Search Results

Collection Creator:

Rinehart, F. A. (Frank A.)  Search this

Muhr, Adolph F., -1913  Search this

Jackson, William Henry, 1843-1942  Search this

Rau, William Herman, 1855-1920  Search this

Heyn & Matzen  Search this

Extent:

1 Photographic print

Container:

Photo-folder 3

Type:

Archival materials

Photographs

Photographic prints

Date:

circa 1900

Scope and Contents:

Photomechanical color print depicting a portrait of Chief Iron Tail [Oglala Lakota (Oglala Sioux)] in traditional clothing. Photograph by William H. Rau in 1901.

Collection Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Collection Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Collection Citation:

Identification of specific item; Date (if known); Byron Harvey, III Collection of Exposition and Portrait photographs, P#####; National Museum of the American Indian Archive Center, Smithsonian Institution.

Identifier:

NMAI.AC.119, Item P27530

See more items in:

Byron Harvey, III Collection of Exposition and Portrait photographs

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv41e3a8cfb-0521-4afb-b1d3-f6251598cc9a

EDAN-URL:

ead_component:sova-nmai-ac-119-ref52

Collection Creator:

Rinehart, F. A. (Frank A.)  Search this

Muhr, Adolph F., -1913  Search this

Jackson, William Henry, 1843-1942  Search this

Rau, William Herman, 1855-1920  Search this

Heyn & Matzen  Search this

Extent:

1 Photomechanical print

Container:

Photo-folder 3

Type:

Archival materials

Photographs

Photomechanical prints

Date:

circa 1901

Scope and Contents:

Photomechanical color print depicting a portrait of Chief Joe Black Fox (Sugila-Saga; Sioux) dressed in traditional clothing. Photograph by William Rau circa 1901.

Collection Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Collection Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Collection Citation:

Identification of specific item; Date (if known); Byron Harvey, III Collection of Exposition and Portrait photographs, P#####; National Museum of the American Indian Archive Center, Smithsonian Institution.

Identifier:

NMAI.AC.119, Item P27531

See more items in:

Byron Harvey, III Collection of Exposition and Portrait photographs

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv40f7c661d-de7c-4f80-9b78-50c8e56ea749

EDAN-URL:

ead_component:sova-nmai-ac-119-ref53

Collection Creator:

Rinehart, F. A. (Frank A.)  Search this

Muhr, Adolph F., -1913  Search this

Jackson, William Henry, 1843-1942  Search this

Rau, William Herman, 1855-1920  Search this

Heyn & Matzen  Search this

Extent:

1 Photomechanical print

Container:

Photo-folder 3

Type:

Archival materials

Photographs

Photomechanical prints

Date:

circa 1901

Scope and Contents:

Photomechanical color print depicing a portrait of Wounded Horse (Tasuke Opi; Sioux) in traditional clothing. Photograph by William Rau circa 1901.

Collection Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Collection Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Collection Citation:

Identification of specific item; Date (if known); Byron Harvey, III Collection of Exposition and Portrait photographs, P#####; National Museum of the American Indian Archive Center, Smithsonian Institution.

Identifier:

NMAI.AC.119, Item P27532

See more items in:

Byron Harvey, III Collection of Exposition and Portrait photographs

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv4595950ed-8e67-460e-9f76-4e29bf053554

EDAN-URL:

ead_component:sova-nmai-ac-119-ref54

Collection Creator:

Rinehart, F. A. (Frank A.)  Search this

Muhr, Adolph F., -1913  Search this

Jackson, William Henry, 1843-1942  Search this

Rau, William Herman, 1855-1920  Search this

Heyn & Matzen  Search this

Extent:

1 Photomechanical print

Container:

Photo-folder 3

Type:

Archival materials

Photographs

Photomechanical prints

Date:

1899

Scope and Contents:

Outdoor portrait depicting Chief Little Wound standing before Ogallala Sioux Chiefs. Photographed by Herman Heyn and James Matzen at the Greater America Exposition in Omaha in 1899.

Collection Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Collection Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Collection Citation:

Identification of specific item; Date (if known); Byron Harvey, III Collection of Exposition and Portrait photographs, P#####; National Museum of the American Indian Archive Center, Smithsonian Institution.

Identifier:

NMAI.AC.119, Item P27533

See more items in:

Byron Harvey, III Collection of Exposition and Portrait photographs

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv4b07cb51b-cfee-4b42-89f2-381d8516486e

EDAN-URL:

ead_component:sova-nmai-ac-119-ref55

Collection Creator:

Rinehart, F. A. (Frank A.)  Search this

Muhr, Adolph F., -1913  Search this

Jackson, William Henry, 1843-1942  Search this

Rau, William Herman, 1855-1920  Search this

Heyn & Matzen  Search this

Extent:

1 Photomechanical print

Container:

Photo-folder 3

Type:

Archival materials

Photographs

Photomechanical prints

Date:

circa 1901

Scope and Contents:

Photomechanical color print depicting Lone Elk [Herak Isula; Lakota (Teton/Western Sioux)] in traditional clothing. Photograph by William Rau circa 1901.

Collection Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Collection Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Collection Citation:

Identification of specific item; Date (if known); Byron Harvey, III Collection of Exposition and Portrait photographs, P#####; National Museum of the American Indian Archive Center, Smithsonian Institution.

Identifier:

NMAI.AC.119, Item P27534

See more items in:

Byron Harvey, III Collection of Exposition and Portrait photographs

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv467733803-9839-4df2-af70-4c26571ea6f6

EDAN-URL:

ead_component:sova-nmai-ac-119-ref56

Collection Creator:

Rinehart, F. A. (Frank A.)  Search this

Muhr, Adolph F., -1913  Search this

Jackson, William Henry, 1843-1942  Search this

Rau, William Herman, 1855-1920  Search this

Heyn & Matzen  Search this

Extent:

1 Photographic print

Container:

Box 1

Type:

Archival materials

Photographs

Photographic prints

Date:

1898

Scope and Contents:

Studio portrait of Sicangu Lakota (Brulé Sioux) delegate Chief Zuya Hiyaya (Goes To War or Pretty Bird, ca. 1855-ca. 1930) wearing a beaded hide shirt and a bone breastplate. Photographed by Frank Rinehart or his assistant Adolph Muhr at the U.S. Indian Congress of the Trans-Mississippi and International Exposition in Omaha, 1898.

Collection Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Collection Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Collection Citation:

Identification of specific item; Date (if known); Byron Harvey, III Collection of Exposition and Portrait photographs, P#####; National Museum of the American Indian Archive Center, Smithsonian Institution.

Identifier:

NMAI.AC.119, Item P27486

See more items in:

Byron Harvey, III Collection of Exposition and Portrait photographs

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv45c18804f-9211-4f5e-b2d2-26ee77c2f4f5

EDAN-URL:

ead_component:sova-nmai-ac-119-ref6

Collection Creator:

Rinehart, F. A. (Frank A.)  Search this

Muhr, Adolph F., -1913  Search this

Jackson, William Henry, 1843-1942  Search this

Rau, William Herman, 1855-1920  Search this

Heyn & Matzen  Search this

Extent:

1 Photographic print

Container:

Box 1

Type:

Archival materials

Photographs

Photographic prints

Date:

1898

Scope and Contents:

Portrait of Salish (Flathead) delegate Chief Antoine Moise (ca. 1850-1918), wearing a headdress made from elk hair. Photographed by Frank Rinehart or his assistant Adolph Muhr at the U.S. Indian Congress of the Trans-Mississippi and International Exposition in Omaha, 1898.

Collection Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Collection Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Collection Citation:

Identification of specific item; Date (if known); Byron Harvey, III Collection of Exposition and Portrait photographs, P#####; National Museum of the American Indian Archive Center, Smithsonian Institution.

Identifier:

NMAI.AC.119, Item P27487

See more items in:

Byron Harvey, III Collection of Exposition and Portrait photographs

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv44e5ac384-53eb-4519-b794-fd7c8297430f

EDAN-URL:

ead_component:sova-nmai-ac-119-ref7

Collection Creator:

Rinehart, F. A. (Frank A.)  Search this

Muhr, Adolph F., -1913  Search this

Jackson, William Henry, 1843-1942  Search this

Rau, William Herman, 1855-1920  Search this

Heyn & Matzen  Search this

Extent:

1 Photographic print

Container:

Box 1

Type:

Archival materials

Photographs

Photographic prints

Date:

1898

Scope and Contents:

Studio portrait of Howard Frost (Omaha), an interpreter, in traditional clothing. Photographed by Frank Rinehart or his assistant Adolph Muhr at the U.S. Indian Congress of the Trans-Mississippi and International Exposition in Omaha, 1898.

Collection Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Collection Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Collection Citation:

Identification of specific item; Date (if known); Byron Harvey, III Collection of Exposition and Portrait photographs, P#####; National Museum of the American Indian Archive Center, Smithsonian Institution.

Identifier:

NMAI.AC.119, Item P27488

See more items in:

Byron Harvey, III Collection of Exposition and Portrait photographs

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv4871b3555-dfbe-4841-859f-546ee7728934

EDAN-URL:

ead_component:sova-nmai-ac-119-ref8

Collection Creator:

Rinehart, F. A. (Frank A.)  Search this

Muhr, Adolph F., -1913  Search this

Jackson, William Henry, 1843-1942  Search this

Rau, William Herman, 1855-1920  Search this

Heyn & Matzen  Search this

Extent:

1 Photographic print

Container:

Box 1

Type:

Archival materials

Photographs

Photographic prints

Date:

1898

Scope and Contents:

Studio portrait of Assiniboine (Stoney) delegate Kill Spotted Horse (or Kills Spotted Horse) wearing traditional clothing including a feathered headdress. Photographed by Frank Rinehart or his assistant Adolph Muhr at the U.S. Indian Congress of the Trans-Mississippi and International Exposition in Omaha, 1898.

Collection Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Collection Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Collection Citation:

Identification of specific item; Date (if known); Byron Harvey, III Collection of Exposition and Portrait photographs, P#####; National Museum of the American Indian Archive Center, Smithsonian Institution.

Identifier:

NMAI.AC.119, Item P27489

See more items in:

Byron Harvey, III Collection of Exposition and Portrait photographs

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv46c1cf428-2412-4258-8c2a-499d95cf68a2

EDAN-URL:

ead_component:sova-nmai-ac-119-ref9

Creator:

Barry, D. F. (David Francis), 1854-1934  Search this

Names:

Buffalo Bill, 1846-1917  Search this

Curly, approximately 1856-1923  Search this

Custer, George Armstrong, 1839-1876  Search this

Gall, approximately 1840-1894  Search this

Goff, O. S. (Orlando Scott), 1843-1917  Search this

Grass, John, 1837?-1918  Search this

Joseph (Nez Percé Chief), 1840-1904  Search this

Rain in the Face, approximately 1835-1905  Search this

Red Cloud, 1822-1909  Search this

Sitting Bull, 1831-1890  Search this

Extent:

40 Copy prints (black and white, 8x10 )

Culture:

Niimíipuu (Nez Perce)  Search this

Hunkpapa Lakota (Hunkpapa Sioux)  Search this

Oglala Lakota (Oglala Sioux)  Search this

Sicangu Lakota (Brulé Sioux)  Search this

Apsáalooke (Crow/Absaroke)  Search this

Sihasapa Lakota (Blackfoot Sioux)  Search this

Ihanktonwan Nakota (Yankton Sioux)  Search this

Type:

Collection descriptions

Archival materials

Copy prints

Date:

1874-1897

Summary:

This collection includes 40 copy prints of David F. Barry photographs which had been held by David Barry's sister, Matie (Barry) Moore. These were later copied by her brother-in-law Herbert O. Petersen. The copy prints include many of Barry's most famous portraits of Lakota leaders from at the end of the 19th century such as Tatanka Iyotanka (Sitting Bull) [Hunkpapa Lakota (Hunkpapa Sioux)], Rain in the Face (Iromagaja/Ito-na-gaju/Ite-Mahazhu/I-Te-Amaghazhu/Exa-ma-gozua) [Hunkpapa Lakota (Hunkpapa Sioux)], and Chief Gall (Pizi) [Oglala Lakota (Oglala Sioux)], among others.

Scope and Contents:

This collection includes 40 copy prints of David F. Barry photographs which had been held by David Barry's sister, Matie Barry Moore. It is likely that some of the photographs were originally shot by Orlando Scott Goff and later attributed to Barry, who may have printed them at a later date. The studio portraits of Native leaders include—Tatanka Iyotanka (Sitting Bull) [Hunkpapa Lakota (Hunkpapa Sioux)], Rain in the Face (Iromagaja/Ito-na-gaju/Ite-Mahazhu/I-Te-Amaghazhu/Exa-ma-gozua) [Hunkpapa Lakota (Hunkpapa Sioux)], Chief Gall (Pizi) [Oglala Lakota (Oglala Sioux)], Chief John Grass (Charging Bear/Mato-Wata-Kpe/Pah-zhe/Matowatakpe/Pehzi/Pe-ji/Used As A Shield), [Sihasapa Lakota (Blackfoot Sioux)], Chief Joseph (Hinmuuttu-yalatlat [Thunder Rolling Down the Mountain]/In Mut Too Yah Lat Lat) [Niimíipuu (Nez Perce)], Chief Goose (Goos) [Ihanktonwan Nakota (Yankton Sioux)], Curley (Ashishishe) [Apsáalooke (Crow/Absaroke)], Red Cloud (Makhpiya-luta [Scarlet Cloud]/Mahpina Luta) [Oglala Lakota (Oglala Sioux)], Crow King (Kangi-yatapi/Ka-Ge-Tou-Cha) [Hunkpapa Lakota (Hunkpapa Sioux)], Chief Wild Horse [Oglala Lakota (Oglala Sioux)], and Good Horse with his wife [Hunkpapa Lakota (Hunkpapa Sioux)].

Additional non-Native portraits include—Lt. Col. George Armstrong Custer, General F.W. Bentun, Captain Tom McDougal, Col. William F. Cody ("Buffalo Bill"), Matie Barry Moore, and Judge Kenshaw Landis. There are also a number of outdoor shots made in Dakota territory which include views of Sitting Bull's log cabin, Sitting Bull's camp, census taking on the Standing Rock reservation, Reno Crossing and Fort Lincoln in the snow. There is also an image of Barry's studio set up in Fort Buford. One image has been restricted due to cultural sensitivity.

Prints include catalog numbers P23561 - P23599.

Arrangement:

Arranged by catalog number.

Biographical / Historical:

David Frances Barry (1854-1934) was a photographer who is most noted for his photographs of famous Native American leaders at the end of the 19th century. Growing up in Columbus, Wisconsin, Barry was hired by photographer Orlando Scott Goff, with whom he eventually partnered. From 1878 to 1883, Barry traversed Dakota Territory and Montana making many of his most widely known photographs of Native American leaders, such as Sitting Bull, Rain in the Face, and Chief Gall, as well as photographing forts and battlefields, military officers, and other people in the region. In 1883, Barry opened a new studio in Bismarck, where he began photographing members of Cody's Wild West Show. In 1890, Barry returned to Wisconsin where he operated a successful gallery in the city of Superior until his death in 1934.

Barry's sister, Matie (Barry) Moore, retained a collection of photographs made by her brother which were eventually copied and donated to the National Museum of the American Indian.

Separated Materials:

A folder of newspaper clippings regarding the life and work of David F. Barry were donated by Herbert Petersen along with the photographic prints. These are in the Museum of the American Indian, Heye Foundation records (NMAI.AC.001) in Box 289, Folder 1.

Provenance:

Donated by Herbert O. Petersen, brother-in-law to Matie Barry Moore, in 1991. Matie Barry Moore was sister to the photographer David F. Barry.

Restrictions:

Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Citation:

Identification of specific item; Date (if known); Matie Barry Moore collection of David F. Barry copy prints, image #, NMAI.AC.334; National Museum of the American Indian Archives Center, Smithsonian Institution.

Identifier:

NMAI.AC.334

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv45a80fee0-7174-4620-8c3e-547e4ee354ed

EDAN-URL:

ead_collection:sova-nmai-ac-334

Creator:

Blackiston, A. H. (Andrew Hooten), 1877-1953  Search this

Extent:

4 Photographic prints (black and white.)

Type:

Collection descriptions

Archival materials

Photographic prints

Black-and-white photographs

Photographs

Place:

Chihuahua (Mexico : State)

Date:

undated

Summary:

This collection contains four undated black-and-white photographs taken by Andrew Hooten Blackiston in the state of Chihuahua, Mexico.

Arrangement note:

Organized in folders; arranged by image number.

Biographical/Historical note:

Andrew Hooten Blackiston (1877-1953) was a businessman and amateur archaeologist who traveled extensively in Latin America.

Location of Other Archival Materials Note:

Related collections are located at the National Museum of Natural History.

Restrictions:

Access is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.

Rights:

Copyright: National Museum of the American Indian.

Genre/Form:

Black-and-white photographs

Photographs

Citation:

Andrew Hooten Blackiston photographs, National Museum of the American Indian Archives, Smithsonian Institution (negative, slide or catalog number).

Identifier:

NMAI.AC.001.024

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv4fc328d1a-ac18-4007-915f-ebb3b17799f4

EDAN-URL:

ead_collection:sova-nmai-ac-001-024

Creator:

United States. General Land Office  Search this

Donor:

Duke, Hattie Logie  Search this

Names:

McKinley, William, 1843-1901  Search this

Extent:

0.1 Linear feet

Culture:

Yakama (Yakima)  Search this

Type:

Collection descriptions

Archival materials

Date:

1897

Summary:

This collection includes five land grants given to the Logie family on the Yakama (Yakima) reservation and signed by President McKinley in 1897.

Content Description:

This collection consists of five land grants given to the Logie family on the Yakama (Yakima) reservation and signed by President McKinley in 1897. This includes grants issued to James Logie, Mary Logie, Alvin Logie, Jessie Logie and Susan Hox-Li, all members of the Yakama (Yakima) tribe.

Biographical Note:

The Logie family (Yakama) was living on the Yakima Indian reservation in Washington State when they were allotted their land in 1897. The family consisted of James Logie, his wife Mary Logie (nee Stones), their son Alvin Logie and daughter Jessie Logie. Alvin and Jessie were young children at the time. Mary's mother Susan Hox-li also appeared to be living with the family at the time. Each member of the family was given a land grant. Alvin Logie married Hattie Logie (later Hattie Logie Duke) sometime in the early 1920's which is how she came to possess the Logie family land grants.

Historical Note:

Land grants were issued by the General Land office from the commissioner of Indian Affairs, in the department of the Interior. These land grants, or allotments, were issued as a result of the Dawes Act of 1887 also known as the "General Allotment Act" or the "Dawes Severalty Act." The Dawes act was enacted as a method to assimilate Native American individuals into what was considered mainstream American society in an effort to abolish communal rights and tribal sovereignty. Individual land allotments were granted to Native American families and held in trust by the United States government for 25 years. If the family did not succeed at farming on the allotment, the land reverted back to the federal government for sale, often to non-native settlers. Land allotment was not ended until 1934 under President Roosevelt.

Related Materials:

Copies of these land grants can be found at the U.S. Department of the Interior, Bureau of Land Management in the General Land Office Records.

Provenance:

Purchased from Hattie Logie Duke by the Museum of the American Indian, Heye Foundation in 1969.

Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.

Topic:

Land grants -- Washington (State)  Search this

United States. General Allotment Act (1887)  Search this

Citation:

Identification of specific item; Date (if known); Logie Family Yakama (Yakima) land grants; National Museum of the American Indian Archive Center, Smithsonian Institution.

Identifier:

NMAI.AC.123

See more items in:

Logie Family Yakama (Yakima) land grants

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv42470a3d3-dd87-4ebc-946f-df9aa9550b0f

EDAN-URL:

ead_collection:sova-nmai-ac-123

Collection Creator:

United States. General Land Office  Search this

Container:

Map-case Drawer 13, Folder 1

Culture:

Yakama (Yakima)  Search this

Type:

Archival materials

Date:

1897

Collection Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Collection Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.

Collection Citation:

Identification of specific item; Date (if known); Logie Family Yakama (Yakima) land grants; National Museum of the American Indian Archive Center, Smithsonian Institution.

See more items in:

Logie Family Yakama (Yakima) land grants

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv410ceb05a-7eb0-48b4-8a6d-0369031e971c

EDAN-URL:

ead_component:sova-nmai-ac-123-ref1

Collection Collector:

National Museum of the American Indian (U.S.)  Search this

Extent:

3 Photographs

Container:

Oversize 1

Photo-folder 2004.0044

Type:

Archival materials

Photographs

Photographs

Date:

1996

Scope and Contents:

This set of photos includes a photo collage, which features photographs, a small American flag, and flight patch. The collage reads, "This United States flag was flown aboard the Space Shuttle Endeavour, STS-77, May 19-29, 1996, orbiting the Earth 160 times, traveling 4.1 million miles. Presented to The Smithsonian National Museum of the American Indian from the National Aeronautics and Space Administration and the crew of the Endeavour, STS-113. [Signed] John B. Herrington / Mission Specialist"

Also included in this lot are 2 photographs of an eagle feather floating on the Space Shuttle Endeavour. The feather was presented by native elder Phil Lane, Sr. (Yankton Sioux) to Commander John B. Herrington (Chickasaw) in a religious ceremony and subsequently taken on a mission into space by Commander Herrington.

The National Aeronautics and Space Administration (NASA) shot the photographs.

Separated Materials:

This collection was also donated with a Flute and a Certificate of Authentication related to Commander John B. Herrington and Flight STS-113 of Space Shuttle Endeavor. These are cataloged under object numbers 264550.

Provenance:

Gift of Commander John B. Herrington, 2004.

Collection Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Rights:

NMAI does not hold rights to the photographs. Please contact the National Aeronautics and Space Administration (NASA) for permission to use these images.

Collection Citation:

Identification of specific item; Date (if known); General Photograph collections, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.

See more items in:

General Photograph collections

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv4b14e6ede-ee18-4f0b-be40-2ebf2150b594

EDAN-URL:

ead_component:sova-nmai-ac-999-ref536

Creator:

Haynes, F. Jay (Frank Jay), 1853-1921  Search this

Collection Collector:

National Museum of the American Indian (U.S.)  Search this

Extent:

1 Photographic print

Container:

Photo-folder 1962.0112

Culture:

Apsáalooke (Crow/Absaroke)  Search this

Type:

Archival materials

Photographs

Photographic prints

Date:

circa 1883

Scope and Contents:

Colored cabinet card of a studio portrait of Little Moon, Apsáalooke (Crow/Absaroke), posed in traditional clothing photographed. Published by F. Jay Haynes studio in Fargo, Dakota, circa 1883. On reverse; "Haynes Palace Studio visits all cities on the Northern Pacific Railroad."

Biographical / Historical:

F. Jay Haynes was a photographer who traveled extensively in the West and who was best known for his early photographs of Yellowstone National Park. He was also the official photographer for the Northern Pacific Railroad, and for a time he even maintained a special railroad car equipped as a mobile photography studio which was called the "Haynes Palace Studio."

Provenance:

Originally collected by Sarah Maria Boyd Camp in the 1890s and acquired by the Museum of the American Indian, Heye Foundaion from the Winchester Historical Society in 1962.

Collection Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Collection Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Collection Citation:

Identification of specific item; Date (if known); General Photograph collections, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.

Identifier:

NMAI.AC.999, Item P19442

See more items in:

General Photograph collections

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv4358d4a35-81f3-4867-91c3-98284833cf4d

EDAN-URL:

ead_component:sova-nmai-ac-999-ref538

Collection Collector:

National Museum of the American Indian (U.S.)  Search this

Extent:

1 Photographic print

Container:

Photo-folder 2005.0002

Type:

Archival materials

Photographs

Photographic prints

Scope and Contents:

Outdoor photograph of Y.M.C.A. singer Felipe Rose (Lakota).

Separated Materials:

This photograph was donated to NMAI with a gold record, (Catalog # 26/5129)

Provenance:

Gift of Felipe Rose, 2005.

Collection Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Collection Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Collection Citation:

Identification of specific item; Date (if known); General Photograph collections, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.

Identifier:

NMAI.AC.999, Item P29430

See more items in:

General Photograph collections

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv4b5fc1d0d-e0c4-488b-85f9-094aca2e60d0

EDAN-URL:

ead_component:sova-nmai-ac-999-ref540

Creator:

Metchewais [McLain], Kimowan  Search this

Names:

Cold Lake First Nations  Search this

University of New Mexico  Search this

University of North Carolina at Chapel Hill  Search this

McNeil, Larry, 1950-  Search this

Extent:

871 Negatives (photographic)

1918 Slides (photographs)

989 Polaroid prints

15 Notebooks

0.8 Linear feet

1,496 Photographic prints

Type:

Collection descriptions

Archival materials

Negatives (photographic)

Slides (photographs)

Polaroid prints

Notebooks

Photographic prints

Sketchbooks

Negatives

Slides

Place:

Alberta

North Carolina -- Chapel Hill

Date:

1991-2011

Summary:

The collection of Kimowan Metchewais [McLain], significant First Nations artist, contains materials related to his artistic practice and his personal life. The materials include not only photographs of his art, completed and in-progress, but also sketchbooks and journal entries that give important context to his major works and artistic practices. The materials range from his early career in the early 1990s as a magazine editor to his solo and group exhibitions to his time as an art professor at various universities and images of his final works in 2011. McLain balanced both Western and Native artistic methods and history in his work, his archive provides valuable insight into the swiftly evolving and often contested world of contemporary Native American art.

Scope and Contents:

The Kimowan Metchewais [McLain] collection spans the majority of Kimowan's artistic career from 1991 to 2011, beginning with his work as a comic illustrator and ending with one of his final pieces, Raincloud. Series 1: Works contains materials relating to his artistic works, mainly consisting of 4X6 color photographs, slides, and negatives of his completed works. There are also images of the works in progress, sources of inspiration for various pieces, and several items reflecting the various processes he used to create the final work, be it painting, "paper wall," installation, or a mixed media piece. Works of note include: After (1999), Map of Moths (2001), Cold Lake (2004), and Raincloud (2010). Series 2: Polaroids is Kimowan's collection of Polaroid prints. These prints were used as a reference collection by the artist, and reflect all aspects of his life and work: from intimate personal portraits of the artist, friends and family, to color studies, to documentation of nature and everyday items, the series is glimpse into the heart of the collection.

Series 3: Sketchbooks, is an equally revealing look into Kimowan's artistic practice and personal life. Documenting everything from his tobacco research, his thoughts on art history and teaching, designing his website, the creative process of exhibit planning, and numerous sketches in pen, pencil, and charcoal, the sketchbooks are an invaluable resource for understanding both the man and the work he created. Series 4: Personal Materials contains materials related to Kimowan's personal life- his travels around the U.S. and abroad, the works by other artists he felt were important to collect, published material related to his work and also his decisions on where to go to graduate school and where to apply for teaching positions. Series 5: Teaching Materialscontains materials concerning his teaching career- mainly slides of his student's work, and slides he used in his lectures. He taught art classes at both the University of New Mexico and the University of North Carolina at Chapel Hill, on subjects ranging from "Drawing I" to "Native American Art in the 1980s."

The collection contains 4X6 color photographic prints, 35 mm color negatives, 3X5 Polaroid prints, and 35 mm color slides, noted if otherwise. Some titles are bracketed, this reflects a title that has been constructed during processing, titles not bracketed were generally assigned by the creator.

Arrangement:

Collection is arranged by subject. Series 1: Works is arranged chronologically within the subseries, excepting the Works, General subseries. Series 2: Polaroids, retains the original order created by the artist. Images are separated by subject and arranged alphabetically. Series 3: Sketchbooks, is arranged chronologically when date is known. Series 4: Personal Materials, is arranged by subject and occasionally by format. Series 5: Teaching Materials contains slides which are arranged chronologically and by subject.

Biographical / Historical:

Kimowan Metchewais [McLain] was a significant figure in the Native art world. He was born in Oxbow, Saskatchewan, October 2, 1963. He used his step-father Bruce's name- McLain, until later in life when he began to go by his mother Ada's maiden name - Metchewais. He spent his childhood and early adulthood on the Cold Lake First Nations reserve in Alberta. He began his artistic career working as an illustrator and later editor at Windspeaker Native Newspaper from 1983 to 1989. From 1992 to 1996 he attended the University of Alberta in Edmonton, receiving his Bachelors of Fine Arts. It was during this time, in 1993, at age 29, that he was diagnosed with oligodendroglioma, a rare form of brain tumor. The surgery to remove the tumor and following radiation left McLain with a permanent bald spot on the back of his head would feature in his art in later years. He was told that life expectancy for this condition was 11-12 years. Despite his illness, in 1995 Kimowan received the Ellen Battel Stoekel Fellowship to spend the summer at Yale University and in 1996 he received a National Award from the Canadian Native Arts Foundation. He continued on to complete his Master of Fine Arts at the University of New Mexico, Albuquerque, New Mexico, from 1996 to 1999. It was there he met life-long friend Larry McNeil. Kimowan then made the move to Chapel Hill, North Carolina where he began teaching in the Art Department at the University of North Carolina, and continuing to exhibit his own work in both solo exhibitions and group exhibitions.

In Chapel Hill he lived in the neighborhood of Carrboro, a small, relaxed community attached to the larger college town. At this time, Kimowan developed an interest in "hooping" – hula-hooping as a spiritual activity--founding a collective and developing many close friendships through the hobby. He also began making trips home to Cold Lake and documenting the people and places there. In 2005, following symptoms of his tumor returning, McLain underwent a relatively complication-free surgery that allowed him to return directly to work, including participation in the well-received Loom exhibition. In 2007 Kimowan underwent surgery once again but due to complications from the surgery, Kimowan was left partially paralyzed. For a year, Kimowan worked diligently at rehabilitation, even developing his own rehab program he called "Kimochi," and was eventually able to return both to work and hooping. During his time at the hospital he met his eventual fiancée, Antje Thiessen.

Following his return to work, Kimowan continued to evolve his artistic practice – producing what some called his magnum opus - Cold Lake in 2004 and the evocative self-portrait Raincloud in 2010. Both pieces are examples of the space Kimowan gracefully navigated, between Native and Western sensibilities and artistic practices in his work. In 2011 his symptoms returned for a final time and he returned to his mother's home in St. Paul, Alberta, with Thiessen, for palliative care. He passed away on July 29, 2011. A retrospective of his work Horizon: Kimowan Metchewais (McLain) was shown that fall at the John and June Allcott Gallery, University of North Carolina.

Separated Materials:

The National Museum of the American Indian has 185 of Kimowan Metchewais [McLain]'s works in their Modern and Contemporary Arts collection. These pieces have catalog numbers 26/9426 - 26/9610. To view these pieces, an Object Collections Research Request must be made two months in advance, using the form found at http://www.nmai.si.edu/explore/collections/accessing/. Kimowan Metchewais [McLain] also has an artist file held by the Vine Deloria Jr. Library, containing material relevant to this collection. It can be accessed by contacting the library by phone: (301) 238-1376 or email: AskALibrarian@si.edu.

Provenance:

Bequest of Kimowan Metchewais [McLain] in 2015.

Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.

Topic:

Art -- American Indian  Search this

Indian art -- 21st century  Search this

Powwows  Search this

Genre/Form:

Photographic prints

Sketchbooks

Negatives

Slides

Citation:

Identification of specific item; Date (if known); Kimowan Metchewais [McLain] Collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.

Identifier:

NMAI.AC.084

See more items in:

Kimowan Metchewais [McLain] collection

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv40a9eee3f-befb-4855-b5fb-d180b5eb5a56

EDAN-URL:

ead_collection:sova-nmai-ac-084

Collection Creator:

Metchewais [McLain], Kimowan  Search this

Extent:

29 Slides (photographs)

Container:

Box 15, Sheet 14-15

Type:

Archival materials

Slides

Slides (photographs)

Date:

circa 2000

Collection Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Collection Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.

Collection Citation:

Identification of specific item; Date (if known); Kimowan Metchewais [McLain] Collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.

See more items in:

Kimowan Metchewais [McLain] collection

Kimowan Metchewais [McLain] collection / Series 5: Teaching Materials / 5.2: Lecture Slides

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv4c4712bc8-a7eb-4ebc-af4b-b80ab9457ab1

EDAN-URL:

ead_component:sova-nmai-ac-084-ref100

Collection Creator:

Metchewais [McLain], Kimowan  Search this

Extent:

145 Slides (photographs)

Container:

Box 15, Sheet 16-23

Type:

Archival materials

Slides

Slides (photographs)

Date:

circa 2000

Collection Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Collection Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.

Collection Citation:

Identification of specific item; Date (if known); Kimowan Metchewais [McLain] Collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.

See more items in:

Kimowan Metchewais [McLain] collection

Kimowan Metchewais [McLain] collection / Series 5: Teaching Materials / 5.2: Lecture Slides

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv441361e2f-5a28-4894-94a5-8d19a991758d

EDAN-URL:

ead_component:sova-nmai-ac-084-ref101

Collection Creator:

Metchewais [McLain], Kimowan  Search this

Extent:

61 Slides (photographs)

Container:

Box 15, Sheet 24-27

Type:

Archival materials

Slides

Slides (photographs)

Date:

2004

Scope and Contents:

Correspondence regarding lecture also included.

Collection Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Collection Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.

Collection Citation:

Identification of specific item; Date (if known); Kimowan Metchewais [McLain] Collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.

See more items in:

Kimowan Metchewais [McLain] collection

Kimowan Metchewais [McLain] collection / Series 5: Teaching Materials / 5.2: Lecture Slides

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv4a885dab7-e31e-42ea-83fa-56f88d6a050f

EDAN-URL:

ead_component:sova-nmai-ac-084-ref103