Search Results

Collection Creator:

Fein, Sylvia  Search this

Container:

Box 5, Folder 22

Type:

Archival materials

Date:

circa 1940-1946

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Sylvia Fein papers, 1936-2011. Archives of American Art, Smithsonian Institution.

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Sylvia Fein papers

Sylvia Fein papers / Series 6: Photographs

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b7843520-46fa-4d74-bb35-e8deb7522954

EDAN-URL:

ead_component:sova-aaa-feinsylv-ref120

Collection Creator:

Fein, Sylvia  Search this

Container:

Box 1, Folder 22

Type:

Archival materials

Date:

2006-2008

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Sylvia Fein papers, 1936-2011. Archives of American Art, Smithsonian Institution.

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Sylvia Fein papers

Sylvia Fein papers / Series 2: Correspondence

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw91f2c7997-62e6-4a84-bed6-8f3afd1a9952

EDAN-URL:

ead_component:sova-aaa-feinsylv-ref31

Collection Creator:

Fein, Sylvia  Search this

Container:

Box 2, Folder 22

Type:

Archival materials

Date:

1951-1964

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Sylvia Fein papers, 1936-2011. Archives of American Art, Smithsonian Institution.

See more items in:

Sylvia Fein papers

Sylvia Fein papers / Series 2: Correspondence

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw903e1a04d-713c-43d1-9971-63eb7c45b46c

EDAN-URL:

ead_component:sova-aaa-feinsylv-ref44

Collection Creator:

Fein, Sylvia  Search this

Container:

Box 3, Folder 22

Type:

Archival materials

Date:

1985-1992

1970-1974

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Sylvia Fein papers, 1936-2011. Archives of American Art, Smithsonian Institution.

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Sylvia Fein papers

Sylvia Fein papers / Series 3: Project Files / 3.1:: Heidi's Horse and First Drawings

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9da1ee538-13be-4f8b-af66-a301758d98e6

EDAN-URL:

ead_component:sova-aaa-feinsylv-ref70

Collection Creator:

Fein, Sylvia  Search this

Container:

Box 4, Folder 22

Type:

Archival materials

Date:

circa 2007

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Sylvia Fein papers, 1936-2011. Archives of American Art, Smithsonian Institution.

See more items in:

Sylvia Fein papers

Sylvia Fein papers / Series 3: Project Files / 3.4:: "Wondrous Life: Paintings and Drawings by Sylvia Fein,"

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c8b7f5ac-381f-41a9-8baa-ad41160d07ad

EDAN-URL:

ead_component:sova-aaa-feinsylv-ref92

Creator:

Beal, Gifford, 1879-1956  Search this

Andrews, Ambrose, 1805-1859  Search this

Bates, Edward, 1793-1869  Search this

Bohrod, Aaron  Search this

Cloar, Carroll  Search this

Colman, Samuel, 1832-1920  Search this

Bacon, Josephine Daskam, 1876-1961  Search this

Rogers, Daniel Denison, 1751-1825  Search this

Elliot, William Parker  Search this

Brush, George de Forest, 1855-1941  Search this

Harding, Chester, 1792-1866  Search this

Names:

Art Students League (New York, N.Y.)  Search this

Beach, Ella  Search this

Thayer, Abbott Handerson, 1849-1921  Search this

Town, Ithiel, 1784-1844  Search this

Watson, Forbes, 1880-1960  Search this

Collection Creator:

Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this

Extent:

14 Items (Letters, written in ink, ball point, graphite, typewritter)

Type:

Archival materials

Lithographs

Correspondence

Place:

New York (N.Y.)

Date:

1779-1981

Scope and Contents:

This folder is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American art. Included in the folder are letters by Ambrose Andrews, Edward Bates, Gifford Beal, Aaron Bohrod, Carroll Clear, Samuel Colman, Josephine Daskam, Daniel Denison Rogers, William Elliot, George de Forest Brush, and Chester Harding. The letters' subjects cover a wide range of topics, including the buying and selling of art, invitations to dinner, and general correspondence.

Arrangement:

Organized alphabetically by author.

Biographical / Historical:

Ambrose Andrews was a portrait, miniature, and landscape portrait who worked throughout New England and the United States. He was born in Stockbridge, Massachusetts in 1801 and studied at the National Academy of Design. He exhibited paintings at many different institutions, including his portraits of Henry Clay and Sam Houston. Andrews's work is now in the New York Historical Society.

Edward Bates was a representative for Missouri in the mid-1800s. He served in the War of 1812 as a sergeant in a volunteer brigade, studied and practiced law, attended the state constitutional convention, was district attorney from 1821 to 1826, and was a member of the state senate. He declined to serve as Secretary of War for President Fillmore, but was appointed Attorney General of the United States by President Lincoln, and served from March 5, 1861 to September 1864. Bates died on March 25, 1869.

Admiral Charles Henry Davis was born on January 16, 1807, and served as Chief of the Bureau of Navigation between 1862 and 1865. He then served as Superintendent of the Naval Observatory. He had three ships named after him.

Forbes Watson was an art critic, lecturer, and administrator in New York City in the early 20th century. He served as art critic for the New York Evening Post. In 1933 he was appointed Technical Director of the first New Deal art program, the Public Works of Art Project, which provided work for artists in the decoration of non-federal buildings. He later worked at the Treasury Department of Painting and Sculpture, which administered funding for decorating federal buildings. Watson finally served in the Treasury Department's War Finance Division, where he organized exhibitions and posters by combat artists to promote the sale of war bonds. Forbes Watson's papers are held in the Archives of American Art.

Gifford Beal was an American artist who worked with many organizations for the advancements of the arts, finding inspiration from a wide variety of sources, including holiday scenes, every-day life, and landscapes. Beal loved spontaneity and was influenced by French Impressionists. He was commissioned by the government to paint two murals: one on the post office in Allentown, Pennsylvania, and one in the Main Interior Building in Washington, D.C. Beal's papers are held in the Archives of American Art.

Aaron Bohrod was born in Chicago, Illinois on November 21, 1907, where he studied art at the Art Institute of Chicago. He worked for a while in the advertising art department at the Fair Department Store in Chicago, but eventually moved to New York City, where he joined the Art Students League. He died on April 3, 1992. During World War II, Bohrod worked as an artist for the United States Army Corps of Engineer and Life magazine in Europe.

Carroll Cloar was an American realist and surrealist who lived from 1913 to 1993. He grew up in Arkansas, but later moved to Tennessee, travelled Europe, and joined the Art Students League in New York City. During World War II, he joined the U.S. Army Air Corps, and although he did complete some artwork during this period, none of it survives. Cloar then settled in Memphis. One of his paintings was chosen to commemorate President Clinton's inauguration in 1993. Cloar died of a self-inflicted gunshot wound on April 10, 1993, after a long battle with cancer.

Samuel Colman was an American painter who belonged to the Hudson River School, and is most well-remembered for his landscapes. He was born in Portland, Maine, in 1832, and began exhibiting at the young age of 18. At 27 he was elected an associate of the National Academy, and later studied abroad in Paris and Spain. He was made a full Academician upon his return to the United States, and both founded and served as the first president of the American Water-color Society. He continued to both study in Europe and exhibit artwork, moving from New York to Rhode Island. Colman is represented in the metropolitan Museum, Chicago Art Institute, and many other collections. He died in New York City in 1920.

Josephine Daskam Bacon was an American writer known for writing about "women's issues" and using female protagonists. She wrote a series of juvenile mysteries and helped pioneer the Girl Scouts movement, writing a guidebook for the organization.

Daniel Denison Rogers is perhaps most widely remembered for the painting that John Singleton Copley completed of his wife, Abigail Bromfield.

Ithiel Town was an American architect and civil engineer who lived from October 3, 1784 to June 13, 1844. He worked in the Federal and revivalist Greek and Gothic styles, and was widely copied. He was born in Connecticut, and built both Center Church and Trinity Church in New Haven. Town patented a wooden lattice truss bridge, which made him quite wealthy. He formed a professional architecture firm with Alexander Jackson Davis. One of Town's most amazing feats was the construction of the Potomac Aqueduct in Washington, D.C., which allowed fully loaded canal boats to cross the Potomac River.

William Parker Elliot designed the old U.S. Patent Office, a very important Greek Revival building, with Ithiel Town.

George de Forest Brush was an American painter who grew up in Connecticut and is typified by his paintings and drawings of Native Americans. Even after moving from Wyoming, where he met the Native Americans, back to the East, Brush still occasionally enjoyed living in a teepee. Brush's artistic style later developed into Renaissance-inspired portraits. He was friends with Abbott H. Thayer, and along with Brush's wife, Mary, and son, Gerome, they all contributed to early camouflage designs. Brush died in New Hampshire in 1941.

Chester Harding was an American portrait painter born in Massachusetts in 1792. He worked in many different professions, finally becoming a self-taught itinerant portrait painter. Harding settled in Beacon Hill, Boston, Massachusetts, in a building that now houses the Boston Bar Association (the Chester Harding House, a Historic National Landmark). He studied at the Philadelphia School of Design, later setting up a studio in London, where he befriended and painted for royalty and nobility. Harding finally returned to Boston, where he died in 1866.

Local Numbers:

FSA A2009.06 4

Other Archival Materials:

Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art, American  Search this

Real property  Search this

Drawing  Search this

Genre/Form:

Lithographs -- 1950-2000

Correspondence -- 19th century

Correspondence -- 20th century

Collection Citation:

The Brumbaugh Collection of Artist Letters. FSA.A2009.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A2009.06, Series FSA A2009.06 4

See more items in:

The Brumbaugh Collection of Artist Letters

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3fe083cf2-c3ca-489b-b0ee-4f49e62444b0

EDAN-URL:

ead_component:sova-fsa-a2009-06-ref2

Creator:

Speicher, Eugene Edward, 1883-1962  Search this

Palmer, Erastus Dow, 1817-1904  Search this

Reid, Robert, 1862-1929  Search this

Robus, Hugo, 1885-1964  Search this

Rossiter, Thomas Prichard, 1818-1871  Search this

Weber, Max, 1881-1961  Search this

Whittier, John Greenleaf, 1807-1892  Search this

Widener, P. A. B. (Peter Arrell Brown), 1834-1915  Search this

Names:

Houghton, Mifflin and Company  Search this

United States. National Park Service  Search this

Hayne, Paul Hamilton, 1830-1886  Search this

Kensett, John Frederick, 1816-1872  Search this

Collection Creator:

Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this

Extent:

11 Items (Letters, written in ink, ball point, graphite)

1 Photograph

Type:

Archival materials

Photographs

Correspondence

Date:

1818-1847

Scope and Contents:

This folder is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American art. Included in the folder are letters by Robert Reid, Hugo Robus, Thomas Prichard Rossiter, Eugene Speicher, John Greenleaf Whittier and Peter A.B. Widener.

Arrangement:

Organized alphabetically by author.

Biographical / Historical:

Erastus D. Palmer was an American sculptor. He sculpted portrait busts and religious bas-reliefs in a style that combined neoclassical idealism and realism. His most famous sculpture is "The White Captive," which depicts a young girl who has been captured by Native Americans.

Isaac Newton Phelps Stokes was an American architect born into the wealthy Phelps Stokes family. He designed St-Paul's Chapel at Columbia University and some residential buildings in New York. Phelps Stokes also published The Iconography of Manhattan Island, a six volume work about New York City. He commissioned John Singer Sargent to paint a portrait with himself and his wife, Edith née Minturn.

Robert Reid was an American artist who studied in New England and Paris. He began by painting French peasants, but became known for his murals and stained glass designs. Some of his work can be found in the Congressional Library in Washington, D.C.

Hugo Robus was an American painter and sculpture from Ohio. He studied in the United States and Paris, and then taught at the Modern Art School in New York. He worked in a very lyrical cubist style, usually with people as his subject.

Thomas Prichard Rossiter was an American painter born in New Haven, Connecticut. He traveled throughout Europe, painting portraits along the way, and he kept a studio in Paris. He painted mostly portraits, but also completed a series of paintings depicting the life of Christ.

John Frederick Kensett was an American artist and engraver who worked in New Haven, Connecticut, and New York City.

Henry Rox was a German artist who studied in Berlin and Paris before settling in the United States in 1938, where he taught at many universities, including Mount Holyoke College. He is known for fruit and vegetable photo-sculptures.

Eugene Speicher was an American realist painter from Buffalo, New York. He attended the Art Students League, and then studied in Europe for a few years. He was considered a leading portrait artist in America at the time, favoring female subjects. Speicher won numerous awards for his work, and was appointed Director of the American Academy of Arts and Letters in 1945.

Max Weber was a Russian-born Jewish-American cubist. He studied with Matisse, Rousseau, and Picasso in Paris. Weber helped introduce cubism to America.

John Greenleaf Whittier was an American Quaker poet. Whittier was an ardent abolitionist who was extremely influenced by the doctrines of humanitarianism, compassion, and social responsibility found in Quakerism. He was a founding member of the American Anti-Slavery Society, and worked as a lobbyist. He is remembered today for his patriotic poetry, and his poems that were later turned into hymns.

Paul Hayne was an American poet who Whittier references in his letter to the publishers Houghton, Mifflin & Co. Hayne had just died, and his son, W.H. Hayne, wanted to edit his later poems for publication.

Widener (1834-1915) was an American businessman from Pennsylvania. During the Civil War, he supplied meat to the Union Army. By investing in trolley cars and public transit services, Widener became quite successful and wealthy. He was an avid art collector whose collection included works by Rembrandt, Edouard Manet, and Auguste Renoir. He is considered one of the top 100 wealthiest Americans of all time.

Local Numbers:

FSA A2009.06 6

Other Archival Materials:

Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art, American  Search this

Genre/Form:

Correspondence -- 19th century

Correspondence -- 20th century

Collection Citation:

The Brumbaugh Collection of Artist Letters. FSA.A2009.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A2009.06, Series FSA A2009.06 6

See more items in:

The Brumbaugh Collection of Artist Letters

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3ab5429cd-d428-4427-b439-71f5316aec84

EDAN-URL:

ead_component:sova-fsa-a2009-06-ref4

Creator:

Thayer, Abbott Handerson, 1849-1921  Search this

Thayer, Gerald Handerson, 1883-1939  Search this

Names:

May, Clara Adelaide, 1872-1946  Search this

Thayer, Abbott Handerson, 1849-1921  Search this

Thayer, Gerald Handerson, 1883-1939  Search this

Thayer, Gladys, 1886 or 7-1945  Search this

Collection Creator:

Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this

Extent:

6 Items (Letters, written in ink, graphite)

4 Items (Envelopes)

Type:

Archival materials

Correspondence

Date:

1890-1899

Scope and Contents:

This folder is an amalgamation of letters written by Abbott H. Thayer to his model and friend, Clara A. May. Also included is a thank-you letter from Thayer's son, Gerald, to May.

Arrangement:

Organized chronologically.

Biographical / Historical:

Abbott Handerson Thayer was born in Boston, Massachusetts on August 12, 1849 to a distinguished family. He moved from Boston to Brooklyn during his childhood, where he attended the National Academy of Design. Thayer often used his wife, Kate Bloede Thayer, her sister Gertrude, and his three children Mary, Gerald and Gladys as models. He also used Clara A. May as a model. His subjects included ethereal angels, landscapes, women, children, and flowers. When Kate died, Thayer's entire outlook on art and life changed. It had been Kate's family that introduced Thayer to the sense of idealism that comes from a German family who had immigrated to the United States. He had learned about the romanticism surrounding art and literature from the Bloedes, all of which encouraged the artist to paint perfectly beautiful figures. Later in life, Thayer established a permanent household in Dublin, New Hampshire, with his new wife, Emma Beach. He loved to paint the surrounding mountains and birds. Interestingly, Charles Lang Freer was one of Thayer's patrons.

Clara May was one of Thayer's models. May met Thayer at the summer colony of Dublin in New Hampshire, where the two families were neighbors. Their friendship lasted around ten years, but this friendship withered following May's marriage to Reverend Paine. Following her marriage, May no longer worked as a model for Thayer.

Gerald Thayer was one of Abbott Thayer's sons, who wrote an unfinished thank you letter to May which was sent along with Abbott's letter.

Local Numbers:

FSA A2009.06 2

Other Archival Materials:

Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art, American  Search this

Genre/Form:

Correspondence -- 19th century

Correspondence -- 20th century

Collection Citation:

The Brumbaugh Collection of Artist Letters. FSA.A2009.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A2009.06, Series FSA A2009.06 2

See more items in:

The Brumbaugh Collection of Artist Letters

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc35afeca45-c53f-417f-a250-38fe76484ba3

EDAN-URL:

ead_component:sova-fsa-a2009-06-ref6

Medium:

Limestone

Dimensions:

H x W x D: 11.6 × 9.9 × 9.9 cm (4 9/16 × 3 7/8 × 3 7/8 in)

Type:

Vessel

Origin:

Wadi Bayhan, Yemen

Date:

early 1st century

Topic:

stone  Search this

funerary  Search this

Yemen  Search this

Ancient Near Eastern Art  Search this

Wendell and Merilyn Phillips collection  Search this

incense burner  Search this

Credit Line:

Gift of The American Foundation for the Study of Man (Wendell and Merilyn Phillips Collection)

Accession Number:

S2013.2.240

Restrictions & Rights:

Usage conditions apply

On View:

Sackler Gallery 22b: Ancient Yemen: Incense, Art, and Trade

Related Online Resources:

Google Cultural Institute

See more items in:

Freer Gallery of Art and Arthur M. Sackler Gallery Collection

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

GUID:

http://n2t.net/ark:/65665/ye3e0164cfe-2db6-4d01-8f8e-266741b77be0

EDAN-URL:

edanmdm:fsg_S2013.2.240

Creator:

Smithsonian Magazine  Search this

Type:

Sound recordings

Podcast

MIME Type:

audio/mpeg

Uploaded:

Mon, 1 Jun 2010 15:00:00 EST

Topic:

Inventions  Search this

Innovations  Search this

See more episodes:

Smithsonian magazine's Museum Day September 25th 2010

Data Source:

Smithsonian Magazine

EDAN-URL:

edanmdm:podcasts_800eed394307a7235d15d332d608fbf1

Artist:

Marsden Hartley, born Lewiston, ME 1877-died Ellsworth, ME 1943  Search this

Medium:

oil on board

Dimensions:

25 x 29 in. (63.5 x 73.7 cm)

Type:

Painting

Date:

1932

Topic:

Landscape\Mexico  Search this

Disaster\volcanic eruption  Search this

Landscape\mountain\Popocateptl  Search this

Credit Line:

Smithsonian American Art Museum, Gift of Sam Rose and Julie Walters

Object number:

2004.30.3

Restrictions & Rights:

CC0

See more items in:

Smithsonian American Art Museum Collection

Department:

Painting and Sculpture

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk75166e48d-4437-4279-a007-055df4e32b34

EDAN-URL:

edanmdm:saam_2004.30.3

Collection Creator:

Aubin, Barbara, 1928-2014  Search this

Container:

Box 1, Folder 21-22

Type:

Archival materials

Date:

circa 1985-2001

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Barbara Aubin papers, circa 1867-2014, bulk 1940-2014. Archives of American Art, Smithsonian Institution.

See more items in:

Barbara Aubin papers

Barbara Aubin papers / Series 4: Exhibition Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9e8f5d374-bb11-4ab7-81f1-f3cde35eac5c

EDAN-URL:

ead_component:sova-aaa-aubibarb-ref36

Collection Creator:

Aubin, Barbara, 1928-2014  Search this

Container:

Box 2, Folder 21-22

Type:

Archival materials

Date:

1953-2014

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Barbara Aubin papers, circa 1867-2014, bulk 1940-2014. Archives of American Art, Smithsonian Institution.

See more items in:

Barbara Aubin papers

Barbara Aubin papers / Series 6: Printed Materials

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9d4792b12-029b-43db-bb12-ea62a01cc265

EDAN-URL:

ead_component:sova-aaa-aubibarb-ref65

Collection Creator:

Aubin, Barbara, 1928-2014  Search this

Container:

Box 4, Folder 22

Type:

Archival materials

Date:

1996-1997

Scope and Contents:

The albums contain photographs from the exhibitions Out of this World and Art for the Millennium.

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Barbara Aubin papers, circa 1867-2014, bulk 1940-2014. Archives of American Art, Smithsonian Institution.

See more items in:

Barbara Aubin papers

Barbara Aubin papers / Series 9: Photographic Materials

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9328f4835-43e5-42c4-b665-7874f6a4ec8c

EDAN-URL:

ead_component:sova-aaa-aubibarb-ref95

Collection Creator:

Bergman, Edwin  Search this

Bergman, Lindy  Search this

Container:

Box 2, Folder 22

Type:

Archival materials

Date:

1952-1978

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Edwin and Lindy Bergman papers, 1949-2002. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

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Edwin and Lindy Bergman papers

Edwin and Lindy Bergman papers / Series 1: Edwin and Lindy Bergman Papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9db24f662-a8df-45a4-8811-dc0619b309f0

EDAN-URL:

ead_component:sova-aaa-bergedlin-ref12

Collection Creator:

Helwig, Harold B., 1938-2012  Search this

Davis, Lenore , 1936-1995  Search this

Container:

Box 4, Folder 22-23

Type:

Archival materials

Date:

1993-1995

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Harold Helwig and Lenore Davis papers, 1940-2013. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

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Harold Helwig and Lenore Davis papers

Harold Helwig and Lenore Davis papers / Series 4: Exhibitions

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw961e14e1c-8b8e-49a3-b85a-f3f5f3ee2079

EDAN-URL:

ead_component:sova-aaa-helwharo-ref103

Collection Creator:

Helwig, Harold B., 1938-2012  Search this

Davis, Lenore , 1936-1995  Search this

Container:

Box 10, Folder 22-23

Type:

Archival materials

Date:

1969-2002

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Harold Helwig and Lenore Davis papers, 1940-2013. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

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Harold Helwig and Lenore Davis papers

Harold Helwig and Lenore Davis papers / Series 9: Printed Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9cf52fa24-5b3f-4469-911d-e5ef77edd52d

EDAN-URL:

ead_component:sova-aaa-helwharo-ref193

Collection Creator:

Helwig, Harold B., 1938-2012  Search this

Davis, Lenore , 1936-1995  Search this

Container:

Box 1, Folder 22

Type:

Archival materials

Date:

circa 1970-1995

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Harold Helwig and Lenore Davis papers, 1940-2013. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Harold Helwig and Lenore Davis papers

Harold Helwig and Lenore Davis papers / Series 2: Correspondence / 2.1: Family Correspondence

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw93048fa61-32ab-4390-9217-e6249f080135

EDAN-URL:

ead_component:sova-aaa-helwharo-ref24

Collection Creator:

Helwig, Harold B., 1938-2012  Search this

Davis, Lenore , 1936-1995  Search this

Container:

Box 14, Folder 22-23

Type:

Archival materials

Date:

circa 1970-1990

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Harold Helwig and Lenore Davis papers, 1940-2013. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

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Harold Helwig and Lenore Davis papers

Harold Helwig and Lenore Davis papers / Series 11: Photographs

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9dea04268-2160-478e-9522-69c5f448ef95

EDAN-URL:

ead_component:sova-aaa-helwharo-ref257

Collection Creator:

Helwig, Harold B., 1938-2012  Search this

Davis, Lenore , 1936-1995  Search this

Container:

Box 3, Folder 22

Type:

Archival materials

Date:

circa 1972-1990

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Harold Helwig and Lenore Davis papers, 1940-2013. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Harold Helwig and Lenore Davis papers

Harold Helwig and Lenore Davis papers / Series 2: Correspondence / 2.2: General Correspondence

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw965a83981-df7f-40ce-afa0-07379f4856c8

EDAN-URL:

ead_component:sova-aaa-helwharo-ref61