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Will Barnet papers

Creator:
Barnet, Will, 1911-2012  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Esther-Robles Gallery  Search this
Waddell Gallery  Search this
Barnet, Peter. Will Barnet: artist and teacher  Search this
Booth, Cameron, 1892-1980  Search this
Pearson, Henry, 1914-2006  Search this
Savelli, Angelo, 1911-  Search this
Sternberg, Harry, 1904-2001  Search this
Von Wicht, John, 1888-1970  Search this
Extent:
30.7 Linear feet
7.24 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Video recordings
Transcripts
Interviews
Visitors' books
Sound recordings
Sketches
Photographs
Date:
1897
1929-2016
Summary:
The papers of painter, printmaker, and educator Will Barnet date from 1897 and 1929-2016. The collection measures 30.7 linear feet and 7.24 gigabytes. Found within the papers are biographical material, including numerous recorded interviews of Barnet; personal and professional correspondence; writings and lectures; financial records; printed material; artwork; and photographs of Barnet, his family and friends, and his work. An addition received in 2016 includes biographical material, correspondence, writings, diaries and daybooks, gallery and exhibition files, project and professional files, printed material, and photographic material.
Scope and Contents:
The papers of painter, printmaker, and educator Will Barnet date from 1897 and 1929-2016. The collection measures 30.7 linear feet and 7.24 gigabytes. Found within the papers are biographical material, including numerous recorded interviews of Barnet; personal and professional correspondence; writings and lectures; financial records; printed material; artwork; and photographs of Barnet, his family and friends, and his work. An addition received in 2016 includes biographical material, correspondence, writings, diaries and daybooks, gallery and exhibition files, project and professional files, printed material, and photographic material.

Biographical materials consist of appointment and address books, curriculum vitae, a fellowship application, awards ceremony documentation, and numerous recorded interviews, including a 9 part interview with Kitty Gellhorn conducted over the course of two years. Only 6 of the 24 interviews have transcripts and most are found only on original audio and video recordings with no duplicate access copies.

Correspondence is primarily with Barnet's family, friends, fellow artists, and business associates discussing personal relationships, teaching and lecturing appointments, gallery sales, and exhibitions. Correspondents of note include Cameron Booth, Henry Pearson, Angelo Savelli, Harry Sternberg, Jon Von Wicht, Esther Robles Gallery, and the Waddell Gallery (formerly Grippi and Waddell).

Writings by Barnet consist of 7 essays, 45 teaching lectures, 3 notebooks, and 4 speeches. Many of the lectures and 3 of the 4 speeches exist only as audio and video recordings for which there are no transcripts or duplicate access copies. The bulk of writings by others are biographical essays and memoirs of Barnet, including a copy of Peter Barnet's dissertation, Will Barnet: Artist and Teacher. The series also includes 4 exhibition guest registers.

Personal business records include sales and teaching contracts, gift acknowledgements, and price lists.

Printed material includes auction catalogs, clippings, audio recordings, video documentaries, exhibition announcements and catalogs, newsletters, press releases, programs, and reproductions of artwork. Video documentaries of note include Artist's Eye and Lasting Impressions, both of which Barnet contributed interviews to.

Photographic materials document people, artwork, exhibition installations, and works of art. There are early photos of Barnet teaching at the Art League, as well as photos of Barnet in his studio and with friends and family. Views of exhibition installations, award ceremonies, and events mainly document solo shows and Barnet's reception after receiving the National Arts Club's Gold Medal Award.

Artwork consists of ink, pencil, and pen sketches by Will Barnet, and a drawing by Bill Smith.

The addition to the Will Barnet papers received in 2016 includes biographical material, correspondence, writings, diaries and daybooks, gallery and exhibition files, project and professional files, printed material, and photographic material. Measuring 19.7 linear feet and 7.24 gigabytes, the addition greatly expands on the original donation, particularly in the diaries and daybooks, which include entries from over five decades. Barnet's long career and professional activities are also well documented in the gallery, exhibition, project, and professional files.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Materials, 1945-1995 (2 linear feet; Boxes 1-2, FC 34)

Series 2: Correspondence, 1940-2001 (3 linear feet; Boxes 3-5, OV 12)

Series 3: Writings, 1940-2000 (3.1 linear feet; Boxes 5-9)

Series 4: Personal Business Records, 1950-1981 (5 folders; Box 9)

Series 5: Printed Material and Publications, 1938-2001 (2.3 linear feet; Boxes 9-11)

Series 6: Photographic Materials, 1939-2001 (0.5 linear feet; Box 11, OV 12)

Series 7: Artwork, 1938-1983 (3 folders; Box 11)

Series 8: Addition to the Will Barnet Papers, 1897, 1929-2016 (19.7 linear feet; Box 13-32, OV 33; 7.24 Gigabytes; ER01-ER06)
Biographical / Historical:
Will Barnet (1911-2012) was a painter, printmaker, and educator who lived and worked in New York City.

Barnet was born in Beverly, Massachusetts to Noah and Sarahdina Barnet. After showing an early interest and affinity for art, he attended the School of the Museum of Fine Arts in Boston. In 1931, he received a scholarship to attend the Art Students League where he studied with Stuart Davis and began building his printmaking techniques. In 1935, he was appointed the League's official printer, and was given his first teaching position there the following year. In 1938, working in the style of social realism, he held his first gallery show at the Hudson Walker Gallery in Manhattan. That same year, Barnet married Mary Sinclair, with whom he had three sons.

In the 1940s and 50s, Barnet began to move away from realism and started painting domestic familial subjects in geometric abstract styles, a move influenced by Native American and modern European art. By 1953, he had divorced and was remarried to Elena Ciurlys, with whom he had a daughter. Elena and his daughter were the subject of many of his representational, dimensionally flat paintings in the 1960s and 70s. During the 60s, Barnet also returned to large scale abstract art, and moved back and forth between styles throughout the rest of his career into the 2000s.

As an educator, Barnet taught graphic arts, printmaking, composition, and painting courses at the League from 1936 to 1980, and also taught courses Cooper Union, Yale, and the Pennsylvania Academy of Fine Arts. He received numerous awards, including the first Artist's Lifetime Achievement Award given on the National Academy of Design's 175th anniversary, the College Art Association's Lifetime Achievement Award, and the 2011 National Medal of Arts.

Will Barnet died in his home in Manhattan, New York on November 13, 2012.
Related Materials:
The Archives of American Art holds three oral history interviews with Will Barnet, one conducted by Richard Baker, January 20, 1964, one by Paul Cummings, January 15, 1968, and another by Stephen Polcari on April 9, 1993. Also found are two additional related collections, a transcript of an interview by Louis Newman with Molly Barnes and Will Barnet, and Peter Barnet's research material on Will Barnet. Syracuse University holds additional papers of Will Barnet.
Separated Materials:
Also found in the Archives are papers that were lent for microfilming (reels N68-22, N69-126, and N70-48.) Most but not all of this material was included in subsequent donations, except for scattered news clippings and exhibition catalogs. The microfilm is not described in the container listing of this finding aid.
Provenance:
Will Barnet loaned his papers to the Archives of American Art for microfilming in 1968. He donated most of this material along with additional papers in several increments between 1968-2001. More papers were donated 2016 by Elena Barnet, Will Barnet's widow.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Will Barnet papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- New York (State) -- New York  Search this
Artists' studios -- New York (State) -- New York -- Photographs  Search this
Printmakers -- New York (State) -- New York  Search this
Art teachers  Search this
Genre/Form:
Video recordings
Transcripts
Interviews
Visitors' books
Sound recordings
Sketches
Photographs
Citation:
Will Barnet papers, 1897, 1929-2016. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.barnwill
See more items in:
Will Barnet papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-barnwill

Interview and Exhibition Opening at Hirschl and Adler Gallery

Collection Creator:
Barnet, Will, 1911-2012  Search this
Extent:
1 Film reel (8mm)
Container:
Box FC 34
Type:
Archival materials
Moving Images
Film reels
Date:
1966
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Will Barnet papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Will Barnet papers, 1897, 1929-2016. Archives of American Art, Smithsonian Institution.
See more items in:
Will Barnet papers
Will Barnet papers / Series 1: Biographical Materials
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-barnwill-ref1195

Biographical Materials

Collection Creator:
Barnet, Will, 1911-2012  Search this
Extent:
2 Linear feet (Boxes 1-2, FC 34)
Type:
Archival materials
Date:
1945-1995
Scope and Contents:
Biographical materials consist of appointment and address books, curriculum vitae, a fellowship application, a video recording of an awards ceremony at Long Island University, and 24 interviews, six with transcripts. Interviewers include Karl Fortress, Sylvan Cole, and Kitty Gellhorn, who conducted a 9 part interview over the course of two years. There is also a recording of Will Barnet's children interviewing each other in reportage style. Audio and video recordings are on 6 videocassettes (VHS), 1 videocassette (U-matic), 1 videocassette (Betacam), 9 sound tape reels (1/4 in.), and 15 sound cassettes.
Arrangement:
Items are arranged by document type. Interviews are filed in chronological order.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Will Barnet papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Will Barnet papers, 1897, 1929-2016. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.barnwill, Series 1
See more items in:
Will Barnet papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-barnwill-ref13

Photographic Material

Collection Creator:
Barnet, Will, 1911-2012  Search this
Extent:
1.1 Linear feet (Box 31-32, OV 33)
Type:
Archival materials
Date:
circa 1940-2010
Scope and Contents:
Additional photographic material is primarily color photographic prints, along with a few negatives and transparencies. One folder includes photographs of Will Barnet with family, friends, and colleagues. Here, Barnet is captured in portraits, in his studio, teaching, and in group photographs. Several dozen packets of photographs from the 1990s-2000s were taken as source photographs that Barnet used to create his paintings. In these photographs, family members and friends serve as models, and preliminary stages of drawings and paintings are captured in process. Other photographs document Barnet's artwork in the later part of his career.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Will Barnet papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Will Barnet papers, 1897, 1929-2016. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.barnwill, Subseries 8.8
See more items in:
Will Barnet papers
Will Barnet papers / Series 8: Addition to the Will Barnet Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-barnwill-ref344

Interview and Exhibition Opening at Hirschl and Adler Gallery

Collection Creator:
Barnet, Will, 1911-2012  Search this
Extent:
1 videocassettes (digital betacam)
1 videocassettes (vhs)
Container:
Box 1, Folder 12
Type:
Archival materials
Videocassettes (digital betacam)
Videocassettes (vhs)
Date:
1966
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Will Barnet papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Will Barnet papers, 1897, 1929-2016. Archives of American Art, Smithsonian Institution.
See more items in:
Will Barnet papers
Will Barnet papers / Series 1: Biographical Materials
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-barnwill-ref48

Will Barnet, Family, and Friends

Collection Creator:
Barnet, Will, 1911-2012  Search this
Container:
Box 31, Folder 8
Type:
Archival materials
Date:
circa 1960-2010
Scope and Contents:
Oversized photographs housed in OV 33
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Will Barnet papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Will Barnet papers, 1897, 1929-2016. Archives of American Art, Smithsonian Institution.
See more items in:
Will Barnet papers
Will Barnet papers / Series 8: Addition to the Will Barnet Papers / 8.8: Photographic Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-barnwill-ref677

Photographs of Artwork

Collection Creator:
Barnet, Will, 1911-2012  Search this
Container:
Box 32, Folder 5
Type:
Archival materials
Date:
2000s
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Will Barnet papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Will Barnet papers, 1897, 1929-2016. Archives of American Art, Smithsonian Institution.
See more items in:
Will Barnet papers
Will Barnet papers / Series 8: Addition to the Will Barnet Papers / 8.8: Photographic Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-barnwill-ref683

Oversized Photographs of Will Barnet from Box 31, Folder 8

Collection Creator:
Barnet, Will, 1911-2012  Search this
Container:
Box OV 33
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Will Barnet papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Will Barnet papers, 1897, 1929-2016. Archives of American Art, Smithsonian Institution.
See more items in:
Will Barnet papers
Will Barnet papers / Series 8: Addition to the Will Barnet Papers / 8.8: Photographic Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-barnwill-ref684

Michele Zackheim papers

Creator:
Zackheim, Michele  Search this
Names:
College of Santa Fe -- Faculty  Search this
Extent:
2.3 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Sound recordings
Photographs
Date:
1976-2012
bulk 1980-2000
Summary:
The papers of artist Michele Zackheim measure 2.3 linear feet and date from 1976 to 2012, bulk 1980-2000. The collection documents her career in the visual arts through correspondence, interviews, writings, project files, teaching files, printed material, and photographic material.
Scope and Contents:
The papers of artist Michele Zackheim measure 2.3 linear feet and date from 1976 to 2012, bulk 1980-2000. The collection documents her career in the visual arts through correspondence, interviews, writings, project files, teaching files, printed material, and photographic material.

Correspondence includes communication with museums, galleries, and publishers relating to Zackheim's projects. The interview is a radio broadcast on one sound cassette. Writings include an illustrated botany manuscript and learning portfolios. Project files relate to Zackheim's major works including Tent of Meeting and The Café Series, and are comprised of notes, correspondence, photographic material, video recordings, and a sound recording. Teaching files include notes, slides, and articles that Zackheim used for courses she taught at the College of Santa Fe. Printed material includes exhibition cards and announcements, clippings, journals, and a poster. Photographic material includes artwork, installation process, and portraits of the artist.
Arrangement:
The collection is arranged as 7 series

Series 1: Correspondence, 1986-2002 (0.2 linear feet; Box 1)

Series 2: Interviews, circa 1980s (0.1 linear foot; Box 1)

Series 3: Writings, 1990-1991 (0.3 linear feet; Box 1)

Series 4: Project Files, 1983-2012 (0.5 linear feet; Box 1-2)

Series 5: Teaching Files, circa 1990-1991 (0.4 linear feet; Box 2)

Series 6: Printed Material, 1977-1998 (0.4 linear feet; Box 2-3)

Series 7: Photographic Material, 1976-circa 2000 (0.4 linear feet; Box 2-3)
Biographical / Historical:
Michele Zackheim (1941- ) is a writer and former visual artist in New York City working throughout the 1970s-1990s as a fresco muralist, installation artist, print-maker, and painter.

Zackheim was born in Reno, Nevada and grew up in Compton, California. She began working as an artist in the 1970s in New York City, where she was active in the early feminist art movement. In the 1980s, Zackheim moved to Santa Fe, New Mexico, where she taught at the College of Santa Fe and continued to make art. Notable projects include Inherited Dreams, Tent of Meeting, and The Café Series. Tent of Meeting was a large-scale installation using fabric that she printed with images from religious history and proposed the possibility of peaceful coexistence among people of various backgrounds.

In the mid-1990s, Zackheim became a writer of biographical fiction. She currently teaches Creative Writing from a Visual Perspective at the School of Visual Arts in New York City.
Provenance:
Michele Zackheim donated her papers to the Archives in 2014.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Michele Zackheim papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Mural painting and decoration  Search this
Installations (Art)  Search this
Women artists -- New York (State) -- New York  Search this
Prints -- Technique  Search this
Authors -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Video recordings
Sound recordings
Photographs
Citation:
Michele Zackheim papers, 1976-2012, bulk 1980-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.zackmich
See more items in:
Michele Zackheim papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-zackmich

Zarina Hashmi papers

Creator:
Zarina  Search this
Extent:
4.28 Gigabytes
1.1 Linear feet
Type:
Collection descriptions
Archival materials
Gigabytes
Diaries
Sketches
Video recordings
Date:
1950-2015
Summary:
The papers of New York artist Zarina Hashmi date from 1950-2015. The extent measures 1.1 linear feet and 4.28 gigabytes. This small collection documents Hashmi's life and career through biographical material; correspondence with friends, dealers, and curators; writings, including diary pages, a digital video recording of a lecture, and notebooks; project files containing sketches, studies, and reference material; printed material; and over 100 photographs from various stages in the artist's life.
Scope and Contents:
The papers of New York artist Zarina Hashmi date from 1950-2015. The extent measures 1.1 linear feet and 4.28 gigabytes. This small collection documents Hashmi's life and career through biographical material; correspondence with friends, dealers, and curators; writings, including diary pages, a digital video recording of a lecture, and notebooks; project files containing sketches, studies, and reference material; printed material; and over 100 photographs from various stages in the artist's life.
Arrangement:
The collection is arranged as six series.

Series 1: Biographical Material, 1974-2015 (0.2 linear feet; Box 1)

Series 2: Correspondence, 1991-2014 (2 folders; Box 1)

Series 3: Writings, 2000s-2012 (3 folders, 4.28 gigabytes; Box 1, ER01)

Series 4: Project Files, 1970s-2010 (0.2 linear feet; Box 1, OV 2)

Series 5: Printed Material, 1970s-2013 (0.4 linear feet; Box 1)

Series 6: Photographs, 1950-2000s (0.2 linear feet; Box 1)
Biographical / Historical:
Zarina Hashmi (1937- ) is an artist living and working in New York City. Born in Aligarh, India, Hashmi studied mathematics before discovering printmaking and papermaking in the 1960s. She studied intaglio with Stanley William Hayter at Atelier 17 in Paris, and woodblock printing at Toshi Yoshida Studio in Tokyo. Through printmaking, drawing, and sculpture, Hashmi explores themes of geographical and social borders, migration, and home, often incorporating text in her native Urdu.
Provenance:
Donated to the Archives of American Art in 2015 by Zarina Hashmi.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of electronic records requires advance notice.
Rights:
The Zarina Hashmi papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Indian artists  Search this
Muslim artists  Search this
Printmakers -- India  Search this
Printmakers -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Sculptors -- India  Search this
Women artists -- India  Search this
Women artists -- New York (State) -- New York  Search this
Photographs  Search this
Genre/Form:
Diaries
Sketches
Video recordings
Citation:
Zarina Hashmi papers, 1950-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.zarina
See more items in:
Zarina Hashmi papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-zarina
Online Media:

Correspondence

Collection Creator:
Zackheim, Michele  Search this
Extent:
0.2 Linear feet (Box 1)
Type:
Archival materials
Date:
1986-2002
Scope and Contents:
Correspondence dates from 1986-2002 and includes communication between Zackheim and museums, galleries, and publishers, relating to the exhibition, purchase, publication, and/or donation of works of art.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Michele Zackheim papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Michele Zackheim papers, 1976-2012, bulk 1980-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.zackmich, Series 1
See more items in:
Michele Zackheim papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-zackmich-ref11

Interviews

Collection Creator:
Zackheim, Michele  Search this
Extent:
0.1 Linear feet (Box 1)
Type:
Archival materials
Date:
circa 1980s
Scope and Contents:
The interview dates from the 1980s and is one sound cassette of a radio broadcast aired in KKED.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Michele Zackheim papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Michele Zackheim papers, 1976-2012, bulk 1980-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.zackmich, Series 2
See more items in:
Michele Zackheim papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-zackmich-ref12

Writings

Collection Creator:
Zackheim, Michele  Search this
Extent:
0.3 Linear feet (Box 1)
Type:
Archival materials
Date:
1990-1991
Scope and Contents:
Writings date from 1990-1991 and include an illustrated botany manuscript by Zackheim and 5 portolios submitted to the College of Santa Fe, Graduate and External Programs, illustrating Zackheim's prior learning through completed projects.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Michele Zackheim papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Michele Zackheim papers, 1976-2012, bulk 1980-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.zackmich, Series 3
See more items in:
Michele Zackheim papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-zackmich-ref13

Project Files

Collection Creator:
Zackheim, Michele  Search this
Extent:
0.5 Linear feet (Box 1-2)
Type:
Archival materials
Date:
1983-2012
Scope and Contents:
Project files dating from 1983-2012 relate to Zackheim's major works including Tent of Meeting and The Café Series, and are comprised of notes, correspondence, printed material, photographic material, and audio visual material. Audio visual material includes 7 video cassettes and 1 sound cassette of television and radio broadcasts.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Michele Zackheim papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Michele Zackheim papers, 1976-2012, bulk 1980-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.zackmich, Series 4
See more items in:
Michele Zackheim papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-zackmich-ref14

Teaching Files

Collection Creator:
Zackheim, Michele  Search this
Extent:
0.4 Linear feet (Box 2)
Type:
Archival materials
Date:
circa 1990-1991
Scope and Contents:
Teaching files date from circa 1990-1991 and are comprised of notes, slides, and articles that Zackheim used for art history courses she taught at the College of Santa Fe. One course is not identified and the other is titled "Religious Consciousness in Contemporary Art."
Arrangement:
Untitled course in art history is arranged alphabetically. "Religious Consciousness in Contemporary Art" topics are arranged chronolgically according to the syllabus.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Michele Zackheim papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Michele Zackheim papers, 1976-2012, bulk 1980-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.zackmich, Series 5
See more items in:
Michele Zackheim papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-zackmich-ref15

Printed Material

Collection Creator:
Zackheim, Michele  Search this
Extent:
0.4 Linear feet (Box 2-3)
Type:
Archival materials
Date:
1977-1998
Scope and Contents:
Printed material dates from 1977-1998 and includes exhibition cards and announcements, clippings relating to Zackheim's projects, journals featuring work from The Café Series, magazines, and a poster Zackheim designed for the Santa Fe film festival.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Michele Zackheim papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Michele Zackheim papers, 1976-2012, bulk 1980-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.zackmich, Series 6
See more items in:
Michele Zackheim papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-zackmich-ref16

Photographic Material

Collection Creator:
Zackheim, Michele  Search this
Extent:
0.4 Linear feet (Box 2-3)
Type:
Archival materials
Date:
1976-circa 2000
Scope and Contents:
Photographic material dates from 1976-circa 2000 and includes slides, negatives, transparencies, and photographs of artwork, portraits of the artist, and extensive documentation of the installation process for Tent of Meeting.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Michele Zackheim papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Michele Zackheim papers, 1976-2012, bulk 1980-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.zackmich, Series 7
See more items in:
Michele Zackheim papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-zackmich-ref17

Albuquerque Museum

Collection Creator:
Zackheim, Michele  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
1991
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Michele Zackheim papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Michele Zackheim papers, 1976-2012, bulk 1980-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Michele Zackheim papers
Michele Zackheim papers / Series 1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-zackmich-ref25

The Café Series

Collection Creator:
Zackheim, Michele  Search this
Container:
Box 1, Folder 2
Type:
Archival materials
Date:
1992-1999
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Michele Zackheim papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Michele Zackheim papers, 1976-2012, bulk 1980-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Michele Zackheim papers
Michele Zackheim papers / Series 1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-zackmich-ref26

CALYX

Collection Creator:
Zackheim, Michele  Search this
Container:
Box 1, Folder 3
Type:
Archival materials
Date:
1992
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Michele Zackheim papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Michele Zackheim papers, 1976-2012, bulk 1980-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Michele Zackheim papers
Michele Zackheim papers / Series 1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-zackmich-ref27

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