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Anthology Film Archives

Collection Creator:
Cornell, Joseph  Search this
Extent:
(3 folders)
Container:
Box 19, Folder 29-31
Type:
Archival materials
Date:
1976-1983, undated
Collection Restrictions:
Use of the original papers requires an appointment.
Collection Rights:
The Joseph Cornell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Joseph Cornell papers, 1804-1986, bulk 1939-1972. Archives of American Art, Smithsonian Institution.
See more items in:
Joseph Cornell papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cornjose-ref1053
Additional Online Media:

Lists of Cornell Material Given to Anthology Film Archives

Collection Creator:
Cornell, Joseph  Search this
Container:
Box 22, Folder 39
Type:
Archival materials
Date:
1976-1977
Collection Restrictions:
Use of the original papers requires an appointment.
Collection Rights:
The Joseph Cornell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Joseph Cornell papers, 1804-1986, bulk 1939-1972. Archives of American Art, Smithsonian Institution.
See more items in:
Joseph Cornell papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cornjose-ref1192

Anthology Film Archives

Title:
Anthology Film Archives film program
Author:
Anthology Film Archives  Search this
Physical description:
v. : ill. ; 27 cm
Type:
Periodicals
Date:
19uu
Topic:
Motion pictures  Search this
Motion pictures--History  Search this
Call number:
PN1993 .A58
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_900898

Anthology Film Archives Benefit

Collection Creator:
Holly Solomon Gallery  Search this
Container:
Box 175, Folder
Type:
Archival materials
Date:
2002
Collection Restrictions:
This collection is access restricted. Use requires written permission. Financial and Legal Records (Series 8) are closed to researchers until they can be processed to a more detailed level.
Collection Rights:
The Holly Solomon Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Holly Solomon Gallery records, circa 1948-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Holly Solomon Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hollsolg-ref1327

Anthology Film Archives

Collection Creator:
Kiesler, Lillian, 1910?-2001  Search this
Container:
Box 13, Folder 16-17
Type:
Archival materials
Date:
1975-1995, undated
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Lillian and Frederick Kiesler papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Lillian and Frederick Kiesler papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kieslill-ref250

Anthology Film Archives

Collection Creator:
Tatti, Benedict, 1917-1993  Search this
Container:
Box 1, Folder 38
Type:
Archival materials
Date:
1974-1975
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Benedict Tatti papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Benedict Tatti, 1936-2011, bulk 1945-1993. Archives of American Art, Smithsonian Institution.
See more items in:
Benedict Tatti papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-tattbene-ref59

Video texts : 1983 / Anthology Film Archives

Author:
Anthology Film Archives  Search this
Subject:
Anthology Film Archives History  Search this
Physical description:
45 p. : ill., ports. ; 29 cm
Type:
Books
Date:
1983
C1983
Topic:
Video art  Search this
Call number:
N6545.5.V53 V4 1983
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_637711

Barry Gerson, films and a para-cinema event : [catalog for a retrospective show at Anthology Film Archives, Feb. 18-21,1976]

Author:
Gerson, Barry  Search this
Anthology Film Archives  Search this
Subject:
Gerson, Barry  Search this
Physical description:
[15] p. ; 28 cm
Type:
Exhibitions
Date:
1976
Topic:
Motion pictures  Search this
Call number:
PN1998.3.G47 B37 1976
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_776173

Anthology Film Archive

Collection Creator::
Hirshhorn Museum and Sculpture Garden. Programs Department  Search this
Container:
Box 2 of 8
Type:
Archival materials
Collection Rights:
Restricted for 15 years, until Jan-01-2021; Transferring office; 12/14/1984 memorandum, Massa to Davis; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 08-164, Hirshhorn Museum and Sculpture Garden. Programs Department, Exhibition Records
See more items in:
Exhibition Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa08-164-refidd1e663

Michel Auder : selected video works 1970-1991

Author:
Auder, Michel  Search this
Anthology Film Archives  Search this
Subject:
Auder, Michel  Search this
Physical description:
95 pages : illustrations ; 22 cm
Type:
Exhibitions
Exhibition catalogs
Place:
United States
Date:
1991
[1991?]
Topic:
Video art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1046233

Home made movies : 20 years of American 8 mm and super-8 films / curator, J. Hoberman

Author:
Hoberman, J  Search this
Anthology Film Archives  Search this
Physical description:
43 p. : ill. ; 28 cm
Type:
Books
Date:
1981
Topic:
Amateur films--Catalogs  Search this
Call number:
TR851 .H664 1981
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_657036

Benedict Tatti papers, 1936-2011, bulk 1945-1993

Creator:
Tatti, Benedict Michael, 1917-1993  Search this
Subject:
Noguchi, Isamu  Search this
Goodrich, Lloyd  Search this
Canfield, Jane  Search this
Slobodkin, Louis  Search this
Zorach, William  Search this
Audubon Artists  Search this
Roko Gallery (New York, N.Y.)  Search this
American Numismatic Association  Search this
Anthology Film Archives  Search this
American Medallic Sculpture Association  Search this
Galerie Claude Bernard  Search this
Mercer Arts Center (Organization : New York, N.Y.)  Search this
Topic:
Christmas cards  Search this
Designs  Search this
Sketches  Search this
Painters  Search this
Sculptors  Search this
Video artists  Search this
Photographs  Search this
Lists  Search this
Awards  Search this
Educators  Search this
Record number:
(DSI-AAA_CollID)15865
(DSI-AAA_SIRISBib)294681
AAA_collcode_tattbene
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_294681
Additional Online Media:

"The pleasure dome" : amerikansk experimentfilm 1939-1979 : [Moderna museet, Stockholm], 16 februari -4 april 1980 / [red., Claes Söderquist]

Author:
Anthology Film Archives  Search this
Söderquist, Claes  Search this
Moderna museet (Stockholm, Sweden)  Search this
Physical description:
120 p. : ill. ; 21 x 26 cm
Type:
Exhibitions
Catalogs
Place:
United States
Date:
1980
Topic:
Experimental films  Search this
Call number:
N5078.S8 S8 nr. 166
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_654427

Red fish in America : new independent film and video from the Soviet Union / Marie Cieri, Igor Aleinikov

Author:
Cieri, Marie  Search this
Aleinikov, Igor  Search this
Collective for Living Cinema (New York, N.Y.)  Search this
Anthology Film Archives  Search this
Physical description:
31 p. : ill. ; 28 cm
Type:
Books
Place:
Soviet Union
Date:
1990
C1990
Topic:
Motion pictures--Exhibitions  Search this
Video art--Exhibitions  Search this
Call number:
N6988.5.V53.C54.1990
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_639527

Lillian and Frederick Kiesler papers, [circa 1910]-2003, bulk 1958-2000

Creator:
Kiesler, Lillian Olinsey, 1911-2001  Search this
Kiesler, Frederick, 1890-1965  Search this
Subject:
Hawkins, Erick  Search this
Copley, Alfred L. (Alfred Lewin)  Search this
Andres, Jo  Search this
Kamler, Richard  Search this
Holtzman, Harry  Search this
MacIver, Loren  Search this
Meredith, Burgess  Search this
Takaezu, Toshiko  Search this
Zogbaum, Wilfrid  Search this
Buscemi, Steve  Search this
Owen, Jane Blaffer  Search this
Dubuffet, Jean  Search this
Dreier, Katherine Sophie  Search this
Hodges, Alice  Search this
Tawney, Lenore  Search this
Dlugoszewski, Lucia  Search this
Montgomery, Chandler  Search this
Dorazio, Virginia Dortch  Search this
Bartos, Armand P.  Search this
Hofmann, Hans  Search this
Dorazio, Piero  Search this
Milius, Tom  Search this
Howe, George  Search this
Mondrian, Piet  Search this
Purdy, James  Search this
Bultman, Fritz  Search this
Miller, Henry  Search this
Castelli, Leo  Search this
Adnan, Etel  Search this
Arnaud, Leopold  Search this
Kiesler, Lillian Olinsey  Search this
Duchamp, Marcel  Search this
Diller, Burgoyne  Search this
Whitney Museum of American Art  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
John Simon Guggenheim Memorial Foundation  Search this
Hans Hofmann School of Fine Arts (Provincetown, Mass.)  Search this
University of Iowa. Museum of Art  Search this
Anthology Film Archives  Search this
Topic:
Art patrons  Search this
Diaries  Search this
Educators  Search this
Scripts (documents)  Search this
Sound recordings  Search this
Designers  Search this
Painters  Search this
Motion pictures (visual works)  Search this
Authors  Search this
Scrapbooks  Search this
Actors  Search this
Exhibitions  Search this
Set designers  Search this
Art schools  Search this
Interviews  Search this
Architects  Search this
Photographs  Search this
Women artists  Search this
Sculptors  Search this
Record number:
(DSI-AAA_CollID)6310
(DSI-AAA_SIRISBib)223516
AAA_collcode_kieslill
Theme:
Women
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_223516
Additional Online Media:

Benedict Tatti papers

Creator:
Tatti, Benedict, 1917-1993  Search this
Names:
American Medallic Sculpture Association  Search this
American Numismatic Association  Search this
Anthology Film Archives  Search this
Audubon Artists (New York, N.Y.)  Search this
Galerie Claude Bernard  Search this
Mercer Arts Center (Organization: New York, N.Y.)  Search this
Roko Gallery (New York, N.Y.)  Search this
Canfield, Jane  Search this
Goodrich, Lloyd, 1897-1987  Search this
Noguchi, Isamu, 1904-1988  Search this
Slobodkin, Louis, 1903-  Search this
Zorach, William, 1887-1966  Search this
Extent:
1.8 Linear Feet
Type:
Archival materials
Collection descriptions
Notes
Awards
Lists
Christmas cards
Photographs
Designs
Sketches
Date:
1936-2011
bulk 1945-1993
Summary:
The papers of New York sculptor, painter, educator, and video artist, Benedict Tatti (1917-1993) measure 1.8 linear feet and date from 1936-2011, with the bulk of the collection dating from 1945-1993. Papers consist of biographical material, correspondence, project files, subject files, exhibition files, writings, notes, and lists, printed materials, and photographs. Exhibition files and printed material, such as catalogues and checklists provide an overview of Tatti's activities as a sculptor and video artist. Also, photographs of artwork are a rich source of provenance-related information on Tatti's sculptures.
Scope and Contents note:
The papers of New York sculptor, painter, educator, and video artist, Benedict Tatti (1917-1993) measure 1.8 linear feet and date from 1936-2011, with the bulk of the collection dating from 1945-1993. Papers consist of biographical material, correspondence, project files, subject files, exhibition files, writings, notes, and lists, printed materials, and photographs. Exhibition files and printed material, such as catalogues and checklists provide an overview of Tatti's activities as a sculptor and video artist. Also, photographs of artwork are a rich source of provenance-related information on Tatti's sculptures.

Biographical materials include curriculum vitae, Who's Who in American Art, memberships, and awards. Correspondence is primarily from colleagues, dealers, collectors, and representatives of museums, galleries, and arts organizations. There are a few outgoing letters from Benedict Tatti, including a handmade holiday card. Among the notable correspondents are Jane Canfield, Lloyd Goodrich, Louis Slobodkin, and William Zorach. Also found is a small portion of Adele Tatti's correspondence relating to her late husband's artwork.

Project files contain Tatti's commissions for Eutectic-Castolin Institute, Staten Island Community College, Statue of Liberty Restoration, and the Usdan Center for the Creative and Performing Arts; application proposals to Creative Artists Public Service program (CAPS); and the artist's invention of the rewind reel adapter. Subject files include Tatti's memberships and activities in professional associations, e.g., American Medallic Sculpture Association, American Numismatic Society, and Audubon Artists; Tatti's Artist-in-Residence proposals for the Television Lab, WNET 13; and his involvement in educational video presentations. Exhibition files consist of scattered materials on Tatti's shows at the Anthology Film Archives; Burr Galleries; Galerie Claude Bernard; The Kitchen, Mercer Arts Gallery; Northeast Harbor Gallery; and Roko Gallery.

Writings, notes, and lists include writings by Benedict Tatti; writings about Benedict Tatti, including a statement on the artist by Isamu Noguchi; and lists compiled by Adele Tatti relating to her late husband's work. Artwork contains Tatti's sketch of a sculpture for the Northeast Harbor Museum and sketches of medal designs. Printed material consists of announcements, brochures, invitations, exhibition catalogues and checklists, clippings, periodicals, newsletters, reproductions, other printed matter, and monographs. Photographs include black and white prints of portrait shots of Benedict Tatti, Tatti in his studio and with others, video equipment and Tatti's video art; also found are color photographs of Tatti's sculptures and design maquettes.
Arrangement note:
The collection is arranged as 9 series:

Series 1: Biographical Material, 1936-1993 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1945-2008 (Box 1; 0.1 linear feet)

Series 3: Project Files, 1966-2005 (Box 1; 0.1 linear feet)

Series 4: Subject Files, circa 1950s-2008 (Box 1; 0.1 linear feet)

Series 5: Exhibition Files, 1945-1992 (Box 1; 0.1 linear feet)

Series 6: Writings, Notes, and Lists, circa 1940s-2009 (Box 1; 4 folders)

Series 7: Artwork, 1970-circa 1990s (Box 1; 3 folders)

Series 8: Printed Material, 1937-1976 (Boxes 1-2; 0.8 linear feet)

Series 9: Photographs (circa 1936-1970s), circa 1964-2010 (Box 3; 0.4 linear feet)
Biographical/Historical note:
Benedict Tatti (1917-1993) worked in New York as a sculptor, painter, educator, and video artist.

Born in New York in 1917, Tatti began his art education at Haaren High School. He continued his studies at the Roerich Museum with Louis Slobodkin, the Art Students League with William Zorach and Ossip Zadkine, and the Leonardo da Vinci School of Art under Attillio Piccirelli. Later in his career, he attended the Hans Hofmann School of Fine Arts. During World War II, Tatti served in the United States Army Air Force, where he spent three years assigned to variety of projects. In 1948, Benedict Tatti married Adele Rosenberg in New York City.

Throughout his career, Tatti continuously experimented with various media. From 1952-1963, Tatti executed sculptural models of architectural and consumer products for the industrial designers, Raymond Loewy Associates; later he became a color consultant for the firm. In the 1960s, influenced by the Abstract Expressionists, Tatti turned from carving directly in wood and stone to creating assemblage sculptures, using bronze metal and other industrial materials. During this period, Tatti spent summers on Monhegan Island in Maine, where he developed his water coloring techniques. In 1963, Tatti was hired to teach sculpture at the High School of Art and Design in New York, a position that he held for fifteen years.

In the 1970s, Tatti, with no previous background in video work developed technology for video imaging. He became an associate member of the Kitchen at the Mercer Arts Center exhibiting his video sculptures along with other early innovators of this new art form. In 1975, he invented a rewind reel adapter device. Despite health problems, Tatti continued to work and exhibit into the 1980s. He assisted his brother, Alexander Tatti and his nephew, Steven Tatti on the restoration of the Statue of Liberty on Ellis Island, which was completed in 1985.

Benedict Tatti received solo and group exhibitions at museums and galleries in the United States and abroad, including the Burr Gallery, Claude Bernard Galleries, Metropolitan Museum of Art, under the Artists for Victory Program, Museum of Modern Art, National Gallery of Art, Northeast Gallery, Pennsylvania Academy of the Fine Arts, and the Roko Gallery. Also, Tatti's work was regularly featured in annual exhibitions of several arts organizations: American Society of Contemporary Artists, Annual Avant Garde Festival, Audubon Artists, Brooklyn Society of Artists, and Painters and Sculptors Society of New Jersey. His awards included the National Soldier Art Competition at the National Gallery of Art (1945); Artist-in-Residence, National Center of Experiments TV, San Francisco, California, (1969); and the Creative Artists Public Service (CAPS), (1972). Tatti's artwork is in the permanent collections of the American Numismatic Society, Art Students League, Dumbarton Oaks, Monhegan Museum, Smithsonian Institution, and the Usdan Center for the Creative and Performing Arts.

Benedict Tatti died on July 30, 1993.
Provenance:
The Benedict Tatti papers were donated by Adele Tatti, widow of Benedict Tatti, in 2010.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Benedict Tatti papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Video artists -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Notes
Awards
Lists
Christmas cards
Photographs
Designs
Sketches
Citation:
Benedict Tatti, 1936-2011, bulk 1945-1993. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tattbene
See more items in:
Benedict Tatti papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tattbene

Lillian and Frederick Kiesler papers

Creator:
Kiesler, Lillian, 1910?-2001  Search this
Names:
Anthology Film Archives  Search this
Hans Hofmann School of Fine Arts  Search this
John Simon Guggenheim Memorial Foundation  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
University of Iowa, Museum of Art  Search this
Whitney Museum of American Art  Search this
Adnan, Etel  Search this
Andres, Jo  Search this
Arnaud, Leopold, 1895-  Search this
Bartos, Armand P., 1910-  Search this
Bultman, Fritz, 1919-1985  Search this
Buscemi, Steve, 1958-  Search this
Castelli, Leo  Search this
Copley, Alfred L.  Search this
Diller, Burgoyne, 1906-1965  Search this
Dlugoszewski, Lucia, 1931-2000  Search this
Dorazio, Piero, 1927-  Search this
Dorazio, Virginia Dortch  Search this
Dreier, Katherine Sophie, 1877-1952  Search this
Dubuffet, Jean, 1901-  Search this
Duchamp, Marcel, 1887-1968  Search this
Hawkins, Erick  Search this
Hodges, Alice  Search this
Hofmann, Hans, 1880-1966  Search this
Holtzman, Harry  Search this
Howe, George, 1886-1955  Search this
Kamler, Richard  Search this
Kiesler, Frederick  Search this
MacIver, Loren, 1909-  Search this
Meredith, Burgess, 1907-1997  Search this
Milius, Tom  Search this
Miller, Henry, 1891-  Search this
Mondrian, Piet, 1872-1944  Search this
Montgomery, Chandler  Search this
Owen, Jane Blaffer, 1915-2010  Search this
Purdy, James  Search this
Takaezu, Toshiko  Search this
Tawney, Lenore  Search this
Zogbaum, Wilfrid, 1915-1965  Search this
Extent:
49.1 Linear feet
Type:
Archival materials
Collection descriptions
Scrapbooks
Sound recordings
Diaries
Interviews
Scripts (documents)
Motion pictures (visual works)
Date:
circa 1910s-2003
bulk 1958-2000
Summary:
The papers of New York artist Lillian Kiesler and architect and sculptor Frederick Kiesler measure 49.1 linear feet and date from circa 1910s-2003, with the bulk of the material from 1958-2000. The collection documents their personal and professional lives and the legacy of Frederick Kiesler's work through biographical material, correspondence, legal, financial and business records, teaching files, exhibition and performance files, artwork, subject files, printed material, writings and interviews, monographs, photographic material, and sound and video recordings. Also found are papers related to Abstract Expressionist painter Hans Hofmann and the papers of artist Alice Hodges.
Scope and Content Note:
The papers of artist, performer, and arts educator Lillian Kiesler and sculptor, architect, set designer, educator, and writer Frederick Kiesler measure 49.1 linear feet and date from circa 1910s-2003, with the bulk of the material from 1958-2000. The collection documents their personal and professional lives and the legacy of Frederick Kiesler's work through biographical material, correspondence, legal, financial and business records, teaching files, exhibition and performance files, artwork, subject files, printed material, writings and interviews, monographs, photographic material, and sound and video recordings. Also found are papers related to Abstract Expressionist painter Hans Hofmann and the papers of artist Alice Hodges.

The collection is arranged into two series: the Lillian Kiesler Papers (Series 1) and the Frederick Kiesler Papers (Series 2). Measuring 41.1 linear feet, the Lillian Kiesler Papers (Series 1) make up the bulk of the collection and document her personal life and professional career as an artist, actor, teacher, arts benefactor and promoter of Frederick Kiesler's legacy. The series spans her lifetime, although most of the material is dated after 1965. Among her papers are biographical materials, correspondence, legal and financial records, teaching files, exhibition and performance files, artwork, subject files, printed material, monographs, papers related to Frederick Kiesler and his legacy, papers of and related to Hans Hofmann, papers of Alice Hodges, photographic material, and sound and video recordings.

Found among Lillian Kiesler's personal papers are address books, numerous calendars and appointment books, and diaries and journals. Her correspondence is extensive and contains business correspondence with John Simon Guggenheim Memorial Foundation, The Metropolitan Museum of Art, The Whitney Museum of American Art, The University of Iowa Museum of Art, and Erick Hawkins Dance Foundation, and personal letters and greeting cards from friends, family, artists, scholars, and researchers, including Etel Adnan, Alcopley, Fritz Bultman, Steve Buscemi, Mike Diamond, Burgoyne Diller, Lucia Dlugoszewski, Piero Dorazio, Jean Dubuffet, Jay Gottlieb, Erick Hawkins, Burgess Meredith, Henry Miller, James Purdy, and Herrel Thomas. Of interest is a letter from Harry Holtzman postmarked March 13, 1935 describing his initial meeting with Mondrian, and a letter from E.B. Gordon describing Henry Miller in Paris.

Materials related to Lillian Kiesler's estate and last wishes can also be found, as well as teaching plans, student work, and writings by Lillian Kiesler's mentor and friend, New York University professor Chandler Montgomery. Various printed material, correspondence, scripts, and rehearsal schedules from Lillian Kiesler's exhibitions and performances are also found, and among the directors, artists and writers represented are Jo Andres, Steve Buscemi, Cindy Lugar, Tim Miller and James Purdy. Artwork contains photographs by Bob Del Fredici, drawings by Piero Dorazio, and notes to Frederick Kiesler from Lillian Kiesler.

Subject files about artists, friends, colleagues, performances, and organizations in which she supported, such as the Anthology Film Archives, include printed materials and research materials. Signed exhibition catalogs of Loren MacIver, Dina Ghen, Lenore Tawney, and Toshiko Takaezu, and a reprint article inscribed by Alcopley can be found, as well as numerous inscribed monographs, including books inscribed by Max Weiler and Piero Dorazio, an inscribed first edition of Henry Miller's Black Spring (1936), and a 1937 monograph by Harry Holtzman titled American Abstract Artists.

Series 1 also includes materials related to her husband Frederick Kiesler, papers of and related to Abstract Expressionist painter Hans Hofmann, and the personal papers of artist Alice Hodges. The Papers Related to Frederick Kiesler were primarily created or compiled by Lillian Kiesler and document her work on behalf of Frederick Kiesler's legacy. Of interest are letters from Frederick Kiesler to Lillian Kiesler and Alice Hodges; a bound volume of correspondence to Piero Dorazio; an inventory of objects in the Frederick Kiesler estate; photographs of artwork; an interview (sound recordings and transcript) with Lillian Kiesler about Frederick Kiesler for "Music of the Age," included on the tape is a portion of a Frederick Kiesler interview (1965); a recording of Lillian Kiesler interviewing Richard Kamler about Frederick Kiesler; and Frederick Kiesler's dialogue with Leo Castelli (undated).

Lillian Kiesler was a student of Hans Hofmann (1880-1966) in New York City and Provincetown, Massachusetts, as well as an enthusiastic volunteer promoter and assistant to The Hans Hofmann School of Fine Arts. The bulk of the papers of and related to Hans Hofmann were created or compiled by Lillian Kielser and are about Hofmann's career and legacy. However, also found are some papers of Hans Hofmann, including letters from Hofmann to Lillian Kiesler and Alice Hodges describing his artwork, life in Provincetown, and issues with The Hans Hofmann School of Fine Arts, typed and handwritten lectures given by Hofmann, Hofmann's 1941 address to the American Abstract Artists (AAA), three boxes of card files on students of the Hans Hofmann School of Fine Arts in New York City and Provincetown, and photographs of Hofmann and his house in Provincetown taken by Wilfrid Zogbaum and Tom Milius.

The artist Alice Hodges (b. unknown-1965) was a close friend of Lillian Kiesler, a former secretary to Frederick Kiesler, and a student of Hans Hofmann. Included among her personal papers is some correspondence from Hans Hofmann and Katherine Drier and numerous postcards from Hodges and Lillian Kiesler's trip to Europe in 1950, posters and printed material from her exhibitions, an oversized scrapbook chronicling Lillian Kiesler's teaching career, records from the United States Treasury War Bond Art Auction in 1945, original artwork and greeting cards made by Hodges and Lillian Kiesler, and 31 rolled negative strips in metal canisters of Frederick Kiesler sculptures, Provincetown and Hans Hofmann, Wellfleet, Empire State Music Festival (1955), and travels to Colorado and Europe, some of which may be printed and found in this subseries.

Photographs found in the Lillian Kiesler Papers are mostly black and white and color snapshots of Lillian Kiesler's friends and family at events and at home, including candid photos of Hans Hofmann, Alice Hodges, Frederick Kiesler, and Alcopley. Slides prepared by Lillian Kiesler for a lecture on Frederick Kiesler and her lecture notes on index cards are found. Sound and video recordings include recordings of productions in which Lillian Kiesler performed, and music, film, or live stage performances written, directed, or performed by friends.

Measuring 7.1 linear feet, Frederick Kiesler's personal papers (Series 2) document his professional career and date from 1923-1992. Biographical materials include his curriculum vitae, four passports, and numerous appointment books and notes from late in his life. Correspondence with architects, publishers, editors, universities, museums, galleries, manufacturers, artists and friends includes letters from L. Alcopley, Leopold Arnaud, Armand P. Bartos, Piero and Virginia Dorazio, George Howe, Kay Johnson, Jane Owen, and others. There are also photocopied letters from Katherine Dreier, Marcel Duchamp, and Piet Mondrian. Business and financial records from the 1940s to mid-1960s comprise a significant bulk of this series and are primarily tax returns and receipts and statements used to file tax returns. Materials on the publication of "Inside the Endless House" (1966), the International Theatre Exposition (in German) in 1924 and other exhibits from shortly after his death are found, as well as student artwork and papers from Kiesler's classes in the mid-1950s. A bound copy of the "Bibliography of Writings of and About Frederick Kiesler" compiled by Lillian Kiesler is found, as well as printed material about Frederick Kiesler and a handful of photographs of artwork.

Users should note that Lillian Kiesler's and Frederick Kiesler's papers contain similar types of material that often overlap in subject matter, especially among the Papers Related to Frederick Kiesler (Subseries 1.10) in Series 1 and the Frederick Kiesler Papers (Series 2). This collection contains limited material related to Lillian Kiesler prior to the 1940s and Frederick Kiesler prior to his arrival in the United States in 1926.
Arrangement:
The collection is arranged into two series. Each series is divided into several subseries, with the arrangement described in detail in the series descriptions.

Series 1: Lillian Kiesler papers, circa 1910s-2003 (Box 1-39, 47-52, OV 53-55; 41.1 linear feet)

Series 2: Frederick Kiesler papers, 1923-1992 (Box 40-46, OV 53; 7.1 linear feet)
Biographical Note:
Frederick Kiesler (1890-1965) was a sculptor, architect, set designer, educator, and writer active in New York and Connecticutt. Lillian Kiesler (1911-2001) was a performer, arts educator, and painter married to Frederick Kiesler. She was also active in the administration of the Hans Hofmann School of Fine Arts.

Frederick Kiesler was born in Romania in 1890, although he gave various other dates for his birth and regularly cited Vienna as his birthplace. He arrived in the United States with his wife Steffi in 1926 for the International Theatre Exposition at Steinway Hall in New York City. They stayed in the United States and were granted citizenship in 1936.

Kiesler secured a teaching position at Columbia University's School of Architecture in 1930, and from 1934 through 1957 he was the scenic design director at The Juilliard School of Music. He also lectured at Yale University from 1950-1952. Often labeled a Surrealist, Kiesler's work was experimental and frequently described as ahead of its time. He published, lectured, and participated in numerous exhibitions throughout his career. He is known for his theory of "coreallism;" "The Space House" (1933), a full-scale model of a single family home; an installation designed for Peggy Guggenheim's Art of This Century gallery in 1942; "The Endless House" drawings and model (1950); "The Universal Theatre" (1961) model; and the Shrine of the Book (1965), a building to exhibit the Dead Sea Scrolls in Jerusalem. He died in New York City in December 1965.

Lillian Olinsey met architect and sculptor Frederick Kiesler in 1934. After years of friendship, they were married in 1964, a year and a half before Frederick's death in 1965.

Lillian Kiesler studied art at the Art Students League, Cooper Union, and the Hans Hofmann School of Fine Arts, where she also assisted Hofmann and the school administration. She taught art to children and young adults for twenty years in New York City. From 1945 to 1955, she taught at the Greenwich House Art workshops and the Woodward School, followed by the Brooklyn Museum (1948-1958), Barnard School (1953-1963), New York University School of Education (1955-1966), and Juilliard School of Visual Arts (1963-1965). Lillian was involved in the performing arts and between the late 1970s through the 1990s she performed in New York City with numerous directors, notably Jo Andres, Steve Buscemi, Richard Foreman, John Jesurun, Cindy Lubar, and Tim Miller. She frequently performed with her close friend, painter Maryette Charlton, who was the executor of the Lillian Kiesler estate.

Lillian Kiesler tirelessly promoted Frederick Kiesler's work and legacy after his death in 1965. From the late 1980s through the 1990s, she delivered lectures about his work at universities and museums, gave interviews, corresponded with researchers, and organized his papers to donate to the Harvard Theatre Collection, Yale School of Art and Architecture, and the Archives of American Art. In 1997, she helped found the Frederick and Lillian Kiesler Foundation in Vienna, Austria. She endowed the Austrian Frederick Kiesler Prize, an award given to a notable contributor to the field of architecture. The first recipient was Frank Gehry in 1998. Lillian Kiesler passed away in 2001 in New York City.
Related Material:
The holdings of the Archives of American Art include the Hans Hofmann Papers, 1904-1978 and the Maryette Charlton Papers, 1929-1998. Additional Frederick Kiesler papers are available at the Museum of Modern Art, the Harvard Theater Collection, and the Yale School of Art and Architecture.
Separated Material:
Some of the materials related to Frederick Kiesler were initially loaned for microfilming on reels 57 and 127-128. This material is not described in the container listing of this finding aid. Most, but not all, of the loaned material was later donated and has been merged with the other accretions.
Provenance:
The collection was donated by Lillian Kiesler and Maryette Charlton, executrix of her estate, in several accessions between 1980-2002. Some of the papers related to Frederick Kiesler were originally loaned for microfilming in 1971, most of which was later donated in 1980. Additional papers related to Frederick Kiesler were donated in 1993. Papers related to Hans Hofmann were given in 1981. Lillian Kiesler's papers were donated in 2000 by Lillian Kiesler, and in 2002, by Maryette Charlton.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Lillian and Frederick Kiesler papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Sculptors -- New York (State) -- New York  Search this
Set Designers -- New York (State) -- New York  Search this
Women artists  Search this
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Exhibition designers  Search this
Art schools -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Art schools -- Massachusetts -- Provincetown  Search this
Art patrons -- New York (State) -- New York  Search this
Architects -- New York (State) -- New York  Search this
Actors -- New York (State) -- New York  Search this
Genre/Form:
Scrapbooks
Sound recordings
Diaries
Interviews
Scripts (documents)
Motion pictures (visual works)
Citation:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kieslill
See more items in:
Lillian and Frederick Kiesler papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kieslill
Additional Online Media:

#408 Joseph Cornell: An Exploration of Sources, 11/19/1982-2/27/1983

Collection Creator::
National Museum of American Art. Office of the Registrar  Search this
Container:
Box 46 of 55
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 453, National Museum of American Art. Office of the Registrar, Records
See more items in:
Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0453-refidd1e12590

Robert Wiegand papers and video art, 1953-1994

Creator:
Wiegand, Robert, 1934-1993  Search this
Names:
Hirshhorn Museum and Sculpture Garden  Search this
Phoenix Gallery (New York, N.Y.)  Search this
Brown, Trisha, 1936-  Search this
Browne, Vivian E., 1929-1993  Search this
Chernow, Burt  Search this
Foreman, Laura, 1936-2001  Search this
Horowitz, Leonard  Search this
Larson, Susan  Search this
McLeon, James  Search this
Rose, Alexandra, 1946-  Search this
Schneemann, Carolee, 1939-  Search this
Stockwell, Pamela  Search this
Extent:
10.9 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Video recordings
Date:
1953-1994
Summary:
The papers of New York video artist and painter Robert Wiegand measure 10.9 linear feet and date from 1953 to 1994. Found within the collection are biographical materials, correspondence, art project and exhibition files, printed materials, video art, photographs, and industrial and miscellaneous video recordings. About one-half of the collection is comprised of video recordings.
Scope and Contents:
The papers of New York video artist and painter Robert Wiegand measure 10.9 linear feet and date from 1953 to 1994. Found within the collection are biographical materials, correspondence, art project and exhibition files, printed materials, video art, photographs, and industrial and miscellaneous video recordings. About one-half of the collection is comprised of video recordings.

Biographical materials include school yearbooks, video and paper documentation from his 1991 wedding, and photograph and video documentation of his funeral and memorial service in 1994. Also found are resumes and Wiegand's SoHo live/work artist permit from 1976.

Correspondence is comprised primarily of letters written by Wiegand, which were saved onto floppy disks and printed out, and a handful of letters received. Outgoing letters mainly concern Wiegand's video production work for hire and other personal financial matters. Letters received relate primarily to Wiegand's painting sales, and are from James McLeon, Vivian Browne, Susan Larson, Burt Chernow, and Alexandra Rose. Additional correspondence can be found in the project files.

Project files include documentation of the 1968 inagural "10 Downtown" exhibition, the City Walls mural project, a multimedia art work created through the Experiments in Art and Technology (EAT) project called Changes, the products of the 1978 trip to India, including the video work Snapshots of an Indian Day, the "Madama Butterfly" video production produced by Wiegand, and the artist panel series ArtistsTalkonArt. The files contain a wide variety of documentation, such as correspondence, event flyers and press materials, photographs, slides, and videos.

Printed materials include exhibition and event announcements and catalogs, clippings and reviews, magazine publications, and published books that contain Wiegand's work. There is also one scrapbook compiled by Wiegand for his 5th One Man Show of Paintings at the Phoenix Gallery in New York City.

Video artworks created by Wiegand, often made in collaboration with his wife Ingrid, include Georges, Julie, Moran, Omar is El Uno, Nat, Walking (interstices), Face-Off, and How to tell an artist with Dr. Sheldon Cholst. Photographs include a combination of personal and professional photographs, although most of the materials are slides of artworks and events. Of note are slides from the "Bicentennial Banners" exhibition that Wiegand was invited to participate in and that was on display at the Smithsonian's Hirshhorn Museum in 1976.

The last series contains over 4 linear feet of all other video recordings and includes industry productions, independent projects, performance documentation, work samples, and works by others. Notable among these productions are documentation of Pamela Stockwell's reenactment of the Tomkins Square Park riots of 1988 and footage of performers Carolee Schneemann, Trisha Brown, Laura Foreman, and Leonard Horowitz, among others.
Arrangement:
The collection is arranged as seven series.

Series 1: Biographical Material, 1953-1994 (Boxes 1-2, 11; 1.5 linear feet)

Series 2: Correspondence and Letters, 1962-1990 (Box 2; .3 linear feet)

Series 3: Project Files, 1968-1992 (Boxes 2-3, 11; 1.1 linear feet)

Series 4: Printed Materials, 1959-1990 (Boxes 3-4, 11; .7 linear feet)

Series 5: Video Art, 1970-1982 (Boxes 4-5; 1 linear feet)

Series 6: Photographs, 1953-1994 (Boxes 5-6; 1 linear feet)

Series 7: Other Video Recordings, 1968-1992 (Boxes 6-10; 4.7 linear feet)
Biographical / Historical:
Robert Nelson Wiegand (1934-1994) was a painter and video artist who worked and lived in New York City. Robert Wiegand's interest in art extended well beyond the point of creation, and throughout his life he worked not only as painter, but also as a teacher, advocate, and documentarian of the arts in New York City.

Born in Long Island in 1934, Wiegand attended the State University of New York, College of Buffalo and received a degree in arts education. He returned to New York City and became active in the artist community in SoHo. He was one of the co-founders of the SoHo Artists Association, an artists' organization formed to advocate for legalizing artist loft live/work spaces in lower Manhattan in the 1960s.

Wiegand married his first wife Ingrid in 1964, and they collaborated on many creative endeavors. They adopted two children from India, Indira and Pratap (also known as Peter), and separated in 1990. He married painter Lynn Braswell in 1991.

As a painter, Wiegand's work was highly geometric and influenced by the Abstract Expressionist movement. He exhibited paintings in one-man shows in New York City at the Phoenix Gallery and at the Levitan Gallery. In 1968, Wiegand participated in the first "10 Downtown" exhibition, where artists exhibited in their own studios in a move to overcome exclusive gallery representation practices. After painting a few exterior house murals, Wiegand co-founded City Walls, a New York City mural project that was funded by the National Endowment for the Arts. Through this project he became responsible for a handful of the murals in lower Manhattan. In 1968, Wiegand collaborated with Lloyed Kreutzer, a Bell Labs physicist specializing in lasers, to create the installation work Changes as part of Experiments In Art and Technology's (EAT) 1968 competition bringing together artists and engineers. It was then shown at Wiegand's studio in 1969. Wiegand was also one of the co-founders of ArtistsTalkOnArt, an artist run non-profit organization that continues to program weekly artist panel discussions in Soho, NY. It was co-founded in 1974 by Wiegand, Lori Antonacci, and Douglas Sheer, with Irving Sandler, Cynthia Navaretta, Bruce Barton and Corinne Robins joining the first board of directors in early 1975.

Wiegand became interested in video in the 1960s after using it as a documentary tool in the successful effort to legalize loft living in lower Manhattan. He then began creating video artworks, many of which were collaborations with his wife Ingrid. They received a grant from the Rockefeller Foundation in 1977 to produce a documentary on middle class life in India called Snapshots of an Indian Day. It was shown at The Kitchen and Anthology Film Archives before being acquired by the Everson Museum of Art in Syracuse, NY. In 1980, with the help of his students from the Global Village Intensive Video Workshop, Wiegand directed, shot, and edited the Brooklyn Opera Society's production Madama Butterfly at the Brooklyn Botanical Gardens and Tea House, and the production aired on WNYC-TV 13 as part of its Other Voices: New York series.

From 1971 to 1980, Wiegand ran his own commercial video company, Wiegand Video, where he produced corporate and industry training films. From 1980 to 1987, he worked as a project manager and producer for Square Twelve Productions, continuing to produce commercial work. His clients included the American Society for Mechanical Engineers and International Business Machines.

Wiegand also taught art and video production at the Staten Island Academy from 1961-1971, studio and television production at the New School for Social Research from 1980 to 1984, and field production at the Lehman College City University of NY. He also taught in the New York City C.E.T.A. program in media training and was a visiting media production instructor at the University of North Carolina at Greensboro.

Towards the end of his life, Wiegand changed careers and became a social worker. Robert Wiegand died in New York City in 1994, just after his 60th birthday.
Separated Materials:
Twenty sound cassettes of interviews and lectures were removed from the collection and returned to the organization that created them, ArtistsTalkOnArt. A few video cassettes are still found in the collection from that series.
Provenance:
The collection was donated by Lynn Braswell, Robert Wiegand's widow, in 1998 and 2000.
Restrictions:
Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Use of original papers requires an appointment.
Rights:
Authorization to publish, quote or reproduce requires permission from Lynn Braswell, 320 Riverside Dr., New York, N.Y. 10025.
Topic:
Video art  Search this
Painters -- New York (State) -- New York  Search this
Video artists -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Video recordings
Citation:
Robert Wiegand papers and video art, 1953-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wiegrobe
See more items in:
Robert Wiegand papers and video art, 1953-1994
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wiegrobe

A Correspondence

Collection Artist:
Paik, Nam June, 1932-2006  Search this
Container:
Box 1, Folder 11
Type:
Archival materials
Date:
1968 - 1997
Correspondence from::
Includes letters from: Michael Ambrosino, Erik Andersch, Wayne Anderson, Oliver Andrews, and David Atwood.

Also includes letters from the following organizations: A. B. Galleries, Across Below, Allgemeine Ortskankenkasse Düsseldorf, American Museum of the Moving Image, Anthology Film Archive, Archive Sohm, Art Intermedia, Artes Visuales, Artforum, Artist Tenants Association, Artpool Foundation and Art Research Center, Arts Four Corp., Asian Cine-Vision, Inc., Aspen Travel and Association of Artist-Run Galleries.
Collection Restrictions:
Access to the archive requires an advance appointment. Please contact Paik Archive staff by email at PaikArchive@si.edu.
Collection Rights:
Unpublished materials are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.
Collection Citation:
Nam June Paik Archive, Smithsonian American Art Museum; Gift of the Nam June Paik Estate
See more items in:
Nam June Paik Papers
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
EDAN-URL:
ead_component:sova-saam-njp-1-ref31

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