The photograph depicts dyoboli dancers wearing metal-covered masks and holding sticks and fly-whisks. Their costumes include women's cloth and dyed da fiber. "Yayoroba and dyoboli are two masquerades among the Bamana, Bozo, and Marka which address issues of both physical and moral beauty. the two masquerades complement each another. Youth associations often present a masquerade representing a beautiful woman, called dyoboli by the Bamana and Marka, and naminay by the bozo. Dyoboli communicates the important moral lesson of female beauty flawed by a personality defect as perceived by a male-dominated society." [Pascal James Imperato, 1994: The Depiction of Beautiful Women in Malian Youth Association Masquerades. African Arts, Jan.1994. Regents of the University of California]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 MRK 9.2 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 57
Frame value is 2.
Slide No. E 1 MRK 9.2 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts dyoboli dancers wearing metal-covered masks and holding sticks and fly-whisks. Their costumes include women's cloth and dyed da fiber. "Yayoroba and dyoboli are two masquerades among the Bamana, Bozo, and Marka which address issues of both physical and moral beauty. the two masquerades complement each another. Youth associations often present a masquerade representing a beautiful woman, called dyoboli by the Bamana and Marka, and naminay by the bozo. Dyoboli communicates the important moral lesson of female beauty flawed by a personality defect as perceived by a male-dominated society." [Pascal James Imperato, 1994: The Depiction of Beautiful Women in Malian Youth Association Masquerades. African Arts, Jan.1994. Regents of the University of California]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 MRK 9.3 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 57
Frame value is 1.
Slide No. E 1 MRK 9.3 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts dyoboli dancers wearing metal-covered masks and holding sticks and fly-whisks. Their costumes include women's cloth and dyed da fiber. "Yayoroba and dyoboli are two masquerades among the Bamana, Bozo, and Marka which address issues of both physical and moral beauty. the two masquerades complement each another. Youth associations often present a masquerade representing a beautiful woman, called dyoboli by the Bamana and Marka, and naminay by the bozo. Dyoboli communicates the important moral lesson of female beauty flawed by a personality defect as perceived by a male-dominated society." [Pascal James Imperato, 1994: The Depiction of Beautiful Women in Malian Youth Association Masquerades. African Arts, Jan.1994. Regents of the University of California]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 MRK 9.3.1 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 57
Frame value is 12.
Slide No. E 1 MRK 9.3.1 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts dyoboli dancers wearing metal-covered masks and holding sticks and fly-whisks. Their costumes include women's cloth and dyed da fiber. "Yayoroba and dyoboli are two masquerades among the Bamana, Bozo, and Marka which address issues of both physical and moral beauty. the two masquerades complement each another. Youth associations often present a masquerade representing a beautiful woman, called dyoboli by the Bamana and Marka, and naminay by the bozo. Dyoboli communicates the important moral lesson of female beauty flawed by a personality defect as perceived by a male-dominated society." [Pascal James Imperato, 1994: The Depiction of Beautiful Women in Malian Youth Association Masquerades. African Arts, Jan.1994. Regents of the University of California]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 MRK 9.4 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 57
Frame value is 10.
Slide No. E 1 MRK 9.4 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts dyoboli dancers wearing metal-covered masks and holding sticks and fly-whisks. Their costumes include women's cloth and dyed da fiber. "Yayoroba and dyoboli are two masquerades among the Bamana, Bozo, and Marka which address issues of both physical and moral beauty. the two masquerades complement each another. Youth associations often present a masquerade representing a beautiful woman, called dyoboli by the Bamana and Marka, and naminay by the bozo. Dyoboli communicates the important moral lesson of female beauty flawed by a personality defect as perceived by a male-dominated society." [Pascal James Imperato, 1994: The Depiction of Beautiful Women in Malian Youth Association Masquerades. African Arts, Jan.1994. Regents of the University of California]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 MRK 9.5 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 57
Frame value is 16.
Slide No. E 1 MRK 9.5 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts dyoboli dancers wearing metal-covered masks and holding sticks and fly-whisks. Their costumes include women's cloth and dyed da fiber. "Yayoroba and dyoboli are two masquerades among the Bamana, Bozo, and Marka which address issues of both physical and moral beauty. the two masquerades complement each another. Youth associations often present a masquerade representing a beautiful woman, called dyoboli by the Bamana and Marka, and naminay by the bozo. Dyoboli communicates the important moral lesson of female beauty flawed by a personality defect as perceived by a male-dominated society." [Pascal James Imperato, 1994: The Depiction of Beautiful Women in Malian Youth Association Masquerades. African Arts, Jan.1994. Regents of the University of California]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 MRK 9.6 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 57
Frame value is 17.
Slide No. E 1 MRK 9.6 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts dyoboli dancers wearing metal-covered masks and holding sticks and fly-whisks. Their costumes include women's cloth and dyed da fiber. "Yayoroba and dyoboli are two masquerades among the Bamana, Bozo, and Marka which address issues of both physical and moral beauty. the two masquerades complement each another. Youth associations often present a masquerade representing a beautiful woman, called dyoboli by the Bamana and Marka, and naminay by the bozo. Dyoboli communicates the important moral lesson of female beauty flawed by a personality defect as perceived by a male-dominated society." [Pascal James Imperato, 1994: The Depiction of Beautiful Women in Malian Youth Association Masquerades. African Arts, Jan.1994. Regents of the University of California]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 MRK 10 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 57
Frame value is 7.
Slide No. E 1 MRK 10 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts dyoboli dancers wearing metal-covered masks and holding sticks and fly-whisks. Their costumes include women's cloth and dyed da fiber. "Yayoroba and dyoboli are two masquerades among the Bamana, Bozo, and Marka which address issues of both physical and moral beauty. the two masquerades complement each another. Youth associations often present a masquerade representing a beautiful woman, called dyoboli by the Bamana and Marka, and naminay by the bozo. Dyoboli communicates the important moral lesson of female beauty flawed by a personality defect as perceived by a male-dominated society." [Pascal James Imperato, 1994: The Depiction of Beautiful Women in Malian Youth Association Masquerades. African Arts, Jan.1994. Regents of the University of California]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 MRK 10.0.1 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 57
Frame value is 18.
Slide No. E 1 MRK 10.0.1 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts dyoboli dancers wearing metal-covered masks and holding sticks and fly-whisks. Their costumes include women's cloth and dyed da fiber. "Yayoroba and dyoboli are two masquerades among the Bamana, Bozo, and Marka which address issues of both physical and moral beauty. the two masquerades complement each another. Youth associations often present a masquerade representing a beautiful woman, called dyoboli by the Bamana and Marka, and naminay by the bozo. Dyoboli communicates the important moral lesson of female beauty flawed by a personality defect as perceived by a male-dominated society." [Pascal James Imperato, 1994: The Depiction of Beautiful Women in Malian Youth Association Masquerades. African Arts, Jan.1994. Regents of the University of California]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 MRK 10.1 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 19.
Slide No. E 1 MRK 10.1 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts dyoboli dancers wearing metal-covered masks and holding sticks and fly-whisks. Their costumes include women's cloth and dyed da fiber. "Yayoroba and dyoboli are two masquerades among the Bamana, Bozo, and Marka which address issues of both physical and moral beauty. the two masquerades complement each another. Youth associations often present a masquerade representing a beautiful woman, called dyoboli by the Bamana and Marka, and naminay by the bozo. Dyoboli communicates the important moral lesson of female beauty flawed by a personality defect as perceived by a male-dominated society." [Pascal James Imperato, 1994: The Depiction of Beautiful Women in Malian Youth Association Masquerades. African Arts, Jan.1994. Regents of the University of California]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 MRK 10.2 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 57
Frame value is 6.
Slide No. E 1 MRK 10.2 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts dyoboli dancers wearing metal-covered masks and holding sticks and fly-whisks. Their costumes include women's cloth and dyed da fiber. "Yayoroba and dyoboli are two masquerades among the Bamana, Bozo, and Marka which address issues of both physical and moral beauty. the two masquerades complement each another. Youth associations often present a masquerade representing a beautiful woman, called dyoboli by the Bamana and Marka, and naminay by the bozo. Dyoboli communicates the important moral lesson of female beauty flawed by a personality defect as perceived by a male-dominated society." [Pascal James Imperato, 1994: The Depiction of Beautiful Women in Malian Youth Association Masquerades. African Arts, Jan.1994. Regents of the University of California]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
EENG-XII-R6, 10.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "E 1 Mrk. Marka. Mali, San. Masked dance. 10/1959. EE. neg.no. XII-R6, 10." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts dyoboli dancers wearing metal-covered masks and holding sticks and fly-whisks. Their costumes include women's cloth and dyed da fiber. "Yayoroba and dyoboli are two masquerades among the Bamana, Bozo, and Marka which address issues of both physical and moral beauty. the two masquerades complement each another. Youth associations often present a masquerade representing a beautiful woman, called dyoboli by the Bamana and Marka, and naminay by the bozo. Dyoboli communicates the important moral lesson of female beauty flawed by a personality defect as perceived by a male-dominated society." [Pascal James Imperato, 1994: The Depiction of Beautiful Women in Malian Youth Association Masquerades. African Arts, Jan.1994. Regents of the University of California]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
EENG-XII-R6, 11.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "E 1 Mrk. Marka. Mali, San. Masked dance. 10/1959. EE. neg.no. XII-R6, 11." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts dyoboli dancers wearing metal-covered masks and holding sticks and fly-whisks. Their costumes include women's cloth and dyed da fiber. "Yayoroba and dyoboli are two masquerades among the Bamana, Bozo, and Marka which address issues of both physical and moral beauty. the two masquerades complement each another. Youth associations often present a masquerade representing a beautiful woman, called dyoboli by the Bamana and Marka, and naminay by the bozo. Dyoboli communicates the important moral lesson of female beauty flawed by a personality defect as perceived by a male-dominated society." [Pascal James Imperato, 1994: The Depiction of Beautiful Women in Malian Youth Association Masquerades. African Arts, Jan.1994. Regents of the University of California]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
EENG-XII-R6, 12.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "Z 1 Mrk. Marka. Mali, San. Life Magazine assignment, "Literary Africa". 10/1959. EE. neg.no. XII-R6, 12." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.