Search Results

Interviewee:

Jacquette, Yvonne  Search this

Interviewer:

McElhinney, James Lancel, 1952-  Search this

Creator:

Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this

Names:

Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this

Moore College of Art  Search this

New York (State).. Metropolitan Transportation Authority.Arts for Transit  Search this

Parsons School of Design -- Faculty  Search this

Pennsylvania Academy of the Fine Arts -- Faculty  Search this

University of Pennsylvania -- Faculty  Search this

Burckhardt, Rudy, 1914-1999  Search this

Denby, Edwin Hooper, 1873-  Search this

Grooms, Mimi Gross  Search this

Katz, Alex, 1927-  Search this

Kushner, Robert, 1949-  Search this

Extent:

3 Items (Sound recording, master: 3 sound files (2 hr., 55 min.), digital, wav file)

91 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

2010 Oct. 19-21

Scope and Contents:

An interview of Yvonne Jacquette conducted 2010 Oct. 19 and 21, by James McElhinney, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Jacquette's home and studio, in New York, N.Y.

Jacquette talks about a current competition for art in a Metropolitan Transit Authority (MTA) subway station at 34th Street and 11th Avenue in New York City; mosaics and fresco; materials and methods; other MTA commissions; her late husband Rudy Burckhardt; teaching at Moore College of Art in Philadephia, the Pennsylvania Academy of the Fine Arts, the University of Pennsylvania, and Parsons School of Design; flying over proposed subjects to get an aerial view; spending summers in Maine; other artists in Maine; her interest in painters who "developed spiritually"; travel to Japan with Burckhardt; collaborating with Burckhardt on the film, "Night Fantasies," (1990); acceptance of women artists; galleries; women artists she admires, and other topics. She recalls Robert Kushner, Edwin Denby, Alex Katz, Mimi Gross, and others.

Biographical / Historical:

Yvonne Jacquette (1934-2023) was a painter and printmaker in New York, N.Y. James McElhinney is an artist and educator in New York, N.Y.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

This interview is open for research. Contact Reference Services for more information.

Occupation:

Painters -- New York (State) -- New York  Search this

Printmakers -- New York (State) -- New York  Search this

Topic:

Mural painting and decoration  Search this

Mosaics  Search this

Painting -- Equipment and supplies  Search this

Painting -- Technique  Search this

Women artists  Search this

Women painters  Search this

Women printmakers  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

This interview is part of the Elizabeth Murray Oral History of Women in the Visual Arts Project, funded by the A G Foundation.

Identifier:

AAA.jacque10

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b48f8ed3-e62b-4776-995f-609d410b0ce8

EDAN-URL:

ead_collection:sova-aaa-jacque10

Creator:

Doll & Richards (Gallery)  Search this

Names:

Azeez Khayat Gallery  Search this

Kleemann Galleries  Search this

Macbeth Gallery  Search this

Museum of Fine Arts, Boston  Search this

Chetcuti, John  Search this

Freiman, Robert  Search this

Goodrich, Lloyd, 1897-1987  Search this

Haseltine, William Stanley, 1835-1900  Search this

Homer, Winslow, 1836-1910  Search this

Lindenmuth, Tod  Search this

Meyerowitz, William, 1887-1981  Search this

Shepler, Dwight, 1905-  Search this

Verner, Elizabeth O'Neill, 1883-1979  Search this

Woodward, Stanley Wingate, 1890-1970  Search this

Wyeth, Andrew, 1917-2009  Search this

Zoehler, Wendell H., 1907-1989  Search this

Extent:

87.5 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Scrapbooks

Financial records

Date:

1863-1978

bulk 1902-1969

Summary:

The records of the Doll & Richards gallery of Boston measure 87.5 linear feet and date from 1863 to 1978, with the bulk of the material dating from 1902-1960s. Extensive financial and sales records, inventory records, and correspondence and letter books provide a detailed account of the business operations and sales of the gallery. Also found are notes and research files on artists and paintings, business and legal records, exhibition catalogs, six exhibition scrapbooks, printed materials, and photographs. Significant correspondents include John Chetcuti, Robert Freiman, Lloyd Goodrich, Tod Lindenmuth, Macbeth Galleries, William Meyerowitz, Museum of Fine Arts Boston, Stanley Woodward, and Andrew Wyeth, among many others.

Scope and Content Note:

The records of the Doll & Richards gallery of Boston measure 87.5 linear feet and date from 1863 to 1978, with the bulk of the material dating from 1902-1960s. Extensive financial and sales records, inventory records, and correspondence and letter books provide a detailed account of the business operations and sales of the gallery. Also found are notes and research files on artists and paintings, business and legal records, exhibition catalogs, six exhibition scrapbooks, printed materials, and photographs. The bulk of the collection dates from 1902 when the gallery was incorporated and new books were begun. According to gallery employee Wendell Zoehler, many records from the 19th century were discarded and periodically, especially when the gallery moved, other records were discarded.

Incoming and outgoing correspondence documents sales, consignments, appraisals, exhibitions, and inquiries by artists and others to Doll & Richards for over a century. Significant correspondents include artists John Chetcuti, Robert Freiman, Tod Lindenmuth, William Meyerowitz, Dwight Shepler, Elizabeth O'Neill Verner, Stanley Woodward, Andrew Wyeth, and others. Additional correspondents include Lloyd Goodrich from Whitney Museum of American Art, Azeez Khayat Gallery, Macbeth Galleries, Kleemann Galleries, and the Museum of Fine Arts in Boston. There is one letter from George Inness (1866). Outgoing correspondence is limited to 46 volumes of letterpress copybooks dating from 1930-1967.

Notes and research files primarily consist of compiled information about artists in which Doll & Richards dealt. These include card files related to the provenance of paintings by Winslow Homer and William Stanley Haseltine, and a book about Winslow Homer with notations by Zoehler about the sale of paintings .

Administrative and business records of general daily operations include an address book, meeting minutes, miscellaneous lists and notes, and a large card file of contacts with clients, consignors, artists, and businesses. A detailed description of the gallery's operations by Zoehler is also found here. Legal records include contracts, agreements, certificates of stock, certificates of copyrights, and photocopies of founding documents.

Although there are limited records prior to 1902, the financial records provide comprehensive detail of the gallery's financial transactions from the turn of the century through the early 1970s. Volumes of financial ledgers provide details of artwork bought, sold, and consigned; order forms for sales, framing, restoration, and shipping; gallery expenditures and salaries; records of client purchases; and other affairs. Many of the financial records are indexed and cross-referenced, offering researchers complex but rich documentation. The financial records should be consulted with the numerous inventory records that provide detailed information about the stock of art work held at the gallery. Inventory records also include documentation about the frames held by the gallery from the mid-1880s-1950. The gallery used sometimes complex codes to index and cross reference sales and stock. When known, these codes have been outlined in the more detailed series desciptions below, or filed within the appropriate boxes.

The history of Doll & Richards' exhibitions from the 1880s-1968 are documented in six disassembled bound volumes that contained exhibition catalogs and announcements. There are also additional loose catalogs and announcements. Additional printed materials include newspaper clippings related to exhibitions and the gallery and seven scrapbooks related to Doll & Richards' exhibitions from 1909-1943.

The bulk of the black and white photographs in the collection are of works of art by artists that Doll & Richards exhibited. There are only a handful of photographs of other subject matter, but include images of the gallery spaces at 2 Park Street, 71 Newbury, and 138 Newberry; and of artists.

Arrangement:

The collection is arranged as nine series:

Missing Title

Series 1: Correspondence, 1863-1972, bulk 1930s-1972 (Boxes 1-14; 14 linear feet)

Series 2: Notes and Research Files, 1880s-1978, bulk 1930s-1960s (Boxes 15-16, 78; 1.2 linear feet)

Series 3: Business Records, circa 1866-1978, bulk 1910s-1960s (Boxes 16-18; 1.9 linear feet)

Series 4: Legal Records, 1863-1906, 1941-1962 (Boxes 18, 78; 0.3 linear feet)

Series 5: Financial Records, 1871-1973, bulk 1902-1969 (Boxes 18-69, 79, BV81-112; 55 linear feet)

Series 6: Inventory Records, 1881-1969, bulk 1900s-1940s (Boxes 69-70, BV113-128; 2.3 linear feet)

Series 7: Printed Materials, circa 1880s-1968, bulk 1890s-1960s (Boxes 70-75; 4.9 linear feet)

Series 8: Photographs, circa 1880s-1960s (Boxes 75-78; 2 linear feet)

Series 9: Scrapbooks, 1908-1968, bulk 1908-1943 (Boxes 77, 80; 1.1 linear feet)

The records have been arranged according to the original order maintained by the gallery. Bound volumes containing exhibition catalogs glued to the internal spines have been disbound for preservation and proper housing.

Historical Note:

The Doll & Richards gallery originated in Boston in 1866 as an art gallery and framing shop owned by Charles E. Hendrickson, E. Adam Doll, and Joseph Dudley Richards. The gallery was a well-known Boston establishment for over 100 years that represented William Stanley Haseltine, Winslow Homer, William Morris Hunt, and Andrew Wyeth, among many other notable American painters, sculptors, and printmakers.

In 1870 Hendrickson retired and the gallery became Doll & Richards. After the untimely death of Doll in 1880, Richards purchased Doll's interest in the firm, retaining the gallery's well-known name. Under Richards' direction, the gallery prospered. Richards promoted the works of painter Winslow Homer, developing a market for his watercolors in Boston. He incorporated the gallery in 1902 and served as the treasurer and financier until his death in 1922 at 80 years old. The gallery then reorganized; Arthur McKean, who joined in 1911, became manager, and J.L. (Joe) Richards became treasurer. Fergus Turner, who joined the firm as a salesman in 1885 and became president in 1902, retained his role as president until 1938.

Over the century the gallery showcased contempory American artists, including William Morris Hunt, Dodge McKnight, William Stanley Haseltine, Laura Coombs Hills, Eliot O'Hara, Joseph Lindon Smith, Stanley Woodward, and Andrew Wyeth. The gallery also consigned paintings, prints, and objects from other major art galleries including Azeez Khayat Gallery, Kennedy Galleries, M. Knoedler and Co., Macbeth Gallery, Victor D. Spark, and Victor Waddington Galleries (Dublin, Ireland). According to long-time employee Wendell Zoehler (employed from 1929-1966), Doll & Richards' primary clientele came from the Social Register. In the summer months when wealthy Bostonians typically vacationed outside of the city, Doll & Richards remained open for tourists, many of whom became regular seasonal customers of the gallery.

The gallery experienced financial difficulties in the 1930s, leading to bankruptcy. Doll & Richards was purchased by McKean and incorporated in Maine in 1941. McKean sold Doll & Richards in 1962 to Maurice Goldberg; at this time none of the remaining family or staff were connected with the gallery. In 1973, the gallery was sold to Jeanne and Paul Sylva and closed.

Although the gallery always remained in the vicinity of Boston Common, it relocated numerous times over the years. In 1871 the gallery moved from 28 Summer Street to 145 Tremont Street. In 1878, the gallery remodeled and occupied the entire two-story building at 2 Park Street, renting out the second floor, known as the Hawthorne Room, for lectures. After thirty years on Park Street, Doll & Richards relocated to Newbury Street in 1908, beginning a succession of moves down Newbury Street approximately every twenty years, finally to 172 Newbury Street in 1962.

Related Material:

Among the other resources relating to the Doll & Richards gallery in the Archives of American Art is an oral history interview with Wendell Zoehler conducted by Robert Brown on April 14 and April 27, 1978.

Separated Material:

A daguerroteype of Gaetano Cardinal Bedini received with the records was transferred to the Smithsonian National Portrait Gallery on May 24, 2004.

Provenance:

The Doll & Richards records were donated to the Archives of American Art in numerous accessions between 1973 and 1979 by Jeanne and Paul Sylva, who purchased the gallery in 1973, and by former employee Wendell Zoehler.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Art, American  Search this

Function:

Art galleries, Commercial -- Massachusetts

Genre/Form:

Photographs

Scrapbooks

Financial records

Citation:

Doll & Richards gallery, 1863-1978, bulk 1902-1960s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution's Collections Care Fund

Identifier:

AAA.dollrich

See more items in:

Doll & Richards gallery records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b774b9ae-a4eb-4849-9652-6be121c5142f

EDAN-URL:

ead_collection:sova-aaa-dollrich

Creator:

Smithsonian Institution. Department of Anthropology  Search this

Editor:

Goddard, Ives, 1941-  Search this

Sturtevant, William C.  Search this

Extent:

513 Linear feet (The total extent of the collection is 513 linear feet with 11 boxes of oversized material, four boxes of rolled maps and three large map folders )

Culture:

Indians of North America  Search this

Type:

Collection descriptions

Archival materials

Articles

Bibliographies

Correspondence

Financial records

Illustrations

Manuscripts

Maps

Photographs

Publications

Research

Date:

circa 1966-2008

Summary:

This collection is comprised of the working records of the Handbook of North American Indians, the unpublished photographs, published photographs, editorial correspondence, Illustrations and Bibliographic research as well as administrative files and linguistics research.

Scope and Contents:

This collection is comprised of the working records of the Handbook of North American Indians, which includes published and unpublished photographs, editorial correspondence, illustrations, bibliographic and linguistic research, and administrative files. The total extent of the collection is 513 linear feet with 11 boxes of oversized material, four boxes of rolled maps and three large map folders.

Series 1: Published photographs (78.75 linear feet) contains the printed, photocopied or digital representations of the photographs and illustrations published in The Handbook of North American Indians (HNAI). The series also contains the correspondence and documentation surrounding the research and use of these images. The files are organized by published volume (culture area or special topic), chronologically by publication date and, therein segmented alphabetically by chapter author. Authors who have contributed multiple chapters within the same volume are further delineated by the chapter title.

Series 2: Unpublished photographs (91.5 linear feet) contains original photographs, photocopied images and/or digital representations of the photographs and illustrations not published in The Handbook of North American Indians (HNAI). It is primarily the result of research trips made by Joanna Cohan Scherer, Illustrations Researcher from 1970-2006. The series also contains the correspondence and documentation surrounding the accession of these images and their potential use in the HNAI project or future use by the NAA.

Series 3: Photo repository files (16 linear feet) contains an alphabetical listing of repositories or photographers that were utilized or inventoried in the collecting of the photographs for volume publication and research. Each file represents a discreet repository- files are arranged alphabetically. Folders contain correspondence, newspaper clippings and company information when available.

Series 4: Central editorial files (134 linear feet) contains the working files of various editors within the office of the Handbook of North American Indians. Within this series you will find correspondence with chapter authors, manuscript edits and related research. Folder titles are organized first by volume publication date, beginning with Volume 8- California and those volumes are organized alphabetically by the last name of each chapter author. Further chapter organization is delineated in the following manner: the front folder contains an original working copy of the chapter manuscript and a bibliography, the second folder contains a file copy of the manuscript and three smaller folders titled: "orthography", "illustrations" and "correspondence". The final portion of the chapter folders consists of the superseded manuscript text.

Series 5: General Editor files (30 linear feet) contains the files of William C. Sturtevant as they relate to his work as General Editor for the Handbook of North American Indians. This material was packed in the order in which it was found in the sub-office of the General Editor. The General Editor oversaw the production of all volumes of HNAI. Included are superseded files from the Indians in Contemporary Society Volume, volume reviews, original author questionnaires for the soliciting of volume contributors as well as a number of research publications.

Series 6: Linguistic Editor files (9 linear feet) consists of files from the office of Linguistic Editor Dr. Ives Goddard. Included are orthographies, alphabets, typologies and personal names gathered in the publication of all volumes of the Handbook of North American Indians but mostly focused on the Language Volume.

Series 7: Managing Editor files (5 linear feet) consists of the files from Dr. Ives Goddard's time as the managing editor of the Handbook. Correspondence, volume production schedules and chapter edits can be found in this series. The managing editor took over the role of the general editor.

Series 8: Editorial assistant files (24 linear feet) consists of the files of Editorial Assistant Paula Cardwell. Ms. Cardwell worked as the assistant to General Editor William C. Sturtevant. This series is unprocessed.

Series 9: Illustrator research files (9 linear feet and 11 boxes of oversized materials) contains the files associated with the illustrations research function of the Handbook of North American Indians office. It is comprised heavily of correspondence with chapter authors and of oversized illustrations for the volumes.

Series 10: Bibliographer files (12 linear feet) contains the files of bibliographer Cesare Marino and others who helped to compile the bibliographies for all volumes of the Handbook.

Series 11: Bibliographic card files and lists (18 linear feet) consists of the Bibliographic card files created to organize the information content of the handbook volumes and stored for potential use in the unpublished Bibliography volumes 19 and 20. This series is unprocessed.

Series 12: Coordinator files (3 linear feet) consists of the papers of the HNAI coordinator office and includes documents related to typesetting, printing, indexing, schedules and documentation of the Handbook publication practices. These files were maintained by Dianne Della-Loggia.

Series 13: Administrative (13 linear feet) consists of the administrative papers of the Handbook of North American Indians office and were maintained by administrator Melvena Jackson. This series is unprocessed.

Series 14: Quarterly reports (3 linear feet) consistss of the quarterly financial reports of the Handbook office from 1976 to 1992.

Series 15: Vertical file (16 linear feet) contains published reference data for use in the making of HNAI, including scholarly articles, research and other publications. This series is unprocessed.

Series 16: Maps (4 boxes of rolled maps and 3 folders of annotated maps).

Arrangement:

The collection is organized into 16 series: 1) Published photographs; 2) Unpublished photographs; 3) Photo repository files; 4) Central editorial files; 5) General Editor files; 6) Linguistic Editor files; 7) Managing Editor files; 8) Editorial assistant files; 9) Illustrator research files; 10) Bibliographer files; 11) Bibliographic card files and lists; 12) Coordinator files; 13) Administrative; 14) Quarterly reports; 15) Vertical file; 16) Maps.

Historical Note:

The Handbook of North American Indians, originally a project of the Smithsonian Office of Anthropology, was transferred to the Center for the Study of Man upon its organization in the late 1960's. With the center's winding down in the late 1970's, the Handbook was returned to the Department of Anthropology. William C. Sturtevant was Editor from the inception until 2007. The office of the Handbook was concerned with the production of a multivolume work intended to supersede F.W. Hodge's two-volume Handbook of Indians North of Mexico, Bureau of American Ethnology Bulletin 30, 1907-1910. The Handbook office was terminated in December of 2007 having published 15 of the planned 20 volumes.

1966 -- William C. Sturtevant officially named general editor

1968 -- Office of the Handbook is established

1970 -- First staff member hired by Sturtevant- Joanna Cohan Scherer

1972 -- First manuscript submitted to the Office, April 28

1978 -- California volume published Northeast volume published

1979 -- Southwest volume published

1981 -- Subarctic volume published

1983 -- Second Southwest volume published

1984 -- Arctic volume published

1986 -- Great Basin volume published

1988 -- History of Indian-White Relations volume published

1990 -- Northwest Coast volume published

1996 -- Languages volume published

1998 -- Plateau volume published

2000 -- Plains volume published

2004 -- Southeast volume published

2006 -- Environment, Origins and Populations volume published

2007 -- General Editor William C. Sturtevant retires in January General Editor William C. Sturtevant Passes away on March 2nd Office terminated in December

2008 -- Indians in Contemporary Society volume published

Provenance:

These records from the Office of the Handbook of North American Indians were moved in November of 2008 from the office of the Handbook of North American Indians to the National Anthropological Archives at the Museum Support Center.

Restrictions:

Advanced notice must be given to view portions of the collection stored off-site. Consult the reference archivist for more information.

Rights:

The NAA does not own rights to many of the photographs and illustrations in Series 1 Published Photographs and Series 2: Unpublished Photographs. Permission to use photographs must be obtained from the corresponding repository and or source (ie photographer and or anthropologist). Photographers and anthropologists who contributed their original material often gave permission for the Smithsonian to freely use their materials, corresponding catalog cards will often indicate whether there are restrictions on use.

Contact the repository for more information.

Genre/Form:

Articles

Bibliographies

Correspondence

Financial records

Illustrations

Manuscripts

Maps

Photographs

Publications

Research

Citation:

Handbook of North American Indians records, National Anthropological Archives, Smithsonian Institution.

Identifier:

NAA.MS2008-25

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw39244069f-8786-4b72-b3bb-b4d9a7841bcd

EDAN-URL:

ead_collection:sova-naa-ms2008-25

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 39, Item 65

Type:

Archival materials

Photographs

Date:

1910-07

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

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Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / 1.9: Canals / 1.9.2: Panama Canal

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep86e051ac1-b0b4-46fb-a6e7-8b81f1b2afe2

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref3358

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 42, Item 3

Type:

Archival materials

Photographs

Date:

undated

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

See more items in:

Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / 1.9: Canals / 1.9.3: Other Canals

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8fbd02a2a-5bb8-464a-989a-3f523eb21bb0

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref3482

Medium:

paper; ink

Dimensions:

Height x Width: 6 × 9 1/2 in. (15.24 × 24.13 cm)

Type:

Covers & Associated Letters

Place:

District of Columbia

Date:

2020

Topic:

Contemporary (1990-present)  Search this

Covers & Letters  Search this

New Acquisitions  Search this

Credit line:

Gift of Dustin Renwick

Object number:

2022.2019.1.5

See more items in:

National Postal Museum Collection

Data Source:

National Postal Museum

GUID:

http://n2t.net/ark:/65665/hm87f437621-36c9-406b-b983-9057ab65c908

EDAN-URL:

edanmdm:npm_2022.2019.1.5

Author:

Wallace, Margot A. 1941-  Search this

Physical description:

1 online resource (ix, 285 pages) illustrations (chiefly color)

Type:

Electronic resources

Date:

2022

Topic:

Communication in museums  Search this

Museums--Public relations  Search this

Museums--Social aspects  Search this

Museums--Educational aspects  Search this

Museum visitors  Search this

Authorship  Search this

Rhetoric  Search this

Call number:

AM125 .W35 2022 (Internet)

Restrictions & Rights:

1-user

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1163031

Creator:

National Museum of the American Indian  Search this

Type:

Symposia

YouTube Videos

Uploaded:

2013-11-19T17:05:33.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

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SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_IVJA7Y52opw

Creator:

National Museum of the American Indian  Search this

Type:

YouTube Videos

Uploaded:

2012-11-28T17:22:38.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

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SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_Jk02XLzljOY

Creator:

National Museum of the American Indian  Search this

Type:

Symposia

YouTube Videos

Uploaded:

2016-03-25T16:26:45.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

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SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_L6LAZ4IbyBE

Creator:

National Museum of the American Indian  Search this

Type:

YouTube Videos

Uploaded:

2024-04-01T17:46:33.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_LlhkueT7kK4

Creator:

National Museum of the American Indian  Search this

Type:

Symposia

YouTube Videos

Uploaded:

2019-06-04T19:46:41.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

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SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_NK4AgvbmmHE

Creator:

National Museum of the American Indian  Search this

Type:

YouTube Videos

Uploaded:

2024-04-01T17:49:20.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt__rCWJXwsuK4

Creator:

National Museum of the American Indian  Search this

Type:

Symposia

YouTube Videos

Uploaded:

2016-03-25T16:26:45.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_f-pDx7ijQw0

Creator:

National Museum of the American Indian  Search this

Type:

YouTube Videos

Uploaded:

2012-11-15T17:08:32.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

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SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_jBUbD6Gb-BA

Creator:

National Museum of the American Indian  Search this

Type:

Symposia

YouTube Videos

Uploaded:

2018-11-09T14:20:53.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_jTz0kiXZx0M

Creator:

National Museum of the American Indian  Search this

Type:

Symposia

YouTube Videos

Uploaded:

2014-10-16T19:49:21.000Z

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SmithsonianNMAI

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National Museum of the American Indian

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National Museum of the American Indian  Search this

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YouTube Videos

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2015-09-08T18:35:49.000Z

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Education  Search this

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SmithsonianNMAI

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National Museum of the American Indian

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SmithsonianNMAI

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edanmdm:yt_nUggF3s0X70

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National Museum of the American Indian  Search this

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Symposia

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2019-09-25T19:57:23.000Z

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Education  Search this

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National Museum of the American Indian

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edanmdm:yt_z7IyMfl6XB8

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National Museum of African Art  Search this

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YouTube Videos

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2019-11-27T17:39:10.000Z

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Education  Search this

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Art, African  Search this

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SmithsonianAfricanAr

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National Museum of African Art

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