Newsletters and publications from Lockheed and North American Aviation companies collected in the 1960s.
Scope and Contents:
This collection contains periodicals, publications, and one memorandum collected by an employee of both Lockheed and North American Aviation companies during the 1960s. Periodicals include four 1961 issues of North American Aviation's Skyline and one 1961 issue of Skywriter as well as three 1961 issues of Lockheed's Trajectory, and seven 1965 issues of The Lockheed Star. Publications include a "Report from Mars: Mariner IV, 1964-1965" from NASA's Jet Propulsion Laboratory and Lockheed's 1965 annual report. The memoranda is from October 1965 and titled: "Lockheed's Agena Ready for Rendezvous."
Arrangement:
Arranged alphabetically by company name, thereunder in reverse chronological order.
Biographical / Historical:
James Hartwell collected these materials during this career at both Lockheed and North American Aviation when he was employed in the early 1960s.
Provenance:
John Hartwell, Gift, 2024, NASM.2024.0014
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
National Museum of American History (U.S.). Division of History of Technology Search this
National Museum of American History (U.S.). Division of Mechanical and Civil Engineering Search this
National Museum of American History (U.S.). Division of Work and Industry Search this
Extent:
2.3 Cubic feet (11 boxes, 1 oversize folder)
Type:
Collection descriptions
Archival materials
Manuscripts
Publications
Advertisements
Scrapbooks
Correspondence
Date:
1886-1941
Summary:
Manuscripts, correspondence, business records, newspaper clippings and scrapbooks documenting the career of Henry Grattan Tyrrell, an early-twentieth-century civil engineer and bridge builder who was also a prolific self-published author of hundreds of journal articles and several books. Subjects include aesthetic bridge design, history of bridges, design of movable bridges, and the economical design of factories, shops, and mill buildings.
Scope and Contents:
This collection contains typed manuscripts, correspondence, drawings, and business records written by and relating to Henry Grattan Tyrrell, civil engineer, bridge builder and prolific self-published author on the subjects of bridge engineering, aesthetics and history of bridge design, and the economical design of factories, shops and mill buildings.
The bulk of the collection consists of drafts and submission copies of his numerous published journal articles as well as early manuscripts of several of his books. Also included are two scrapbooks compiled by Tyrrell, containing many of his published articles, pamphlets, and letters to editors of engineering-related publications, as well as advertising material for both his engineering businesses and his books. There are many newspaper clippings related to projects Tyrrell worked on or expressed interest in, documentation of claims he brought against various companies for infringement or failure to pay, lists of his works, compilations of critical praise and personal endorsements, and general material relating to his experiences in publishing.
The collection presents a specific view of the trends and innovations in engineering at the beginning of the twentieth century, particularly focusing on bridges of all types and materials, as well as an early example of self-employment and self-promotion. It may be of interest to researchers in the areas of bridge and factory design in the late nineteenth and early twentieth century, historical engineering publications, and the history of bridge building in the United States and Canada.
Arrangement:
This collection is divided into seven (7) series:
Series 1: Personal, 1886; 1920s-1930s; undated
Series 2: Correspondence, 1895-1901; 1907; 1911-1917; 1928-1929; 1931-1941
Henry Grattan Tyrrell (1867-1948) was born in Weston, Ontario, Canada and was educated at the University of Toronto School of Practical Science as a civil engineer specializing in bridge architecture and design. He worked for several architectural companies, including the Boston Bridge Company (Massachusetts), the Brackett Bridge Company (Ohio), as well as his own businesses the American Estimating Company, and Grattan Tyrrell & Co. His brief career as an engineer was superceded by his prolific career as a writer of both journal articles and books on the aesthetics of bridge design and practical designs for factories and mill houses.
The son of an avid outdoorsman and explorer, his early writings are about the Canadian wilderness. By the turn of the century, his writing focused on architectural engineering, specifically the design of bridges. Tyrrell was well-traveled and wrote at length about the beauty of a well-designed bridge, like those he had seen all over the world. He suggested that America's cities (Chicago, Seattle, Milwaukee and Cleveland), build attractive bridges, which, he argued, could also be economical. His books History of Bridge Engineering (1911) and Artistic Bridge Design (1912) spoke to these issues. He expanded his love of aesthetics to buildings as well, advocating for the economical and practical design of factory buildings and floors, as well as mill houses and shops (Mill Buildings, 1911; Engineering of Shops and Factories, 1912). His last (possibly unpublished) book, Movable Bridges (1921), explored the design of drawbridges, vertical lift bridges and suspension bridges. His wife, Mary Maude Knox Tyrrell, co-authored and illustrated many of the books.
Tyrrell was an avid self-promoter, writing reviews of his own books, including contents and endorsements of his achievements, and selling them in pamphlet form. He was a frequent contributor to many engineering journals, such as Canadian Engineer, Builders' Magazine, Engineering News, and The Engineering Magazine. His prolific writings on the subjects of bridge engineering and aesthetics are a lasting legacy of early-twentieth century ingenuity.
Provenance:
Collection donated by Grattan Tyrrell. Exact date of acquisition unknown.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
This collection consists of four albums and some additional material including photographs (many of which appear to be originals); news clippings; catalogues and advertisements; event programs; and other ephemera.
Scope and Contents:
This collection consists of four albums and some additional material including photographs (many of which appear to be originals); news clippings; catalogues and advertisements; event programs; a ledger pertaining to the Lowe, Willard, and Fowler Engineering Co., LWF (de Havilland) DH-4 and LWF Twin DH-4; and other ephemera. The collection includes images of aircraft and pilots with whom Charles Arens worked or came into contact with during his working years, and some of the photographs have been autographed. Also included are images of many aircraft at the Cicero and Ashburn Fields in Chicago; photographs taken at the 1930, 1931 and 1932 National Air Races; aerial photography; images of airships including the U. S. Navy ZR-3 Los Angeles; and some U.S. Army Signal Corps photographs. There is a considerable amount of material relating to Arens Controls Company, Inc. in Volume D, as well as in additional items that were added to the collection in 2006.
Aircraft seen in the photographs include numerous models of aircraft made by Curtiss, LWF, and Laird ("Matty") and many other aircraft including the Sperry Messenger; Sperry Curtiss JN-4 Monoplane; Verville (Alfred) VCP-R (R-1); Thomas-Morse S-4C; Standard (NJ) Handley Page O/400; Burnelli (Remington-Burnelli) RB-1; John's Multiplane (1920); Ansaldo S.V.A.; SPAD XIII (S.13); Nieuport 27; Martin (Glenn L.) MB-2; Fokker T-2 (F.IV); Stinson (Aircraft) SM-1 Detroiter; Ireland Meteor; Loening (Corp) OL-1; Ryan NYP Spirit of St Louis; Lockheed Model 5 Vega Yankee Doodle; Bellanca WB-2 Miss Columbia; Fokker C-2, Civil America; Breguet Bre.19 A2 Nungesser-Coli; Boeing Model 80A; Sikorsky S-38B Amphibion untin Bowler; Howard (Benjamin O.) DGA-3 Pete; Lockheed Model 8 Sirius Tingmissartoq; Springfield Bulldog (V High Wing Racing); Wedell-Williams Model 44 I (NR 278V) (Race #s: 44, 91); Chester (Art) Goon; Robinson (W. C.) Monoplane; Curtiss NC-3 and NC-4 (P2N-1); and the Vought VE-10.
Besides Arens himself, other notable figures in aviation that are seen in the photographs include Laura Bromwell; Bertrand Blanchard Acosta; Russell L. Maughan; Alford Joseph "Al" Williams; Harold James Brow; Lillian Boyer Werner; William S. "Billy" Brock; Perry Hutton; Henry S. "Pop" Keller; Charles Augustus Lindbergh; Anne Spencer Morrow Lindbergh; Richard Reginald Blythe; Arthur C. "Art" Goebel; Ruth Elder; Lloyd W. Bertaud; Guiseppe Mario Bellanca; Charles W. "Speed" Holman; Erwin E. "Eddy" Ballough; Emil Matthew Laird; Joseph Le Brix; Dieudonné Costes; Clarence Duncan Chamberlin; Robert F. "Bob" Shank; Florence Klingensmith; Arthur Charles Chester; Will D. "Billy" Parker; Anthony "Tony" Stadlman; Stanley Van Winkle Hiller; Robert G. Fowler; Warren Samuel Eaton; Leslie L. Irvin; Benjamin Delahauf Foulois; Henry Harley "Hap" Arnold; James Harold "Jimmy" Doolittle; Roscoe Turner; Otto W. Timm; Overton M. "Rusty" Bounds; Katherine (Otero) Stinson; Arthur R. "Art" Smith; Mickey McGuire; Marjorie C. Stinson; Victor Carlstom; Charles B. Kirkham; George E. "Buck" Weaver; Henry B. Crewdson; Edward Albert "Al" Johnson; Charles W. "Pop" Dickinson; Joseph Lee Cato; and Harold W. Blakely.
Arrangement:
Albums are labeled in sequence with a letter code and they are housed in this order. Additional material added to the collection in 2006 is housed at the end.
Biographical / Historical:
Charles Anthony Arens (1895-1967), an early aviation enthusiast, was active in aviation from 1911 until the end of his life. He was active at the Cicero Flying Field (1912-1919) and the new Ashburn Field (1916) in Chicago. He worked with E. M. Laird and George "Buck" Weaver of Waco Aircraft. He built and flew a biplane in 1915 which qualified him for membership in the Early Birds. He was elected secretary of the Early Birds in 1960 and was active in this organization until his death. In December 1916, Arens went to work for the LWF Engineering Company, College Point, Long Island, as a mechanic. He worked for LWF until they went out of business in 1923. He held A&E Mechanic License No. 240. In 1923 he went to work for the E. M. Laird Airplane Company. He later developed a control system for aircraft. He formed his own company in 1923, and provided controls for early Ford and Boeing aircraft. He opened his own plant in 1934, and founded Arens Controls Company, Inc. in 1939. He was also secretary of the E. M. Laird Airplane Company, which provided control systems for many World War II aircraft. Arens sold his interest in the company in 1944. He later formed a company to do engineering work.
Provenance:
Charles Arens, Gift, 1971, NASM.XXXX.0016
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
The Eleanor Weller Collection dates from circa 1978-2006 and consists of photographic images and research files relating to The Garden Club of America's Slide Library of Notable American Parks and Gardens (later donated to the Smithsonian Institution as The Garden Club of America Collection) and the book, The Golden Age of American Gardens: Proud Owners, Private Estates, 1890-1940, co-written by Weller and Mac Griswold, as well as thousands of photographic images of historic and contemporary gardens compiled or taken by Weller. Materials include correspondence, research notes, clippings, brochures, lecture scripts, photocopied images from archival repositories, and original and duplicate 35mm slides.
Scope and Contents note:
The core of the collection consists of thousands of 35mm slide images photographed or amassed by Eleanor Weller. The latter come from numerous sources including books, magazines and archival repositories. The images document thousands of private gardens and public spaces (including parks, historic sites, and sculpture gardens) throughout the United States. Duplicates of a significant number of images from the Eleanor Weller Collection can be found in The Garden Club of America Collection at the Archives of American Gardens. There is also a smaller grouping of photographs of gardens taken by Weller.
Complementing this collection of images are numerous vertical files with magazine and newspaper clippings and brochures, etc. relating to hundreds of public and private gardens in America. A significant number of the files relate to gardens profiled in the book co-authored by Weller, The Golden Age of American Gardens: Proud Owners, Private Estates, 1890-1940.
The collection also includes correspondence regarding the recompilation of The Garden Club of America's collection of historic glass lantern slides as well as correspondence and research materials relating to the compilation of 35mm slides for the GCA's Slide Library of Notable American Parks and Gardens from both public and private sources.
Another portion of the collection documents the research and image compilation for The Golden Age of American Gardens manuscript. While similar in nature to the research materials relating to the GCA Slide Library, the portion of the collection encompassing the book's preparation represents a change in focus from collecting a representative sampling of 35mm slides for gardens throughout the U.S. to gathering specific high quality images intended for The Golden Age of American Gardens. This portion of the collection also contains a nearly complete draft of the manuscript as well as drafts of the footnotes and appendix.
Because of the similar nature of the GCA Slide Library and The Golden Age of American Gardens book projects and the fact that they overlapped for a time, the files frequently intertwine closely. Some files identified with one project may include documents for the other project and visa versa. An example of this is seen in The Golden Age of American Gardens' Image Reference Files arranged according to Archival Repository. The files include packets from archival repositories throughout the U.S. with photocopies of select images in their collections. These images were used to facilitate both the selection of images for The Golden Age of American Gardens book project and the GCA Slide Library, and are occasionally annotated. In some cases, a review of both series may be necessary to ensure that relevant files are not overlooked.
Other noteworthy aspects of this collection are materials that deal with the origins and operations of the Smithsonian's Archives of American Gardens, including correspondence regarding one of its future collections, The Chimneys Collection. Also present are several slide scripts corresponding with the GCA's historic glass lantern slide collection, as well as materials in the GCA Slide Library (now The Garden Club of America Collection).
It should be noted that while the creator of this collection is Eleanor Weller, significant portions of the files relating to the GCA Slide Library and The Golden Age of American Gardens were compiled by Helen Rollins in her position as research assistant for The Golden Age book project. It is possible that Rollins also helped compile the files in The Golden Age of American Gardens' Image Reference Files arranged by state.
Lastly, the collection includes contemporary color photographs of historic sites and gardens taken by Richard Marchand. Weller had previously worked with Marchand, the donor of the Richard Marchand Historical Postcard Collection at the Archives of American Gardens, to compile historic garden images for the GCA Slide Library.
Biographical/Historical note:
Eleanor Weller Reade is a horticulturist, garden lecturer, interior designer, and co-author of the book The Golden Age of American Gardens: Proud Owners, Private Estates, 1890-1940. As a member of The Garden Club of America, she played a ciritical role in the compilation of the GCA's Slide Library of Notable American Parks and Gardens which was subsequently donated to the Archives of American Gardens as The Garden Club of America Collection.
Provenance:
Donated by Eleanor Weller Reade to the Archives of American Gardens in 2006, 2009, 2011 and 2012.
Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection documents the activities of the David Taylor Model Basin.
Content Description:
Collection consists of a report by Mills Dean III, titled "Frontier Days of Electronic Measurements of the Taylor Model Basin." The report contains photographs of the model basin and diagrams of its construction. The photographs document equipment, facilities staff, and testing activities of the David Taylor Model Basin in the 1940s. Photographs are of cathode ray tubes recording channels; circuits; diagrams; a dynamometer; sections of ships at sea; and a static and dynamic ship analog computer. Also included are photographs of the David Taylor Model Basin (exterior and interior shots); electronics laboratory; Model Basin staff; and the 24th Annual Meeting of the Eastern Section of the Seismological Society of America.
Arrangement:
Collection is arranged into 5 series.
Series 1: Vernon E. Benjamin Materials, 1946-1947
Series 2: George W. Cook Materials, 1945-1973
Series 3: Mills Dean III Materials, 1946-1969
Series 4: Papers, Reports and Writings, 1856, 1878, 1925-1971
Series 5: Photographs, 1943-1952
Historical:
The David Taylor Model Basin (DTMB) was conceived, designed, and built from 1937-1939 by the United States Navy for building and testing ship models in accordance with the most modern and accurate methods.
The facility was named after David Watson Taylor (1864-1940), a naval architect, rear admiral and the chief of the Bureau of Construction and Repair for the Navy. Taylor oversaw the design and construction of naval aircraft and ships. Taylor conceived of and designed the Washington Navy Yard's Experimental Model Basin (EMB) in 1896. By the 1930s, the EMB had become inadequate for research, and a new research facility--David Taylor Model Basin--was built in West Bethesda, Maryland. It is now known as the Naval Surface Warfare Center (NSWC)
Source
Historic Mechanical Engineering Landmark, David Taylor Model Basin, 1939, Naval Surface Warfare Center, Carderock Division, West Bethesda, Maryland, January 30, 1998
Provenance:
Acquired circa 1979; immediate source of acquisition unknown.
Restrictions:
Collection is open for research. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Hartford Steam Boiler Inspection and Insurance Company Records
Creator:
Hartford Steam Boiler Inspection and Insurance Company Search this
Extent:
.5 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Correspondence
Newspaper clippings
Photographs
Publications
Reports
Date:
1935-1947
Summary:
Records document the activities of the Hartford Steam Boiler Inspection and Insurance Company.
Content Description:
Records document through photographs, correspondence, newspaper clippings, reports, and insurance claims, steam boiler failures, such as burned boilers, explosions, furnace collapses and ruptures. Also included are two Accident Prevention Bulletins for the Mutual Boiler Insurance Company of Boston, from February 1946 and November 1946.
Arrangement:
Collection is arranged numerically by accident report number.
Provenance:
Collection assembled by the Hartford Steam Boiler Inspection and Insurance Company; donated prior to 1976.
Restrictions:
Collection is open for research. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
12.77 Cubic feet (consisting of 26.5 boxes, 1 folder, 7 oversize folders, 2 map case folders, 1 flat box (partial), plus digital images of some collection material.)
Type:
Collection descriptions
Archival materials
Print advertising
Periodicals
Publications
Advertising cards
Advertising mail
Printed ephemera
Patterns
Catalogues
Designs (textile)
Sales catalogs
Business cards
Legal records
Contracts
Textiles
Trade catalogs
Exhibition catalogs
Advertising
Advertisements
Mail order catalogs
Business records
Designs
Printed material
Labels
Instructional materials
Trademarks
Legal documents
Trade cards
Legislation (legal concepts)
Ephemera
Samples
Manuals
Sample books
Design patents
Advertising fliers
Illustrations
Catalogs
Sales letters
Business letters
Correspondence
Manufacturers' catalogs
Commercial correspondence
Letterheads
Invoices
Photographs
Sales records
Printed materials
Fabrics
Trade literature
Business ephemera
Receipts
Commercial catalogs
Date:
1784-1970
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
This material is concentrated on the 19th century United States textile manufacture and trade, and the sale of textiles in the form of bale, bolt, roll, and fabric to commercial vendors or consumers as source material to make other goods. The first series contains day-to-day records of dealers and vendors, plus advertising and marketing material. Artisan and home production of goods are virtually not covered but are a couple of incidental publications related to arts, crafts (rugs, weaving, looms), and more refined work such as tapestry. The import/export of textiles is well represented with a large volume of records, which may also provide some insight into the shipping industry.
There is not much on the infrastructure of the industry in the way of directories, trade journals, trade associations, along with manufacturing and plants, though there are a few examples of each. There are virtually no catalogues, except for a few thin ones that were filed by company name. While not extensive, the sample books and swatches offer a glimpse into product lines. Material types offers limited, specific information on certain varieties such as cotton, wool, linen, rayon, etc. Thread might be incidentally present but is not specifically included since there is already a dedicated subject category for it.
There is a healthy sampling of product labels. A handful of intellectual property related documents cover protections of designs, plus patents and trademarks. There is a small bulk of publications related to tariffs and the wool industry.
Clothing patterns, home economics, sewing and seamstresses, household use of textiles (furniture covering, as a cleaning tool, bedding/pillows, etc.) are not covered within this category. Researchers should also look at any of a number of other Warshaw categories, particularly those related to clothing, hosiery, dry goods, furniture, curtains, etc. for period popularity of certain materials and patterns.
Arrangement:
Textiles is arranged in three subseries.
Business Records and Marketing Material
Genre
Subject
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.
Missing Title
Series 1: Business Ephemera
Series 2: Other Collection Divisions
Series 3: Isadore Warshaw Personal Papers
Series 4: Photographic Reference Material
Provenance:
Textiles is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Warshaw Collection of Business Americana Subject Categories: Textiles, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
The Swoose: Odyssey of a B-17 Collection consists of materials collected during research by Herbert Brownstein, the author.
Scope and Content:
This collection consists of materials collected by author Herbert Brownstein during his research for the book The Swoose: Odyssey of a B-17. Fifty-four of the images collected were used in the book. These images feature the aircraft, its crew, its insignia, air fields where it was stationed and maps of the flights of The Swoose. Mr. Brownstein collected approximately six hundred additional photographs from former crew members and other sources which were not used in the book. Included among these are images of air bases including Milne Bay, New Guinea; Marreba, Australia; Clark Field, Philippine Islands; Port Moresby, New Guinea; Del Monte, Philippine Islands; Randolph, Texas; Wheeler, Hawaii; Brooks, Texas; and Kelly, Texas. Aircraft featured include the Bell P-39, Douglas C-47, Boeing B-17B, Boeing B-17G, North American B-25B, Curtiss P-40, North American N4J Pensacola Trainer, and Boeing B-17 Suzy-Q. Aviation field maps include those for Northeast Australia, Malaya, Sumatra, Java, Borneo, and the Philippine Islands. Individuals represented include Henry Godman, Weldon S. Smith, Lyndon B. Johnson, Frank Kurtz, Sir Charles Burnett, Brigadier General George Acheson and several group shots of crew. There are also histories of the 14th and 19th Bombardment Groups, operations, battle honor lists, damage reports, debriefing reports, and crew lists as well as periodical articles about the aircraft and its crew.
Arrangement:
The collection has been organized into three series:
SERIES 1: Photographs Used in The Swoose: Odyssey of a B-17
SERIES 2: Photographs Collected but not Used in The Swoose: Odyssey of a B-17
SERIES 3: Official Government Documents, Periodical Articles, Miscellaneous Material
Biographical/Historical note:
The Swoose was the name given to Boeing B-17D Flying Fortress serial number 40-3097 by Weldon H. Smith, one of its crew members. The aircraft flew four historic trans-Pacific flights: California to Hawaii, May 13-14, 1941; Sydney, Australia to Hawaii and back, May 17-30, 1942; and Brisbane to Washington, DC, August 4-12, 1942. It was stationed in the Pacific theater during the first two years of World War II (1941-1943) and was assigned to both the 14th and 19th Bombardment Groups. In the Pacific, The Swoose carried out bombing and transport operations in the Philippines, Java, and Australia. In 1943, the aircraft was stationed in Panama. The aircraft remained in service until 1953, when it was transferred to the National Air and Space Museum. In 2008, The Swoose was transferred to the National Museum of the United States Air Force.
Provenance:
Herb Brownstein, gift, 1994, 1996, 2000, 1994-0024
A collection of diverse archival materials on the subject of watches and clocks assembled by James Arthur (1842-1912).
Scope and Contents note:
These records contain material on the Arthur collection of clocks and watches. Includes publications, inventories, manuscripts, reports, photographs, advertisements, catalogues, newspaper clippings, patents, and business records; correspondence files of NYU curators concerning the administration of the collection; a watch record book of sales of Ezekiel Jones, carried on bookkeeping, 1822 and 1825; and a copy of the Smithsonian-NYU permanent loan agreement, 1964.
Arrangement:
The collection is divided into 10 series.
Series 1, Correspondence, 1937-1964 (bulk 1950-1957)
Series 2, Subject Files
Series 3, Organizations
Series 4, The Arthur Collection at New York University, 1930-1968
Series 5, Patent Specification (Unprocessed)
Series 6, Horological Pamphlets and Articles, 1743-1947 (Unprocessed)
Series 7, Miscellaneous, 1825-1966 (Unprocessed)
Series 8, Clock Makers Directory, 15 volumes (Unprocessed)
Series 9, Press Clippings about watches and clocks (Unprocessed)
Series 10, Photographs (Unprocessed)
Biographical/Historical note:
James Arthur owned and operated a New York machine shop for patent models. He came to the United States from Scotland in 1871. Fourteen years later he established Arthur Machine Works in New York City for the construction of original and special machinery. He was a skillful, ingenious, highly trained mechanic. While not technically a clockmaker or a watchmaker, he was especially interested in horology and timekeeping devices. From boyhood, clocks and watches were his hobby and he was a discriminating collector.
For more than forty years, he collected watches and clocks from many countries and periods. Arthur was quick to recognize any features of a clock or watch that gave it a distinctive character. His fondness for the fine points of the machinery did not blind him to distinctions of form and beauty in the cases, to originality in the maker, or to the historical significance of the work. He was devoted to the science no less than to the art of timekeeping. Arthur's collection contained some 1,200 watches, 300 clocks, and numerous accessories.
Provenance:
Collection donated by New York University, 1964.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
The collection is the result of Major Hammer's passion for amassing material related to aeronautics and technology, and it is arranged into eleven series: articles, clippings, correspondence, drawings and blueprints, leaflets, legislation, minutes, miscellaneous, photographs, programs and publications. Housed in 23 folders, the correspondence is the most comprehensive series, reflecting the original order which grouped the letters into series by topic. Much of the correspondence concerns the planning of the Hudson-Fulton Celebration of 1909, and the involvement of Wilbur Wright and Glenn Curtiss. There is also a scrapbook of black and white photographs providing front and side views of specified airplanes. Each page has 3 photos showing different views of the same plane accompanied by a label with additional information. (See written copy for details. Also, please see information written on 8x11 notebook paper.)
Scope and Contents:
The William J. Hammer Collection reflects Hammer's great interest in aeronautics --a passion he cultivated for several decades by accumulating a veritable storehouse of materials. Hammer's important contributions to the early development of aviation are also evident in this collection.
The collection of materials listed in the finding aid is arranged into two series. The first series includes correspondence, reports, handbooks, drawings, brochures, programs, leaflets, magazines, articles, newspaper clippings and miscellaneous materials. The second series is comprised of photographs of various sizes, scrapbooks, scrapbook pages and miscellaneous materials (the front pages of newspapers, certificates, posters, etc.).
Hammer's papers are arranged both chronologically and alphabetically. Correspondence, drawings, brochures, programs, leaflets, miscellaneous materials, scrapbook pages, articles and newspaper clippings are organized by the former method. Reports, handbooks, magazines and booklets are grouped alphabetically by either title of publication or author. Photographs are arranged either by subject or chronologically.
The reader should note that at some point, Hammer produced a series of large format photographs. These mounted photographs are duplicates. Due to the very fragile condition of these particular images, the photographs and are not available to researchers.
Additional photographic material regarding Hammer Collection photographs can be found in the NASM Archives Images database. An Archives staff member will assist you with research using this database.
Box 13 of the William J. Hammer Collection has not been scanned.
Note: The digital images in this finding aid were repurposed from scans made by an outside contractor for a commercial product and may show irregular cropping and orientation in addition to color variations resulting from damage to and deterioration of the original objects.
Arrangement:
The William J. Hammer Collection is arranged by content type.
Biographical/Historical note:
William J. Hammer was born in Cressona, Pennsylvania, on February 26, 1858, was an associate of Thomas Edison and an early aviation supporter and enthusiast. He began his career as an assistant to Edward Weston of the Weston Malleable Nickel Company. In 1879, he moved on to a new position as laboratory assistant to Thomas Edison at Menlo Park, New Jersey. His duties ranged from aiding in conducting experiments on such devices as the phonograph, telephone and ore separator to acting as Edison's key person in further developing the incandescent electric lamp. By 1880, he was made chief engineer of the Edison Lamp Works. A year later, Edison dispatched Hammer to London to be chief engineer of the English Electric Light Company. In this position, he helped construct the Holborn Viaduct Central Electric Light Station in London. This was the first central station ever built for incandescent electric lighting. In 1883, Hammer became chief engineer for the German Edison Company. This task included planning and supervising the construction of all Edison plants in Germany. He returned to the United States late in the following year and acted as chief inspector of central stations of the parent Edison Electric Light Company. In 1886-87, Hammer was general manager and chief engineer of the Boston Edison Electric Illuminating Company. In 1888, he worked as an independent engineer and supervised the completion of the then-largest isolated electric lighting plant, located at the Ponce de Leon Hotel in St. Augustine, Florida. During that year, Hammer also was chosen as consulting electrical engineer to the Cincinnati Centennial Exposition. Subsequently, Edison selected him as his personal representative to the Paris Exposition of 1889. This assignment rounded out Hammer's eleven years with Edison. During his time as one of Edison's most trusted and important employees, Hammer devised a number of innovations to the incandescent electric lamp. He designed and built the first electric sign, which spelled out the name "Edison". While in Germany, he invented the automatic motor-driven flashing electric lamp sign. This particular sign flashed the word "Edison" letter by letter and then all at once. At the International Electrical Exhibition, held in Philadelphia in 1884, Hammer also constructed the first flashing column of electric lights.
Upon his return to the U.S. in 1890, Hammer worked as an independent consulting electrical engineer by assisting in a variety of electrical projects, carrying out tests, giving lectures and providing expert testimony in patent disputes. He based this modest enterprise in an office in New York City and continued in this occupation until 1925. His career as an electrical engineering consultant was interrupted by World War I. In June 1918, he was commissioned a major in the U.S. Army. He was assigned to the Inventions Section of the War Plans Division of the General Staff in charge of Aeronautical and Electrical Inventions at the Army War College, Washington, D.C.. By December of that year, he was attached to the Operations Division General Staff at the War Department (Inventions Section). During the war and on into 1919, Hammer also worked for the U.S. Patent Office by identifying any aviation-related patents likely to convey too much information to potential enemies. In conjunction with his War Department duties, he acted as a member of the Advisory Board of Experts affiliated with the Alien Property Commission.
Busy as he was with his private consulting work, Hammer also immersed himself in other scientific activities. He took a particular interest in radium after visiting Pierre and Marie Curie in Paris in 1902. The two discoverers of radium gave him some samples of this substance. Soon after returning to the United States, Hammer experimented with radium. His research yielded numerous useful applications for this material such as radium-luminous powders and paints that were used to coat everything from watch and clock dials to aeronautical instruments, switches and toys. Hammer also advocated the use of radium for cancer and tumor treatment. Beyond his interest in this material, he invented selenium light-sensitive cells and recommended many practical uses for them. He also conducted a great deal of laboratory work on X-rays, ultraviolet and cathode rays, phosphorescence and wireless communications. Accordingly, he lectured and published extensively on many of these fields of research and study.
Hand in hand with his overall interest in science and technology, Hammer had a particular passion for aeronautics. Beyond paying careful attention to the rapid progress made in this field at the turn of the twentieth century, he also played an active role as participant and supporter. He made his first balloon flight over France during the Paris Exposition of 1889. His last lighter-than-air journey took place in 1931 aboard the U.S. Navy dirigible Los Angeles. Moreover, he attended and officiated over many balloon, airship and airplane exhibitions and races. Hammer was a member of the Aero Club of America and a director of the Aeronautical Society. This latter group made the first ever purchase of an airplane in January 1909. He served as expert and secretary of the Aeronautics Committee on the Hudson-Fulton Celebration Commission of 1909 and wrote the contracts for Wilbur Wright and Glenn Curtiss to fly their airplanes for this event. This occasion in New York was important as it marked the first time a large gathering of people in the U.S. witnessed heavier-than-air powered flight. As a friend of the Wright brothers, Hammer testified as an expert witness on their behalf during various patent litigation suits. His contact with aviation pioneers went beyond the Wrights and Curtiss. He also knew and interacted with, among others, Samuel Langley, Alberto Santos-Dumont, Henri Farman and Count Ferdinand von Zeppelin. Even his work with radium had applications for aviation. Hammer developed radium-based luminous compounds and used them on aircraft instruments so pilots could more easily view their cockpits' dials and gauges.
Hammer's last years were filled with serving as Historian General of the Military Order of the World War, as well as participating in many scientific, engineering and aeronautical committees and societies. During this time, he was the recipient of numerous honors and awards, including the Elliott Cresson Gold Medal, John Scott Medal from the Franklin Institute and the Cross of the Legion of Honor from France. Up until his death on March 24, 1934, he also labored in his efforts to organize a vast personal collection of rare and valuable scientific artifacts, photographs and other materials accumulated since his days with Edison. Following Hammer's death, this important collection was left in the care of his daughter Mabel (his wife of twelve years, Alice, having died in 1906). Some years later, International Business Machines (IBM) acquired it. In 1962, IBM donated the William J. Hammer Scientific Collection to the Smithsonian Institution. The bulk of the collection resides with the National Museum of American History's Archives Center. In the mid 1980s, the aeronautical portion of this collection was transferred to the National Air and Space Museum (NASM) Archives.
Provenance:
IBM (Mr. William J. Hammer Collection), gift, 1961, XXXX-0074, not NASM
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
The collection documents materials gathered by Robbie Fanning, publisher of sewing related books and newsletters and includes the history of major sewing machine brands, machine accessories, machine embroidery, machine needles, thread, binding, interfacing, and other sewing notions.
Scope and Contents:
Archival materials on the subject of sewing and sewing machines, including correspondence, Fanning's subject files, photographs, newsletters, product manuals, catalogs, trade literature, articles, reprints, sewing periodicals, and VHS videos.
Arrangement:
The collection is arranged into one series.
Biographical / Historical:
Robbie Fanning (b. 1947-) of Menlo Park, California, a former journalism teacher, she started a publishing company called Open Chain Publishing, specializing in sewing books. She published a quarterly newsletter called The Creative Machine aimed at helping the sewing hobbyist learn new sewing techniques, review sewing equipment and products, and pose questions to the sewing industry. The newsletter ceased publication in 2002. The collection as a whole depicts the shift from sewing as a necessity to clothe a family or save money to sewing as a creative outlet for women and men with leisure time.
Related Materials:
Smithsonian Institution Libraries
Books related to sewing and books authored by Robbie Fanning.
Provenance:
Donated to the Archives Center in 2008 by Robbie Fanning.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
The collection documents the development of the Stanley Home Products Company, Incorporated its activities and those of its employees. The materials include photographs and photograph albums, speeches and presentations, catalogs and other printed material, inspirational and motivational materials, annual reports, film and audio recordings.
Scope and Contents:
The Stanley Home Products Company, Incorporated Records consist of photographs, financial papers and advertising materials documenting the history of Stanley Home Products its activities and those of its employees, its connection to the local community, and the philosophies of its founders and executives, especially Frank Stanley Beveridge and his close assistant Catherine L. O'Brien.
The majority of the materials date primarily from the 1960s and 1970s and includes photographs and photograph albums, speeches and presentations, catalogs and other printed material, inspirational and motivational materials, and annual reports. also film and audio recordings of Stanley "pilgrimages", meetings and other company events. There is a substantial amount of material relating to background information about Stanley Home Products and its founder Frank Stanley Beveridge.
Arrangement:
The collection is arranged into eleven series.
Series 1, Personal Papers, 1912-1980
Series 2, Corporate Records 1940-1999; undated
Series 3, Financial Records, 1942-1979; undated
Series 4, Sales Records, 1912-1980; undated
Series 5, Advertising Materials, 1935-1982; undated
Series 6, Speeches and Inspirational Material, 1951-1979; undated
Series 7, Department of Education Records, 1946-1988; undated
Series 8, Photographs Visual Images, circa 1906-1990; undated
Series 9, Newspaper Clippings, 1910-1999; undated
Series 10, Publications, circa 1896-1981; undated
Series 11, Audiovisual Materials, 1951-1971
Biographical / Historical:
Company, started in 1931, which sold brushes and household products Stanley Home Products Company, Incorporated was founded by Frank Stanley Beveridge on August 15, 1931. The direct-selling company began in a small tobacco shed in Westfield, Massachusetts and eventually grew into a multi-million dollar, international business. Stanley Home Products is one of the founders of the direct-selling business. Unlike other direct-selling companies, Stanley Home Products has sold a large variety of products, including brushes, cleaners, small appliances, toiletries, beauty aids, clothes, and furniture.
One of Stanley's greatest contributions to the direct-selling business was the creation of the hostess party plan. The plan focuses on giving a party that allows a dealer to sell his or her products to several people at once instead of door-to-door. This system, which is used by companies like Tupperware, Avon, and Mary Kay, was created by Frank Stanley Beveridge and Catherine L. O'Brien in the early years of Stanley Home Products Company.
Related Materials:
Materials in the Archives Center
Brownie Wise Papers (AC0509)
Earl S. Tupper Papers (AC0470)
Provenance:
The collection was donated to the Archives Center by Homer G. Perkins on behalf of Stanley Home Products Company, Incorporated in October, 2001.
Restrictions:
Collection is open for research but the audio discs in box 48 are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
This collection consists of the oral history transcripts and related research documentation for the Space Telescope History Project (STHP), which examined the space sciences, predominantly astronomy, viewed through the lens of a particular undertaking, the Hubble Space Telescope, 1970s-1980s.
Scope and Contents:
This collection consists of the oral history transcripts and related research documentation for the Space Telescope History Project (STHP), which examined the space sciences, predominantly astronomy, viewed through the lens of a particular undertaking, the Hubble Space Telescope, 1970s-1980s. The principal investigator for the STHP was Robert W. Smith, and the interview set contains 235 hours of interviews with 80 individuals. The central thread of this collection was the problem of configuring new political relations among the space sciences and sponsors. The following were interviewed: Bob Adams (with Robert Trevino and Kitty Havens); M. Aucremanne; John Bahcall; Neta Bahcall; William Baum; Michael Belton; March Bensimon; Robert Bless; Greg Boeshaar; Albert Boggess; John Brandt; Robert Brown; Bert Bulkin; Margaret Burbidge; J. J. Caldwell; Frank Carr; Clark Chapman; John Clark; Art Code; Frank Costa; E. G. Danielson; Arthur Davidsen; Mike Disney; John Downey; Rodger Doxsey; Frank Edmondson; James Elliot; Garvin Emanuel; William Fastie; Riccardo Giacconi; Alan Goldberg; Edward Groth; Arun Guha; Don Hall; Richard Harms; Richard Henry; Noel Hinners; Donald Hunten; William Keathley; Warren Keller; Sam Keller; Ivan King; A.L. Lane; Barry Lasker; Robin Laurence; David Leckrone; Malcolm Longair; John Lowrance; Duccio Macchetto; Bruce McCandless; Kent Meserve; Jesse Mitchell; Jim Moore; Mas Nein; Don Noah; Memphis Norman; T. Bland Norris; James Odom; Jean Olivier; Charles Pellerin; Arthur Reetz; Jack Rehnberg; Evan Richards; Nancy Roman; James Rose; Jeffrey Rosendhal; Jane Russell; Ethan Schreier; Daniel Schroeder; Thomas Sherrill; F. Pete Simmons; Stanley Sobieski; Fred Speer; Lyman Spitzer; Peter Stockman; Ernst Stuhlinger; John Teem; Domenick Tenerelli; William Tifft; Hedrick van de Hulst; Edward Weiler; James Welch; James Westphal; Richard White; and Ray Zedekar. The collection also contains the following documentation gathered from a variety of sources: photographs, slides, NASA publications and reports, contractor reports and studies, press releases, and finding aids produced by the Space History Department, NASM.
Arrangement:
The Space Telescope History History Project interviews are arranged alphabetically by interviewee. Boxes 1-14 contain interviews on audio cassette tapes. Boxes 15-20 contain the transcripts for these cassette tapes. Most of these transcripts are available to researchers though, restrictions are placed on a small number of them. A NASM staff member will advise the patron which transcripts are available for copying and/or viewing and how to order copies of transcripts. Transcripts with user restrictions are highlighted in bold type.
Biographical / Historical:
This collection contains the interviews for the Space Telescope History Project. These interviews examine the early planning and development of what would eventually be known as the Hubble Space Telescope (HST). The period covered is from the 1970s into the 1980s. This project constitutes one of several oral history projects carried out within the National Air and Space Museum's (NASM) Department of Space History. This interview set consists of over 235 hours of interviews with 94 individuals. Please note that there are a few instances where audio cassette tapes of the interview subjects exist but without written transcripts while there are a few cases of existing transcripts of the interviews without any audio cassette tapes. Those interviewed include astronomers, scientists, engineers, as well as administrators, all of whom were involved in the space telescope project. The following were interviewed for this project: Bob Adams, Ken Ando, Marcel Aucremanne, John N. Bahcall, Neta Bahcall, William Baum, Michael J.S. Belton, Marc Bensimon, Livingston Biddle, Robert C. Bless, Greg Boeshaar, Albert Boggess, III, John Brandt, Robert A. Brown, Bert Bulkin, Margaret E. Burbridge, J.J. Caldwell, Frank Carr, Clark R. Chapman, John Clark, Art Code, Frank V. Costa, Allan Cree, E.G. Danielson, Arthur Davidsen, Mike Disney, James A. Downey, III, Roger Doxsey, Frank K. Edmondson, James L. Elliot, Garvin Emmanuel, William G. Fastie, George Field, Don Fordyce, Laurence W. Fredrick, Riccardo Giaconi, Alan Goldberg, Edward Groth, Arun K. Guha, Don Hall, Richard Harms, Kitty Havens, Richard Henry, Noel Hinners, Donald Hunten, William W. Keathley, Warren J. Keller, Sam Keller, Ivan King, A.L. Lane, Barry Lasker, Robin J. Laurance, David Leckone, Malcolm Longair, John L. Lowrance, Duccio Macchetto, Bruce McCandless, Kent Meserve, Jesse L. Mitchell, Jim Moore, Max Nein, Don Noah, Memphis Norman, T. Bland Norris, James B. Odom, Jean R. Olivier, Charles Pellerin, Arthur J. Reetz, Jack Rehnberg, Evan Richards, Nancy Roman, James Rose, Jeffrey D. Rosendahl, Jane Russell, Ethan Schreier, Daniel J. Schroeder, Thomas J. Sherrill, Pete F. Simmons, Stanley Sobieski, Fred A. Speer, Lyman Spitzer, Peter Stockman, Ernst Stuhlinger, John Teem, Domenick Tenerelli, William G. Tifft, Rodger Thompson, Robert Trevino, Hendrick C. van de Hulst, Edward Weiler, James C. Welch, James A. Westphal, Richard L. White and Ray Zedekar.
General note:
Additional material: This collection consists only of the interview transcripts, not the tapes. The tapes are housed in the National Air and Space Museum Department of Space History.
Provenance:
Department of Space History, NASM, Transfer, 1999, 1999-0035, Varies.
Restrictions:
Some restrictions apply; see permission forms in the collection accession file.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
Minimally covers the terminus of the wind-powered (sail) era and more fully documents the peak of the engine (steam) era of commercial cargo and passenger vesselsk, including freight and dockage services, maintenance and provisioning, ferry service, navigation (tug and tow) assistance, plus leisure cruising and touring. There is not a significant amount of material on battle or war ships. Includes both short distance routes such as lakes, rivers, and islets, and longer trans-oceanic crossings.
Documents within the collection consist of handbills, broadsides, leaflets, books, business cards, advertisements, insurance forms, wreck reports, passenger lists, baggage tags, freight manifests, rate cards, correspondence on letterhead stationery, booklets, newspaper clippings, postcards, menus, periodicals, manuals, photographs, engravings, woodcuts, sketches, bills of lading, receipts, catalogues, ledgers, journals, purchase orders, broadsides, brochures, custom forms, schedules, shipping and receiving documents, early steam guides, timetables, lithographs, announcements, etc. There are no navigational nautical maps. There is very little in the way of international import/export records. However, domestic and North American freight services are well-covered through invoices, bills of lading, manifests, and receipts for goods and services.
Some materials cover the history and development of steamships, particularly in the latter half of the nineteenth century with the iron screw replacing the wooden paddle steamer in the 1850s. The late 1860s brought the compound engine, which led to the steamship, previously used for the conveyance of mails and passengers, to compete with the sailing vessel in the carriage of cargo for long voyages. The 1870s brought improvements in accommodation for the passenger, with the midship saloon, conveniences in state-rooms, and covered access to smoke rooms and ladies cabins.
Ownership of specific lines and vessels was very fluid throughout shipping history, including the renaming of vessels. Mergers, dissolution, and absorption of fleets were frequent. Thus, researchers should independently seek out a more detailed history for any entity of particular interest.
The general maritime business series focuses on good and services related to maritime operations such as repair, shipbuilding, parts, ticket agents, chandlers, groceries, coal supply, dockage, wharfs/marinas, etc.
Operation records of named vessels contains primarily bills of lading and similar receipts for the movement of material goods or in-water services such as tow and tug assistance.
The largest series covering shipping lines and conglomerates offers a wide assortment of miscellaneous, nonexhaustive operation records for cargo and passenger lines and corporations, typically those with multiple holdings. These documents may include receipts, bills of lading, correspondence, and financial ledgers, plus promotional material for services and routes offered. Passenger sailings and luxury cruise documentation may contain menus, passenger lists, itineraries, shore excursion information, souveniers such as luggage tags, ticket stubs, and postcards. See also the subject category Menus, for additional examples of passenger and cruise ship menus.
When not associated with any of the above, general examples of materials related to the industry have been by arranged by their material type such as images, reports, and serial publications. More formal documentation, especially legal and reports, can be found here.
Narrative type materials related to lore, history, and building and design specifications have been sorted by subject. A scarce amount of material covers ships used for military service. Likewise, there are a few examples of maritime related material from the art world, mostly in the form of catalogues for exhibits or auction of paintings and scale models.
A note on vessel names: those used as contract carriers of mail and when in service, were entitled to unique prefix designations such as Royal Mail Ship (RMS.), otherwise, the ship name may be preceded by the more generic S.S. for single-screw steamer or steamship, SV for sailing vessel, PS for paddle steamer, RV for research vessel or similar type prefix. USS is the standard for the United States Navy commissioned ships while in commission, with HMS used for His/Her Majesty's Ship of the British Royal Navy.
Some of the major lines/companies represented in the collection include: American Line, American Steamship Company, Anchor Line, Compagnie Générale Transatlantique, Cunard-Anchor Line, Cunard Line, Cunard Steam Ship Company, Limited, Cunard White Star Line, Eastern Steamship Lines, Furness, Withy & Company, Hamburg American Line (HAPAG) / Hamburg Amerika Linie, Holland America Line (N.A.S.M. / HAL), Inman Line, International Mercantile Marine Company (IMM), International Navigation Company, North German Lloyd (Norddeutscher Lloyd Bremen), Panama Pacific Line, Peninsular and Oriental, Red Star Line, Royal Mail Steam Packet, U.S. Mail Steamship Company, United States Lines, White Star Line.
Arrangement:
Ships, Boats, and Vessels is arranged in three subseries.
Business Records and Marketing Material
General Maritime Businesses
Operation Records of Named Vessels
Shipping Lines/Conglomerates
Miscellaneous Business Records and Marketing Material
Genre
Keepsakes
Images
Ledger
Legal
News Clippings
Regulatory
Reports
Serial Publications
Stamps/Cigarette Cards
Associations and Societies
Images, Artwork, Racing, Technical Literature
Subject
Battleships, Warships
Destination Guides
Employment and Licensing
Insurance
Maritime History
Maritime Models and Art
Revue Generale Des Sciences
Warshaw Administrative Records
Related Materials:
Several other Warshaw Subject Categories may have closely related material such as Submarines and Transportation. For casual and recreational boating see Boats and Boating Equipment and Yachts. Other subject categories that may have related materials include: Canals, Dredging, Engines, Menus, Railroads (point of common transportation transfer), and Tours. .
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.
Missing Title
Series 1: Business Ephemera
Series 2: Other Collection Divisions
Series 3: Isadore Warshaw Personal Papers
Series 4: Photographic Reference Material
Provenance:
Steamboats [Ships, Boats, and Vessels] is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Warshaw Collection of Business Americana Subject Categories: Ships, Boats, and Vessels, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
11.39 Cubic feet (consisting of 25 boxes, 2 folders, 4 oversize folders, 1 map case folder, plus digital images of some collection material.)
Type:
Collection descriptions
Archival materials
Examinations (documents)
Speeches
Catalogs
Trade catalogs
Reports
Sales records
Trade literature
Print advertising
Business cards
Programs
Training manuals
Invoices
Publications
Business records
Advertising cards
Advertising mail
Certificates
Business ephemera
Manuals
Sales letters
Awards
Dance cards
Business letters
Commercial correspondence
Ephemera
Illustrations
Photographs
Sermons
Letterheads
Advertising
Printed ephemera
Catalogues
Theater programs
Report cards
Receipts
Advertising fliers
Legal documents
Scrapbooks
Correspondence
Lesson books
Periodicals
School records
Date:
1745-1973
bulk 1840-1930
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents note:
Most materials present are records and information related to specific schools and institutions and their operations. There are no complete records for any single organization. K-12 public, private schools are represented, as well as colleges, universities, vocational training, plus home study, correspondence courses, Sunday Schools and some religious instruction. HBCUs are not represented, though there may be a general item or two related to one or more of the HBCU schools. There is a sampling of teaching and learning tools such as workbooks, textbooks, and curriculum guides, plus publications for educators. A portion of the material focuses on administration and the profession of education. Student Services and Engagement covers the social aspects of higher education.
Arrangement note:
Schools is arranged in two subseries.
Institutions
By Name
Administration and Records
Genre
Advertisements
Images
Instruction and Learning: Tools and Resources
Post Family Education Records
Serial Publications for Educators and Administrators
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.
Missing Title
Series 1: Business Ephemera
Series 2: Other Collection Divisions
Series 3: Isadore Warshaw Personal Papers
Series 4: Photographic Reference Material
Provenance:
Schools is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Certificates -- School attendance -- 1930-1940 -- Illinois
Ephemera
Illustrations
Photographs
Sermons
Letterheads
Publications -- Business
Advertising
Printed ephemera
Catalogues
Theater programs
Report cards
Receipts
Advertising fliers
Legal documents
Scrapbooks
Correspondence
Lesson books
Periodicals
School records
Citation:
Warshaw Collection of Business Americana Subject Categories: Schools, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
4.56 Cubic feet (consisting of 10 boxes, 1 folder, 1 oversize folder, 1 map case folder.)
Type:
Collection descriptions
Archival materials
Ephemera
Printed ephemera
Sales letters
Business cards
Trade catalogs
Trade literature
Sales catalogs
Sales records
Manufacturers' catalogs
Publications
Receipts
Commercial catalogs
Surveying instruments
Trade cards
Catalogs
Manuals
Invoices
Business ephemera
Advertisements
Mail order catalogs
Advertising cards
Advertising
Advertising mail
Business records
Print advertising
Business letters
Correspondence
Letterheads
Periodicals
Advertising fliers
Catalogues
Printed material
Date:
circa 1800-1965
bulk 1830-1930
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Instruments forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
The Instrument category covers devices and tools used in arts and sciences, including but not limited to architecture, biology, medicine, geography, physics, chemistry and related laboratory investigation, navigation, in industry with machinery, astronomy, and a variety of optics including reading glasses. An emphasis on engineering and survey work is evident in the volume of Drawing and Surveying catalogues present.
Materials include a small sampling of business records, particular invoices and receipts, with also some advertisement, correspondence, financials, import/export documents. The bulk of material is comprised of product catalogues, many with detailed descriptions, specifications, and illustrations, plus pricing information. A number of catalogues are in German. A small portion of the catalogues are not instruments per se, but are accompaniments used with instruments. For example, specimen slides for microscopes. A few company publications are present as well. Several guides on the use of or history of some apparatus are present, as are a few stand-alone illustrations, though most catalogues are heavily illustrated.
No extensive runs or complete records exist for any single company, brand, and no particular depth is present for any singular subtopic though some publications may provide general and historical overviews of a person, company, or facet of industry. Separate folders were used for a few companies which have a small bulk of material. Companies of note: Bausch & Lomb, Sperry Corporation and Wheelco Instrument Company.
With the industries and trades represented in this category, there is overlap with Hardware, Tools, and Mensuration.
Arrangement:
Instruments is arranged in two subseries. Researchers are advised to look both under the company name and under the category of catalogue of products it produces.
Business Records and Marketing Material
Genre
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.
Series 1: Business Ephemera
Series 2: Other Collection Divisions
Series 3: Isadore Warshaw Personal Papers
Series 4: Photographic Reference Material
Provenance:
Instruments is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Warshaw Collection of Business Americana Subject Categories: Instruments, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
2.44 Cubic feet (consisting of 4.5 boxes, 1 folder, 5 oversize folders, 2 flat boxes (partial), 1 map case folder.)
Type:
Collection descriptions
Archival materials
Business ephemera
Business letters
Publications
Receipts
Business cards
Trade literature
Logs (records)
Sales catalogs
Print advertising
Ephemera
Catalogs
Advertising mail
Commercial catalogs
Invoices
Trade cards
Technical reports
Trade catalogs
Advertising
Manuals
Reports
Manufacturers' catalogs
Commercial correspondence
Catalogues
Printed materials
Illustrations
Bulletins
Technical manuals
Printed material
Transcripts
Letterheads
Printed ephemera
Advertisements
Advertising cards
Radio scripts
Correspondence
Advertising fliers
Business records
Date:
1893-1992
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
The radio category contains material primarily related to radio company products, radio broadcasts and programs, technical documentation on the use of radios, and material documenting the effect of radio on modern life. The bulk of the material covers sales catalogues and advertisements, though no complete records for single companies are present.
The radio broadcast transcripts and programs include fictional or anecdotal stories, transcripts of contests, interviews, or speeches, and notifications about future broadcasts.
Literature concerning the effect of radio on modern life includes brief radio historiographies, discussions about the need for advanced education for the radio field, and documentation of the use of radio in leisure time or in rural life. Additional publications address the uses and effects of radio during times of war. While no extensive documentation exists on any one topic, the publications may provide general histories of the radio with snapshots of specific facets of radio history.
Arrangement:
Radio is arranged in three subseries.
Business Records and Marketing Material
Genre
Subject
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.
Missing Title
Series 1: Business Ephemera
Series 2: Other Collection Divisions
Series 3: Isadore Warshaw Personal Papers
Series 4: Photographic Reference Material
Provenance:
Radio is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Warshaw Collection of Business Americana Subject Categories: Radios, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
1.57 Cubic feet (consisting of 3 boxes, 2 folders, 7 oversize folders, 2 map case folders.)
Type:
Collection descriptions
Archival materials
Business records
Publications
Ephemera
Receipts
Print advertising
Commercial correspondence
Invoices
Recipes
Letterheads
Sales catalogs
Printed ephemera
Business cards
Price lists
Realia
Trade catalogs
Business ephemera
Business letters
Date:
1790-1967
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Bakers and Baking forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
The subject category Bakers and Baking relates to the manufacturing and distribution of baked goods in the United States. Subject matter largely covers breads, but also includes cakes, pies, cookies, crackers, and pretzel.
Bakers and Baking includes business records, advertisments, company catalogues, patents, realia, import and export documents, and subject records. The series contains images depicting baking, possibly for use in advertisements. Images frequently depict children carrying, eating, or making baked goods, anthropomorphic animals, factory workers, and baked goods. Oversized material includes advertisements, price lists, and a serial publication.
Material related to specific subject areas includes information on the history of bread and pretzel, background on companies and processes that emerged in the baking industry post-industrialization, as well as a recipes and small cookbooks.
No single subtopic is explored in particular depth, though Bakers and Baking offers a broader perspective on aspects of bread baking, as well as a wide range of baking images in the advertisements and unattributed images.
Arrangement:
Bakers and Baking is arranged in three subseries.
Business Records and Marketing Material
Genre
Subject
Partial List of Companies in the Oversize Materials:
Oversize materials include, but are not limited to the following companies:
American Biscuit and Manufacturing Company
American Pastry and Manufacturing Company, Biscuits and Crackers, Location unknown
Continental Biscuit Company, Graham Wafers, New Orleans, LA
Crouch, F.B. , New York, NY; Chicago, IL; London, England; Paris, France
Great Atlantic and Pacific Tea Company, Grandmother's Bread, New York, NY
Harris-Holmes Bakery, Location unknown
Holmes, F. M. , Brown Bread Mixture, Boston, MA
Horsford's, Bread Preparation, Cambridge, MA
Knickerbocker Biscuit Company
Larrabee, E.J. and Company
Longstreet, Morton and Company, Fine Crackers and Fancy Biscuits, Newark, NJ and New York, NY
Loose-Wiles Biscuit Company
Magna Baking Company, New York, NY
National Biscuit Company
Old Grist Mill, Health Bread and Brown Bread, Boston, MA
Peters & Saurie
Poughkeepsie Cracker Bakery
Smith, F.F. , Manufacturers of Fine Crackers and Biscuits, Newark, NJ
Thurston and Hall Biscuit Company, Cambridge, MA
Wilson, Walter G. and Company, Beef Fibrive Biscuit, Philadelphia, PA
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.
Series 1: Business Ephemera
Series 2: Other Collection Divisions
Series 3: Isadore Warshaw Personal Papers
Series 4: Photographic Reference Material
Provenance:
Bakers and Baking is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, and it was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published since Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Warshaw Collection of Business Americana Subject Categories: Bakers and Baking, Archives Center, National Museum of American History, Smithsonian Institution.
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
2.35 Cubic feet (consisting of 5 boxes, 1 folder, 1 oversize folder, 3 map case folders, plus digital images of some collection material. )
Type:
Collection descriptions
Archival materials
Print advertising
Correspondence
Recipes
Advertising mail
Trade cards
Commercial catalogs
Advertising fliers
Mail order catalogs
Advertising cards
Advertising
Illustrations
Printed materials
Business records
Business letters
Trade literature
Trade catalogs
Printed material
Reports
Periodicals
Invoices
Sales catalogs
Receipts
Ephemera
Letterheads
Manuals
Business cards
Sales records
Printed ephemera
Catalogs
Sales letters
Legal documents
Publications
Catalogues
Business ephemera
Date:
1791-1964
bulk 1840-1925
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
The meat category primarily covers beef, pork, and seafood. Material related to seafood, including clams, oysters, fish, and shellfish, is significant. Additional animal protein sources may be present, especially within the recipes. Several professional associations documents and promotional materials are included. For chicken and other fowl, see subject category Poultry.
Materials represent a sampling of transactional records such as bills, invoices and receipts, marketing material, shipping services for goods, butchering, and preparation for consumption.
Arrangement:
Meat is arranged in three subseries.
Business Records and Marketing Material
Genre
Subject
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.
Missing Title
Series 1: Business Ephemera
Series 2: Other Collection Divisions
Series 3: Isadore Warshaw Personal Papers
Series 4: Photographic Reference Material
Provenance:
Meat is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Warshaw Collection of Business Americana Subject Categories: Meat, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
1.45 Cubic feet (consisting of 3 boxes, 2 folders, 2 oversize folders, 1 map case folder, plus digital images of some collection material.)
Type:
Collection descriptions
Archival materials
Speeches
Monographs
Newsclippings
Fliers (printed matter)
Clippings
Newspaper clippings
Books
Realia
Magazines (periodicals)
Plates (illustrations)
Programs
Application forms
Illustrations
Concert programs
Signs (declaratory or advertising artifacts)
Booklets
Publications
Transcriptions
Certificates
Pamphlets
Date:
1787-1964
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
The subject category Women documents the Suffrage Movement within the United States, as well as aspects of women's lives and societal contributions. This includes information about women's social lives, fashion, health, occupations, as well as commentary about the roles and expectations of many women in society. There is a notable shortage of material related to women of color.
Women includes newslippings, and material related to pro and anti-Suffrage efforts such as fliers, speeches, monographs, and realia. Outside of Suffrage-related topics, Women also includes artistic prints and images of women, poems about women, and serial publications related to women's issues or oriented towards an audience of women.
Women includes a span of subject materials related to more specfic aspects of women's lives and social commentary. This includes historical overviews of notable women's lives, guides to aspects of womanhood, fashion documentation, literature to promote good health, and background about the role of women in varied trades.
No single subtopic is explored in particular depth, though Women offers general information about various aspects of women's lives and varied social and political environments.
Arrangement:
Women is arranged in three subseries.
Suffrage Movement
Genre
Subject
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.
Missing Title
Series 1: Business Ephemera
Series 2: Other Collection Divisions
Series 3: Isadore Warshaw Personal Papers
Series 4: Photographic Reference Material
Provenance:
Women is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, and it was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published since Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Warshaw Collection of Business Americana Subject Categories: Women, Archives Center, National Museum of American History, Smithsonian Institution.
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
