, OV 23; 0.6 linear feet)

Series 2: Correspondence, 1857-2007 (Box 1-7, 25; 5.8 linear feet)

Series 3: Personal Business Records, 1790, 1855-1987 (Box 7-9, 25, OV 24, 28; 2.9 linear feet)

Series 4: Diaries, 1874-1955 (Box 9-10; 0.9 linear feet)

Series 5: Writings, 1888-1989 (Box 10-11, 25; 1.1 linear foot)

Series 6: Printed Material, 1867-1987, 2005 (Box 11-14, 25, OV 24; 3.6 linear feet)

Series 7: Photographs, circa 1885-1980 (Box 14-16, 18, 20-22, 25, MGP 1, MGP 2, MGP 5, MGP 6; 3.2 linear feet)

Series 8: Artwork, 1895-1935 (Box 18, 20, OV 23; 0.5 linear feet)

Series 9: Scrapbooks, 1895-1963 (Box 18-21, 25; 0.7 linear feet)

Series 10: Estate Records, 1956-2002 (Box 26; 0.4 linear feet)

Series 11: Video Recordings, circa 1980s (Box 26-27; 0.2 linear feet)
Biographical / Historical:
John Henry Bradley Storrs (1885-1956) worked primarily in Chicago, Illinois, and Mer, France, as a sculptor, painter, and printmaker.

John Storrs was born in 1885 in Chicago, Illinois, to David William Storrs, an architect, and Hannah Bradley Storrs. Upon completing his schooling in 1905 he went to Berlin with the intention of studying music, but instead chose to study sculpture with the Arthur Bock in Hamburg, Germany. He also spent time in Paris and traveled throughout Europe, Turkey, and Egypt, returning to the US in late 1907. Storrs took night classes at the Art Institute of Chicago, followed by periods of study at the School of the Museum of Fine Arts, Boston, with Bela Pratt, and at the Pennsylvania Academy of the Fine Arts with Charles Grafly. In 1912 he returned to Paris where he studied at the Académie Julian and with the famous sculptor Auguste Rodin. During this period his work was greatly influenced by cubism and futurism. In 1914 he married French writer Marguerite Deville-Chabrol. After briefly returning to the US to exhibit his work, Storrs worked at a hospital in Paris throughout World War I and in 1918 his daughter Monique was born. He and his family settled in Mer, France, at the Chateau de Chantecaille in 1921.

The following two decades were very productive for Storrs and he frequently travelled between the US and France to exhibit and create work. He showed in many notable exhibits such as the Société Anonyme's International Exhibition of Modern Art in New York in 1926, and he completed several commissions such as a statue for the Chicago Board of Trade in 1929. During this time Storrs completely moved away from representational work and refined his non-objective, machine-like sculpture. Besides sculpture, he also produced many paintings, woodcuts, lithographs, and other works on paper. He created works for the Century of Progress International Exposition in 1933 and also worked for the Public Works of Art Project in 1934.

During World War II Storrs was twice arrested and imprisoned by the German occupation forces, once for six months from 1941 to 1942 and again in 1944 along with his daughter Monique who was part of the French Resistance. These events greatly impacted his health and he produced very little work in the late 1940s and 1950s. He continued to exhibit his work and was also president in 1954 of the Ecole de la Loire, a group of 75 artists working in the Loire Valley. John Storrs died in 1956.
Related Materials:
Also available at the Archives of American Art is the Noel Frackman research material on John Henry Bradley Storrs, 1972-2003. In addition, Archives of American Art microfilm reels 1463 and ND/S-1 contain the John Henry Bradley Storrs scrapbook and studio book, 1909-1972.
Separated Materials:
The Booz family also loaned approximately 1,000 drawings by John Storrs and select family photographs for microfilming. Loaned material is available for viewing on reel 1555, but is not described in this container listing of this finding aid.
Provenance:
The John Henry Bradley Storrs papers were donated in several installments from 1979 to 1987 by Storrs' daughter, Monique Storrs Booz, and her daughter, Michelle Storrs Booz. A portion of these papers were loaned for microfilming in 1977 and subsequently donated in 1980. Additional papers were donated by Michelle Storrs Booz in 2011.
Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and not served to researchers.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Expatriate artists -- France  Search this
Painters -- Illinois -- Chicago  Search this
Painters -- France -- Paris  Search this
Printmakers -- Illinois -- Chicago  Search this
Printmakers -- France -- Paris  Search this
Sculpture, Modern -- 20th century  Search this
Sculptors -- Illinois -- Chicago  Search this
Sculptors -- France -- Paris  Search this
World War, 1939-1945  Search this
Function:
Artists' studios -- France
Genre/Form:
Scrapbooks
Photographs
Poems
Diaries
Sketches
Video recordings
Sketchbooks
Prints
Portfolios (groups of works)
Citation:
John Henry Bradley Storrs papers, 1890-2007, bulk 1900-1956. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.storjohn
See more items in:
John Henry Bradley Storrs papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97fbb0f90-38d0-4f9d-8293-83eb4d3dbe07
EDAN-URL:
ead_collection:sova-aaa-storjohn
Online Media:

Murdock Pemberton papers, 1947-1955

Creator:
Pemberton, Murdock, 1888-1982  Search this
Subject:
Calder, Alexander  Search this
Dove, Arthur Garfield  Search this
Lurçat, Jean  Search this
Poor, Henry Varnum  Search this
Citation:
Murdock Pemberton papers, 1947-1955. Archives of American Art, Smithsonian Institution.
Topic:
Art criticism -- New York (State) -- New York  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)5651
(DSI-AAA_SIRISBib)208485
AAA_collcode_pembmurd
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208485

Bernarda Bryson Shahn papers, 1872-2004, bulk 1904-2004

Creator:
Bryson, Bernarda, 1903-2004  Search this
Subject:
Rockefeller, Nelson A. (Nelson Aldrich)  Search this
Osborn, Robert Chesley  Search this
Robbins, Warren M.  Search this
Shahn, Jonathan  Search this
Shahn, Ben  Search this
Calder, Alexander  Search this
Lionni, Leo  Search this
Knight, Gwendolyn  Search this
Lynes, Russell  Search this
Javitz, Jacob  Search this
Hayes, Helen  Search this
Type:
Sound recordings
Scrapbooks
Sketches
Diaries
Photographs
Drawings
Sketchbooks
Watercolors
Citation:
Bernarda Bryson Shahn papers, 1872-2004, bulk 1904-2004. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5712
(DSI-AAA_SIRISBib)208550
AAA_collcode_brysbern
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208550
Online Media:

Eleanor Howland Bunce papers, 1936-1987

Creator:
Bunce, Eleanor Howland, 1905-  Search this
Subject:
Tanguy, Yves  Search this
Blume, Peter  Search this
Calder, Alexander  Search this
Citation:
Eleanor Howland Bunce papers, 1936-1987. Archives of American Art, Smithsonian Institution.
Topic:
Women arts administrators  Search this
Theme:
Women  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)7116
(DSI-AAA_SIRISBib)209250
AAA_collcode_buncelea
Theme:
Women
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209250

David Prager letter relating to Alexander Calder, 1956

Creator:
Prager, David A., 1913-1997  Search this
Subject:
Calder, Alexander  Search this
Citation:
David Prager letter relating to Alexander Calder, 1956. Archives of American Art, Smithsonian Institution.
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)7293
(DSI-AAA_SIRISBib)209446
AAA_collcode_pragdavi
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209446

Letters and postcards from Alexander Calder, 1957-1970

Creator:
Kyle, Charles T.  Search this
Calder, Alexander, 1898-1976  Search this
Citation:
Letters and postcards from Alexander Calder, 1957-1970. Archives of American Art, Smithsonian Institution.
Topic:
Mobiles (Sculpture) -- Connecticut  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7295
(DSI-AAA_SIRISBib)209448
AAA_collcode_kylechar
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209448

Giovanni Carandente letters, 1962-1963

Creator:
Carandente, Giovanni  Search this
Subject:
Calder, Alexander  Search this
Ferber, Herbert  Search this
Lurie, Boris  Search this
Smith, David  Search this
Citation:
Giovanni Carandente letters, 1962-1963. Archives of American Art, Smithsonian Institution.
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)7326
(DSI-AAA_SIRISBib)209479
AAA_collcode_caragiov
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209479

Agnes Rindge Claflin papers concerning Alexander Calder, 1936-circa 1970s

Creator:
Claflin, Agnes Rindge, 1900-1977  Search this
Subject:
Calder, Alexander  Search this
Vassar College  Search this
Type:
Postcards
Manuscripts
Photographs
Illustrated letters
Citation:
Agnes Rindge Claflin papers concerning Alexander Calder, 1936-circa 1970s. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting  Search this
Women arts administrators  Search this
Women educators  Search this
Mobiles (Sculpture)  Search this
Theme:
Women  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)7439
(DSI-AAA_SIRISBib)209597
AAA_collcode_clafagne
Theme:
Women
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209597
Online Media:

Hans Namuth photographs and papers, 1945-1985

Creator:
Namuth, Hans, 1915-1990  Search this
Subject:
Davis, Stuart  Search this
Stieglitz, Alfred  Search this
Adams, Ansel  Search this
Mies van der Rohe, Ludwig  Search this
Breuer, Marcel  Search this
Newman, Arnold  Search this
Boynton, Jack  Search this
Krasner, Lee  Search this
Norman, Dorothy  Search this
Wyeth, Andrew  Search this
De Kooning, Willem  Search this
Picasso, Pablo  Search this
Noguchi, Isamu  Search this
Cage, John  Search this
Hartigan, Grace  Search this
Koch, Kenneth  Search this
Johns, Jasper  Search this
Rothko, Mark  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Hopper, Edward  Search this
Copland, Aaron  Search this
Rauschenberg, Robert  Search this
Navaretta, Cynthia  Search this
Pollock, Jackson  Search this
Castelli, Leo  Search this
Calder, Alexander  Search this
Shaw, Elizabeth Roberts  Search this
Karpel, Bernard  Search this
Jewish Museum (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Yale University. School of Art and Architecture  Search this
Virginia Museum of Fine Arts  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Type:
Interviews
Photographs
Transcripts
Place:
Massachusetts -- Boston
Citation:
Hans Namuth photographs and papers, 1945-1985. Archives of American Art, Smithsonian Institution.
Topic:
Artists -- New York (State) -- New York  Search this
Filmmakers -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8069
(DSI-AAA_SIRISBib)210240
AAA_collcode_namuhans
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210240
Online Media:

Andrew Carnduff Ritchie papers, 1907-1983

Creator:
Ritchie, Andrew Carnduff, 1907-1978  Search this
Subject:
Roszak, Theodore  Search this
Ritchie, Jane  Search this
Paolozzi, Eduardo  Search this
Namuth, Hans  Search this
Lynes, Russell  Search this
Hadzi, Dimitri  Search this
Calder, Alexander  Search this
Afro  Search this
Yale University. Art Gallery  Search this
Museum of Modern Art (New York, N.Y.)  Search this
College Art Association of America  Search this
Allied Forces. Supreme Headquarters. Monuments, Fine Arts and Archives Section  Search this
Type:
Photographs
Citation:
Andrew Carnduff Ritchie papers, 1907-1983. Archives of American Art, Smithsonian Institution.
Topic:
Art treasures in war -- Netherlands -- History -- 20th century  Search this
Art thefts -- Germany -- History -- 20th century  Search this
World War, 1939-1945 -- Art and the war  Search this
Cultural property -- Protection -- Europe -- History -- 20th century  Search this
Art -- Study and teaching  Search this
Museum directors -- New York (State) -- New York  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)8152
(DSI-AAA_SIRISBib)210323
AAA_collcode_ritcandr2
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210323
Online Media:

Walter and Ise Gropius papers, 1883-1981

Creator:
Gropius, Walter, 1883-1969  Search this
Gropius, Ise, 1897-1983  Search this
Subject:
Aalto, Alvar  Search this
Albers, Josef  Search this
Barto?k, Be?la  Search this
Bayer, Herbert  Search this
Breuer, Marcel  Search this
Calder, Alexander  Search this
Cascieri, Arcangelo  Search this
Chermayeff, Serge  Search this
Feininger, Lyonel  Search this
Gabo, Naum  Search this
Huxley, Julian  Search this
Kandinsky, Wassily  Search this
Kepes, Gyorgy  Search this
Klee, Paul  Search this
Klemperer, Otto  Search this
Le Corbusier  Search this
Mahler, Alma  Search this
Marcks, Gerhard  Search this
Moholy-Nagy, László  Search this
Muche, Georg  Search this
Pei, I. M.  Search this
Petit, Claude  Search this
Pritchard, Jack  Search this
Rivera, Diego  Search this
Schmidt, Joost  Search this
Schwitters, Kurt  Search this
Sert, José Luis  Search this
Stravinsky, Igor  Search this
Tange, Kenz?  Search this
Werfel, Franz  Search this
Wright, Frank Lloyd  Search this
Gropius, Walter  Search this
Davis, Charles H. (Charles Harold)  Search this
Scharoun, Hans  Search this
Wachsmann, Konrad  Search this
Beckmann, Hannes  Search this
Chermayeff, Ivan  Search this
Klarmann, Adolf D.  Search this
Koch, Helmut  Search this
Miró, Joan  Search this
Architects Collaborative, Inc.  Search this
Bauhaus  Search this
Walter Gropius Foundation  Search this
Type:
Sound recordings
Interviews
Citation:
Walter and Ise Gropius papers, 1883-1981. Archives of American Art, Smithsonian Institution.
Topic:
Architecture, Modern -- 20th century -- Germany  Search this
Architecture, Modern -- 20th century -- United States  Search this
Industrial design  Search this
Theme:
Diaries  Search this
Photography  Search this
Architecture & Design  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8295
(DSI-AAA_SIRISBib)210466
AAA_collcode_gropwalt
Theme:
Diaries
Photography
Architecture & Design
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210466

Hans Theo Richter papers, [ca. 1914-1981]

Creator:
Richter, Hans, 1888-1976  Search this
Subject:
Calder, Alexander  Search this
Duchamp, Marcel  Search this
Ernst, Max  Search this
Ray, Man  Search this
Citation:
Hans Theo Richter papers, [ca. 1914-1981]. Archives of American Art, Smithsonian Institution.
Topic:
Experimental films  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8333
(DSI-AAA_SIRISBib)210505
AAA_collcode_richhans
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210505

Peter Howard Selz papers, 1929-2014, bulk 1950-2005

Creator:
Selz, Peter Howard, 1919-2019  Search this
Subject:
Tinguely, Jean  Search this
Rothko, Mark  Search this
Dubuffet, Jean  Search this
Calder, Alexander  Search this
Benton, Fletcher  Search this
Reinhardt, Ad  Search this
Feininger, Lyonel  Search this
Christo  Search this
Chase-Riboud, Barbara  Search this
Conner, Bruce  Search this
Beckmann, Max  Search this
Bury, Pol  Search this
Bergman, Ciel  Search this
Hadzi, Dimitri  Search this
Guston, Philip  Search this
Lindner, Richard  Search this
Lebrun, Rico  Search this
Giacometti, Alberto  Search this
Baykam, Bedri  Search this
Graves, Morris  Search this
Golub, Leon  Search this
Petlin, Irving  Search this
Onslow-Ford, Gordon  Search this
Lipchitz, Jacques  Search this
Paris, Harold  Search this
O'Keeffe, Georgia  Search this
University of California, Berkeley. University Art Museum  Search this
Pomona College (Claremont, Calif.)  Search this
San Francisco Bay Area Rapid Transit District (Calif.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Marlborough Gallery  Search this
Institute of Design (Chicago, Ill.) (Faculty)  Search this
College Art Association of America  Search this
Type:
Photographs
Scrapbooks
Sound recordings
Video recordings
Place:
San Francisco Bay Area (Calif.)
Citation:
Peter Howard Selz papers, 1929-2014, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
Topic:
Realism  Search this
Political cartoons  Search this
Pop art  Search this
Environment (Art)  Search this
Painting, Abstract  Search this
Ceramics  Search this
Art -- Study and teaching -- California  Search this
Art -- Political aspects  Search this
Art, Modern -- 20th century -- Exhibitions  Search this
Art -- Germany  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)8464
(DSI-AAA_SIRISBib)210640
AAA_collcode_selzpete
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210640
Online Media:

Jane Wade papers regarding Curt Valentin, 1903-1971

Creator:
Wade, Jane, 1925-  Search this
Subject:
Barr, Alfred H., Jr.  Search this
Ben-Zion  Search this
Butler, Reg  Search this
Calder, Alexander  Search this
Cox, Jan  Search this
Feininger, Lyonel  Search this
Flannagan, John Bernard  Search this
Gerson, Otto  Search this
Hepworth, Barbara, Dame  Search this
Kahnweiler, Daniel Henry  Search this
Knaths, Karl  Search this
Kolbe, Georg  Search this
Lipchitz, Jacques  Search this
Marcks, Gerhard  Search this
Marini, Marino, 1901-1980  Search this
Masson, André  Search this
Moore, Henry, 1898-1986  Search this
Odets, Clifford  Search this
Osborn, Robert Chesley  Search this
Picasso, Pablo  Search this
Pickens, Alton  Search this
Pickhardt, Carl E.  Search this
Piper, John  Search this
Roesch, Kurt  Search this
Smith, David  Search this
Sutherland, Graham Vivian  Search this
Valentin, Curt  Search this
Buchholz Gallery (New York, N.Y.)  Search this
Curt Valentin Gallery (New York, N.Y.)  Search this
Fine Arts Associates  Search this
Universität Hamburg  Search this
Type:
Photographs
Prints
Sketches
Citation:
Jane Wade papers regarding Curt Valentin, 1903-1971. Archives of American Art, Smithsonian Institution.
Topic:
Art, Modern -- 20th century  Search this
Theme:
Art Market  Search this
Record number:
(DSI-AAA_CollID)8601
(DSI-AAA_SIRISBib)210781
AAA_collcode_wadejane
Theme:
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210781
Online Media:

Aline Fruhauf papers, 1926-1976

Creator:
Fruhauf, Aline, 1909-1978  Search this
Subject:
Kuniyoshi, Yasuo  Search this
Huxley, Aldous  Search this
Longworth, Alice Roosevelt  Search this
Ravel, Maurice  Search this
Zorach, William  Search this
Calder, Alexander  Search this
Cecil, David, Lord  Search this
Eilshemius, Louis M. (Louis Michel)  Search this
Citation:
Aline Fruhauf papers, 1926-1976. Archives of American Art, Smithsonian Institution.
Topic:
Caricatures and cartoons  Search this
Women artists  Search this
Women printmakers  Search this
Theme:
Diaries  Search this
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8797
(DSI-AAA_SIRISBib)210981
AAA_collcode_fruhalin
Theme:
Diaries
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210981

Eva Lee Gallery records, 1921-1973

Creator:
Eva Lee Gallery  Search this
Subject:
Hartley, Marsden  Search this
Simpson, Merton D. (Merton Daniel)  Search this
Loewe, Frederick  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Ritchie, Andrew Carnduff  Search this
Valentin, Curt  Search this
Mommer, Paul  Search this
Feininger, Lyonel  Search this
Lipchitz, Jacques  Search this
Shahn, Ben  Search this
Odets, Clifford  Search this
Weber, Max  Search this
Vasarely, Victor  Search this
Indiana, Robert  Search this
Christo  Search this
Hopkins, John  Search this
Lee, Eva  Search this
Magritte, René  Search this
Lieberman, Harry  Search this
Corinth, Lovis  Search this
Cornell, Joseph  Search this
Dalí, Salvador  Search this
Nesbitt, Lowell  Search this
Grosz, George  Search this
Albers, Josef  Search this
Benn, Ben  Search this
Benton, Thomas Hart  Search this
Marin, John  Search this
Calder, Alexander  Search this
Korvettes  Search this
New Art Circle  Search this
Type:
Watercolor drawings
Photographs
Citation:
Eva Lee Gallery records, 1921-1973. Archives of American Art, Smithsonian Institution.
Topic:
Works of art  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)8866
(DSI-AAA_SIRISBib)211051
AAA_collcode_evalee
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211051
Online Media:

Emanuel Benson papers, 1924-1967

Creator:
Benson, Emanuel, 1904-1971  Search this
Subject:
O'Connor, Francis V.  Search this
Lipchitz, Jacques  Search this
Machen, Arthur  Search this
Marin, John  Search this
Stieglitz, Alfred  Search this
Watkins, Franklin Chenault  Search this
Wolff, Gustave  Search this
Davis, Stuart  Search this
Greene, Balcomb  Search this
Calder, Alexander  Search this
Grosz, George  Search this
Kandinsky, Wassily  Search this
Knaths, Karl  Search this
Index of American Design  Search this
Federal Art Project  Search this
Citation:
Emanuel Benson papers, 1924-1967. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)8881
(DSI-AAA_SIRISBib)211066
AAA_collcode_benseman
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211066

Fort Worth National Bank records, 1971-1978

Creator:
Fort Worth National Bank  Search this
Subject:
Calder, Alexander  Search this
Citation:
Fort Worth National Bank records, 1971-1978. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting -- Texas -- Fort Worth  Search this
Art patronage -- Texas -- Fort Worth  Search this
Sculpture, Modern -- 20th century -- Texas -- Fort Worth  Search this
Theme:
Patronage  Search this
Record number:
(DSI-AAA_CollID)8909
(DSI-AAA_SIRISBib)211094
AAA_collcode_fortwort
Theme:
Patronage
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211094

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