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Jan Matulka papers

Creator:
Matulka, Jan, 1890-1972  Search this
Extent:
0.01 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1920
Summary:
The papers of New York painter Jan Matulka measure 0.01 linear feet and date from circa 1920. The collection is comprised of three photographs of Matulka, including one studio portrait by M. Vu Kovic, and one double-exposed portrait.
Scope and Contents:
The papers of New York painter Jan Matulka measure 0.01 linear feet and date from circa 1920. The collection is comprised of three photographs of Matulka, including one studio portrait by M. Vu Kovic, and one double-exposed portrait.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Czech-born painter, printmaker, and educator Jan Matulka (1890-1972) was one of the pioneers of American modernist painting during the 1920s and 1930s.

Matulka emigrated to the United States from Bohemia in 1907 and studied at the National Academy of Design from 1911-1916. He subsequently taught at the Art Students League and passed on his understanding of avant garde developments in progressive painting to a generation of important artists including Francis Criss, Dorothy Dehner, Burgoyne Diller, I. Rice Pereira, and David Smith.
Separated Materials:
The Archives of American Art also holds microfilm of material that was part of Matulka's donation including clippings, exhibition notices, and miscellany. This material was microfilmed on Reel D251 and was transferred to the Smithsonian American Art Museum for the museum's vertical files and is not described in the collection container inventory.
Provenance:
The collection was donated by Jan Matulka in 1966.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Citation:
Jan Matulka papers, circa 1920. Smithsonian Institution, Archives of American Art.
Identifier:
AAA.matujan
See more items in:
Jan Matulka papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92c99c7bc-25db-42e8-a950-f99a46082b04
EDAN-URL:
ead_collection:sova-aaa-matujan

Don Raymond David and Andrée Golbin papers

Creator:
David, Don Raymond, 1906-2006  Search this
Golbin, Andrée, 1923-2006  Search this
Extent:
3.6 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Diaries
Date:
circa 1920-1980
Summary:
The papers of painters Don Raymond David and Andrée Golbin measure 3.6 linear feet, date from circa 1920-1980, and illustrate their lives and careers through biographical material, correspondence, writings, personal business records, printed and photographic material, and artwork.
Scope and Contents:
The papers of Don Raymond David and Andrée Golbin measure 3.6 linear feet and date from circa 1920-1980. Biographical materials include membership cards to various organizations for both David and Golbin, a graduation certificate for Golbin from the Parsons School of Design, and Andrée Golbin's Who's Who in American Art biographical information. Correspondence is to and from various artists, family members, and organizations and between Golbin and David. Writings consist of various travel diaries, as well as notebooks and lectures for classes taught by David. Personal business records include materials regarding the Creative Artists Public Service Program, dealer contracts, various weekly planners, and price lists for artwork. Printed material consists of exhibition catalogs and announcements, illustrations by Golbin for published works, and prints of sketches. Photographic material includes photographs, slides, and transparencies of Golbin, David, and both artists' artwork. Artwork consists of drawings, sketches, and sketchbooks by both David and Golbin.
Arrangement:
This collection consists of seven series.

Series 1: Biographical Material, circa 1940-1975 (.1 Linear feet: Box 1)

Series 2: Correspondence, circa 1946-1980 (.3 Linear feet: Box 1)

Series 3: Writings, circa 1920-1978 (.7 Linear feet: Boxes 1-2)

Series 4: Personal Business Records, circa 1951-1977 (.7 Linear feet: Box 2)

Series 5: Printed Material, circa 1938-1979 (.2 Linear feet: Box 2)

Series 6: Photographic Material, circa 1920-1980 (.3 Linear feet: Box 3)

Series 7: Artwork, circa 1920-1980 (1.3 Linear feet: Boxes 3-4, OV 5, and OV 6)
Biographical / Historical:
Don Raymond David (1906-2006) and Andrée Golbin (1923-2006) were husband and wife artists based in New York, NY.

Andrée Golbin was a painter, graphic artist, and illustrator and was born in Germany to her parents Owsey Golbin and Elsa Rimathe, before immigrating to the United States when she was sixteen. She graduated from the Parsons School of Design in 1943 and served as director for Mademoiselle magazine in the early 1950s. Golbin created artwork for many different clients, including several dance companies, Henri Bendel, and American Cyanamid. Golbin was based in New York City and was a member of the Artists Equity Association of New York, the American Newspaper Guild, which she withdrew from in 1948, and the Museum of Modern Art in New York. In her later years, Golbin taught at the Parsons School of Design.

Don Raymond David was a painter and instructor and was born in Springbrook, Yamhill County, Oregon. In 1927, David began studying at Fresno State College with Alexandra Bradshaw and by the late 1930s was in Los Angeles where he studied with Barse Miller and attended the Chouinard Art Institute and the Art Center School. In the late 1950s, he relocated to New York where he attended the Hans Hofmann School and had frequent solo shows at the Camino Gallery through the 1960s to early 1970s. David was an instructor at the Newark School of Fine and Industrial Arts in New Jersey and continued as a teacher beside his wife at the New York Parsons School of Design. He was a member of the California Watercolor Society and the National Society of Art Directors.

Golbin and David died in 2006 in Newburg, Yamhill County, Oregon at the ages of eighty-three and ninety-nine.
Provenance:
Papers were donated in 1977 by Don Raymond David and in 1981 by Don Raymond David and Andrée Golbin.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Illustrators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Genre/Form:
Drawings
Sketchbooks
Diaries
Citation:
Don Raymond David and Andrée Golbin papers, circa 1920-1980, Archives of American Art, Smithsonian Institution.
Identifier:
AAA.davidon
See more items in:
Don Raymond David and Andrée Golbin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99086f3c9-0410-48d2-9b7a-7a69ee46ad67
EDAN-URL:
ead_collection:sova-aaa-davidon

Alexander Parker Rogers papers relating to John Rogers

Creator:
Rogers, Alexander Parker  Search this
Names:
Rogers, John, 1829-1904  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1875-1966
Scope and Contents:
3 versions of Alexander P. Rogers' typescript "John Rogers - The Man," and correspondence with magazines regarding it's publication, 1950; typescripts "Recollections of my father, John Rogers (sculptor)," and "Recollections of my mother, Harriet Frances Rogers (1841-1927)," 1940; a handwritten list of John Rogers' finished and unfinished bronzes in the studio at New Canaan, Conn.; clippings on Rogers, 1920-1966; a 1939 wall calendar with prints of Rogers' sculptures; family photographs and a carte-de-visite of John Rogers in his studio; a list of family photographs collected by Alexander P. Rogers which were presented in his memory to the New York Historical Society, and correspondence regarding the NYHS donation.
Biographical / Historical:
Son of American sculptor John Rogers, best known for his popular statuary groups.
Provenance:
Transferred from the National Museum of Art Library, 1990, which purchased the papers along with books on Rogers from Mary Hamilton, of Halifax, Nova Scotia.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Sculptors  Search this
Topic:
Sculpture, American  Search this
Sculpture, Modern -- 19th century -- United States  Search this
Identifier:
AAA.rogealex
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw961994514-4e59-4a8c-8cd1-53e6d74f09bf
EDAN-URL:
ead_collection:sova-aaa-rogealex

Ted Stamm slides of works of art and exhibitions

Creator:
Stamm, Ted  Search this
Extent:
2.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1968-1986, 2018
Summary:
Ted Stamm slides of works of art and exhibitions measure 2.2 linear feet and date from circa 1968-1986, and 2018. The collection is comprised primarily of approximately 6450 35mm slides assembled by the painter Ted Stamm between his arrival in New York in 1968 and his death in 1984. The majority of the slides were photographed by Stamm himself, and collectively form a unique and expansive record of artworks and exhibitions on view in New York during that time period, by a variety of artists including Stamm.
Scope and Contents:
Ted Stamm slides of works of art and exhibitions measure 2.2 linear feet and date from circa 1968-1986, and 2018. The collection is comprised primarily of approximately 6450 35mm slides assembled by the painter Ted Stamm between his arrival in New York in 1968 and his death in 1984. The majority of the slides were photographed by Stamm himself, and collectively form a unique and expansive record of artworks and exhibitions on view in New York during that time period, by a variety of artists including Stamm.

The collection includes both exhibition views and individual artworks photographed in situ. In addition to exhibitions in galleries and nonprofit spaces, Stamm also photographed works installed in public spaces, graffiti and street art, and views of the gallery facades and architectural fabric of Lower Manhattan.

Stamm used the slides in his own teaching, and the collection includes a set of slides documenting periods of art history. Additional teaching material includes examples of course descriptions, syllabi, reading lists, and other teaching materials for courses taught by Stamm. Printed material includes an artist book, an exhibition catalog, and a monograph/catalog.
Arrangement:
The collection is arranged as three series.

Series 1: Slides, circa 1968-circa 1984 (Boxes 1-2; 2 linear feet)

Series 2: Teaching Material, 1977-1982 (Box 3; 0.1 linear feet)

Series 3: Printed Material, 1979-1986, 2018 (Box 3; 0.1 linear feet)
Biographical / Historical:
Ted Stamm (1944-1984) was a multidisciplinary conceptual artist and educator in New York, New York, known for his focused series of paintings, works on paper, and studies. Stamm's studies, such as the Wooster series, were influenced by the shapes, street contours, and intersections he could see from his studio on Wooster Street in SoHo.

Stamm was born in Brooklyn, New York, and attended Hofstra University, graduating with a Bachelor of Fine Arts in 1967. In 1968 he settled in New York City and his early work was included in exhibitions at the Brooklyn Museum Art School in New York and in the alumni show at Hofstra University in 1971.

From 1974 until his death in 1984, Stamm lived and worked on the top floor of 101 Wooster Street in New York City. There he began his iconic group of works titled Woosters, and subsequent series including Dodgers, from the Brooklyn Dodgers baseball team, C-Dodgers influenced by the Concorde planes he observed at John F. Kennedy Airport, and Designators, graffiti Stamm painted on buildings in stages which he would photograph each time he returned to develop the graffiti further.

Stamm's work was exhibited widely throughout his life, both internationally and in the United States. He taught classes at the School of Visual Arts, Hofstra University, and C. W. Post College, and was awarded National Endowment for the Arts and Guggenheim fellowships in 1981 and 1983.

Stamm died of congenital heart disease at the age of 39.
Provenance:
The collection was donated in 2022 by The Ted Stamm Estate via Per Haubro Jensen.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The Ted Stamm Estate donor has retained all intellectual property rights including copyright on all slides taken by Ted Stamm. Please contact the Ted Stamm Estate for copyright permission at tedstammestate.com.
Occupation:
Conceptual artists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Citation:
Ted Stamm slides of works of art and exhibitions, circa 1968-1986, 2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stammted
See more items in:
Ted Stamm slides of works of art and exhibitions
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99f8da07c-9ae9-4ba4-8d0a-f9c157a6ffaa
EDAN-URL:
ead_collection:sova-aaa-stammted
Online Media:

Lantern Slides

Collection Creator:
Hirsch, Stefan, 1899-1964  Search this
Rogo, Elsa, 1901-1996  Search this
Container:
Box 16, Folder 20-22
Type:
Archival materials
Date:
1920s
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Original film reels and archival negative copies are stored off-site and are closed to researchers.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Stefan Hirsch and Elsa Rogo papers, 1851-1986, bulk 1920s-1960s. Archives of American Art, Smithsonian Institution.
See more items in:
Stefan Hirsch and Elsa Rogo papers
Stefan Hirsch and Elsa Rogo papers / Series 7: Photographs and Motion Picture Films
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98125e1ff-2e8f-4893-8a19-286ff333d735
EDAN-URL:
ead_component:sova-aaa-hirsstef-ref263

Whitney Chadwick papers

Creator:
Chadwick, Whitney  Search this
Names:
Brooks, Romaine  Search this
Carrington, Leonora, 1917-2011  Search this
Hicks, Sheila, 1934-  Search this
Extent:
10.1 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Scrapbooks
Date:
circa 1970-2021
Scope and Contents:
The papers document art historian Whitney Chadwick's groundbreaking studies of gender and sexuality in surrealism, modernism, and contemporary art. Files include research materials for Chadwick's books including the seminal Women, Art and Society and Women Artists and the Surrealist Movement. Included are correspondence with artists, colleagues and publishers; photographs and slides; interviews on microcassettes; transcripts of interviews and letters; scripts for lectures and public talks; and documents related to rights and reproduction requests, speaking engagements, teaching at San Francisco State University, fellowship at the Radcliffe Institute, research in Scandinavian, and her honorary doctorate from the University of Gothenburg, Sweden. Artists of particular emphasis include Leonora Carrington, Romaine Brooks, and Sheila Hicks. Additional items include an early scrapbook detailing Chadwick's trip to Berlin as the recipient of an American Field Service "America Abroad" scholarship when in high school, and reviews and other materials related to her novel "Framed".
Biographical / Historical:
Whitney Chadwick (1943-) is an art historian in San Francisco, Calif.­ Chadwick was educated at Middlebury College and The Pennsylvania State University. She specialized in twentieth-century European and American art, feminism and gender studies. She taught at San Francisco State University. She was married to painter and fellow SFSU faculty member Robert Bechtle.
Provenance:
Donated in 2023 by Robert Firehock, Chadwick's nephew.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- California -- San Francisco  Search this
Topic:
Women art historians  Search this
Feminism and art  Search this
Genre/Form:
Interviews
Scrapbooks
Identifier:
AAA.chadwhit
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95cfbf4ba-8b4e-4fcd-8014-46512bcef7ca
EDAN-URL:
ead_collection:sova-aaa-chadwhit

Frame for Homer's Early Evening

Medium:
Gilded wood
Dimensions:
H x W x D: 116.6 x 132.7 x 11.8 cm (45 7/8 x 52 1/4 x 4 5/8 in)
Type:
Frame
Origin:
New York, United States
Date:
1907-1908
Topic:
gilding  Search this
flower  Search this
United States  Search this
American Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1908.14b
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye329b57803-51f6-441d-979f-42a58a62088f
EDAN-URL:
edanmdm:fsg_F1908.14b

Joplin, (sculpture)

Sculptor:
Serra, Richard 1939-2024  Search this
Medium:
Mild steel
Type:
Sculptures
Owner/Location:
St. Louis Art Museum Forest Park St. Louis Missouri 63110 Accession Number: 1971.337
Date:
1970
Topic:
Abstract  Search this
Control number:
IAS 28110069
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_26626

(Maquette for Tilted Arc), (sculpture)

Sculptor:
Serra, Richard 1939-2024  Search this
Medium:
Bent and incised steel
Type:
Sculptures-Model
Sculptures
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1981.188
Date:
1980
Topic:
Abstract--Geometric  Search this
Study--Maquette  Search this
Control number:
IAS 08581834
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_293662

5:30, (sculpture)

Title:
Five Thirty, (sculpture)
Sculptor:
Serra, Richard 1939-2024  Search this
Medium:
Corten steel
Type:
Sculptures
Owner/Location:
Musee nationale d'Art Moderne Centre Georges-Pompidou rue Beaubourg Paris France 75004 Accession Number: AM 1983-454
Topic:
Abstract--Geometric  Search this
Allegory--Time  Search this
Control number:
IAS 66020081
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_297401

Plinths, (sculpture)

Sculptor:
Serra, Richard 1939-2024  Search this
Type:
Sculptures
Owner/Location:
Musee nationale d'Art Moderne Centre Georges-Pompidou rue Beaubourg Paris France 75004
Topic:
Architecture  Search this
Control number:
IAS 66020082
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_297402

Corner Prop No. 7 (For Nathalie), (sculpture)

Sculptor:
Serra, Richard 1939-2024  Search this
Type:
Sculptures
Owner/Location:
Musee nationale d'Art Moderne Centre Georges-Pompidou rue Beaubourg Paris France 75004
Topic:
Object  Search this
Control number:
IAS 66020083
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_297403

Tearing Lead From 1:00 to 1:47, (sculpture)

Sculptor:
Serra, Richard 1939-2024  Search this
Type:
Sculptures
Owner/Location:
Musee nationale d'Art Moderne Centre Georges-Pompidou rue Beaubourg Paris France 75004
Topic:
Undetermined  Search this
Control number:
IAS 66020084
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_297404

Twain, (sculpture)

Title:
Serra, (sculpture)
Sculptor:
Serra, Richard 1939-2024  Search this
Medium:
Cor-Ten steel
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by City of St. Louis Department of Parks, Recreation, and Forestry 5600 Clayton Avenue St. Louis Missouri 63110
Located Gateway Mall Market Street, between 10th & 11th Streets St. Louis Missouri
Date:
1976-1981. Dedicated 1982
Topic:
Abstract--Geometric  Search this
Control number:
IAS 87810038
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_298712

7 Objects/69: Rolled, Encased, & Sawed, (sculpture)

Title:
Rolled, Encased, & Sawed, (sculpture)
Sculptor:
Serra, Richard 1939-2024  Search this
Fabricator:
Tanglewood Press  Search this
Medium:
Chemical lead rolled and encased in lead pipe, sawed into 12" length
Type:
Sculptures
Owner/Location:
Washington University Mildred Lane Kemper Art Museum Campus Box 1214, One Brookings Drive St. Louis Missouri 63130 Accession Number: WU 4430F
Date:
1969
Topic:
Abstract  Search this
Control number:
IAS 28280023
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_300782

Wright's Triangle, (sculpture)

Sculptor:
Serra, Richard 1939-2024  Search this
Medium:
Cor-Ten Steel
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Western Washington University Western Gallery Adjacent to Arts Annex & Western Gallery Bellingham Washington 98225
Date:
1979-1980
Topic:
Abstract--Geometric  Search this
Control number:
IAS 87980049
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_302953

Five Plates, Two Poles, (sculpture)

Sculptor:
Serra, Richard 1939-2024  Search this
Medium:
Steel
Type:
Sculptures
Owner/Location:
National Gallery of Art Fourth Street & Constitution Avenue, N.W Washington District of Columbia 20565
Date:
1971
Topic:
Abstract  Search this
Control number:
IAS 08600079
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_349106

2-2-1: To Dickie and Tina, (sculpture)

Title:
Two - Two - One: To Dickie and Tina, (sculpture)
Sculptor:
Serra, Richard 1939-2024  Search this
Medium:
Steel
Type:
Sculptures
Owner/Location:
Smithsonian Institution Hirshhorn Museum and Sculpture Garden Independence Avenue at 8th Street, S.W Washington District of Columbia 20560 Accession Number: 86.5898A-F
Date:
Modeled 1969. Fabricated 1986
Topic:
Abstract--Geometric  Search this
Control number:
IAS 61570037
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_373068

Wake, (sculpture)

Sculptor:
Serra, Richard 1939-2024  Search this
Medium:
Weatherproof steel
Type:
Sculptures
Sculptures-Outdoor Sculpture
Owner/Location:
Seattle Art Museum 100 University Street Seattle Washington 98101 Accession Number: 2004.94
Date:
2004
Topic:
Abstract  Search this
Control number:
IAS 56490005
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_424251

American Woman

Creator:
Smithsonian Magazine  Search this
Type:
Sound recordings
Podcast
MIME Type:
audio/mpeg
Uploaded:
Mon, 1 Jun 2010 15:00:00 EST
Topic:
Inventions  Search this
Innovations  Search this
See more episodes:
Smithsonian magazine's Museum Day September 25th 2010
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:podcasts_800eed394307a7235d15d332d608fbf1

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