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Performance of The Persian Line, Part 2

Creator:
Kushner, Robert, 1949-  Search this
Subject:
Holly Solomon Gallery  Search this
Type:
Videorecording
Date:
1976 March 14
Topic:
Performance art  Search this
Record number:
(DSI-AAA)21029
See more items in:
Robert Kushner papers, 1967-2011
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_21029

Performance of Persian Line, part II edited master with titles

Creator:
Kushner, Robert, 1949-  Search this
Subject:
Holly Solomon Gallery  Search this
Type:
Videorecording
Date:
1988
Topic:
Performance art  Search this
Record number:
(DSI-AAA)21031
See more items in:
Robert Kushner papers, 1967-2011
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_21031

Holly Solomon Gallery records

Creator:
Holly Solomon Gallery  Search this
Names:
98 Green St. Loft  Search this
Anderson, Laurie, 1947-  Search this
MacConnel, Kim  Search this
Paik, Nam June, 1932-  Search this
Patkin, Izhar  Search this
Solomon, Holly  Search this
Wegman, William  Search this
Zucker, Joe, 1941-  Search this
Extent:
200.6 Linear feet
Type:
Archival materials
Collection descriptions
Diaries
Interviews
Video recordings
Sound recordings
Daybooks
Date:
circa 1948-2003
Summary:
The records of Holly Solomon Gallery, a New York City gallery specializing in contemporary American art, measure 200.6 linear feet and date from circa 1948-2003. The gallery's activities are documented through dealer files, subject files, artists' files, inventories, sales and loan records, administrative and financial records, printed materials, photographic materials of artwork and exhibitions, sound, video, and film recordings, and scattered electronic records. Also found are records of the alternative space, 98 Greene Street Loft, as well as Holly Solomon's personal papers.
Scope and Content Note:
The records of Holly Solomon Gallery, a New York City gallery specializing in contemporary American art, measure 200.6 linear feet and date from circa 1948-2003. The gallery's activities are documented through alphabetical files, dealer files, subject files, artists' files, inventories, sales and loan records, administrative and financial records, printed materials, photographic materials of artwork and exhibitions, sound, video, and film recordings, and scattered electronic records. Also found are records of the alternative space, 98 Greene Street Loft, as well as Holly Solomon's personal papers.

Alphabetical files span from 1991-2000 and contain correspondence with clients, galleries, and museums, as well as related documentation regarding loans, inquiries, sales, exhibitions, and travel plans. These general files were maintained separately from the gallery's subject and artists' files but may overlap in subject matter.

The dealer files contain gallery correspondence to and from art dealers regarding inquiries on works and artists. These files are sparse and particular to the early 1980s. Subject files are mainly comprised of correspondence but also include printed materials, slides, and other related documents. Subjects include dealers, organizations, museums, clients, art fairs, travel, and projects that the gallery or Holly Solomon worked with.

Artists' files consist of correspondence, printed material, slides, photographs, and scattered inventory records, regarding the sale of artwork, as well as shipping records and insurance claims. Also included is correspondence between the gallery and the artist. There is substantial documentation on artists Kim MacConnel, Nam June Paik, Izhar Patkin, William Wegman, and Joe Zucker. Inventory records include inventory lists created by Holly Solomon Gallery as well as an art inventory card file. Inventory cards note the title, date, and size of the work as well as the dates and movements of the work, and may include a photograph.

Administrative records contain general office materials such as phone messages books, staff notebooks, exhibition guest books, and business diaries, exhibition documentation, notes, and mail from prospective artists. Records primarily cover the 1980s and 1990s. In addition to business diaries, Holly Solomon also created "Dear Diary" binders which contain a collection of contact information and notes on clients and events. Some of these diaries were maintained for specific events.

Sales and loan records consist of in and out sheets, consignments, and sales invoices. Also in this series are sales and loan logs and files that track the same information but from different access points, including sales by artist. Financial records document the financial activities of the galleries, apart from sales, and include shipping records, tax and insurance information, and accounting statements and reports. Also found in this series are bills, receipts, and several ledgers. Legal records primarily document issues with the landlord of the gallery space.

Printed material consists of artist clippings, gallery exhibition catalogs, press releases, posters, and miscellaneous books, magazines, and clippings regarding the gallery. Included are clippings pertaining to the Pattern and Design art movement. Photographic material includes photographs and slides documenting artists' work and gallery exhibitions. Sound, video, and film recordings include artworks created by gallery artists, performances recorded live at the gallery, and the publicity Holly Solomon, the gallery and its artists received. The work of video artist Nam June Paik is highly represented through some of his video artworks, as well as television interviews with him. Prominent artists William Wegman and Laurie Anderson are also represented through original artworks and publicity. Publicity videos include Holly Solomon herself, being interviewed for television and documentaries.

The records of 98 Greene Street Loft include a large quantity of sound, video, and film recordings of poetry readings, live music, art, and theatrical performances that took place from 1971-1973, as well as scattered paper records such as play scripts, photographs, a guest book from 1971, printed material, and posters.

Holly Solomon's personal papers consist of biographical documents, correspondence, memorabilia, printed material, motion picture film, and photographs collected by Holly Solomon throughout her life. Included are school records, letters, notes and cards from friends and artists she represented at her gallery, photographs, invitations, event fliers, and other mementos. Printed material, mostly magazines and newspapers document her accomplishments.

Sound and video recordings include recordings collected by the Holly Solomon Gallery documenting the gallery itself and the artists it represented. Recordings include artworks created by gallery artists, performances recorded live at the gallery, and the publicity Holly Solomon, the gallery and its artists received. The recordings range from before the gallery's opening in 1975 until after its closure in 2002, with most recordings coming out of the 80s and 90s. The work of video artist Nam June Paik is highly represented within the series through some of his actual video artworks, as well as through numerous documentaries and television interviews with him. Prominent artists William Wegman and Laurie Anderson are both represented through original artworks and publicity.
Arrangement:
The collection is arranged as 14 series:

Series 1: Alphabetical Files, 1991-2001 (Boxes 1-9; 8.5 linear feet)

Series 2: Dealer Files, 1980-1990 (Box 9-10; 1.5 linear feet)

Series 3: Subject Files, circa 1975-2002 (Boxes 11-25; 15.0 linear feet)

Series 4: Artists' Files, circa 1975-2002 (Boxes 26-47; 22.0 linear feet)

Series 5: Inventory Records, 1975-2001 (Boxes 48-66, 157-162; 25.0 linear feet)

Series 6: Administrative Records, circa 1980-2003 (Boxes 67-81, OV 202; 15.1 linear feet)

Series 7: Sales and Loan Records, circa 1975-2001 (Boxes 82-87; 6.0 linear feet)

Series 8: Financial and Legal Records, circa 1969-2001 (Boxes 88-114, 191, 192; 27.7 linear feet)

Series 9: Printed Material, circa 1968-2002 (Boxes 115-135, 193-194, OV 203-222, RD 223; 23.5 linear feet)

Series 10: Photographic Material, circa 1969-2000 (Boxes 136-156, 194-196, 201, OV 224; 22.2 linear feet)

Series 11: 98 Greene Street Loft, circa 1969-1973 (Boxes 166-169, 194, FC 197-200, FC 228-236, OV 225-227; 5.6 linear feet)

Series 12: Holly Solomon Personal Papers, circa 1948-2002 (Boxes 170-182, 194, FC 237-241; 13.6 linear feet)

Series 13: Sound and Video Recordings, circa 1966-2001 (Boxes 183-190; 7.6 linear feet)

Series 14: Electronic Records, (Box 190; 0.4 linear feet)

The collection has been minimally arranged into series based on the found arrangement upon receipt, assumed to be the original arrangement of the gallery. Folders have been arranged within series and general folder contents verified, but in most cases, item level arrangement has not been completed.
Historical Note:
The Holly Solomon Gallery was established in 1975 by Holly Solomon and her husband, Horace Solomon, at 392 West Broadway in New York City's SoHo area. The gallery focused on contemporary art.

The gallery represented artists such as William Wegman, Nam June Paik, Laurie Anderson, and Robert Kushner. In 1983, the gallery moved uptown to 724 Fifth Ave at 57th, but then moved again in the early 1990s back downtown to SoHo at 172 Mercer Street. After the gallery closed Holly Solomon continued to deal art from the Chelsea Hotel until her death in 2002.

Holly Solomon was born Hollis Dworken in Bridgeport, Connecticut in 1934. She started college at Vassar College, and later transferred to Sarah Lawrence College where she graduated in 1955. In 1953 she married Horace Solomon. Holly Solomon was an aspiring stage actress and was enrolled at Lee Strasberg's Actor's Studio shortly after moving to Manhattan. Although she was not a successful actress she and her husband began collecting art and were fans of the Pop Art movement. In 1969 the couple opened an alternative work and performance space for artists named 98 Greene Street Loft. The space provided a venue for poets, actors, and artists to work and perform. Solomon wrote and produced a five part documentary from performances at 98 Greene Street, and in 1972 it was shown at the Edinburgh International Film Festival. 98 Greene Street Loft closed in 1973. Holly Solomon was also a proponent of the Pattern and Decoration, or "P and D", art movement of the late 1970s and early 1980s. Many of the artists featured in her gallery were involved in the P and D movement including Robert Kushner, Kim MacConnel, Ned Smyth, and Brad Davis.
Provenance:
The collection was donated in 2010 by Thomas and John Solomon, Holly Solomon's sons.
Restrictions:
This collection is access restricted. Use requires written permission. Financial and Legal Records (Series 8) are closed to researchers until they can be processed to a more detailed level.
Rights:
The Holly Solomon Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Visitors' books  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Photographs  Search this
Notebooks  Search this
Motion pictures (visual works)  Search this
Video art  Search this
Performance art  Search this
Genre/Form:
Diaries
Interviews
Video recordings
Sound recordings
Daybooks
Citation:
Holly Solomon Gallery records, circa 1948-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hollsolg
See more items in:
Holly Solomon Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hollsolg

Holly Solomon Gallery records, circa 1948-2003

Creator:
Holly Solomon Gallery  Search this
Subject:
Paik, Nam June  Search this
MacConnel, Kim  Search this
Anderson, Laurie  Search this
Patkin, Izhar  Search this
Zucker, Joe  Search this
Solomon, Holly  Search this
Wegman, William  Search this
98 Green St. Loft  Search this
Topic:
Diaries  Search this
Video recordings  Search this
Daybooks  Search this
Sound recordings  Search this
Art galleries, Commercial  Search this
Notebooks  Search this
Motion pictures (visual works)  Search this
Video art  Search this
Photographs  Search this
Performance art  Search this
Visitors' books  Search this
Interviews  Search this
Record number:
(DSI-AAA_CollID)15859
(DSI-AAA_SIRISBib)293606
AAA_collcode_hollsolg
Theme:
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_293606

Robert Kushner papers, 1967-2011

Creator:
Kushner, Robert, 1949-  Search this
Subject:
Goldin, Amy  Search this
Paula Cooper Gallery  Search this
Holly Solomon Gallery  Search this
Topic:
Sound recordings  Search this
Installations (Art)  Search this
Motion pictures (visual works)  Search this
Painters  Search this
Performance artists  Search this
Video recordings  Search this
Record number:
(DSI-AAA_CollID)16135
(DSI-AAA_SIRISBib)363702
AAA_collcode_kushrobe
Theme:
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_363702

Oral history interview with Alexis Smith, 2014 January 24-April 14

Interviewee:
Smith, Alexis, 1949-  Search this
Interviewer:
Drohojowska-Philp, Hunter  Search this
Subject:
Bell, Larry  Search this
Moses, Avilda  Search this
Celmins, Vija  Search this
Krull, Craig  Search this
Sedivy, Richard  Search this
Burden, Barbara  Search this
Gehry, Frank O.  Search this
Solomon, Jerry  Search this
Grieger, Scott  Search this
Coplans, John Rivers  Search this
Burden, Chris  Search this
Irwin, Robert  Search this
Howard, Coy  Search this
Ruppersberg, Allen  Search this
Chicago, Judy  Search this
Nicholas Wilder Gallery  Search this
University of California, Los Angeles  Search this
Holly Solomon Gallery  Search this
University of California, Irvine  Search this
Mizuno Gallery  Search this
Margo Leavin Gallery  Search this
Honor Fraser Gallery  Search this
Topic:
Art  Search this
Collagists  Search this
Multimedia (Art)  Search this
Women artists  Search this
Multimedia installations (Art)  Search this
Interviews  Search this
Sound recordings  Search this
Installations (Art)  Search this
Record number:
(DSI-AAA_CollID)16169
(DSI-AAA_SIRISBib)366489
AAA_collcode_smith14
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_366489

Cosmic Forces a Space Opera by John Quinn and Holly Solomon

Collection Creator:
Holly Solomon Gallery  Search this
Extent:
1 Sound tape reel (original)
2 Film reels (16 mm)
3 Sound tape reels (duplicates)
Container:
Box 167
Type:
Archival materials
Sound tape reels
Film reels
Date:
1971 May 16
Scope and Contents:
Includes a poster advertising the performance. See oversize folder 225 for performance poster. Motion picture film stored separately in film cans numbered FC 197-198.
Collection Restrictions:
This collection is access restricted. Use requires written permission. Financial and Legal Records (Series 8) are closed to researchers until they can be processed to a more detailed level.
Collection Rights:
The Holly Solomon Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Holly Solomon Gallery records, circa 1948-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Holly Solomon Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hollsolg-ref1260

Kenward Elmslie reading and performance with Lee Crabtree

Collection Creator:
Holly Solomon Gallery  Search this
Extent:
1 Sound tape reel (original)
1 Sound tape reel (duplicate)
1 Sound tape reel (duplicate of excerpt, 5 inch)
Container:
Box 167
Type:
Archival materials
Audio
Sound tape reels
Date:
circa 1971
Scope and Contents:
5 inch reel contains a copy of the song "Yellow Drum," which is an excerpt of the performance.
Collection Restrictions:
This collection is access restricted. Use requires written permission. Financial and Legal Records (Series 8) are closed to researchers until they can be processed to a more detailed level.
Collection Rights:
The Holly Solomon Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Holly Solomon Gallery records, circa 1948-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Holly Solomon Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hollsolg-ref1262

The Fall and Rise of Parity by Ed Baynard

Collection Creator:
Holly Solomon Gallery  Search this
Extent:
2 Sound tape reels (duplicates)
1 Sound tape reel (original; label reads "with Gordon Metcalf, Holly Solomon, Chuck Portz, and Pat Ast")
Container:
Box 167
Type:
Archival materials
Sound tape reels
Date:
1971 April 2-4
Scope and Contents note:
see box 194 for performance poster
Collection Restrictions:
This collection is access restricted. Use requires written permission. Financial and Legal Records (Series 8) are closed to researchers until they can be processed to a more detailed level.
Collection Rights:
The Holly Solomon Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Holly Solomon Gallery records, circa 1948-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Holly Solomon Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hollsolg-ref1264

Footnotes to Macbeth by Holly Solomon

Collection Creator:
Holly Solomon Gallery  Search this
Extent:
1 Sound tape reel (includes playbill and poster)
Container:
Box 167
Type:
Archival materials
Sound tape reels
Date:
1971 February 20
Scope and Contents note:
See box 194 for performance poster.
Collection Restrictions:
This collection is access restricted. Use requires written permission. Financial and Legal Records (Series 8) are closed to researchers until they can be processed to a more detailed level.
Collection Rights:
The Holly Solomon Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Holly Solomon Gallery records, circa 1948-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Holly Solomon Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hollsolg-ref1266

Dick Gallup

Collection Creator:
Holly Solomon Gallery  Search this
Extent:
1 Sound tape reel (duplicate)
1 Sound tape reel (original)
Container:
Box 167
Type:
Archival materials
Sound tape reels
Date:
1971 March 15
Collection Restrictions:
This collection is access restricted. Use requires written permission. Financial and Legal Records (Series 8) are closed to researchers until they can be processed to a more detailed level.
Collection Rights:
The Holly Solomon Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Holly Solomon Gallery records, circa 1948-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Holly Solomon Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hollsolg-ref1268

Ted Greenwald

Collection Creator:
Holly Solomon Gallery  Search this
Extent:
1 Sound tape reel (duplicate)
1 Sound tape reel (original)
Container:
Box 167
Type:
Archival materials
Sound tape reels
Date:
circa 1971
Scope and Contents:
Box label reads "Ted Greenwald and Gordon Matta," but reading is mostly Ted Greenwald. Matta may make an appearance in a nonsense dialogue beginning around 11 minutes into recording.
Collection Restrictions:
This collection is access restricted. Use requires written permission. Financial and Legal Records (Series 8) are closed to researchers until they can be processed to a more detailed level.
Collection Rights:
The Holly Solomon Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Holly Solomon Gallery records, circa 1948-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Holly Solomon Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hollsolg-ref1273

Mammoth Benefit for Adventures in Poetry

Collection Creator:
Holly Solomon Gallery  Search this
Extent:
1 Sound tape reel (duplicate)
1 Sound tape reel (includes poster, original)
Container:
Box 168
Type:
Archival materials
Sound tape reels
Date:
1971 April 12
Scope and Contents note:
See box 194 for performance poster for list of artists.
Collection Restrictions:
This collection is access restricted. Use requires written permission. Financial and Legal Records (Series 8) are closed to researchers until they can be processed to a more detailed level.
Collection Rights:
The Holly Solomon Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Holly Solomon Gallery records, circa 1948-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Holly Solomon Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hollsolg-ref1275

Taylor Mead

Collection Creator:
Holly Solomon Gallery  Search this
Extent:
1 Sound tape reel (duplicate)
1 Sound tape reel (originla)
Container:
Box 168
Type:
Archival materials
Sound tape reels
Date:
1971 January 29
Collection Restrictions:
This collection is access restricted. Use requires written permission. Financial and Legal Records (Series 8) are closed to researchers until they can be processed to a more detailed level.
Collection Rights:
The Holly Solomon Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Holly Solomon Gallery records, circa 1948-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Holly Solomon Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hollsolg-ref1281

Music Consort Group

Collection Creator:
Holly Solomon Gallery  Search this
Extent:
3 Sound tape reels
Container:
Box 168
Type:
Archival materials
Sound tape reels
Date:
circa 1971
Collection Restrictions:
This collection is access restricted. Use requires written permission. Financial and Legal Records (Series 8) are closed to researchers until they can be processed to a more detailed level.
Collection Rights:
The Holly Solomon Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Holly Solomon Gallery records, circa 1948-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Holly Solomon Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hollsolg-ref1284

Now I In You Without A Body Move by George Herbert

Collection Creator:
Holly Solomon Gallery  Search this
Extent:
1 Sound tape reel
Container:
Box 168
Type:
Archival materials
Sound tape reels
Date:
circa 1971
Collection Restrictions:
This collection is access restricted. Use requires written permission. Financial and Legal Records (Series 8) are closed to researchers until they can be processed to a more detailed level.
Collection Rights:
The Holly Solomon Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Holly Solomon Gallery records, circa 1948-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Holly Solomon Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hollsolg-ref1285

Peter Schjeldahl

Collection Creator:
Holly Solomon Gallery  Search this
Extent:
1 Sound tape reel (original)
1 Sound tape reel (incomplete duplicate)
Container:
Box 168
Type:
Archival materials
Sound tape reels
Date:
circa 1971
Collection Restrictions:
This collection is access restricted. Use requires written permission. Financial and Legal Records (Series 8) are closed to researchers until they can be processed to a more detailed level.
Collection Rights:
The Holly Solomon Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Holly Solomon Gallery records, circa 1948-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Holly Solomon Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hollsolg-ref1288

There Aren't Any by Harris Freedman

Collection Creator:
Holly Solomon Gallery  Search this
Extent:
1 Sound tape reel (original)
1 Sound tape reel (duplicate)
Container:
Box 169
Type:
Archival materials
Sound tape reels
Date:
circa 1971
Collection Restrictions:
This collection is access restricted. Use requires written permission. Financial and Legal Records (Series 8) are closed to researchers until they can be processed to a more detailed level.
Collection Rights:
The Holly Solomon Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Holly Solomon Gallery records, circa 1948-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Holly Solomon Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hollsolg-ref1289

Unidentified Musical Recording

Collection Creator:
Holly Solomon Gallery  Search this
Extent:
1 Sound tape reel (Label reads "You are old, Father William", "Alice", "organ, base, drums, woodwind, moog synthesizer")
Container:
Box 169
Type:
Archival materials
Sound tape reels
Date:
circa 1971
Collection Restrictions:
This collection is access restricted. Use requires written permission. Financial and Legal Records (Series 8) are closed to researchers until they can be processed to a more detailed level.
Collection Rights:
The Holly Solomon Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Holly Solomon Gallery records, circa 1948-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Holly Solomon Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hollsolg-ref1292

98.5 by Holly Solomon and Bert Spielvogel

Collection Creator:
Holly Solomon Gallery  Search this
Extent:
2 Film reels (original print, 16 mm)
4 videocassettes (betacamsp) (duplicates)
2 videocassettes (vhs) (duplicates)
6 Film reels (duplicate prints)
Container:
Box 169
Type:
Archival materials
Film reels
Videocassettes (betacamsp)
Videocassettes (vhs)
Date:
1972
Scope and Contents note:
Five part documentary with segments titled "Claypits" by Charles Simonds, "Interview" with Ed Baynard, "Windows" by Susan Hall, "Freshkill" by Gordon Matta-Clark, and "Portrait" by George Schneeman. See box 194 for partial storyboard of Susan Hall's "Windows;" Motion picture film stored separately in film cans numbered FC 228-235.
Collection Restrictions:
This collection is access restricted. Use requires written permission. Financial and Legal Records (Series 8) are closed to researchers until they can be processed to a more detailed level.
Collection Rights:
The Holly Solomon Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Holly Solomon Gallery records, circa 1948-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Holly Solomon Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hollsolg-ref1299

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