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Louis Pomerantz Rijksmuseum student notebook

Creator:
Pomerantz, Louis, 1919-1988  Search this
Subject:
Pomerantz, Louis  Search this
Rijksmuseum (Netherlands)  Search this
Type:
Writings
Date:
1950-1951
Topic:
Conservation and restoration  Search this
Record number:
(DSI-AAA)17273
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Louis Pomerantz papers, 1937-1988, bulk 1950s-1988
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17273
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Louis Pomerantz demonstrating painting conservation

Subject:
Pomerantz, Louis  Search this
Type:
Photographs
Date:
197-?
Topic:
Conservation and restoration  Search this
Record number:
(DSI-AAA)17275
See more items in:
Louis Pomerantz papers, 1937-1988, bulk 1950s-1988
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17275

Louis Pomerantz papers, 1937-1988, bulk 1950s-1988

Creator:
Pomerantz, Louis, 1919-1988  Search this
Subject:
Stolow, Nathan  Search this
Konrad, Anton  Search this
Feller, Robert L.  Search this
Wilke, Ulfert  Search this
Stout, George L. (George Leslie)  Search this
Art Institute of Chicago  Search this
Smithsonian Institution Traveling Exhibition Service  Search this
Rijksmuseum (Netherlands)  Search this
Eastman Kodak Company  Search this
American Institute for Conservation of Historic and Artistic Works  Search this
International Institute for Conservation of Historic and Artistic Works  Search this
Topic:
Flood damage  Search this
Photographs  Search this
Sound recordings  Search this
Illustrations  Search this
Art  Search this
Museum conservation methods  Search this
Interviews  Search this
Record number:
(DSI-AAA_CollID)9552
(DSI-AAA_SIRISBib)211752
AAA_collcode_pomeloui
Theme:
Art Materials, Techniques, and Studio Art Education
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211752
Additional Online Media:

Glass Plate Negatives

Collection Creator:
Pomerantz, Louis  Search this
Extent:
5 glass negatives
Container:
Box MGP 1
Type:
Archival materials
Glass negatives
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. research center. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Louis Pomerantz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Louis Pomerantz papers, 1937-1988, bulk 1950s-1988. Archives of American Art, Smithsonian Institution.
See more items in:
Louis Pomerantz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pomeloui-ref1033

Louis Pomerantz papers

Creator:
Pomerantz, Louis  Search this
Names:
American Institute for Conservation of Historic and Artistic Works  Search this
Art Institute of Chicago  Search this
Eastman Kodak Company  Search this
International Institute for Conservation of Historic and Artistic Works  Search this
Rijksmuseum (Netherlands)  Search this
Smithsonian Institution. Traveling Exhibition Service  Search this
Feller, Robert L.  Search this
Konrad, Anton  Search this
Stolow, Nathan  Search this
Stout, George L. (George Leslie)  Search this
Wilke, Ulfert, 1907-1987  Search this
Extent:
34.2 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Interviews
Illustrations
Sound recordings
Date:
1937-1988
bulk 1950-1988
Summary:
The papers of Chicago art conservator, Louis Pomerantz, measure 34.2 linear feet and date from 1937 to 1988, with the bulk of the material dating from the 1950s-1980s. The papers document two principal aspects of Pomerantz's professional life: his conservation work for institutions and individuals, and the development of his professional expertise as documented through his writings and teachings, his continued conservation training, and his involvement in professional organizations. Files include scattered biographical material, professional correspondence, interviews, writings, project and client files, teaching and reference files, printed material, and photographic material primarily documenting conservation treatments and techniques.
Scope and Contents:
The papers of Chicago art conservator, Louis Pomerantz, measure 34.2 linear feet and date from 1937 to 1988, with the bulk of the material dating from the 1950s-1980s. The papers document two principal aspects of Pomerantz's professional life: his conservation work for institutions and individuals, and the development of his professional expertise as documented through his writings and teachings, his continued conservation training, and his involvement in professional organizations. Files include scattered biographical material, professional correspondence, interviews, writings, project and client files, teaching and reference files, printed material, and photographic material primarily documenting conservation treatments and techniques.

Biographical material includes military and educational records, as well as resum├ęs and references from various art institutions and individuals.

Pomerantz's professional correspondence is with other conservators including Anton J. Konrad, Nathan Stolow, and Jean Volkmer, conservation scientists such as Robert L. Feller, and people who assisted Pomerantz early in his career such as George Stout. Also documented is Pomerantz's relationship with the Smithsonian Institution Traveling Exhibition Service (SITES) which undertook his traveling Know What You See exhibition, his involvement with museums and other art institutions, and companies who developed and manufactured conservation equipment such as Eastman Kodak.

Interviews include circa 9 radio station interviews on sound tape reels and sound cassettes of Pomerantz individually or with others, including a recording of a conversation regarding the Florence flood.

Writings and notes are by Pomerantz and include typescripts, notes and background material for lectures and papers delivered from the 1950s-1980s. Also found is a portfolio of his writings from 1962-1978, and a notebook Pomerantz compiled while working at the Rijksmuseum which includes notes, hand-drawn colored illustrations and photographs of conservation techniques.

Project/client files form the largest series and document Pomerantz's work, both in private practice and as conservator at the Art Institute of Chicago, through conditions reports, recommendations for and records of treatment, related correspondence, financial documentation, and photographic material.

Teaching and reference files comprise material gathered by Pomerantz during participation in professional organizations and events, such as the American Institute for Conservation of Historic and Artistic Works, and the International Institute for Conservation of Historic and Artistic Works. Also found are subject files, consisting of reference material and correspondence, on a wide range of conservation-related subjects.

Personal business records from the 1950s consist of receipts for conservation-related supplies and one folder of business tax records.

Printed material primarily includes news clippings documenting Pomerantz's career up to and including the 1970s, clippings on conservation-related news, blank postcards of artwork, and two exhibition catalogs.

Photographic material includes images demonstrating a wide variety of conservation techniques, including sets of slides used for lectures and presentations, and images of Pomerantz at work. Also found are photos of artists including Ulfert Wilke. Photographic media include black and white and color photos, slides, glass slides, X-rays and corresponding prints, negatives and 5 glass plate negatives.
Arrangement:
The collection is arranged as 9 series. Glass plate negatives are housed separately and closed to researchers.

Series 1: Biographical Material, 1940s-1980s (12 folders; Boxes 1, 33)

Series 2: Correspondence, 1940s-1988 (3.6 linear feet; Boxes 1-4)

Series 3: Interviews, 1961-circa 1970s (8 folders; Box 4)

Series 4: Writings and Notes, 1950s-1980s (2.8 linear feet; Box 7)

Series 5: Project/Client Files, 1950s-1987 (13.8 linear feet; Boxes 7-20)

Series 6: Teaching and Reference Files, 1940s-1980s (3.9 linear feet; Boxes 20-24)

Series 7: Personal Business Records, 1950s (0.6 linear feet; Boxes 24-25)

Series 8: Printed Material, 1937-1970s (0.6 linear feet; Boxes 25, 33)

Series 9: Photographic Material, 1940s-1980s (8.4 linear feet; Boxes 25-36, OV 37, MGP 1)
Biographical / Historical:
Chicago art conservator Louis Pomerantz (1919-1988), established and operated the conservation lab at the Art Institute of Chicago and then maintained a private practice conducting conservation work for individual collectors and various museums and art institutions in the midwest.

Pomerantz had originally intended to be an artist and enrolled at the Art Students League. After serving in World War II, he returned to Europe to study conservation as an apprentice to a private restorer in Paris, followed by a year spent working under the chief restorer at the Rijksmuseum in Amsterdam, and study at the Courtauld Institute and the National Gallery in London. As head of the Art Institute of Chicago's first conservation lab from 1956-1961, Pomerantz employed new and emerging techniques such as powerful binocular microscopes, ultra-violet, infra-red and X-ray machines to study paintings, and a hot table to bond new canvasses to support old ones. Following his resignation from the Art Institute of Chicago to pursue his private practice, Pomerantz organized conservation training programs, and wrote widely on conservation. He served on the American Institute for Conservation of Historic and Artistic Works (AIC) and was a member of the committee which adopted the AIC's first code of ethics for art conservators in May 1967. He became consultant to various art and natural history museums including the Field Museum of Natural History in Chicago, where he formed part of the conservation team that completed an extensive renovation of the museum's Javanese gamelan ensemble composed of 23 brass and wood musical instruments.The gamelan was presented and played for the first time since 1893 in 1978, following the restoration.

Pomerantz also organized several museum exhibitions on conservation, including Know What You See, which was shown at more than 100 museums around the United States, Canada and Mexico, as part of the Smithsonian Institution Traveling Exhibition Service (SITES).
Provenance:
The Louis Pomerantz papers were donated to the Archives of American Art by Else Pomerantz in 1988.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. research center. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Louis Pomerantz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Conservators -- Illinois -- Chicago  Search this
Topic:
Flood damage -- Italy -- Florence  Search this
Museum conservation methods -- Study and teaching  Search this
Art -- Conservation and restoration -- Study and teaching  Search this
Art -- Conservation and restoration -- Technique  Search this
Museum conservation methods -- Technique  Search this
Genre/Form:
Photographs
Interviews
Illustrations
Sound recordings
Citation:
Louis Pomerantz papers, 1937-1988, bulk 1950s-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pomeloui
See more items in:
Louis Pomerantz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pomeloui
Additional Online Media:

Photographic Material

Collection Creator:
Pomerantz, Louis  Search this
Extent:
8.4 Linear feet (Boxes 25-36, OV 37, MGP 1)
Type:
Archival materials
Date:
1940s-1980s
Scope and Contents:
Photographic material primarily documents conservation treatments and techniques through photographs, slides, negatives, glass slides, and 5 glass plate negatives. Many images show Pomerantz and others engaged in conservation work and artwork at various stages in the conservation process.

Photographs of artists include Tessa Macintosh, Ulfert Wilke, and a signed photo of Georgia O'Keeffe.

Photos of Pomerantz at work include 2 photos of him at the Winterthur Museum working with conservator Joyce Hill Stoner who was instrumental in organizing the Know What You See exhibition. Additional material showing Pomerantz at work can be found throughout the series.

Travel slides document Pomerantz's travels to Israel where subjects include a museum visit, the Dead Sea, Damascus Gate, Independence Park, and Purim.

Slide carousels contain slides used by Pomerantz in lectures and presentations, including presentations on the cleaning of a Robert Motherwell mural at the University of Iowa, and conservation of the George Sugarman sculpture Ramdam.

"Slide notebooks" consist of slides documenting conservation techniques that were removed from unlabeled binders, transferred to archival housing in their original order and numbered sequentially according to their original binder groupings. Loose slides were removed from loose notebook slide pages and rehoused immediately after this group as they appeared to belong together.

Project/client photographic material documents conservation treatment by project/client and is largely unsorted with the original boxes or labels preserved. Also found are large format X-rays and corresponding prints.

Project/client negatives are 8 x 10s of paintings from collections belonging to individuals including Lou Block, Nathan Cummings, Epstein, and Arnold H. Maremont.

Photographs and slides of artwork that do not appear to document specific damage or conservation work are housed at the end of the series.
Arrangement:
Minimal processing did not allow time for full arrangement of the photographic material and re-housing of the slides in this series. Where possible, Pomerantz's original groupings and labels were preserved and are reflected in the Container Listing. Some slides, including the bulk of the project/client slides, are unsorted, and include glass slides mounted in an unorthodox method devised by Pomerantz. Some, however, were removed to archival housing and existing labels were saved or transcribed where possible. Original groupings for otherwise unidentified slides are represented, where possible, by slide containers and dividers.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. research center. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Louis Pomerantz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Louis Pomerantz papers, 1937-1988, bulk 1950s-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pomeloui, Series 9
See more items in:
Louis Pomerantz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pomeloui-ref11

Project/Client Files

Collection Creator:
Pomerantz, Louis  Search this
Extent:
13.8 Linear feet (Boxes 7-20)
Type:
Archival materials
Date:
1950s-1987
Scope and Contents:
Project/Client Files document Pomerantz's conservation on artwork for individuals, museums, institutions, and private companies. Files typically include preliminary condition reports and recommendations for treatment; agreement and release forms authorizing treatment; receipts for financial transactions, related correspondence, and in some cases photographic material.

Series includes files for clients for whom Pomerantz did a large volume of conservation work including Leigh Block, Chicago Board of Trade, Nathan Cummings, Edgar W. Garbisch, Nelson Harris, Jerome Hill, International Minerals and Chemical Corporation, Arnold H. Maremont, Milwaukee Art Museum, Ohio Historical Society, United States Postal Service, University of Iowa Museum of Art, and the Wichita Art Museum Ronald P. Murdock Collection.

Art Institute of Chicago files are relatively extensive and include records documenting conservation department activities, committees and budgets, in addition to individual projects conducted by the Institute's conservation department.

Also found here are extensive files documenting Pomerantz's work on the Gamelan collection at the Field Museum of Natural History, including condition reports, background and research material, sound recordings, photographs, and news clippings.

A group of folders at the end of the series documents client projects that remained unfinished when Pomerantz died in 1988.

The series includes 2 sound recordings related to an exhibition on 2 sound tape reels.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. research center. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Louis Pomerantz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Louis Pomerantz papers, 1937-1988, bulk 1950s-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pomeloui, Series 5
See more items in:
Louis Pomerantz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pomeloui-ref1

Personal Business Records

Collection Creator:
Pomerantz, Louis  Search this
Extent:
0.6 Linear feet (Boxes 24-25)
Type:
Archival materials
Date:
1950s
Scope and Contents:
Personal business records consist primarily of receipts for professional supplies from the 1950s in addition to one folder of business tax records.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. research center. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Louis Pomerantz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Louis Pomerantz papers, 1937-1988, bulk 1950s-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pomeloui, Series 7
See more items in:
Louis Pomerantz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pomeloui-ref10

Moorehead State University

Collection Creator:
Pomerantz, Louis  Search this
Container:
Box 3, Folder 5
Type:
Archival materials
Date:
1980s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. research center. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Louis Pomerantz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Louis Pomerantz papers, 1937-1988, bulk 1950s-1988. Archives of American Art, Smithsonian Institution.
See more items in:
Louis Pomerantz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pomeloui-ref100

Project/Client Slides, Unsorted

Collection Creator:
Pomerantz, Louis  Search this
Container:
Box 30, Folder 1-11
Type:
Archival materials
Date:
circa 1960s-circa 1980s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. research center. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Louis Pomerantz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Louis Pomerantz papers, 1937-1988, bulk 1950s-1988. Archives of American Art, Smithsonian Institution.
See more items in:
Louis Pomerantz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pomeloui-ref1000

Project/Client Slides, Unsorted

Collection Creator:
Pomerantz, Louis  Search this
Container:
Box 31, Folder 1-9
Type:
Archival materials
Date:
circa 1960s-circa 1980s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. research center. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Louis Pomerantz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Louis Pomerantz papers, 1937-1988, bulk 1950s-1988. Archives of American Art, Smithsonian Institution.
See more items in:
Louis Pomerantz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pomeloui-ref1001

Oversized Project/Client Oversized Photos from Box 34

Collection Creator:
Pomerantz, Louis  Search this
Container:
Box OV 37
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. research center. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Louis Pomerantz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Louis Pomerantz papers, 1937-1988, bulk 1950s-1988. Archives of American Art, Smithsonian Institution.
See more items in:
Louis Pomerantz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pomeloui-ref1003

Oversized Unidentified Watercolor from Box 1, Folder 11

Collection Creator:
Pomerantz, Louis  Search this
Container:
Box 33, Folder 1
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. research center. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Louis Pomerantz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Louis Pomerantz papers, 1937-1988, bulk 1950s-1988. Archives of American Art, Smithsonian Institution.
See more items in:
Louis Pomerantz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pomeloui-ref1004

Oversized About Pomerantz ("L. P. Scrapbook") from Box 25, Folder 11

Collection Creator:
Pomerantz, Louis  Search this
Container:
Box 33, Folder 2
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. research center. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Louis Pomerantz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Louis Pomerantz papers, 1937-1988, bulk 1950s-1988. Archives of American Art, Smithsonian Institution.
See more items in:
Louis Pomerantz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pomeloui-ref1006

Artwork Slides by Painter/Subject

Collection Creator:
Pomerantz, Louis  Search this
Container:
Box 36, Folder 3
Type:
Archival materials
Date:
circa 1970s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. research center. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Louis Pomerantz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Louis Pomerantz papers, 1937-1988, bulk 1950s-1988. Archives of American Art, Smithsonian Institution.
See more items in:
Louis Pomerantz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pomeloui-ref1007

Artwork Slides, Unsorted

Collection Creator:
Pomerantz, Louis  Search this
Container:
Box 36, Folder 4
Type:
Archival materials
Date:
circa 1970s-1980s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. research center. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Louis Pomerantz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Louis Pomerantz papers, 1937-1988, bulk 1950s-1988. Archives of American Art, Smithsonian Institution.
See more items in:
Louis Pomerantz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pomeloui-ref1008

Museum of Modern Art

Collection Creator:
Pomerantz, Louis  Search this
Container:
Box 3, Folder 6
Type:
Archival materials
Date:
1950s-1960s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. research center. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Louis Pomerantz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Louis Pomerantz papers, 1937-1988, bulk 1950s-1988. Archives of American Art, Smithsonian Institution.
See more items in:
Louis Pomerantz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pomeloui-ref101

Nathans, Jerome

Collection Creator:
Pomerantz, Louis  Search this
Container:
Box 3, Folder 7
Type:
Archival materials
Date:
1959-1960
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. research center. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Louis Pomerantz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Louis Pomerantz papers, 1937-1988, bulk 1950s-1988. Archives of American Art, Smithsonian Institution.
See more items in:
Louis Pomerantz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pomeloui-ref102

National Gallery, London

Collection Creator:
Pomerantz, Louis  Search this
Container:
Box 3, Folder 8
Type:
Archival materials
Date:
1956
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. research center. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Louis Pomerantz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Louis Pomerantz papers, 1937-1988, bulk 1950s-1988. Archives of American Art, Smithsonian Institution.
See more items in:
Louis Pomerantz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pomeloui-ref103

Abbott Laboratories

Collection Creator:
Pomerantz, Louis  Search this
Container:
Box 7, Folder 9-11
Type:
Archival materials
Date:
1960s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. research center. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Louis Pomerantz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Louis Pomerantz papers, 1937-1988, bulk 1950s-1988. Archives of American Art, Smithsonian Institution.
See more items in:
Louis Pomerantz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pomeloui-ref1030

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