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Don Raymond David and Andrée Golbin papers

Creator:
David, Don Raymond, 1906-2006  Search this
Golbin, Andrée, 1923-2006  Search this
Extent:
3.6 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Diaries
Date:
circa 1920-1980
Summary:
The papers of painters Don Raymond David and Andrée Golbin measure 3.6 linear feet, date from circa 1920-1980, and illustrate their lives and careers through biographical material, correspondence, writings, personal business records, printed and photographic material, and artwork.
Scope and Contents:
The papers of Don Raymond David and Andrée Golbin measure 3.6 linear feet and date from circa 1920-1980. Biographical materials include membership cards to various organizations for both David and Golbin, a graduation certificate for Golbin from the Parsons School of Design, and Andrée Golbin's Who's Who in American Art biographical information. Correspondence is to and from various artists, family members, and organizations and between Golbin and David. Writings consist of various travel diaries, as well as notebooks and lectures for classes taught by David. Personal business records include materials regarding the Creative Artists Public Service Program, dealer contracts, various weekly planners, and price lists for artwork. Printed material consists of exhibition catalogs and announcements, illustrations by Golbin for published works, and prints of sketches. Photographic material includes photographs, slides, and transparencies of Golbin, David, and both artists' artwork. Artwork consists of drawings, sketches, and sketchbooks by both David and Golbin.
Arrangement:
This collection consists of seven series.

Series 1: Biographical Material, circa 1940-1975 (.1 Linear feet: Box 1)

Series 2: Correspondence, circa 1946-1980 (.3 Linear feet: Box 1)

Series 3: Writings, circa 1920-1978 (.7 Linear feet: Boxes 1-2)

Series 4: Personal Business Records, circa 1951-1977 (.7 Linear feet: Box 2)

Series 5: Printed Material, circa 1938-1979 (.2 Linear feet: Box 2)

Series 6: Photographic Material, circa 1920-1980 (.3 Linear feet: Box 3)

Series 7: Artwork, circa 1920-1980 (1.3 Linear feet: Boxes 3-4, OV 5, and OV 6)
Biographical / Historical:
Don Raymond David (1906-2006) and Andrée Golbin (1923-2006) were husband and wife artists based in New York, NY.

Andrée Golbin was a painter, graphic artist, and illustrator and was born in Germany to her parents Owsey Golbin and Elsa Rimathe, before immigrating to the United States when she was sixteen. She graduated from the Parsons School of Design in 1943 and served as director for Mademoiselle magazine in the early 1950s. Golbin created artwork for many different clients, including several dance companies, Henri Bendel, and American Cyanamid. Golbin was based in New York City and was a member of the Artists Equity Association of New York, the American Newspaper Guild, which she withdrew from in 1948, and the Museum of Modern Art in New York. In her later years, Golbin taught at the Parsons School of Design.

Don Raymond David was a painter and instructor and was born in Springbrook, Yamhill County, Oregon. In 1927, David began studying at Fresno State College with Alexandra Bradshaw and by the late 1930s was in Los Angeles where he studied with Barse Miller and attended the Chouinard Art Institute and the Art Center School. In the late 1950s, he relocated to New York where he attended the Hans Hofmann School and had frequent solo shows at the Camino Gallery through the 1960s to early 1970s. David was an instructor at the Newark School of Fine and Industrial Arts in New Jersey and continued as a teacher beside his wife at the New York Parsons School of Design. He was a member of the California Watercolor Society and the National Society of Art Directors.

Golbin and David died in 2006 in Newburg, Yamhill County, Oregon at the ages of eighty-three and ninety-nine.
Provenance:
Papers were donated in 1977 by Don Raymond David and in 1981 by Don Raymond David and Andrée Golbin.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Illustrators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Genre/Form:
Drawings
Sketchbooks
Diaries
Citation:
Don Raymond David and Andrée Golbin papers, circa 1920-1980, Archives of American Art, Smithsonian Institution.
Identifier:
AAA.davidon
See more items in:
Don Raymond David and Andrée Golbin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99086f3c9-0410-48d2-9b7a-7a69ee46ad67
EDAN-URL:
ead_collection:sova-aaa-davidon

Ted Stamm slides of works of art and exhibitions

Creator:
Stamm, Ted  Search this
Extent:
2.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1968-1986, 2018
Summary:
Ted Stamm slides of works of art and exhibitions measure 2.2 linear feet and date from circa 1968-1986, and 2018. The collection is comprised primarily of approximately 6450 35mm slides assembled by the painter Ted Stamm between his arrival in New York in 1968 and his death in 1984. The majority of the slides were photographed by Stamm himself, and collectively form a unique and expansive record of artworks and exhibitions on view in New York during that time period, by a variety of artists including Stamm.
Scope and Contents:
Ted Stamm slides of works of art and exhibitions measure 2.2 linear feet and date from circa 1968-1986, and 2018. The collection is comprised primarily of approximately 6450 35mm slides assembled by the painter Ted Stamm between his arrival in New York in 1968 and his death in 1984. The majority of the slides were photographed by Stamm himself, and collectively form a unique and expansive record of artworks and exhibitions on view in New York during that time period, by a variety of artists including Stamm.

The collection includes both exhibition views and individual artworks photographed in situ. In addition to exhibitions in galleries and nonprofit spaces, Stamm also photographed works installed in public spaces, graffiti and street art, and views of the gallery facades and architectural fabric of Lower Manhattan.

Stamm used the slides in his own teaching, and the collection includes a set of slides documenting periods of art history. Additional teaching material includes examples of course descriptions, syllabi, reading lists, and other teaching materials for courses taught by Stamm. Printed material includes an artist book, an exhibition catalog, and a monograph/catalog.
Arrangement:
The collection is arranged as three series.

Series 1: Slides, circa 1968-circa 1984 (Boxes 1-2; 2 linear feet)

Series 2: Teaching Material, 1977-1982 (Box 3; 0.1 linear feet)

Series 3: Printed Material, 1979-1986, 2018 (Box 3; 0.1 linear feet)
Biographical / Historical:
Ted Stamm (1944-1984) was a multidisciplinary conceptual artist and educator in New York, New York, known for his focused series of paintings, works on paper, and studies. Stamm's studies, such as the Wooster series, were influenced by the shapes, street contours, and intersections he could see from his studio on Wooster Street in SoHo.

Stamm was born in Brooklyn, New York, and attended Hofstra University, graduating with a Bachelor of Fine Arts in 1967. In 1968 he settled in New York City and his early work was included in exhibitions at the Brooklyn Museum Art School in New York and in the alumni show at Hofstra University in 1971.

From 1974 until his death in 1984, Stamm lived and worked on the top floor of 101 Wooster Street in New York City. There he began his iconic group of works titled Woosters, and subsequent series including Dodgers, from the Brooklyn Dodgers baseball team, C-Dodgers influenced by the Concorde planes he observed at John F. Kennedy Airport, and Designators, graffiti Stamm painted on buildings in stages which he would photograph each time he returned to develop the graffiti further.

Stamm's work was exhibited widely throughout his life, both internationally and in the United States. He taught classes at the School of Visual Arts, Hofstra University, and C. W. Post College, and was awarded National Endowment for the Arts and Guggenheim fellowships in 1981 and 1983.

Stamm died of congenital heart disease at the age of 39.
Provenance:
The collection was donated in 2022 by The Ted Stamm Estate via Per Haubro Jensen.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The Ted Stamm Estate donor has retained all intellectual property rights including copyright on all slides taken by Ted Stamm. Please contact the Ted Stamm Estate for copyright permission at tedstammestate.com.
Occupation:
Conceptual artists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Citation:
Ted Stamm slides of works of art and exhibitions, circa 1968-1986, 2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stammted
See more items in:
Ted Stamm slides of works of art and exhibitions
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99f8da07c-9ae9-4ba4-8d0a-f9c157a6ffaa
EDAN-URL:
ead_collection:sova-aaa-stammted
Online Media:

Stefan Hirsch and Elsa Rogo papers

Creator:
Hirsch, Stefan, 1899-1964  Search this
Rogo, Elsa, 1901-1996  Search this
Names:
Bard College -- Faculty  Search this
Bennington College -- Faculty  Search this
Downtown Gallery (New York, N.Y.)  Search this
United States. Office of the Coordinator of Inter-American Affairs  Search this
Albers, Josef  Search this
Anguiano, Raúl, 1915-2006  Search this
Bier, Justus, 1899-1990  Search this
Field, Hamilton Easter  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Mumford, Lewis, 1895-1990  Search this
Mérida, Carlos, 1891-1984  Search this
Shahn, Ben, 1898-1969  Search this
Extent:
19.6 Linear feet
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Sound recordings
Etchings
Sketchbooks
Scrapbooks
Glass plate negatives
Transcripts
Place:
Mexico -- Photographs
Date:
1851-1986
bulk 1920-1960
Summary:
The papers of artists and educators Stefan Hirsch and Elsa Rogo measure 19.6 linear feet and date from 1851 to 1986, with the bulk of the material dating from 1920s to the 1960s. Together, they traveled throughout Mexico and Latin America where they became involved in the social and art scenes. Hirsch and Rogo's artistic, teaching, and journalism careers are documented through biographical materials, correspondence, writings and notes, professional files, printed materials, photographs and motion picture films, and sketchbooks and other artwork.
Scope and Contents:
The papers of artists and educators Stefan Hirsch and Elsa Rogo measure 19.6 linear feet and date from 1851 to 1986, with the bulk of the material dating from 1920s to the 1960s. Together, they traveled throughout Mexico and Latin America where they became involved in the social and art scenes. Hirsch and Rogo's artistic, teaching, and journalism careers are documented through biographical materials, correspondence, writings and notes, professional files, printed materials, photographs and motion picture films, and sketchbooks and other artwork.

Biographical materials include address lists, resumes and biographical sketches, identification cards, material relating to Hirsch's military service, and legal documents. Two sound recordings, one personal and another of Rogo on Spanish National Radio, are also found here.

Correspondence is both professional and personal. Professional correspondence concerns commissions, exhibitions, travel, and teaching. Notable correspondents include Josef Albers, Justus Bier, Downtown Gallery (Edith Halpert), Carlos Mérida, Lewis Mumford, Ben Shahn, and many others. Personal correspondence is largely between Hirsch and Rogo. Writings are found for both Hirsch and Rogo and include notebooks, diary fragments and transcripts, lectures, essays on art, articles, and notes. A manuscript by Hamilton Easter Field is also found and a writing by an unknown author. Professional files document teaching positions, projects, commissions, memberships, and other professional activities undertaken by Hirsch and Rogo. They document Hirsch's teaching career at Bard College, Bennington College, and his mural work in South Carolina and Mississippi. Files concerning Rogo's work with the Office of the Coordinator of Inter-American Affairs are found here, as well as files documenting their professional and personal travel. These contain a wide variety of materials, such as correspondence, printed material, meeting minutes, photographs, and writings. Also found are scattered files relating to general areas of interest.

Hirsch's and Rogo's business records include contracts concerning Elsa Rogo's book agreements, records settling the estate of the Hirsch family in Nürnberg (Nuremberg), Germany, insurance records, a lease, price lists, and general receipts and invoices. Also found are personal art collection records including a sales agreement and a list of Latin American art owned by Hirsch and Rogo. Printed materials include books, brochures, clippings, exhibition announcements and catalogs for Stefan Hirsch and others, issues of magazines and other periodicals, copies of published writings by Hirsch and Rogo, and a dismantled printed materials scrapbook.

Photographs are extensive and include personal photos of Stefan Hirsch and Elsa Rogo, their family, friends, and colleagues. Numerous travel photos were taken by Rogo in her role as a journalist in Latin American and the United States. The bulk of the professional travel photos were taken in Mexico in the 1930s to the 1960s and show events, cities, and cultural activities. Also found are glass plate negatives, photographs of works of art, and sixteen reels of motion picture film taken in Mexico, Bard College, and Oqunquit, Maine.

Eighteen sketchbooks are largely unsigned but are likely by Stefan Hirsch. Additional artwork includes sketches and etchings by Hirsch, sketches by Elsa Rogo, and works by others including Raul Anquiano and Efren Villalobos.
Arrangement:
The collection is arranged as 9 series:

Missing Title

Series 1: Biographical Material, 1899-1986 (0.6 linear feet; Box 1)

Series 2: Correspondence, 1920s-1960s (3.2 linear feet; Boxes 1-4)

Series 3: Writings and Notes, circa 1920-1960s (1.2 linear feet: Boxes 4-5)

Series 4: Professional Files, 1912-1966 (2.8 linear feet; Boxes 6-8)

Series 5: Personal Business Records, 1927-1957 (0.5 linear feet; Boxes 8-9)

Series 6: Printed Material, 1851-1964 (2.9 linear feet; Boxes 9-12, 19)

Series 7: Photographs and Motion Picture Film, circa 1870-1960s (6.9 linear feet; Boxes 12-17, 20, FC 21-29)

Series 8: Sketchbooks, circa 1930s-circa 1940s (0.6 linear feet; Box 18)

Series 9: Artwork and Artifacts, 1916-1982 (0.5 linear feet; Boxes 18-19)
Biographical / Historical:
German-born Stefan Hirsch (1899-1964) was a painter and educator. Elsa Rogo (1901-1966) was married to Hirsch and was an artist, educator and journalist. They were active in Annandale-on-Hudson, New York, and Vermont, and traveled extensively throughout Mexico and Latin America where they documented local arts and crafts, village life, and befriended prominent Mexican artists.

Born in Nurnberg, Germany, Stefan Hirsch grew up in Europe and studied art at the University of Zurich. After settling in the United States in 1919, he took summer courses under Hamilton Easter Field in Ogunquit, Maine. Hirsch developed a Precisionist style combined with Social Realism but much of his work was difficult to restrict to one specific style. Hirsch was a founder and exhibitor at the avant-garde Salons of America which served as an alternative to the Society of Independent Artists. During the 1930s and 1940s, Hirsch participated in the U.S. government's Federal Art Project and painted murals in Aiken, South Carolina and Booneville, Mississippi. Hirsch began his teaching career in 1937 at Bennington College in Vermont, and later accepted a position at Bard College where he served as the chairman of the art department until he retired in 1961.

In 1930, Hirsch married Elsa Rogo. Together, they traveled throughout Mexico and Latin America where they became involved in the social and art scenes. They befriended prominent Mexican artists like Diego Rivera and David Siqueiros. As a journalist, Rogo documented Mexican life, events, and art extensively through photographs. Rogo also served in the U.S. Office of the Coordinator of Inter-American Affairs, established in 1940 to promote cultural diplomacy and solidarity primarily in Latin America. In Taxaco, Mexico, she taught art to school children. Her book, Walls and Volcanos: The Creative Impulse of the Mexican People, was published in 1937.

Stefan Hirsch died in 1964. Elsa Rogo died in 1966.
Provenance:
Portions of the Stefan Hirsch and Elsa Rogo papers were donated in 1996 by the Elsa Rogo estate, via Sylvia Siskin, executrix. Additions were donated 2002, 2014, and 2019 by professor James Oles, Art Department, Wellesley College, Wellesley, Massachusetts on behalf of Sylvia Siskin.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Original film reels and archival negative copies are stored off-site and are closed to researchers.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Art teachers  Search this
Journalists -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Educators -- New York (State) -- New York  Search this
Art, Latin American  Search this
Mural painting and decoration, Mexican -- Photographs  Search this
Mural painting and decoration -- South Carolina  Search this
Mural painting and decoration -- Mississippi  Search this
Latino and Latin American artists  Search this
Genre/Form:
Motion pictures (visual works)
Sound recordings
Etchings
Sketchbooks
Scrapbooks
Glass plate negatives
Transcripts
Citation:
Stefan Hirsch and Elsa Rogo papers, 1851-1986, bulk 1920s-1960s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hirsstef
See more items in:
Stefan Hirsch and Elsa Rogo papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98ab444b5-7fc2-4e6b-ad62-a18f38f904f9
EDAN-URL:
ead_collection:sova-aaa-hirsstef
Online Media:

Lantern Slides

Collection Creator:
Hirsch, Stefan, 1899-1964  Search this
Rogo, Elsa, 1901-1996  Search this
Container:
Box 16, Folder 20-22
Type:
Archival materials
Date:
1920s
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Original film reels and archival negative copies are stored off-site and are closed to researchers.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Stefan Hirsch and Elsa Rogo papers, 1851-1986, bulk 1920s-1960s. Archives of American Art, Smithsonian Institution.
See more items in:
Stefan Hirsch and Elsa Rogo papers
Stefan Hirsch and Elsa Rogo papers / Series 7: Photographs and Motion Picture Films
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98125e1ff-2e8f-4893-8a19-286ff333d735
EDAN-URL:
ead_component:sova-aaa-hirsstef-ref263

Frame for Homer's Early Evening

Medium:
Gilded wood
Dimensions:
H x W x D: 116.6 x 132.7 x 11.8 cm (45 7/8 x 52 1/4 x 4 5/8 in)
Type:
Frame
Origin:
New York, United States
Date:
1907-1908
Topic:
gilding  Search this
flower  Search this
United States  Search this
American Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1908.14b
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye329b57803-51f6-441d-979f-42a58a62088f
EDAN-URL:
edanmdm:fsg_F1908.14b

Tears, from 7 Objects / 69, (sculpture)

Title:
7 Objects / 69, (sculpture)
Seven Objects, (sculpture)
Sculptor:
Bradshaw, David  Search this
Hesse, Eva 1936-1970  Search this
Kaltenbach, Steve 1940-  Search this
Nauman, Bruce 1941-  Search this
Saret, Alan 1944-  Search this
Serra, Richard 1939-2024  Search this
Sonnier, Keith 1941-2020  Search this
Medium:
Wet and dry materials, painting on canvas, tape dipped in rubber, bronze, silk-screen, nylon net etc., in wooden box
Type:
Sculptures
Owner/Location:
Smith College Smith College Museum of Art Elm Street at Bedford Terrace Northampton Massachusetts 01063 Accession Number: 1973:49
Date:
1969
Topic:
Abstract  Search this
Control number:
IAS 77000718
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_11051

Right Angle Prop, (sculpture)

Sculptor:
Serra, Richard 1939-2024  Search this
Medium:
Lead and antimony
Type:
Sculptures
Owner/Location:
Solomon R. Guggenheim Museum 1071 Fifth Avenue New York New York 10028 Accession Number: 69.1906
Date:
1969
Topic:
Undetermined  Search this
Control number:
IAS 76002453
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_1696

Five Plates, Two Poles, (sculpture)

Sculptor:
Serra, Richard 1939-2024  Search this
Medium:
Cor-Ten steel
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Walker Art Center Vineland Place Minneapolis Minnesota 55403
Date:
1971
Topic:
Abstract--Geometric  Search this
Control number:
IAS 26040024
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_23342

Untitled, (sculpture)

Sculptor:
Serra, Richard 1939-2024  Search this
Medium:
Corten steel
Type:
Sculptures
Owner/Location:
Museum of Contemporary Art 250 South Grand Avenue at California Plaza Los Angeles California 90012 Accession Number: 85.85
Date:
1976
Topic:
Abstract--Geometric  Search this
Control number:
IAS 64230077
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_26200

Mozarabe, (sculpture)

Sculptor:
Serra, Richard 1939-2024  Search this
Medium:
Steel
Type:
Sculptures
Owner/Location:
Detroit Institute of Arts 5200 Woodward Avenue Detroit Michigan 48202 Accession Number: 81.694
Date:
1971
Topic:
Undetermined  Search this
Control number:
IAS 24150152
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_26541

To Encircle Base Plate Hexagram, Right Angles Inverted, (sculpture)

Sculptor:
Serra, Richard 1939-2024  Search this
Medium:
Steel
Type:
Sculptures
Owner/Location:
St. Louis Art Museum Forest Park St. Louis Missouri 63110 Accession Number: 152:1984
Date:
1970
Topic:
Undetermined  Search this
Control number:
IAS 28110010
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_26569

Untitled, (sculpture)

Sculptor:
Serra, Richard 1939-2024  Search this
Medium:
Cast corregated orange rubber with Liquitex paint
Type:
Sculptures
Owner/Location:
St. Louis Art Museum Forest Park St. Louis Missouri 63110 Accession Number: 122:1971
Date:
1968
Topic:
Abstract  Search this
Control number:
IAS 28110063
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_26620

Rolled, Encased and Sawed, (sculpture)

Sculptor:
Serra, Richard 1939-2024  Search this
Publisher:
Tanglewood Press  Search this
Medium:
Chemical lead encased in lead pipe
Type:
Sculptures
Owner/Location:
St. Louis Art Museum Forest Park St. Louis Missouri 63110 Accession Number: 252:1972.6
Date:
1969
Topic:
Undetermined  Search this
Control number:
IAS 28110064
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_26621

Joplin, (sculpture)

Sculptor:
Serra, Richard 1939-2024  Search this
Medium:
Mild steel
Type:
Sculptures
Owner/Location:
St. Louis Art Museum Forest Park St. Louis Missouri 63110 Accession Number: 1971.337
Date:
1970
Topic:
Abstract  Search this
Control number:
IAS 28110069
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_26626

Davidson Gate, (sculpture)

Sculptor:
Serra, Richard 1939-2024  Search this
Medium:
Hot-rolled steel
Type:
Sculptures
Owner/Location:
National Gallery of Canada 380 Sussex Drive, P.O. Box 427, Station A Ottawa Ontario Canada K1N 9N4 Accession Number: 16616
Date:
1970
Topic:
Architecture--Detail--Gate  Search this
Control number:
IAS 63480039
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_27325

Untitled, (sculpture)

Sculptor:
Serra, Richard 1939-2024  Search this
Medium:
Vulcanized rubber, neon tubing, transformer, and wires
Type:
Sculptures
Owner/Location:
Museum of Modern Art 11 West 53rd Street New York New York 10019 Accession Number: 234.88
Date:
1967
Topic:
Undetermined  Search this
Control number:
IAS 36240411
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_28791

Cutting Device: Base Plate Measure, (sculpture)

Sculptor:
Serra, Richard 1939-2024  Search this
Medium:
Lead, wood, stone, and steel
Type:
Sculptures
Owner/Location:
Museum of Modern Art 11 West 53rd Street New York New York 10019 Accession Number: 974.79.a-cc
Date:
1969
Topic:
Undetermined  Search this
Control number:
IAS 36240412
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_28792

One Ton Prop (House of Cards), (sculpture)

Sculptor:
Serra, Richard 1939-2024  Search this
Medium:
Lead antimony
Type:
Sculptures
Owner/Location:
Museum of Modern Art 11 West 53rd Street New York New York 10019 Accession Number: 286.86.a-d
Date:
1969
Topic:
Abstract--Geometric  Search this
Control number:
IAS 36240413
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_28793

One Ton Prop (House of Cards), (sculpture)

Sculptor:
Serra, Richard 1939-2024  Search this
Medium:
Lead antimony
Type:
Sculptures
Owner/Location:
Museum of Modern Art 11 West 53rd Street New York New York 10019 Accession Number: 384.86.a-d
Date:
1969
Topic:
Abstract--Geometric  Search this
Control number:
IAS 36240414
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_28794

Equal (Corner Prop Piece), (sculpture)

Sculptor:
Serra, Richard 1939-2024  Search this
Medium:
Lead plate and lead tube rolled around steel core
Type:
Sculptures
Owner/Location:
Museum of Modern Art 11 West 53rd Street New York New York 10019 Accession Number: 728.76.a-b
Date:
1969-1970
Topic:
Abstract--Geometric  Search this
Control number:
IAS 36240415
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_28795

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