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Ted Stamm slides of works of art and exhibitions

Creator:
Stamm, Ted  Search this
Extent:
2.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1968-1986, 2018
Summary:
Ted Stamm slides of works of art and exhibitions measure 2.2 linear feet and date from circa 1968-1986, and 2018. The collection is comprised primarily of approximately 6450 35mm slides assembled by the painter Ted Stamm between his arrival in New York in 1968 and his death in 1984. The majority of the slides were photographed by Stamm himself, and collectively form a unique and expansive record of artworks and exhibitions on view in New York during that time period, by a variety of artists including Stamm.
Scope and Contents:
Ted Stamm slides of works of art and exhibitions measure 2.2 linear feet and date from circa 1968-1986, and 2018. The collection is comprised primarily of approximately 6450 35mm slides assembled by the painter Ted Stamm between his arrival in New York in 1968 and his death in 1984. The majority of the slides were photographed by Stamm himself, and collectively form a unique and expansive record of artworks and exhibitions on view in New York during that time period, by a variety of artists including Stamm.

The collection includes both exhibition views and individual artworks photographed in situ. In addition to exhibitions in galleries and nonprofit spaces, Stamm also photographed works installed in public spaces, graffiti and street art, and views of the gallery facades and architectural fabric of Lower Manhattan.

Stamm used the slides in his own teaching, and the collection includes a set of slides documenting periods of art history. Additional teaching material includes examples of course descriptions, syllabi, reading lists, and other teaching materials for courses taught by Stamm. Printed material includes an artist book, an exhibition catalog, and a monograph/catalog.
Arrangement:
The collection is arranged as three series.

Series 1: Slides, circa 1968-circa 1984 (Boxes 1-2; 2 linear feet)

Series 2: Teaching Material, 1977-1982 (Box 3; 0.1 linear feet)

Series 3: Printed Material, 1979-1986, 2018 (Box 3; 0.1 linear feet)
Biographical / Historical:
Ted Stamm (1944-1984) was a multidisciplinary conceptual artist and educator in New York, New York, known for his focused series of paintings, works on paper, and studies. Stamm's studies, such as the Wooster series, were influenced by the shapes, street contours, and intersections he could see from his studio on Wooster Street in SoHo.

Stamm was born in Brooklyn, New York, and attended Hofstra University, graduating with a Bachelor of Fine Arts in 1967. In 1968 he settled in New York City and his early work was included in exhibitions at the Brooklyn Museum Art School in New York and in the alumni show at Hofstra University in 1971.

From 1974 until his death in 1984, Stamm lived and worked on the top floor of 101 Wooster Street in New York City. There he began his iconic group of works titled Woosters, and subsequent series including Dodgers, from the Brooklyn Dodgers baseball team, C-Dodgers influenced by the Concorde planes he observed at John F. Kennedy Airport, and Designators, graffiti Stamm painted on buildings in stages which he would photograph each time he returned to develop the graffiti further.

Stamm's work was exhibited widely throughout his life, both internationally and in the United States. He taught classes at the School of Visual Arts, Hofstra University, and C. W. Post College, and was awarded National Endowment for the Arts and Guggenheim fellowships in 1981 and 1983.

Stamm died of congenital heart disease at the age of 39.
Provenance:
The collection was donated in 2022 by The Ted Stamm Estate via Per Haubro Jensen.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The Ted Stamm Estate donor has retained all intellectual property rights including copyright on all slides taken by Ted Stamm. Please contact the Ted Stamm Estate for copyright permission at tedstammestate.com.
Occupation:
Conceptual artists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Citation:
Ted Stamm slides of works of art and exhibitions, circa 1968-1986, 2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stammted
See more items in:
Ted Stamm slides of works of art and exhibitions
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99f8da07c-9ae9-4ba4-8d0a-f9c157a6ffaa
EDAN-URL:
ead_collection:sova-aaa-stammted
Online Media:

Joseph J. Greenberg papers

Creator:
Greenberg, Joseph J., 1915-1991  Search this
Extent:
0.5 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1939-1989
Summary:
The papers of Joseph J. Greenberg measure 0.5 linear feet and date from 1939-1989. The papers document Greenberg's career through biographical materials, including resumes and award certificates, professional correspondence, and printed material such as news clipping and exhibition catalogs. Also found is a scrapbook which contains clippings and catalogs, press releases, correspondence regarding his sculptures, a poem Greenberg wrote and notes. Photographic material contains photographs of Greenberg, his colleagues, and his artwork.
Scope and Contents:
The papers of Joseph J. Greenberg measure 0.5 linear feet and date from 1939-1989. The papers document Greenberg's career through biographical materials, including resumes and award certificates, professional correspondence, and printed material such as news clipping and exhibition catalogs. Also found is a scrapbook which contains clippings and catalogs, press releases, correspondence regarding his sculptures, a poem Greenberg wrote and notes. Photographic material contains photographs of Greenberg, his colleagues, and his artwork.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Joseph J. Greenberg (1915-1991) was a sculptor and educator from Philadelphia, Pennsylvania. Greenberg first became interested in sculpture as a child while attending the Oak Lane Country Day School and meeting sculptor Boris Blai, who was working as the school's art teacher. Years later Greenberg discovered Blai had become the director of the Tyler School of Art at Temple University prompting him to transfer there from the Massachusetts Institute of Technology, where he had been studying engineering. Greenberg graduated from the Tyler School of Art in 1939 as a member of the first class of Tyler's complete five-year program. He went on to study in Italy where he had his first solo show in Rome and exhibited in the twenty sixth Venice Biennale. In 1951, Greenberg was the winner of a prize from the Metropolitan Museum of Art's National Sculpture Exhibition. He returned to Philadelphia in 1953 and continued living and working in the city until his death in 1991.

Greenberg was known for his large public sculptures in Pennsylvania include Bear and Cub in the Philadelphia Zoo, the aluminum seal of Pennsylvania on the State Office Building, and Symbol of Progress located in the heart of Bethlehem, PA by the entrance of the Bethlehem Area Public Library. In addition to his studio work, Greenberg taught at the Oak Lane Country Day School, the Tyler School, the New Hope Fine Arts Workshop, the Philadelphia Museum of Art and the Fleisher Memorial.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 4566) including two photograph albums containing photographs of Greenberg's sculptures. Loaned materials were returned to the lender, Mrs. Sheila Greenberg, and are not described in the collection container inventory.
Provenance:
Donated 1991 by Sheila Greenberg, Joseph's widow, except for the photograph albums which were lent for microfilming. Collected and microfilmed as part of AAA's Philadelphia Arts Documentation Project.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- Pennsylvania -- Philadelphia  Search this
Educators -- Pennsylvania -- Philadelphia  Search this
Genre/Form:
Scrapbooks
Citation:
Joseph J. Greenberg papers, 1939-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.greejose
See more items in:
Joseph J. Greenberg papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9446832cc-12e0-4e3a-bad7-8797bd157457
EDAN-URL:
ead_collection:sova-aaa-greejose

Bob Bilyeu Camblin papers

Creator:
Camblin, Bob Bilyeu, 1928-2010  Search this
Names:
Staley, Earl, 1938-  Search this
Tate, Joe  Search this
Extent:
3.1 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Drawings
Moving images
Date:
1951-1985
Summary:
The Bob Bilyeu Camblin papers measure 3.1 linear feet and date from 1951 to 1985. The papers provide a snapshot of Camblin's career as an artist and educator through personal papers, printed material, artwork, photographs, and motion picture film and video recordings.
Scope and Contents:
The Bob Bilyeu Camblin papers measure 3.1 linear feet and date from 1951 to 1985. The papers provide a snapshot of Camblin's career as an artist and educator through personal papers, printed material, artwork, photographs, and motion picture film and video recordings.

Personal papers include resumes and printed material such as exhibition catalogs and announcements and clippings. Camblin's artwork includes sketches, expressive writings, drawings, and prints. Photographic material includes images of artwork, friends, family, trips, and miscellany; and moving images include home videos of art, art techniques, leisure activities, and autobiographical films.
Arrangement:
This collection is arranged as 4 series.

Series 1: Personal Papers, 1951-1985 (5 folders; Box 1)

Series 2: Artwork, 1951-1985 (8 folders; Box 1)

Series 3: Photographs, 1951-1980 (1 linear foot; Box 1, 2)

Series 4: Moving Images, circa 1970-1976 (1.8 linear feet; Box 2; FCs 3-19)
Biographical / Historical:
Bob Bilyeu Camblin (1928-2010) was a modernist painter and educator active in Houston, Texas. Camblin experimented with a wide variety of media and is known for collaborative projects with many artists, including a collective known as The Holding Firm with Earl Staley and Joe Tate in Houston.

Born in Ponca City, Oklahoma, Camblin served in the United State Army (1948-1949) and Air Force (1950-1951) before receiving his bachelor of fine arts in 1954, and his master of fine arts degree in 1955. He worked as a map make from 1955-1958 before holding teaching posts at multiple institutions including the Kansas City Art Institute, the Ringling School of Art, Sarasota Florida, the University of Illinois, the University of Detroit, the University of Utah, and Rice University in Houston.

While living in Houston Camblin collaborated with artists Earl Staley and Joe Tate, as the B. E. and J. Holding Firm, or The Holding Firm. The collective worked on multiple projects including paintings, drawings, art excursions, and exhibitions.

Camblin's first one-man show was held in 1955 at the Kansas City Art Institute and his work has been exhibited in other solo exhibitions including at Oklahoma State University (1961), Plumtree Gallery, Salt Lake City, Utah (1965-1966), Windsor College, Canada (1965), David Gallery, Houston (1969-1970), and the Graham Gallery in Houston (1989). Camblin participated in many group exhibitions including ART:USA 58 (1958), Fulbright Artists Exhibition, Nelson Gallery of Art, Kansas City (1958), Childe Hassam Purchase Fund Show, American Academy of Arts and Letters (1958), and Printmaking in Texas: The 1980s Modern Art Museum, Fort Worth (1990).
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming by Mrs. Eldon Jensen on Reel 2248, including six sketchbooks, 1979-1980, containing sketches, writings, and a few letters. Loaned materials were returned to the lender and are not described in the collection container inventory.

Some of the material from reels 3461 and 3462 including correspondence, clippings, files on the Document Show, the Barter Show, B. E. and J. Holding Firm and the Venice Venture are available for use only at the Museum of Fine Arts, Houston and through interlibrary loan, and are not described in the collection container inventory.
Provenance:
This collection was donated by Sandra Curtis Levy in a series of accessions between 1979-1986.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Texas -- Houston  Search this
Educators -- Texas -- Houston  Search this
Genre/Form:
Sketchbooks
Drawings
Moving images
Citation:
Bob Bilyeu Camblin papers, 1951-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cambbob
See more items in:
Bob Bilyeu Camblin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97a6fd7c8-6f2e-4062-853a-d77d5375f0ee
EDAN-URL:
ead_collection:sova-aaa-cambbob

Photographs

Collection Creator:
Camblin, Bob Bilyeu, 1928-2010  Search this
Extent:
1 Linear foot (Boxes 1-2)
Type:
Archival materials
Date:
circa 1951-1980
Scope and Contents:
Photographic media includes slides, black and white prints, negatives, and color snapshots of Camblin's art, friends, family, studio, and travel. Family photographs feature Camblin's wife Bonnie, daughter Robyn, and son Brian. A significant amount of the photographs feature still life scenes and objects that were presumably used by Camblin for reference purposes.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Bob Bilyeu Camblin papers, 1951-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cambbob, Series 3
See more items in:
Bob Bilyeu Camblin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96bea909a-240b-4978-af98-d55d010d0f93
EDAN-URL:
ead_component:sova-aaa-cambbob-ref12

Moving Images

Collection Creator:
Camblin, Bob Bilyeu, 1928-2010  Search this
Extent:
1.8 Linear feet (Box 2, FCs 3-19)
Type:
Archival materials
Date:
circa 1970-1976
Scope and Contents:
Series houses Camblin's homemade recordings of candid scenes of people and places, events, his artistic processes and technique, and autobiography. Also included are films made by students and one recording of a silent cartoon.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Bob Bilyeu Camblin papers, 1951-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cambbob, Series 4
See more items in:
Bob Bilyeu Camblin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91754a347-b8b7-4802-a486-de99f037cf5c
EDAN-URL:
ead_component:sova-aaa-cambbob-ref24

Artwork

Collection Creator:
Camblin, Bob Bilyeu, 1928-2010  Search this
Extent:
8 Folders (Box 1)
Type:
Archival materials
Date:
1951-1985, undated
Scope and Contents:
Artwork includes sketches, some paintings, and writings on a variety of material including napkins, envelopes, and restaurant menus.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Bob Bilyeu Camblin papers, 1951-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cambbob, Series 2
See more items in:
Bob Bilyeu Camblin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96f9310b8-6128-4a60-8859-512210dfbf1e
EDAN-URL:
ead_component:sova-aaa-cambbob-ref7

Folding screens mounted with poems from the anthology, Shin kokinshu 新古今集和歌色紙貼付屏風 (一双、画像:左隻のみ)

Artist:
Hon'ami Koetsu 本阿弥光悦 (1558-1637)  Search this
Medium:
Ink, color, and gold on paper
Dimensions:
H x W (.195): 168.2 x 375.7 cm (66 1/4 x 147 15/16 in)
H x W (.196): 168.2 x 377.2 cm (66 1/4 x 148 1/2 in)
Type:
Painting
Origin:
Japan
Date:
ca. 1624-1637
Period:
Edo period
Topic:
flower  Search this
Edo period (1615 - 1868)  Search this
poetry  Search this
cursive script  Search this
semi-cursive script  Search this
Japan  Search this
Japanese Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1902.195-196
Restrictions & Rights:
CC0
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3a6f65d4e-f609-4fe9-bd95-db6000d0b405
EDAN-URL:
edanmdm:fsg_F1902.195-196
Online Media:

Infant's first visit to a Shinto shrine

Artist:
Nishikawa Sukenobu 西川祐信 (1671-1751)  Search this
Medium:
Full color on paper
Dimensions:
H x W (image): 59.5 × 95.2 cm (23 7/16 × 37 1/2 in)
Type:
Painting
Origin:
Japan
Date:
late 17th-early 18th century
Period:
Edo period
Topic:
worship  Search this
Edo period (1615 - 1868)  Search this
child  Search this
Shinto  Search this
shrine  Search this
Japan  Search this
kakemono  Search this
Japanese Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1902.229
Restrictions & Rights:
CC0
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye330c7f707-bbd1-4242-97e3-415a6caeb2c8
EDAN-URL:
edanmdm:fsg_F1902.229

Landscape: high cliffs, water and a temple

Artist:
Kano Hogai 狩野芳崖 (1828-1888)  Search this
Medium:
Ink on paper
Dimensions:
H x W (image): 148.5 x 81.2 cm (58 7/16 x 31 15/16 in)
Type:
Painting
Origin:
Japan
Date:
19th century
Period:
Edo period or Meiji era
Topic:
landscape  Search this
Edo period (1615 - 1868)  Search this
Meiji era (1868 - 1912)  Search this
water  Search this
temple  Search this
Japan  Search this
kakemono  Search this
Japanese Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1903.119
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3faae7663-f090-4787-aa70-0e7483925fa8
EDAN-URL:
edanmdm:fsg_F1903.119
Online Media:

On one side mandarin ducks; on the other, poems, bamboos, storks, etc

Medium:
Color, gold, silver, ink, and gold on paper sliding door
Dimensions:
H x W: 175.1 x 96.7 cm (68 15/16 x 38 1/16 in)
Type:
Painting
Origin:
Japan
Date:
1615-1868
Period:
Edo period
Topic:
landscape  Search this
bird  Search this
duck  Search this
stork  Search this
Edo period (1615 - 1868)  Search this
poetry  Search this
Japan  Search this
Japanese Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1903.139
Restrictions & Rights:
CC0
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3d4c06a4f-c3c2-4c54-9b85-1143772c8858
EDAN-URL:
edanmdm:fsg_F1903.139

Imperial Anthology, Kokinshu 花鳥下絵和歌巻

Artist:
Tawaraya Sotatsu 俵屋宗達 (fl. ca. 1600-1643)  Search this
Calligrapher:
Hon'ami Koetsu 本阿弥光悦 (1558-1637)  Search this
Medium:
Ink, gold, silver, and mica on paper
Dimensions:
H x W (image): 33 x 968.3 cm (13 x 381 1/4 in)
Type:
Calligraphy
Origin:
Japan
Date:
early 1600s
Period:
Momoyama period
Topic:
crane  Search this
Momoyama period (1573 - 1615)  Search this
Japan  Search this
makimono  Search this
Japanese Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1903.309
Restrictions & Rights:
CC0
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye37a37106f-324d-491e-9f49-6253e94c5f2e
EDAN-URL:
edanmdm:fsg_F1903.309

Four fan paintings mounted on a screen; "Frog on Lotus Leaf", "Scholar in a House", "Landscape", and "Boat and Rock"

Artist:
Katsushika Hokusai 葛飾北斎 (1760-1849)  Search this
Medium:
Ink and color on paper
Dimensions:
H x W (overall): 61.4 x 165.7 cm (24 3/16 x 65 1/4 in)
Type:
Painting
Origin:
Japan
Date:
frog, ca.1814-15; scholar, ca. 1801-03; landscape, ca. 1825-30; boat, ca.1841
Period:
Edo period
Topic:
Edo period (1615 - 1868)  Search this
fan  Search this
Japan  Search this
ukiyo-e  Search this
Japanese Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1904.178
Restrictions & Rights:
CC0
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3a1bf3723-4632-4c5e-a548-4651ac250bdf
EDAN-URL:
edanmdm:fsg_F1904.178

Fisherman

Artist:
Katsushika Hokusai 葛飾北斎 (1760-1849)  Search this
Medium:
Ink and color on silk
Dimensions:
H x W (image): 113 x 39.6 cm (44 1/2 x 15 9/16 in)
Type:
Painting
Origin:
Japan
Date:
1849
Period:
Edo period
Topic:
Edo period (1615 - 1868)  Search this
fishing  Search this
Japan  Search this
ukiyo-e  Search this
kakemono  Search this
Japanese Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1904.181
Restrictions & Rights:
CC0
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye387346113-bea5-4601-a5cb-667a842f2273
EDAN-URL:
edanmdm:fsg_F1904.181
Online Media:

Woodcutter

Artist:
Katsushika Hokusai 葛飾北斎 (1760-1849)  Search this
Medium:
Ink and color on silk
Dimensions:
H x W (image): 113.6 × 39.6 cm (44 3/4 × 15 9/16 in)
Type:
Painting
Origin:
Japan
Date:
1849
Period:
Edo period
Topic:
Edo period (1615 - 1868)  Search this
Japan  Search this
ukiyo-e  Search this
kakemono  Search this
Japanese Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1904.182
Restrictions & Rights:
CC0
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3a21c824e-60bb-4bdc-ae01-154c2042d669
EDAN-URL:
edanmdm:fsg_F1904.182
Online Media:

Arhat (Nakula), one of a set of sixteen

Artist:
Ryozen (ca. 1328-ca. 1360)  Search this
Medium:
Ink and color on silk
Dimensions:
H x W (image): 115.2 x 59 cm (45 3/8 x 23 1/4 in)
Type:
Painting
Origin:
Japan
Date:
mid-14th century
Period:
Nanbokucho period
Topic:
Buddhism  Search this
Nanbokucho period (1333 - 1392)  Search this
Arhat  Search this
Japan  Search this
Nakula  Search this
Japanese Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1904.299
Restrictions & Rights:
CC0
Related Online Resources:
Google Cultural Institute
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Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye304e5047c-8f2e-4567-bf64-e4f62fdfad16
EDAN-URL:
edanmdm:fsg_F1904.299

Arhat (Bhadra), one of a set of sixteen

Artist:
Ryozen (ca. 1328-ca. 1360)  Search this
Medium:
Ink and color on silk
Dimensions:
H x W (image): 115.9 x 59.9 cm (45 5/8 x 23 9/16 in)
Type:
Painting
Origin:
Japan
Date:
mid-14th century
Period:
Nanbokucho period
Topic:
Buddhism  Search this
Nanbokucho period (1333 - 1392)  Search this
Arhat  Search this
Japan  Search this
Bhadra  Search this
Japanese Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1904.300
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye38761c1e9-5d29-4243-bfa6-dfb3e6ce2ade
EDAN-URL:
edanmdm:fsg_F1904.300

Album: Miscellaneous Sketches

Artist:
Utagawa Hiroshige 歌川広重 (1797-1858)  Search this
Medium:
Ink and color on paper
Dimensions:
H x W x D (overall, album closed): 27.8 x 16.8 x 3.8 cm (10 15/16 x 6 5/8 x 1 1/2 in)
Type:
Painting
Origin:
Japan
Date:
Mid-eighteenth century
Period:
Edo period
Topic:
Edo period (1615 - 1868)  Search this
Japan  Search this
wave  Search this
gafu  Search this
Japanese Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1904.357
Restrictions & Rights:
CC0
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3c7294c26-b9df-4b6b-9858-85768be68005
EDAN-URL:
edanmdm:fsg_F1904.357

Thatched huts along a shoreline from the Three Dusks

Artist:
Kano Tan'yu 狩野探幽 (1602-1674)  Search this
Medium:
Ink and color on silk
Dimensions:
H x W (image): 30.5 × 44.8 cm (12 × 17 5/8 in)
Type:
Painting
Origin:
Japan
Date:
1665
Period:
Edo period
Topic:
Edo period (1615 - 1868)  Search this
Japan  Search this
kakemono  Search this
Japanese Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1904.370
Restrictions & Rights:
CC0
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye32546c057-2b3e-43a6-84e3-d8be3ff37568
EDAN-URL:
edanmdm:fsg_F1904.370

Winter landscape

Artist:
Attributed to Kano Sansetsu 狩野山雪 (1589-1651)  Search this
Medium:
Ink on paper
Dimensions:
H x W (image): 131.9 × 51.6 cm (51 15/16 × 20 5/16 in)
Type:
Painting
Origin:
Kyoto, Japan
Date:
17th century
Period:
Momoyama or Edo period
Topic:
landscape  Search this
winter  Search this
Momoyama period (1573 - 1615)  Search this
Edo period (1615 - 1868)  Search this
Japan  Search this
kakemono  Search this
Japanese Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1907.121
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye36aab3ce5-acb4-4993-b29a-8bd043c7a4a5
EDAN-URL:
edanmdm:fsg_F1907.121

Landscape: houses and trees in foreground

Artist:
Attributed to Kano Sansetsu 狩野山雪 (1589-1651)  Search this
Medium:
Ink on paper
Dimensions:
H x W (image): 132.5 × 51.6 cm (52 3/16 × 20 5/16 in)
Type:
Painting
Origin:
Kyoto, Japan
Date:
17th century
Period:
Momoyama or Edo period
Topic:
landscape  Search this
Momoyama period (1573 - 1615)  Search this
Edo period (1615 - 1868)  Search this
Japan  Search this
kakemono  Search this
Japanese Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1907.122
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3751c71a8-6512-4f6a-b61a-efcbfdeb3edd
EDAN-URL:
edanmdm:fsg_F1907.122

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