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Uganda photographs

Extent:
91 Photographic prints ((1 box), black & white, 11 x 15 cm. or smaller)
Container:
Box 1
Type:
Collection descriptions
Archival materials
Photographic prints
Black-and-white photographs
Place:
Uganda
Africa
Date:
circa 1895 - 1925
Scope and Contents:
Front cover of the album is inscribed "Amy J. Welsh, June 19--, Igauga [Iganga], Busoga." Photographs from the Kingdoms of the Interlacustrine area in East Africa. Contains portraits of King Daudi, Four Kings and their Prime Ministers, Sir Apolo Kagwa, Chief Bongo, Reverand B. Musoke, and a Busoga Chief. Images also show relics in a Tutsi tomb, missionary hospital and schools, marketplaces, weddings and other daily life. Additional group and family photographs of Christian missionaries in the region.
Arrangement note:
Images indexed by page number.
Biographical / Historical:
Album was compiled by Christian missionary Amy J. Welsh while working in Iganga, Uganda between 1906 and 1925.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portrait photography -- Africa  Search this
Genre/Form:
Photographic prints
Black-and-white photographs
Identifier:
EEPA.2000-005
See more items in:
Uganda photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7dff88595-8a70-46a9-b2d6-8eedbd49f912
EDAN-URL:
ead_collection:sova-eepa-2000-005

Uganda photographs

Creator:
Church Missionary Society. Uganda Mission  Search this
Names:
Aliwonya, Silasi, Reverend  Search this
Chwa II, Daudi, King, 1896 - 1939  Search this
Clayton, Herbert, 1870-1965  Search this
Cook, Albert R., Sir (Albert Ruskin), 1870-1951  Search this
Cook, Katharine Timpson, 1863-1938  Search this
Hattersley, C. W. (Charles W.) (1866-1934)  Search this
Hobart, Claud Vere Cavendish  Search this
Kahaya, Edward Suleiman, Omugabe, 1877-1944  Search this
Kezekia Ndahura II, Edward, Omukama, 1884–1907  Search this
Leakey, Richard H.  Search this
Mbaguta, Nuwa, 1867 - 1944  Search this
Senfuma, Thomas  Search this
Willis, John Jamieson, 1872-1954  Search this
Extent:
22 Photographic prints ((dupe prints), black & white, 8 x 10 in.)
170 Negatives (photographic) ((dupe negs), black & white, 4 x 5 in.)
170 Photographic prints (black & white, 11 x 15 cm. or smaller)
Container:
Box 1
Volume 1
Culture:
Wanika (African people)  Search this
Hima (African people)  Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Negatives (photographic)
Place:
Africa
Victoria, Lake
Ankole (Uganda)
Uganda
Mombassa (Kenya)
Frere Town (Kenya)
Kenya
Date:
1897-1903
Scope and Contents:
This collection is comprised of a photographic album, dating from 1897-1903, that includes images of Momabassa, and Frere Town in Kenya and the Ankole, Toro and Mengo regions of Uganda and some locations in between. African peoples depicted include the Waniki and Banma. Subjects include the French Roman Catholic mission station at Budu, Mengo Church, Mengo Hospital, CMS station in Koki, the Koki Roman Catholic station, House and enclosure of the King of Koki, missionaries and their families, and wives and children of chiefs. Some of the figures depicted include Reverend H. Clayton, Reverend W. H. R. Leakey, Reverend Ernest Millar, missionaries, including Miss Walker, Miss Chadwick, and Miss Brown; Sir Apolo Kaggwa; Kamswaga, King of Koki, and Kahara, King of Akole as well as local chiefs, Lieutenant Hobart; A. C. Hattersley, and Archibald Walker.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Missionaries -- Africa  Search this
Genre/Form:
Photographic prints
Identifier:
EEPA.1998-002
See more items in:
Uganda photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7851ef0ab-9c99-4426-ae84-1c91f767c0e1
EDAN-URL:
ead_collection:sova-eepa-1998-002

Workshop for Children: African Culture

Creator:
Anacostia Neighborhood Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Anacostia Community Museum  Search this
Extent:
1 Sound recording (open reel, 1/4 inch)
Type:
Archival materials
Sound recordings
Music
Place:
Africa
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
circa 1970
Scope and Contents:
Man leads children in a discussion about cities in West Africa and African culture, including African dance and African drumming. Children participate in a dance and singing lessons. Man also explains how the African talking drum is constructed and how the Yoruba language was reproduced using the talking drum, and shows an example of the Kente cloth of the Ashanti in Ghana. African drumming in the background throughout recording.
Workshop, including music and dance. Part of ACM Education Department Programs Audiovisual Records 1967-2008. Transcribed from physical asset: Percir Borde. Undated.
Local Numbers:
ACMA AV003488-2
Collection Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Topic:
African culture  Search this
Music  Search this
Talking drum  Search this
Kente cloth  Search this
Yoruba (African people)  Search this
Ashanti (African people)  Search this
Dance  Search this
African Americans  Search this
Genre/Form:
Sound recordings
Music
Citation:
Workshop for Children: African Culture, Record Group 09-007.7, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.09-023, Item ACMA AV003488-1
See more items in:
Museum Events, Programs, and Projects, 1967-1989
Museum Events, Programs, and Projects, 1967-1989 / Series ACMA 09-007.7: ACM Education Department Programs Audiovisual Records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7a887ff40-8980-4bff-88f8-8d3b6c278dc4
EDAN-URL:
ead_component:sova-acma-09-023-ref1574

Nigeria photograph album

Photographer:
Green, J. A. (Jonathan Adagogo), 1873-1905  Search this
Names:
Archibong, Prince, III  Search this
Boler, Richard Doubleday, Captain  Search this
Brown, William Abobo, Chief  Search this
Casement, Roger, Sir, 1864-1916  Search this
Honesty, Eyo, VIII  Search this
Jumbo, Oko, Chief, -1891  Search this
Kingsley, Mary Henrietta, 1862-1900  Search this
Locke , Ralph Frederick  Search this
MacDonald, Claude Maxwell, Sir, 1852-1915  Search this
MacDonald, Ethel, Lady, 1857-1941  Search this
Moor, Ralph Denham Rayment, Sir, 1860-1909  Search this
Ovonramwen, King of Benin, -1914  Search this
Phillips, James Robert, -1897  Search this
Shekleton, R.A., Dr.  Search this
Wall, T.A.  Search this
Yonwuren, Ogbe, Chief, ca. 1830 -  Search this
Extent:
174 Photographic prints ((1 box), black & white, albumen prints , 15.5 x 23 cm. or smaller)
Container:
Box 1
Type:
Collection descriptions
Archival materials
Photographic prints
Black-and-white photographs
Place:
Nigeria
Africa
Madeira Islands
Bonny (Nigeria)
Sapele (Nigeria)
Brass (Nigeria)
Old Calabar (Nigeria)
Opobo Town Nigeria -- Photographs
Africa -- Colonization
Niger Coast Protectorate -- 1893-1899
Date:
[circa 1890-1900]
Summary:
This album was likely compiled by a British official posted in the Niger Delta between the 1890s and 1900. It contains photographs of British officers and troops around the British invasion of the Benin Kingdom as well as views of the British-imposed Oil Rivers Protectorate and Niger Coast Protectorate in Old Calabar, Opobo, and Bonny. It also includes portraits of Ovonramwen, the King of Benin, on his way into exile in 1897, and of other kings and rulers in the Niger Delta kingdoms.
Scope and Contents:
The collection contains photographs of Ovonramwen, the King of Benin, on his way into exile in 1897, and of other kings and rulers in the Niger Delta kingdoms. Portraits included are Prince Archibong III of Old Calabar, New Calabar Chief and Wives, Lady Egba and Chief Chief Ogbe Yonwuren, Ladies of Rank in Old Calabar, Eyo Honesty VIII, Chief Long John of Bonny, chiefs of Opobo, and Chief Oko Jumbo. Portraits of British subjects included are of Sir Claude Maxwell MacDonald and Lady Ethel Macdonald, Roger Casement, Sir Ralph Moor, Mary Kingsley, Deputy J.R. Phillips, Dr. R.A. Shekleton, Commissioner A. Harcourt, Mr. T.A. Wall, and Captain Boler. Includes scenes of weddings, iria outfits, steamships, regattas, the Queen's Jubilee of 1897, British colonial officials, trading ports, sports, coffee plantations, and consulates in Bonny, Warri, Old Calabar, Opobo, Kwa Ibo, and Sapele. Some landscape views of Madeira.
Arrangement note:
Images indexed by negative number.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portrait photography -- Africa  Search this
Canoes  Search this
Troops  Search this
Regattas  Search this
Government and politics -- chiefs  Search this
Genre/Form:
Black-and-white photographs
Photographic prints
Identifier:
EEPA.2000-003
See more items in:
Nigeria photograph album
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7d8501212-875f-4532-b32a-de0813e8f399
EDAN-URL:
ead_collection:sova-eepa-2000-003

W. H. Himbury photographs

Names:
MacDonald, Claude Maxwell, Sir, 1852-1915  Search this
Extent:
63 Photographic prints (dupe prints (1 v.), black & white, 8 x 10 in. )
63 Photographic prints (albumen (1 album), black & white, 18 x 26 cm. or smaller )
63 Negatives (photographic) (dupe negs, black & white, 4 x 5 in. )
Container:
Item 63
Box 1
Volume 1
Culture:
Ijo (African people)  Search this
Kalabari (African people)  Search this
Efik (African people)  Search this
Anang (African people)  Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Negatives (photographic)
Place:
Abeokuta Province (Nigeria)
Lagos (Nigeria)
Africa
Date:
1897
Summary:
Photographs taken by unknown photographers in Nigeria and found in an album signed on the front inside cover, "W.H. Himbury, Grosvenor Club, Piccadilly 10."

Funeral pictures of important African chiefs are prominent within the album and include burial pictures of the family members of the deceased as well as of the belongings of the deceased. Images include views of Lagos and Abeokuta. African peoples include the Anang Ibibio, Kalabari and Efik.

Images of individuals include British colonial officials and chiefs of the Niger Delta. Prominent among the British officials is Sir Claude Maxwell Macdonald (1852-1915), Governor of the Oil River Protectorate, which, after 1896, was known as the Niger River Protectorate.
Arrangement note:
Images indexed by negative number.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Identifier:
EEPA.1995-024
See more items in:
W. H. Himbury photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo76d4c0bb1-659c-43e3-873b-90ad6f13b256
EDAN-URL:
ead_collection:sova-eepa-1995-024

Macdonald Calabar photographs

Creator:
MacDonald, Claude Maxwell, Sir, 1852-1915  Search this
Extent:
135 Negatives (photographic) (dupe negs, black & white, 4 x 5 in. )
135 Photographic prints (albumen, black & white, 14 x 21 cm.)
135 Photographic prints (copy prints (2 v.), black & white, 8 x 10 in.)
Container:
Item 135
Box 1
Volume 1
Volume 2
Type:
Collection descriptions
Archival materials
Negatives
Photographs
Negatives (photographic)
Photographic prints
Black-and-white photographs
Place:
Nigeria
Africa
Date:
circa 1895
Summary:
Photographic album formerly belonging to Major General Claude Maxwell Macdonald (1852-1915), Commissioner, Oil Rivers Protectorate, in West Africa, circa 1895. The album contains photographs of the consulate general in Old Calabar, Opobo and Bonny. Images, such as the arrival of Lady Macdonald in 1895 (returning from a home leave), interiors of British residences, and (named) group portraits of the British reflect colonial life and infrastructure. Native and British troops are depicted as well. Several images show the results of the British attacks on Brass and Nembe, in retaliation for King Nana's unwillingness to cooperate.

Several images were taken of chiefs, among them a copy photograph of a 1882 image of King Nana of the Benin River, King Jaja of Opobo, King Koko of Brass, King Duke IX of Old Calabar, and King George Pebble of Bonny. Perhaps the most outstanding imagery is a series "On the way to Benin," which contains the photograph of an altar, a crucified woman, a forest path, and a contingent of British colonials. Several remarkable photographs depict Cross River masquerades with head crests, dances of Kru "Boys," and portray women of the Niger Delta. One photograph, showing the bronze sculpture of a Benin horseman placed on a rug in front of a wall (very likely taken in Nigeria), is of great interest for art historians. This particular figure left Benin before the city was ransacked and destroyed by the British Punitive Expedition in 1987, and, according to William B. Fagg, eminent historian of Nigerian art, came to the Merseyside County Museums, Liverpool, UK, as early as 1892 (note that Macdonald arrived in the Oil Rivers Protectorate in 1891).
Arrangement note:
Images indexed by negative number.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Black-and-white photographs
Identifier:
EEPA.1996-019
See more items in:
Macdonald Calabar photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7d806ce75-6440-497d-84e7-0261f2aaa840
EDAN-URL:
ead_collection:sova-eepa-1996-019

Consolute General [photograph] : Old Calabar, Arrival of Lady Mac

Collector:
MacDonald, Claude Maxwell, Sir, 1852-1915  Search this
Collection Creator:
MacDonald, Claude Maxwell, Sir, 1852-1915  Search this
Extent:
1 Print (b&w, 14 x 19.5 cm.)
Type:
Archival materials
Prints
Place:
Africa
Nigeria -- History -- 1851-1899
Oil Rivers Protectorate -- 1885-1893
Niger Coast Protectorate -- 1893-1899
Date:
1895
Scope and Contents:
Right front view of the Consulate General, Old Calabar, Niger Coast Protectorate (Oil Rivers), 1891, during the arrival of Lady Macdonald at the residence, January 1895. Accompanying caption reads, "Consulate General Old Calabar, Arrival Lady Mac January 1895.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
See more items in:
Macdonald Calabar photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo784375906-d94a-4095-b1c1-9c25bbeb538c
EDAN-URL:
ead_component:sova-eepa-1996-019-ref508

Consolute General [photograph] : Old Calabar

Collector:
MacDonald, Claude Maxwell, Sir, 1852-1915  Search this
Collection Creator:
MacDonald, Claude Maxwell, Sir, 1852-1915  Search this
Extent:
1 Print (b&w, 13 x 18 cm.)
Type:
Archival materials
Prints
Place:
Africa
Nigeria -- History -- 1851-1899
Oil Rivers Protectorate -- 1885-1893
Niger Coast Protectorate -- 1893-1899
Date:
1891
Scope and Contents:
View of front facade of the Consulate General, Old Calabar, Niger Coast Protectorate (Oil Rivers), 1891. Accompanying caption reads, "Consulate General Old Calabar, 1891."
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
See more items in:
Macdonald Calabar photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo79ce04473-0157-44d0-a2a7-4fe233e42ca3
EDAN-URL:
ead_component:sova-eepa-1996-019-ref509

Old Calabar [photograph] : Consulate Hill and Buildings

Collector:
MacDonald, Claude Maxwell, Sir, 1852-1915  Search this
Collection Creator:
MacDonald, Claude Maxwell, Sir, 1852-1915  Search this
Extent:
1 Print (b&w, 15 x 20 cm.)
Type:
Archival materials
Prints
Place:
Africa
Nigeria -- History -- 1851-1899
Oil Rivers Protectorate -- 1885-1893
Niger Coast Protectorate -- 1893-1899
Date:
ca. 1895
Scope and Contents:
View of the consulate buildings, background, and hill, foreground, at Old Calabar, Niger Coast Protectorate (Oil Rivers), ca. 1895. Accompanying caption reads, "Consulate Hill and Buildings, Old Calabar."
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
See more items in:
Macdonald Calabar photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo71209ddca-5203-402e-8686-e71f5de51d40
EDAN-URL:
ead_component:sova-eepa-1996-019-ref510

Old Calabar [photograph] : View from Consulate Looking up River

Collector:
MacDonald, Claude Maxwell, Sir, 1852-1915  Search this
Collection Creator:
MacDonald, Claude Maxwell, Sir, 1852-1915  Search this
Extent:
1 Print (b&w, 15 x 19.5 cm.)
Type:
Archival materials
Prints
Place:
Africa
Nigeria -- History -- 1851-1899
Oil Rivers Protectorate -- 1885-1893
Niger Coast Protectorate -- 1893-1899
Date:
ca. 1895
Scope and Contents:
View from the Consulate, Old Calabar, looking up river. From left to right; river, road, and a hospital; Niger Coast Protectorate (Oil Rivers), ca. 1895. Accompanying caption reads, "View from Consulate, Old Calabar: Looking up River."
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
See more items in:
Macdonald Calabar photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7d8ce4d52-0a4e-4e12-9faf-4a924f9a25a1
EDAN-URL:
ead_component:sova-eepa-1996-019-ref511

Trading establishment [photograph] : Calabar

Collector:
MacDonald, Claude Maxwell, Sir, 1852-1915  Search this
Collection Creator:
MacDonald, Claude Maxwell, Sir, 1852-1915  Search this
Extent:
1 Print (b&w, 13 x 18 cm.)
Type:
Archival materials
Prints
Place:
Africa
Nigeria -- History -- 1851-1899
Niger Coast Protectorate -- 1893-1899
Date:
1894
Scope and Contents:
Trading establishment in Calabar, Niger Coast Protectorate (now Nigeria). Photographer unknown, ca. 1894.
General:
Title source: Photographic album.
Citation source: Archives staff.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Identifier:
EEPA.1996-019, Item EEPA 1996-190117
See more items in:
Macdonald Calabar photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo734af6843-650e-4310-b4ae-a69e60559e0b
EDAN-URL:
ead_component:sova-eepa-1996-019-ref515

Joel S. Fogel photographs and film

Creator:
Fogel, William  Search this
Photographer:
Fogel, Joel S.  Search this
Extent:
1 Film reel (+ audio-cassette tape, color, 16 mm. )
9 Film reels (color, 16 mm.)
400 Slides (photographs) (+descriptive index (2 v.), color)
Container:
Item F54
Item F54
Item F55
Item F56
Item F57
Item F58
Item F59
Item F60
Item F61
Item F62
Item F63
Volume 1
Volume 2
Type:
Collection descriptions
Archival materials
Moving Images
Film reels
Slides (photographs)
Color slides
Place:
Addis Ababa (Ethiopia)
Ethiopia
Africa
Date:
1973
Summary:
Still and motion pictures taken by Joel S. Fogel in 1973 documenting his 500 mile trip, mainly by raft, along the Omo River in Ethiopia.

The photographs primarily show Fogel and his traveling companions, including images of them fishing, hunting and rafting. There are a few portraits of Africans, primarily the Karo and Mursi, showing costumes and adornments. Events documented include the Maskal festival and a military parade in Addis Ababa. Karo objects depicted include bow and arrows, bracelets, gourds, sandals, a shield, a stool, walking sticks and a wooden headrest. Mursi art work shown include arm rings, body decoration, ear plugs, fishing poles, lip ornaments and a tobacco pouch. Wildlife shown include fish, hawks, crocodiles, gazelles, tree snakes, water buffalo and white herons.
Arrangement note:
Images indexed by negative number.
Biographical/Historical note:
President, Film Explorations, Inc.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Omo River  Search this
Mursi (Ethiopia)  Search this
Karo (Ethiopia)  Search this
Genre/Form:
Color slides
Identifier:
EEPA.1986-003
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7c34bbadf-0061-45a6-83f1-8f660d42ebe5
EDAN-URL:
ead_collection:sova-eepa-1986-003

Marilyn Houlberg Nigeria collection

Photographer:
Houlberg, Marilyn  Search this
Extent:
6567 Slides (photographs) (11 Binders, color)
14 Documents (1 Binder)
1946 Slides (photographs) (Color, 35 mm)
Culture:
Yoruba (African people)  Search this
Nigerians  Search this
Tuaregs  Search this
Fulani  Search this
Nuba  Search this
Igbo (African people)  Search this
Turkana  Search this
Pokot  Search this
Type:
Collection descriptions
Archival materials
Slides (photographs)
Documents
Color slides
Photographic prints
Photographs
Place:
Nigeria
Africa
Lagos (Nigeria)
Date:
1961-circa 2005
Summary:
The collection consists of 8,515 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2007. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.
Scope and Contents note:
This 6,567 slide collection documents Houlberg's studies in Southwestern Nigeria spanning from 1961 to circa 2005. In 2015, Houlberg donated an additional 1,948 color slides to the Eliot Elisofon Photographic Archives. These slides have been added to the EEPA 2005-002 finding aid, bringing the total to 8,515 slides.

The collection primarily includes photos of people, including the Ogboni, Pokot, Yoruba, Turkana and Igbo, shrines, festivals and rituals, art objects, and artists. A particular strength of the collection are photos of Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg mostly photographed in Ilishan, Ikenne, Ilara, Shagamu, Lagos, Ijebu-Ode, and Egbe.

Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art, wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Several Yoruba art forms, including photography, scarification tattoos, and textiles (both cloth and dress), are represented in the collection. Additionally, there are numerous slides of Yoruba hairstyles, many of which she published in her article, Social Hair: Tradition and Change in Yoruba Hairstyles in Southwestern Nigeria.

Yoruba ritual specialists, such as Ife-olu Solaru, Olufunke, and Yesufu Ejigboye, appear frequently throughout the collection. Houlberg documented her many stays with these individuals over the years.

There is also one binder of manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles.
Arrangement note:
The collection is organized into 29 series according to subject. The series descriptions correspond with particular subjects used in Houlberg's teaching and lectures, and based on donor's notes. All slides were kept in the order in which they were donated.

Series 1: African Hairstyles, circa 1973-1994 (Binder 1; 212 slides)

Series 2: Egungun Festival, 1961-circa 1988 (Binder 1; 362 slides)

Series 3: Gelede, circa 1969-circa 1989 (Binder 2; 301 slides)

Series 4: Ibeji Twins, circa 1969-circa 1990 (Binders 2-3; 854 slides)

Series 5: Ogboni Art Objects and Shrines, circa 1969-circa 1982 (Binder 4; 92 slides)

Series 6: Art Objects Depicting Ogun, circa 1969-circa 1983 (Binder 4; 56 slides)

Series 7: Olojufoforo Art and Festivities, circa 1968-circa 1975 (Binder 4; 21 slides)

Series 8: Yoruba People, Architecture, and Art, circa 1969-circa 1985 (Binder 4; 260 slides)

Series 9: Carving, Art Objects and Artists, and Scenes of Daily Life, circa 1973-circa 1988 (Binder 4; 201 slides)

Series 10: Yoruba Art, circa 1971-circa 1983 (Binder 5; 49 slides)

Series 11: Yoruba Textiles, circa 1973-circa 1983 (Binder 5; 84 slides)

Series 12: Yoruba, Miscellaneous, circa 1967-circa 1989 (Binder 5; 251 slides)

Series 13: African Art, Textiles People, and Dwellings, circa 1963-circa 1983 (Binder 6; 58 slides)

Series 14: Ibo Mbari and Igbo Peoples and Artwork, circa 1967-circa 1985 (Binder 6; 212 slides)

Series 15: Art and Ceremonies, circa 1967-circa 1991 (Binder 6; 493 slides)

Series 16: Body Arts, Nuba People (Sudan) and Fulani and Bororo People (Niger), circa 1973-circa 1979 (Binder 7; 64 slides)

Series 17: People, Scenic Views and Animals of Kenya, Sudan, Angola, and Ghana, circa 1972-circa 1985 (Binder 7; 168 slides)

Series 18: Peoples and Arts of Ghana, Mali, and the Ivory Coast, circa 1966-circa 1992 (Binder 7; 406 slides)

Series 19: Published Maps and Photos, circa 1968-circa 1985 (Binder 8; 70 slides)

Series 20: Nigerian Masks and Art Objects, circa 1967-circa 1978 (Binder 8; 396 slides)

Series 21: Yoruba Festivals, People, and Art in Nigeria, circa 1967-circa 1988 (Binders 8-9; 128 slides)

Series 22: Yoruba Photography and Textiles, circa 1975-circa 1983 (Binder 9; 54 slides)

Series 23: Ife-Olu, Ilishan, circa 1980-circa 1988 (Binder 9; 87 slides)

Series 24: Yoruba Festivals, People, Hairstyles, Ibeji Objects, Eshu Figures, and Oya and Orishala Priests, Priestesses, and Shrines, circa 1966-circa 1988 (Binder 9; 168 slides)

Series 25: Shango, circa 1970-circa 1983 (Binder 10, 162 slides)

Series 26: Ara Festival, 1975 (Binder 10; 174 slides)

Series 27: Ceremonies and Festivals, Portraits, Art and Ceremonial Objects, Domestic and Market Scenes, circa 1969-circa 2005 (Binders 10-11; 759 slides)

Series 28: Yoruba Art Objects, and Domestic, Work, and Festival Scenes, circa 1971-circa 1983 (Binder 11; 104 slides)

Series 29: Manuscript and Printed Materials, 1973-circa 2005 (Binder 12)
Biographical/Historical note:
Artist, anthropologist, and art historian Dr. Marilyn Hammersley Houlberg was born in Chicago, Illinois, in 1939. Houlberg received an Associate of Arts degree from Wright Junior College (1959) and a BFA from the University of Chicago (1963). After graduating, she traveled to North Africa and explored Morocco, Algeria, Tunisia, Libya, and Egypt. In 1964, Houlberg researched Haitian art, religion, and indigenous photography in Haiti and in 1965 was awarded a scholarship for graduate study from the University of Chicago. There she completed her MAT in Art History in 1967. Following graduation, Houlberg worked at the Nigerian Museum in Lagos, where she documented Yoruba sculpture, masquerades, religion, body art, and indigenous photography.

She began her teaching career at the University of Chicago as a lecturer on African art and African civilization, working there from 1971 to 1973. At the University of London, Houlberg earned a Masters in Anthropology, producing the thesis Yoruba Twin Sculpture and Ritual (1973). She also extensively photographed her travels abroad in Yorubaland. Between 1974 and 1990, Houlberg taught at the University of Chicago, Columbia College, Kalamazoo College, and Northwestern University. From 1974 to 2008 she continued teaching at The School of the Art Institute of Chicago, lecturing on Yoruba art and ritual in West Africa and the New World, and the art and ritual of Vodou in Haiti.

Houlberg has lectured worldwide at numerous museums and symposiums since 1972, including in Lagos, Nigeria; Jacmel, Haiti; Toronto, Canada; Salvador, Bahia, Brazil; and Cologne, Germany. Her essays have been published in several issues of African Arts. Some of Houlberg's significant publications include Arts of the Water Spirits of Haitian Vodou, in Sacred Waters: Arts for Mami Wata and Other Divinities in Africa and the Diaspora (2008) and Water Spirits of Haitian Vodou: Lasiren, Queen of Mermaids, in Mami-Wata: Arts for Water Spirits in Africa and the African-Atlantic World (2008). The exhibition Mami-Wata at the Smithsonian National Museum of African Art (2009) featured her photographs.
Provenance:
Marilyn Houlberg, 733 West 18th St., Chicago, IL 60616, Donation, 20050320, 2005-0002
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Occupation:
Weavers  Search this
Artists  Search this
Topic:
Shrines  Search this
Masks  Search this
Domestic scenes  Search this
Egúngún (Cult)  Search this
Ethnology -- Nigeria  Search this
Gelede (Yoruba rite)  Search this
Hairstyles -- Africa  Search this
Rites and ceremonies -- Africa  Search this
Clothing and dress -- Africa  Search this
Marketplaces  Search this
Masquerades  Search this
Ere ibeji  Search this
Works of art in situ  Search this
Art, African  Search this
Vernacular architecture  Search this
Festivals  Search this
Genre/Form:
Color slides
Photographic prints
Photographs
Citation:
Marilyn Houlberg Nigeria Collection, EEPA 2005-002, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2005-002
See more items in:
Marilyn Houlberg Nigeria collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo729173a75-b645-455f-b66b-ae08d0d2102e
EDAN-URL:
ead_collection:sova-eepa-2005-002

Barbara Blackmun Collection

Photographer:
Blackmun, Barbara Winston  Search this
Names:
Erediauwa, King of Benin, 1923-2016  Search this
Extent:
1,440 Color slides
Culture:
Edo (African people)  Search this
Type:
Collection descriptions
Archival materials
Color slides
Place:
Nigeria
Ife (Nigeria)
Africa
Benin
Date:
circa 1969-1994
Summary:
The collection includes 1,469 color slides (35mm) which were taken in Nigeria from circa 1964-1994, and focus on ancestral altars; artists; art objects in museums, including bronze plaques and carved ivory tusks; ceremonies and festivals, including the Igue and Ewere Festivals, and the Emobo, Otue, Olokun, title-taking, and Blackmun's initation ceremonies; and people, including Oba Erediauwa and chiefs Eribo, Ero, Esogban, Ezomo, Ohanmu and Osaigeide; and street and landscape scenes in Benin City, Ife, Lagos, Ishiago, and Mbarri, Owerri, Owo, among other locations in Nigeria.
Scope and Contents:
The collection includes 1,469 color slides (35mm) which were taken in circa 1969 to 1994, and focus on African art objects, prominent people, especially chiefs, festivals and ceremonies, and landscape and street scenes in Nigeria, including Benin City, Ife, Ishiago, Jeronimos, Lagos, Mbari, Oshagbe, Owerri, Owo, Oyo, and Udu.

Many of the images are of art objects in museums, particularly in the Jos Museum, the Owo Museum, the Benin Museum, the Lagos Museum, the Ife Palace Museum, and the University of Ife Museum. The objects include altar stands, armlets, bells, bowls, boxes, bracelets, figures, Oko (flutes), ivory gongs, Ikengobos, masks, motif drawings, pendants, plaques, regalia, salt cellars, staffs, stools, and carved ivory tusks.

People depicted include the Oba Erediauwa, and the chiefs Eribo, Ero, Esogban, Ezomo, Ohanmu and Osaigeide. The collection also documents ceremonies and festivals, including the Igue and Ewere Festivals, and the Emobo, Otue, and Olokun ceremonies as well as Ineh Isienmwenro's title-taking, and Blackmun's initation.
Arrangement:
Arranged into 4 series:

Series 1: Museum Objects (747 slides), 1979-1994

Series 2: Ceremonies (227 slides), circa 1969-1994

Series 3: People (354 slides), circa 1969-1994

Series 4: Landscape and Street Scenes (141 slides), circa 1969-1994
Biographical / Historical:
African art historian Barbara Winston Blackmun (1928-) is a specialist in Nigerian antiquities, particularly Nok terracottas, the bronzes of Ile Ife, and the bronzes and ivories of the Kingdom of Benin in Nigeria. She earned her BFA at UCLA (1949), MA at Arizona State University (1971), and Doctor of Philosophy in Art History at UCLA (1984).

Over her career, Blackmun's research has included fieldwork in Malawi (1964-1969) and research of Ife antiquities with Frank Willett (1978-79) and various collections on Benin antiquities in the U.K., U.S., Europe, and Africa (1980-present). Recipient of a Fulbright (1981-1982) and a National Endowment for the Humanities grant (1994), she conducted field work at the Oba's court in Benin City, Nigeria. Additionally, she has published numerous exhibition catalogs and articles in journals such as African Arts.

Blackmun taught art history at the Malawi Polytechnic College, Blantyre, (1965—1969), San Diego Mesa College (at which she is Professor Emeritus) (1971—2010), University of California, San Diego (1987, 2008, 2004), and UCLA (1987, 2000), among other places. She also curated and acted as a curatorial consultant of African art collections at numerous institutions, including Mesa College, the San Diego Museum of Art (2010), Chicago Field Museum (1990—1993), Chicago Art Institute (1994, 2006—2008), Detroit Institute of Art (2002—2010), Museum fuer Voelkerkunde, Vienna (2003—2008), and the Ethnologisches Museum, Berlin (2003—2008).

Her committee work includes serving as National Program Director for the African American Institute, Malawi (1968—1969), a member of the Education Council, Contemporary Arts Committee, San Diego Museum of Art (1975—1978), a board member of the San Diego Mesa College Foundation (1983-) and the African and African-American Studies Research Center, University of California, San Diego, and Chair of the African Arts Council, San Diego Museum of Art.
Provenance:
Donated by Monica Blackmun Visona, 2016.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details. Items 1234-1256 restricted. Available to view onsite only.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Altars  Search this
Art, African  Search this
Rites and ceremonies -- Africa  Search this
Egúngún (Cult)  Search this
Yoruba (African people)  Search this
Genre/Form:
Color slides
Citation:
Barbara Blackmun Collection, EEPA 2016-012, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2016-012
See more items in:
Barbara Blackmun Collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7f41661a7-24f4-48b4-bf6c-86f882c772cb
EDAN-URL:
ead_collection:sova-eepa-2016-012
Online Media:

Ivan Livingstone photographs

Photographer:
Livingstone, Ivan  Search this
Names:
Celestial Church of Christ  Search this
Extent:
527 Slides (photographs) (color , 35mm.)
Culture:
Fon (African people)  Search this
Fula (African people)  Search this
Dan (African people)  Search this
Oyo (African people)  Search this
Ifè (African people)  Search this
Yoruba (African people)  Search this
Somba (African people)  Search this
Type:
Collection descriptions
Archival materials
Slides (photographs)
Color slides
Place:
Porto-Novo (Benin)
Ife (Nigeria)
Togo
Nigeria
Ghana
Dahomey
Benin
Africa
Date:
1972-1973
Summary:
The collection contains 527 color 35mm slides taken by Ivan Livingstone in West Africa (primarily the Republic of Benin but also in Ghana, Nigeria and Togo) circa 1972-1973. Images depict market scenes, Egúngún and Ifa ceremonies, religious ceremonies of the Celestial Church of Christ, funeral processions, decoration and ornament, clothing and dress, and musicians. There are also several images of the palace of the Oni of Ife. Culture groups represented in the collection include the Yoruba, Ifè, Oyo, Somba, Fon,Dan and Fula peoples.
Arrangement note:
Arranged by original photographer's series and classified by EEPA subject headings.
Biographical/Historical note:
Ivan Livingstone is an Afro-Canadian scholar and photographer of Jamaican and Guianese descent. He was raised in Verdun, a working-class suburb of Montreal. Livingstone has taught at McGill University in Montreal, Laval University in Quebec City, and in the Democratic Republic of the Congo and Benin.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Marketplaces  Search this
Ramadan  Search this
Clothing and dress  Search this
Decoration and ornament  Search this
Egúngún (Cult)  Search this
Rites and ceremonies  Search this
Funeral rites and ceremonies  Search this
Ifa (Religion)  Search this
Genre/Form:
Color slides
Citation:
Ivan Livingstone Photographs, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1996-004
See more items in:
Ivan Livingstone photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo793ecc793-4c15-4657-8ff0-39f970d0acef
EDAN-URL:
ead_collection:sova-eepa-1996-004

Works of art in situ

Photographer:
Livingstone, Ivan  Search this
Collection Photographer:
Livingstone, Ivan  Search this
Extent:
1 Slides (photographs) (col.)
Culture:
Edo (African people)  Search this
Fon (African people)  Search this
Type:
Archival materials
Slides (photographs)
Place:
Africa
Date:
1972
Scope and Contents:
Vessels wherein dwells the spirit of Dan shown at the entrance of the village. This is the graduation exercises of the cult of Dan, the god of continuity. Ceremony photographed in 1972-73 in the village of Ketonou, in old Dahomey. There are approximately 50 negatives in both black and white and in color of this ritual. The date on the slide is JAN 72.
Local Numbers:
A-1

I 2 FON IL 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Art in situ -- Photographs  Search this
Republic of Benin -- Photographs  Search this
Works of art in situ  Search this
Collection Citation:
Ivan Livingstone Photographs, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
See more items in:
Ivan Livingstone photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo76dbacdfa-fcd6-4046-98d6-3e4019a39f86
EDAN-URL:
ead_component:sova-eepa-1996-004-ref509

Rites and Ceremonies

Photographer:
Livingstone, Ivan  Search this
Collection Photographer:
Livingstone, Ivan  Search this
Extent:
1 Slides (photographs) (col.)
Culture:
Edo (African people)  Search this
Fon (African people)  Search this
Type:
Archival materials
Slides (photographs)
Place:
Africa
Date:
1972
Scope and Contents:
Older Dansi (members of the cult outside the temple). This is the graduation exercises of the cult of Dan, the god of continuity. Ceremony photographed in 1972-73 in the village of Ketonou, in old Dahomey. There are approximately 50 negatives in both black and white and in color of this ritual. The date on the slide is JUL 73.
Local Numbers:
A-2

G 2 FON IL 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Ritual and celebration -- Photographs  Search this
Republic of Benin -- Photographs  Search this
Rites and ceremonies -- Africa  Search this
Collection Citation:
Ivan Livingstone Photographs, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
See more items in:
Ivan Livingstone photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7063f579e-dea2-4ca4-b6fb-7900618c0dfa
EDAN-URL:
ead_component:sova-eepa-1996-004-ref510

Rites and Ceremonies

Photographer:
Livingstone, Ivan  Search this
Collection Photographer:
Livingstone, Ivan  Search this
Extent:
1 Slides (photographs) (col.)
Culture:
Edo (African people)  Search this
Fon (African people)  Search this
Type:
Archival materials
Slides (photographs)
Place:
Africa
Date:
1972
Scope and Contents:
Villagers assisting in the graduation exercises. This is the graduation exercises of the cult of Dan, the god of continuity. Ceremony photographed in 1972-73 in the village of Ketonou, in old Dahomey. There are approximately 50 negatives in both black and white and in color of this ritual. The date on the slide is JUL 73.
Local Numbers:
A-3

G 2 FON IL 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Ritual and celebration -- Photographs  Search this
Republic of Benin -- Photographs  Search this
Rites and ceremonies -- Africa  Search this
Collection Citation:
Ivan Livingstone Photographs, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
See more items in:
Ivan Livingstone photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7b359c5e0-11ee-47ff-8096-0ab64432826d
EDAN-URL:
ead_component:sova-eepa-1996-004-ref511

Rites and Ceremonies

Photographer:
Livingstone, Ivan  Search this
Collection Photographer:
Livingstone, Ivan  Search this
Extent:
1 Slides (photographs) (col.)
Culture:
Edo (African people)  Search this
Fon (African people)  Search this
Type:
Archival materials
Slides (photographs)
Place:
Africa
Date:
1972
Scope and Contents:
Initiates would place their hands in the corn paste and then hold their hands over the flames of the fire This is the graduation exercises of the cult of Dan, the god of continuity. Ceremony photographed in 1972-73 in the village of Ketonou, in old Dahomey. There are approximately 50 negatives in both black and white and in color of this ritual. The date on the slide is JUL73 .
Local Numbers:
A-4

G 2 FON IL 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Ritual and celebration -- Photographs  Search this
Republic of Benin -- Photographs  Search this
Rites and ceremonies -- Africa  Search this
Collection Citation:
Ivan Livingstone Photographs, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
See more items in:
Ivan Livingstone photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7ee856a2a-807a-4ae1-8075-249a34dbddf8
EDAN-URL:
ead_component:sova-eepa-1996-004-ref512

Rites and Ceremonies

Photographer:
Livingstone, Ivan  Search this
Collection Photographer:
Livingstone, Ivan  Search this
Extent:
1 Slides (photographs) (col.)
Culture:
Edo (African people)  Search this
Fon (African people)  Search this
Type:
Archival materials
Slides (photographs)
Place:
Africa
Date:
1972
Scope and Contents:
Initiates would place their hands in the corn paste and then hold their hands over the flames of the fire This is the graduation exercises of the cult of Dan, the god of continuity. Ceremony photographed in 1972-73 in the village of Ketonou, in old Dahomey. There are approximately 50 negatives in both black and white and in color of this ritual. The date on the slide is JUL73 .
Local Numbers:
A-5

G 2 FON IL 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Ritual and celebration -- Photographs  Search this
Republic of Benin -- Photographs  Search this
Rites and ceremonies -- Africa  Search this
Collection Citation:
Ivan Livingstone Photographs, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
See more items in:
Ivan Livingstone photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7fda93708-97df-4406-8757-d3b5f0736321
EDAN-URL:
ead_component:sova-eepa-1996-004-ref513

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