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The Brumbaugh Collection of Artist Letters

Creator:
Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this
Names:
Beal, Gifford, 1879-1956  Search this
Brush, George de Forest, 1855-1941  Search this
Cloar, Carroll  Search this
Dewing, M. O. (Maria Oakey), 1855-1927  Search this
Faulkner, Barry, 1881-1966  Search this
Harding, Chester, 1792-1866  Search this
Healey, George.  Search this
Johnson, Eastman, 1824-1906  Search this
Lassaw, Ibram, 1913-2003  Search this
Moser, James Henry, 1854-1913  Search this
Palmer, Erastus Dow, 1817-1904  Search this
Reid, Robert, 1862-1929  Search this
Robus, Hugo, 1885-1964  Search this
Rossiter, Thomas Prichard, 1818-1871  Search this
Soyer, Isaac, 1902-1981  Search this
Speicher, Eugene Edward, 1883-1962  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Weber, Max, 1881-1961  Search this
Whittier, John Greenleaf, 1807-1892  Search this
Extent:
73 Items (Letters, written in ink, ball point, graphite, typewriter)
26 Items (Stamps)
3 Items (Photographs)
Container:
Box 1
Type:
Collection descriptions
Archival materials
Correspondence
Place:
USA -- Tennessee -- Nashville
Date:
1831-1979
Scope and Contents:
This collection is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American Art. Included in the collection is a significant portion of letters from Abbott Thayer to correspondents from his circle of family, friends and art world figures such as Maria Oakey Dewing and Samuel Coleman.
Arrangement:
Organized alphabetically by author.
Biographical / Historical:
Beginning in his youth Thomas Brumbaugh collected autographed correspondence. Mr. Brumbaugh's collecting instincts resulted in a unique collaborative collection providing a glimpse into the lives of a variety of 19th and 20th century American artists, such as Abbott Thayer. Brumbaugh was a professor of fine arts at Vanderbilt University in Nashville, and author of many articles on American art and artists.
Local Numbers:
FSA A2009.06
Other Archival Materials:
Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, American  Search this
Genre/Form:
Correspondence -- 19th century
Correspondence -- 20th century
Citation:
The Brumbaugh Collection of Artist Letters. FSA.A2009.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.
Identifier:
FSA.A2009.06
See more items in:
The Brumbaugh Collection of Artist Letters
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3c97e0741-78cf-4c38-aea1-870093acafa4
EDAN-URL:
ead_collection:sova-fsa-a2009-06
Online Media:

Correspondence to and from Brumbaugh, Thomas B

Creator:
Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this
Gibbs, Wolcott, 1902-1958  Search this
Faulkner, Barry, 1881-1966  Search this
Hardin, Louis  Search this
Lassaw, Ibram, 1913-2003  Search this
Rosin, Harry  Search this
Soyer, Isaac, 1902-1981  Search this
Names:
Barnes Foundation  Search this
Greenough, Horatio, 1805-1852  Search this
Rox, Henry  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
White, Nelson C.  Search this
Collection Creator:
Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this
Extent:
10 Items (Letters, written in ink, ball point, graphite, typewritter)
Type:
Archival materials
Correspondence
Date:
1941-1970
Scope and Contents:
This collection is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American art. Included in this folder are letters between the collector, Thomas Brumbaugh, and various artists, including American playwright and writer Oliver Wolcott Gibbs, mural artist Barry Faulkner, and Louis Hardin.
Arrangement:
Organized chronologically.
Biographical / Historical:
Beginning in his youth Thomas Brumbaugh collected autographed correspondence. Mr. Brumbaugh's collecting instincts resulted in a unique collaborative collection providing a glimpse into the lives of a variety of 19th and 20th century American artists, such as Abbott Thayer. Brumbaugh was a professor of fine arts at Vanderbilt University in Nashville, and author of many articles on American art and artists.
Oliver Wolcott Gibbs was an American playwright and writer who lived in New York City. He wrote for The New Yorker and worked as a humorist and theatre critic. Gibbs was a direct descendent of President Martin Van Buren.
Barry Faulkner was an American artist who studied with Abbott H. Thayer, George de Forest Brush, and Augustus Saint-Gaudens. Along with sculptor Sherry Edmundson Fry, Faulkner organized artists to train as camouflage specialists. Faulkner was born in New Hampshire, traveled to Europe as he studied art, and then returned to New York, where he began work as a mural artist. He completed "The Constitution" and "The Declaration" in 1936 for the Rotunda for the Charters of Freedom at the National Archives.
Isaac Soyer was a social realist painter from New York City who used working-class and unemployed people as the subjects in his paintings. He also painted portraits for friends, and used his friends and family as models for his work.
Louis Hardin, commonly known as "Moondog," was a blind American composer and poet who lived on the streets of New York for a large portion of his life. He wore clothes inspired by the Norse god Thor, giving him the epithet, "The Viking of 6th Avenue." Moondog was influenced by ambient noises in his environment, and Native American music.
Henry Rox was a German artist who studied in Berlin and Paris before settling in the United States in 1938, where he taught at many universities, including Mount Holyoke College. He is known for fruit and vegetable photo-sculptures.
Ibram Lassaw was an American sculptor in the 20th century. Born in Egypt to Russian parents, Lassaw grew up in Brooklyn, New York. He was influenced by Alexander Calder and Wassily Kandinsky. Lassaw created open-space sculptural abstractions with metal, and helped abstract art grow in the United States.
Harry Rosin was an American sculptor born in Philadelphia, Pennsylvania. After working around the area following his studies at the Pennsylvania Academy of Fine Arts, he traveled to Tahiti, where he married his wife. He is known for his iron sculptures.
Local Numbers:
FSA A2009.06 3
Other Archival Materials:
Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, American  Search this
Busts  Search this
Runes  Search this
Genre/Form:
Correspondence -- 19th century
Correspondence -- 20th century
Collection Citation:
The Brumbaugh Collection of Artist Letters. FSA.A2009.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.
Identifier:
FSA.A2009.06, Series FSA A2009.06 3
See more items in:
The Brumbaugh Collection of Artist Letters
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc31267edea-4152-4518-85be-12a164d9331e
EDAN-URL:
ead_component:sova-fsa-a2009-06-ref1

Correspondence, Abbott H. Thayer to Clara A. May

Creator:
Thayer, Abbott Handerson, 1849-1921  Search this
Thayer, Gerald Handerson, 1883-1939  Search this
Names:
May, Clara Adelaide, 1872-1946  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Thayer, Gerald Handerson, 1883-1939  Search this
Thayer, Gladys, 1886 or 7-1945  Search this
Collection Creator:
Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this
Extent:
6 Items (Letters, written in ink, graphite)
4 Items (Envelopes)
Type:
Archival materials
Correspondence
Date:
1890-1899
Scope and Contents:
This folder is an amalgamation of letters written by Abbott H. Thayer to his model and friend, Clara A. May. Also included is a thank-you letter from Thayer's son, Gerald, to May.
Arrangement:
Organized chronologically.
Biographical / Historical:
Abbott Handerson Thayer was born in Boston, Massachusetts on August 12, 1849 to a distinguished family. He moved from Boston to Brooklyn during his childhood, where he attended the National Academy of Design. Thayer often used his wife, Kate Bloede Thayer, her sister Gertrude, and his three children Mary, Gerald and Gladys as models. He also used Clara A. May as a model. His subjects included ethereal angels, landscapes, women, children, and flowers. When Kate died, Thayer's entire outlook on art and life changed. It had been Kate's family that introduced Thayer to the sense of idealism that comes from a German family who had immigrated to the United States. He had learned about the romanticism surrounding art and literature from the Bloedes, all of which encouraged the artist to paint perfectly beautiful figures. Later in life, Thayer established a permanent household in Dublin, New Hampshire, with his new wife, Emma Beach. He loved to paint the surrounding mountains and birds. Interestingly, Charles Lang Freer was one of Thayer's patrons.
Clara May was one of Thayer's models. May met Thayer at the summer colony of Dublin in New Hampshire, where the two families were neighbors. Their friendship lasted around ten years, but this friendship withered following May's marriage to Reverend Paine. Following her marriage, May no longer worked as a model for Thayer.
Gerald Thayer was one of Abbott Thayer's sons, who wrote an unfinished thank you letter to May which was sent along with Abbott's letter.
Local Numbers:
FSA A2009.06 2
Other Archival Materials:
Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, American  Search this
Genre/Form:
Correspondence -- 19th century
Correspondence -- 20th century
Collection Citation:
The Brumbaugh Collection of Artist Letters. FSA.A2009.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.
Identifier:
FSA.A2009.06, Series FSA A2009.06 2
See more items in:
The Brumbaugh Collection of Artist Letters
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc35afeca45-c53f-417f-a250-38fe76484ba3
EDAN-URL:
ead_component:sova-fsa-a2009-06-ref6

Charles Lang Freer Papers

Creator:
Freer, Charles Lang, 1856-1919  Search this
Extent:
131 Linear feet (29 architectural drawings)
Type:
Collection descriptions
Archival materials
Diaries
Financial records
Correspondence
Photographs
Place:
China
Syria
Egypt
India
London (England)
Japan
Boston (Mass.)
Detroit (Mich.)
Washington (D.C.)
Kandy (Sri Lanka)
Sri Lanka
Anuradhapura (Sri Lanka)
Date:
1876-1931
Summary:
The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, and photographs.
Scope Content:
The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, financial material, architectural drawings, and photographs.

Correspondence, circa 1860-1921, includes Freer's correspondence, 1876-1920, with artists, dealers, collectors, museums, and public figures; letterpress books contain copies of Freer's outgoing letters, 1892-1910; correspondence collected by Freer of James McNeill Whistler, and his wife Beatrix, 186?-1909, with Lady Colin Campbell, Thomas R. Way, Alexander Reid, Whistler's mother, Mrs. George W. Whistler, and others; correspondence of Whistler collector Richard A. Canfield, 1904-1913, regarding works in Canfield's collection; and correspondence of Freer's assistant, Katharine Nash Rhoades, 1920-1921, soliciting Freer's letters from his associates, and regarding the settlement of his estate.

Also included are twenty-nine pocket diaries, 1889-1890, 1892-1898, 1900-1919, recording daily activities, people and places visited, observations, and comments; a diary kept by Freer's caretaker, Joseph Stephens Warring, recording daily activities at Freer's Detroit home, 1907-1910. Inventories, n.d. and 1901-1921, of American, European, and Asian art in Freer's collection, often including provenance information; vouchers, 1884-1919, documenting his purchases; five volumes of scrapbooks of clippings on James McNeill Whistler, 1888-1931, labeled "Various," "Peacock Room," "Death, etc.," "Paris, etc.," and "Boston...London" ; three volumes of newsclippings, 1900-1930, concerning Freer and the opening of the Freer Gallery of Art.

Correspondence regarding Freer's gift and bequest to the Smithsonian Institution, 1902-1916; and photographs, ca. 1880-1930, of Freer, including portraits by Alvin Langdon Coburn and Edward Steichen, Freer with others, Freer in Cairo, China and Japan, Freer's death mask, and his memorial service, Kyoto, 1930; photographs of artists and others, including Thomas Dewing, Ernest Fenollosa, Katharine Rhoades taken by Alfred Stieglitz, Rosalind B. Philip, Augustus Saint-Gaudens, Abbott H. Thayer, Dwight Tryon, and Whistler; and photographs relating to Whistler, including art works depicting him, grave and memorial monuments, works of art, the Peacock Room, and Whistler's memorial exhibition at the Copley Society.
Organization of the Papers:
This collection is organized into twelve series.

Series 1: Genealogical and Biographical Data

Series 2: Correspondence

Series 3: Diaries

Series 4: Freer Colleague Materials

Series 5: Art Inventories

Series 6: Financial Materials

Series 7: Exhibition Loan Files

Series 8: Biblical Manuscripts and Gold Treasure Files

Series 9: American School of Archaeology in China

Series 10: Printed Material

Series 11: Outsize Material

Series 12: Photographs
Biographical Note:
1854 February 25 -- Born in Kingston, New York

1873 -- Appointed accountant and paymaster of New York, Kingston and Syracuse Railroad by Frank J. Hecker (1846-1927)

1876 -- Moves to Indiana to work, with Hecker, for the Detroit and Eel River and Illinois Railroad

1880 -- Moves to Detroit, participates in organization of the Peninsular Car Works with Hecker

1883 -- Becomes vice president and secretary of Peninsular Car Company when it succeeds Peninsular Car Works

1883 -- Begins collecting European prints

1884 -- Peninsular Car Company constructs plant on Ferry Avenue

1887 -- Meets Howard Mansfield (1849-1938)

1887 -- Acquires proofs of 26 etchings, Venice, Second Series(1886), by James McNeill Whistler (1834-1903)

1887 -- Purchases a small Japanese fan attributed to Ogata Korin(1658-1715)

1887 -- Buys land on Ferry Avenue

1889 -- Meets Frederick Stuart Church (1826-1900) and Dwight William Tryon (1849-1925) in New York

1890 -- Commissions Wilson Eyre (1858-1944) to design house on Ferry Avenue, Detroit, Michigan

1890 -- On first trip to London, meets James McNeill Whistler(1834-1903)

1892 -- Moves to Ferry Avenue house

1892 -- Tryon and Thomas Wilmer Dewing (1851-1938) undertake decoration of reception rooms

1893 -- Lends American paintings to World's Columbian Exposition in Chicago

1893 -- Purchases first piece of Chinese art, a small painting of white herons by an anonymous Ming dynasty (1368-1644) artist

1894 -- Begins yearlong trip around the world, which includes visit to the Whistlers in Paris and first trip to Asia, stopping in Ceylon (now Sri Lanka), India, China, and Japan

1896 -- Meets Matsuki Bunkyo (1867-1940) in Boston

1899 -- Takes part in consolidation of railroad-car building companies then retires from active business

1900 -- Attends Exposition International Universelle in Paris

1900 -- Buys villa in Capri with Thomas S. Jerome

1901 -- Meets Siegfried Bing (1838-1905) in Paris and Ernest Fenollosa(1853-1908), who visits Freer in Detroit

1902 -- Meets Dikran Kelekian (1868-1951)

1902 -- Spends summer in Britain building Whistler collection

1902 -- Views Whistler's, Harmony in Blue and Gold: The Peacock Room

1904 -- Purchases Whistler's Peacock Room

1904 -- Offers his art collections and funds to build a museum in which to house them to the Smithsonian Institution

1905 -- Smithsonian committee visits Freer in Detroit

1906 -- United States government formally accepts Freer's gift on January 24

1906 -- Freer signs Deed of Gift to Smithsonian Institution on May 5

1907 -- On second tour of Asia, meets Hara Tomitaro 1868-1939) in Yokohama, Japan

1908 -- Takes third trip to Asia, specifically to West Asia to study Rakka ware

1909 -- Tours Europe to study art museums

1909 -- On fourth trip to Asia, attends memorial ceremony for Fenollosa (d.1908 September) at Miidera, Japan, and meets Duanfang (1861-1911) in China

1910 -- On last trip to Asia, visits Longmen Buddhist caves in China

1911 -- Suffers stroke

1912 -- Lends selection of objects for exhibition at Smithsonian Institution

1913 -- Meets Eugene (1875-1957) and Agnes E. (1887-1970) Meyer

1913 -- Commissions Charles Adams Platt (1861-1933) to design museum building in Washington

1914 -- Meets Katharine Nash Rhoades (1885-1965) in Detroit

1915 -- Settles in New York City

1915 -- Site of future Freer Gallery of Art is determined

1916 -- Platt's plans for Freer Gallery are approved by Smithsonian Regents and Commission of Fine Arts and ground is broken in September

1918 -- After falling ill in Detroit, Freer travels to New York for treatment

1918 -- Work on the museum building is delayed by the war

1919 -- Freer appends codicil to will permitting acquisitions of Asian, Egyptian, and Near Eastern (West Asian) art

1919 -- Dies in New York City on 25 September and is buried in Kingston, New York

1919 -- Construction of Freer Gallery completed

1920 -- John Ellerton Lodge (1876-1942) is appointed director of the Freer Gallery

1923 -- Freer Gallery opens to the public on May 9

1930 -- Memorial ceremony for Freer is held at Koetsuji, Kyoto

Charles Lang Freer was an American industrialist who founded the Freer Gallery of Art. He was a well-known collector of Asian art, and strongly supported the synthesis of Eastern art and Western art. One of his most famous acquisitions was James McNeill Whistler's Peacock Room.
Index:
Index to cross-referenced correspondents in the series Charles Lang Freer correspondence

Beal, Junius E. -- See: -- Warring, Joseph Stephens

Black, George M. -- See: -- Saint-Gaudens, Augustus

Board of Education (Kingston, New York) See: Michael, M. J.

Bonner, Campbell See: University of Michigan

Boughton, George H. See: Yardley, F. C.

British Museum See: Binyon, Laurence; Hobson, R. L.

Brown, Harold H. See: Art Association of Indianapolis

Buchner, Evelyn B. See: Knoedler, M., and Company

Buckholder, C. H. See: Art Institute of Chicago

Butler, S. B. See: Unidentified correspondents

Carnegie Institute See: Balken, Edward Duff; Harshe, Robert B.

Carpenter, Newton H. See: Art Institute of Chicago

Caulkins, Horace James See: Pewabic Pottery

Chao, Shih-chin See: Gunn, Chu Su

Chicago & North Western Railway Co. See: Hughett, Marvin

Clark, Charles Upson See: Clark, Arthur B.

Cleveland Museum of Art See: Whiting, Frederic Allen

Columbia University See: Braun, W. A.; Gottheil, Richard; Hirth, Friederich

Commission of Fine Arts See: Moore, Charles

Corcoran Gallery of Art See: Minnigerode, C. Powell

Crocker, Anna B. See: Portland Art Association

Dannenberg, D. E. See: Karlbeck, Orvar

De Menoncal, Beatrice See: Lien, Hui Ch'ing Collection

De Ricci, Seymour See: Ricci, Seymour de

Defnet, William A., Mrs., See: Franke, Ida M.

DeMotte See: Vigouroux, J.

Detroit Institute of Arts See: Detroit Museum of Art

Detroit Publishing Company See: Livingstone, W. A.

Detroit School of Design See: George Hamilton; Stevens, Henry

DeVinne Press See: Peters, Samuel T.; Witherspoon, A. S.

Dyrenforth, P. C. See: Philip, Rosalind Birnie

Eddy, Arthur J. See: Philip, Rosalind Birnie

Eggers, George Williams See: Art Institute of Chicago

Farr, Daniel H. See: Robinson and Farr

Farrand School (Detroit) See: Yendall, Edith

Field Museum of Natural History (Chicago) See: Laufer, Berthold

Flagg, Frederick J. See: Allen, Horace N.

Fogg Art Museum, Harvard University See: Forbes, Edward; Pope, Arthur Upham; Sachs, Paul J.

French, M. R. See: Art Institute of Chicago

Fu, Lan-ya See: Pang, Lai-ch'en

Fujii, Yoshio See: Yoshio, Fujii

Gerrity, Thomas See: Knoedler, M., and Company

Goupil Gallery See: Marchant, William

Gray, William J. See: Barr, Eva

Great Lakes Engineering Works See: Hoyt, H. W.

Grolier Club See: Philip, Rosalind Birnie

Heinemann, W. See: Philip, Rosalind Birnie

Holden, Edward S. See: West Point, U. S. Military Academy

Hudson, J. L. See: Weber, William C.

Hutchins, Harry B. See: University of Michigan

Hutchins, Charles L. See: Art Institute of Chicago

Kelekian, H. G. See: Kelekian, Dikran G.

Kent, H. W. See: Metropolitan Museum of Art

Lee, Kee Son See: Li, Chi-ch'un

Levy, John See: Schneider, A. K.

Library of Congress See: Rice, Richard A.; Wright, Helen

Louvre (Paris, France) See: Midgeon, Gaston

Matsuki, Z. See: Matsuki, Kihachiro

McKim, Mead and White See: White, Stanford

Mills, A. L., Colonel See: Saint-Gaudens, Augustus

Miner, Luella See: Lien, Hui Ch'ing Collection

Minneapolis Institute of Arts See: Breck, Joseph; Van Derlip, John R.

Monif, R. Khan See: Rathbun, Richard

Museum of Fine Arts, Boston See: Lodge, John Ellerton

Naser, Katen & Nahass See: Katen, K.

Nordlinger, Marie, Miss See: Meyer-Riefstahl, Marie

Panama Pacific International Exposition See: Moore, Charles C.; Trask, John E. D.

Peabody Museum See: Morse, Edward Sylvester

Pennsylvania Academy of the Fine Arts See: Trask, John E. D.

Perry, Mary Chase, Miss., See: Pewabic Pottery

Philip, Ronald M. See: Philip, Rosalind Birnie

Pope, G. D. See: Barr, Eva

Reinhart, A. G. See: Gottschalk, E.

Reitz, Sigisbert Chrétien Bosch See: Bosch-Reitz, Sigisbert Chrétien

Rutgers College See: Van Dyke, John C.

Saint-Gaudens, Augusta H. See: Saint-Gaudens, Augustus

Saint-Gaudens, Homer See: Saint-Gaudens, Augustus

Samurai Shokai See: Nomura, Yozo

San Francisco Art Association See: Laurvik, J. Nilsen

Scribner's, Charles, Sons See: Van Dyke, John C.

Shaw, Wilfred B. See: University of Michigan

Shirae, S. Z. See: Yamanaka and Company

Smith College See: Clark, Arthur B.

Smithsonian Institution See: Holmes, William Henry; Rathbun, Richard; Ravenel, Walcott, Charles D.

Society of Arts and Crafts (Detroit) See: Plumb, Helen

Societe des Beaux-Arts See: Reid, Alexander

Stevens, George W. See: Toledo Museum of Art

Stratton, Mary Chase Perry See: Pewabic Pottery

Tanaka, Kichijiro See: Yamanaka and Company

Tuttle, William F. See: Art Institute of Chicago

Union Trust Company (Detroit) See: Philip, Rosalind Birnie

United States Military Academy See: West Point, U. S. Military Academy

University of Chicago See: Zug, George Breed

University of Pennsylvania, Univ. Mus. See: Gordon, George Bryon

Ushikubo, D. J. R. See: Yamanaka and Company

Wallis & Son See: Barr, Eva; Thompson, C. Croal Ward, Clarence See: Oberlin College

Warren, Edward K. See: Philip, Rosalind Birnie

Warring, Stephen See: Warring, Joseph Stephens

Watkin, Williams R. T. See: Philip, Rosalind Birnie

Watson, Margaret, Miss See: Parker, Margaret Watson

Whistler, Anna See: Stanton, Anna Whistler

Whiting, Almon C. See: Toledo Museum of Art

Williams College See: Rice, Richard A

Wright, F. G. See: Orbach and Company

Yatsuhashi, H. See: Yamanaka and Company
Index to cross-referenced correspondence in the series Whistler correspondence

Bell, William See: Unidentified correspondents

Brown, Ernest See: Painter Etchers' Society, Committee

Cowen, John T. See subseries: Charles Lang Freer Correspondence

Ford, Sheridan See: Reid, Alexander

Haden, Francis Seymour See: Painter Etchers' Society, Committee

Haden, Francis Seymour, Lady See: Haden, Deborah Whistler

Leighton, Frederick, Baron See: Campbell, Lady Colin

Moore, Albert See: Reid, Alexander

Morley, Charles See: Pall Mall Gazette

Morris, Harrison S. See: Reid, Alexander

Pennell, Joseph See: Miscellaneous typescripts

Pennsylvania Academy of the Fine Arts See: Reid, Alexander

Prange, F. G. See: Reid, Alexander

Societe des Beaux-Arts See: Reid, Alexander

Society of Portrait Painters See: Reid, Alexander

Stevens Fine Art See: Reid, Alexander

Studd, Arthur See: Miscellaneous typescripts

[Vanderbilt?], George, Mrs. See: George, Mrs.

Whistler, William McNeill, Mrs. See: Whistler, Nellie

Whistler Memorial Committee See: Miscellaneous typescripts
Related Material:
The Archives of American Art microfilmed portions of the Freer papers in 1992. The microfilm is available at the Archives of American Art's Washington D.C. office, the Freer Gallery of Art Library, and through interlibrary loan.
Provenance:
Gift of the Estate of Charles Lang Freer.
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, American -- Collectors and collecting  Search this
Art, Asian -- Collectors and collecting  Search this
Art -- Collectors and collecting  Search this
Architecture -- Asia  Search this
Genre/Form:
Diaries
Financial records
Correspondence
Photographs
Citation:
Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Identifier:
FSA.A.01
See more items in:
Charles Lang Freer Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3f1a0e3e0-630c-48d4-ba28-485946b1d615
EDAN-URL:
ead_collection:sova-fsa-a-01
Online Media:

Warren E. Cox Bulletins

Creator:
Warren E. Cox  Search this
Extent:
0.2 Cubic feet
Container:
Box 1
Type:
Collection descriptions
Archival materials
Manuscripts
Date:
undated
Scope and Contents:
One bound volume of typed letters, May 1947-June 1948, from New York art dealer Warren E. Cox, addressed either to the Freer Gallery of Art or to Director Archibald Wenley. Includes 28 mounted photographs and 1 map. Also includes mimeographed letters from Wenley to Cox. 8 loose photographs accompany the bound volume.
Biographical / Historical:
Warren E. Cox published various books on Asian ceramics and decorative arts and was art director of Encyclopedia Britannica 1929-1939.

The interest aroused by these informal bulletins led to the founding of the Far Eastern Ceramic Group. They constitute in fact the beginning of the Far Eastern Ceramics Bulletin which first appeared under its official title in July 1948
Local Numbers:
FSA A1993.01
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Genre/Form:
Manuscripts
Citation:
Warren E. Cox Bulletins. FSA.A1993.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.
Identifier:
FSA.A1993.01
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc373df6e21-d26a-4e22-b130-60c00d1b34f3
EDAN-URL:
ead_collection:sova-fsa-a1993-01

Incense burner with recessed paneling

Medium:
Limestone
Dimensions:
H x W x D: 11.6 × 9.9 × 9.9 cm (4 9/16 × 3 7/8 × 3 7/8 in)
Type:
Vessel
Origin:
Wadi Bayhan, Yemen
Date:
early 1st century
Topic:
stone  Search this
funerary  Search this
Yemen  Search this
Ancient Near Eastern Art  Search this
Wendell and Merilyn Phillips collection  Search this
incense burner  Search this
Credit Line:
Gift of The American Foundation for the Study of Man (Wendell and Merilyn Phillips Collection)
Accession Number:
S2013.2.240
Restrictions & Rights:
Usage conditions apply
On View:
Sackler Gallery 22b: Ancient Yemen: Incense, Art, and Trade
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3e0164cfe-2db6-4d01-8f8e-266741b77be0
EDAN-URL:
edanmdm:fsg_S2013.2.240

Storm Mountains, (painting)

Painter:
Cuneo, Rinaldo 1877-1939  Search this
Medium:
Oil on canvas
Type:
Paintings
Topic:
Landscape--Weather--Storm  Search this
Landscape--Mountain  Search this
Landscape--Tree  Search this
Control number:
IAP 8G390081
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_481368

Deset Hills, (painting)

Painter:
Cuneo, Rinaldo 1877-1939  Search this
Medium:
Oil on canvas
Type:
Paintings
Topic:
Landscape--Desert  Search this
Landscape--Mountain  Search this
Landscape--Tree  Search this
Control number:
IAP 8G390082
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_481369

Farm near Half Moon Bay, (painting)

Painter:
Cuneo, Rinaldo 1877-1939  Search this
Medium:
Oil on canvas
Type:
Paintings
Topic:
Landscape--Farm  Search this
Landscape--California  Search this
Landscape--Mountain  Search this
Architecture exterior--Farm--Barn  Search this
Control number:
IAP 8G390083
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_481370

The Farm, (painting)

Painter:
Cuneo, Rinaldo 1877-1939  Search this
Medium:
Oil on canvas
Type:
Paintings
Topic:
Landscape--Farm  Search this
Landscape--Road--Path  Search this
Architecture exterior--Farm--Barn  Search this
Control number:
IAP 8G390084
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_481371

Washington Square, (painting)

Painter:
Cuneo, Rinaldo 1877-1939  Search this
Medium:
Oil on canvas
Type:
Paintings
Topic:
Cityscape--New York--New York City  Search this
Cityscape--Street--Washington Square  Search this
Landscape--Park  Search this
Landscape--Tree  Search this
Figure group  Search this
Control number:
IAP 8G390085
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_481372

Landscape, (painting)

Painter:
Cuneo, Rinaldo 1877-1939  Search this
Medium:
Oil on canvas
Type:
Paintings
Topic:
Landscape--Tree  Search this
Landscape--River  Search this
Landscape--Mountain  Search this
Control number:
IAP 8G390086
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_481373

Overview of Salt Lake City, (painting)

Painter:
Cuneo, Rinaldo 1877-1939  Search this
Medium:
Oil on canvas
Type:
Paintings
Topic:
Cityscape--Utah--Salt Lake City  Search this
Cityscape--Bird's Eye View  Search this
Control number:
IAP 8G390087
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_481374

Garfield Copper Plant, (painting)

Painter:
Cuneo, Rinaldo 1877-1939  Search this
Medium:
Oil on canvas
Type:
Paintings
Topic:
Landscape--Utah  Search this
Landscape--Mountain  Search this
Architecture exterior--Industry  Search this
Control number:
IAP 8G390088
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_481375

Well in Utah, (painting)

Painter:
Cuneo, Rinaldo 1877-1939  Search this
Medium:
Oil on canvas
Type:
Paintings
Topic:
Landscape--Utah  Search this
Architecture exterior--Industry--Waterwork  Search this
Control number:
IAP 8G390089
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_481376

San Francisco, February 1939, (painting)

Painter:
Cuneo, Rinaldo 1877-1939  Search this
Medium:
Oil on canvas
Type:
Paintings
Topic:
Cityscape--California--San Francisco  Search this
Cityscape--Street  Search this
Cityscape--Season--Winter  Search this
Cityscape--Weather--Snow  Search this
Figure group  Search this
Architecture--Vehicle--Automobile  Search this
Control number:
IAP 8G390090
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_481377

Candle, Garlic, and Apples, (painting)

Painter:
Cuneo, Rinaldo 1877-1939  Search this
Medium:
Oil on canvas
Type:
Paintings
Topic:
Still Life--Fruit--Apple  Search this
Still Life--Foodstuff--Garlic  Search this
Still Life--Other--Candlestick  Search this
Control number:
IAP 8G390091
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_481378

The Blue Vase, (painting)

Painter:
Cuneo, Rinaldo 1877-1939  Search this
Medium:
Oil on canvas
Type:
Paintings
Topic:
Still Life--Other--Vase  Search this
Still Life--Flower  Search this
Control number:
IAP 8G390092
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_481379

A Hot Day, (painting)

Painter:
Cuneo, Rinaldo 1877-1939  Search this
Medium:
Oil on canvas
Type:
Paintings
Topic:
Still Life--Other--Vase  Search this
Still Life--Other--Dish  Search this
Still Life--Flower  Search this
Still Life--Toy--Doll  Search this
Control number:
IAP 8G390093
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_481380

The Red Lantern, (painting)

Painter:
Cuneo, Rinaldo 1877-1939  Search this
Medium:
Oil on canvas
Type:
Paintings
Topic:
Still Life--Other--Vase  Search this
Still Life--Flower  Search this
Still Life--Other--Lantern  Search this
Control number:
IAP 8G390094
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_481381

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