This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
M 2 BLE 1 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 26.
Slide No. M 2 BLE 1 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
M 2 BLE 2 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 27.
Slide No. M 2 BLE 2 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 1 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 23.
Slide No. E 2 BLE 1 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 1.1 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 35.
Slide No. E 2 BLE 1.1 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 1.2 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 31.
Slide No. E 2 BLE 1.2 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 1.3 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 30.
Slide No. E 2 BLE 1.3 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 2 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 33.
Slide No. E 2 BLE 2 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 2.1 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 0.
Slide No. E 2 BLE 2.1 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 2.1.1 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 0.
Slide No. E 2 BLE 2.1.1 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 2.2 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 32.
Slide No. E 2 BLE 2.2 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 3 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 20.
Slide No. E 2 BLE 3 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 3.1 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 21.
Slide No. E 2 BLE 3.1 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 3.1.1 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 0.
Slide No. E 2 BLE 3.1.1 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 3.2 EE 72
General:
Citation source: Archives staff.
Title is provided by EEPA staff based on photographer's notes.
Exhibitions Note:
"West African Permanent Exhibit," held by Sinclair Community College at the Learning Resource Center Library in Dayton, Ohio, beginning 2001. LL01-0003
Local Note:
Frame value is 23.
Slide No. E 2 BLE 3.2 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"Big gourd rattles (towa) alone provide a strong rhythm for Goli music; Hollowed out from a large whole gourd, they have a loose net attached to the outside that has seeds threaded into it. These instruments used to be played exclusively by men." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 4 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 27.
Slide No. E 2 BLE 4 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"Big gourd rattles (towa) alone provide a strong rhythm for Goli music; Hollowed out from a large whole gourd, they have a loose net attached to the outside that has seeds threaded into it. These instruments used to be played exclusively by men." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 4.1 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 25.
Slide No. E 2 BLE 4.1 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 5 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 17.
Slide No. E 2 BLE 5 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 5.1 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 20.
Slide No. E 2 BLE 5.1 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"Sculptors in the Baule villages often remains farmers, and the creation of ritual objects forms but a part of their activity. Woodworking is a complimentary profession, accessible to all and requiring only the necessary dexterity and creative imagination. While this occupation is occasionally hereditary, one becomes a sculptor by vocation and through the recognition of one's talent." [Boyer A-M., 1993: Art of Côte d'Ivoire. The Barbier-Mueller Museum]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
H 2 BLE 1 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
23
Frame value is 25.
Slide No. H 2 BLE 1 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"Sculptors in the Baule villages often remains farmers, and the creation of ritual objects forms but a part of their activity. Woodworking is a complimentary profession, accessible to all and requiring only the necessary dexterity and creative imagination. While this occupation is occasionally hereditary, one becomes a sculptor by vocation and through the recognition of one's talent." [Boyer A-M., 1993: Art of Côte d'Ivoire. The Barbier-Mueller Museum]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
H 2 BLE 2 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
23
Frame value is 24.
Slide No. H 2 BLE 2 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
