Search Results

Artist:

Hans Hofmann, born Weissenberg, Germany 1880-died New York City 1966  Search this

Medium:

watercolor and gouache on paper

Dimensions:

sheet: 28 × 22 in. (71.1 × 55.9 cm) frame: 29 3/4 × 23 1/2 in. (75.6 × 59.7 cm)

Type:

Drawing

Date:

1944

Topic:

Abstract  Search this

Credit Line:

Smithsonian American Art Museum, The Estate of the Honorable Jack Faxon

Object number:

2021.39.3

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk76167c5e3-4005-4569-aad2-fca169877b0c

EDAN-URL:

edanmdm:saam_2021.39.3

Artist:

Bill Witt, 1921 - 2013  Search this

Sitter:

Hans Hofmann, 21 Mar 1880 - 17 Feb 1966  Search this

Medium:

Selenium-toned gelatin silver print

Dimensions:

Image: 32.9 × 32.1 cm (12 15/16 × 12 5/8")

Sheet: 40.6 × 45.4 cm (16 × 17 7/8")

Type:

Photograph

Place:

United States\Massachusetts\Barnstable\Provincetown

Date:

1948

Topic:

Architecture\Window  Search this

Interior\Studio\Art  Search this

Architecture\Loft  Search this

Hans Hofmann: Male  Search this

Hans Hofmann: Visual Arts\Artist\Painter  Search this

Hans Hofmann: Visual Arts\Art instructor  Search this

Hans Hofmann: Visual Arts\Artist\Abstract Expressionist  Search this

Hans Hofmann: Literature\Writer\Art writer  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution; gift of Bill Witt

Object number:

NPG.93.144

Restrictions & Rights:

Usage conditions apply

Copyright:

© BIll Witt

See more items in:

National Portrait Gallery Collection

Location:

Currently not on view

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm43e6f179f-de5f-4302-9b00-a0961f06cfba

EDAN-URL:

edanmdm:npg_NPG.93.144

Creator:

Goodman, Cynthia  Search this

Names:

Everson Museum of Art  Search this

Kwangju Piennalle  Search this

Hofmann, Hans, 1880-1966  Search this

Paik, Nam June, 1932-2006  Search this

Extent:

33.2 Linear feet

.340 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Moving images

Motion pictures

Sound recordings

Video recordings

Panel discussions

Lectures

Date:

circa 1944-2001

bulk 1975-1996

Summary:

The papers of curator and writer, Cynthia Goodman, date from circa circa 1944-2001, bulk 1975-1996 and measure 33.2 linear feet and .340 Gigabytes. The collection is comprised of artist files, records documenting computer and technological art, and research on Hans Hofmann and the New York School. The papers document Goodman's graduate and professional career including her studies in art history and early career writing and organizing exhibitions around Hans Hofmann and his legacy, and later her research related to the nascent computer art. The papers, organized primarily by project and artist files, include biographical material, interviews with artists, correspondence, writings, printed material, photographs and audio-visual material.

Scope and Contents:

The papers of curator and writer, Cynthia Goodman, date from circa circa 1944-2001, bulk 1975-1996 and measure 33.2 linear feet and .340 Gigabytes.

The artist file series is comprised of correspondence and promotional materials in various formats including resumes, invitations, slides, and audio-visual and born-digital portfolio submissions.

The computer and technological art series is comprised of research material, conference materials, writings, and exhibition files relating to two major exhibitions organized by Cynthia Goodman: Digital Visions: Computers and Art, Everson Museum of Art (1987), and the InfoArt Pavilion at Kwangju Biennale (1995), co-curated with artist Nam June Paik. Both shows were accompanied by exhibition catalogs, the latter in CD-ROM format, innovated as one of the first of its kind.

The Hans Hofmann and the New York School Material series consists of Goodman's early academic career studying Hofmann and his contemporaries, culminating in a PhD dissertation from University of Pennsylvania in 1982. This material includes records related to the Chester Dale Fellowship at the Metropolitan Museum of Art where Goodman worked on a catalogue raisonné for the artist. Also included are records related to the 1986 monograph on Hofmann as well as the exhibition file for a Hofmann retrospective staged at the Whitney Museum of American Art in 1990, as well as other traveling exhibitions on Hofmann and his students, as well as Fritz Bultman. Research material includes numerous original sound recordings and interviews.

Arrangement:

The collection is arranged as three series:

Series 1: Artist Files, circa 1964-2000 (13.4 Linear feet: Boxes 1-12, 33-35)

Series 2: Computer and Technological Art, circa 1960s-2001 (14.6 Linear feet: Boxes 13-26, 33-35; 0.34 Gigabytes: ER0001)

Series 3: Hans Hofmann and the New York School, circa 1944-1996 (5.2 Linear feet: Boxes 26-32, 34)

Biographical / Historical:

Cynthia Goodman is an independent curator and writer born in, and currently based in Cincinnati, Ohio. She is particularly well-known for her work with emergent art technologies, particularly those relevant to Computer Art. Cynthia Goodman received her Ph.D. in Art History from the University of Pennsylvania in 1982. She curated the traveling exhibition Digital Visions: Computers and Art , Everson Museum of Art in 1987, and the InfoArt Pavilion at Kwangju Biennale (1995), co-curated with artist Nam June Paik. Both shows were accompanied by exhibition catalogs, the latter in CD-ROM format, innovated as one of the first of its kind. Following the success of the Digital Visions Cynthia briefly taught art history and aesthetics in the Master of Fine Arts program in Computer Art at the School of Visual Arts in New York City.

Goodman's early career was devoted to her investigations into the work and legacy of artist Hans Hofmann and his contemporaries, culminating in a PhD dissertation from University of Pennsylvania in 1982. She was awarded the position of Chester Dale Fellowship at the Metropolitan Museum of Art where Goodman worked on a catalogue raisonné for the artist and towards the end of her time organized Hans Hofmann as Teacher: Drawings by His Students, Metropolitan Museum of Art, 1979. She also authored the monograph and exhibition catalog Hans Hofmann, for Abbeville Press in 1986 and organized a retrospective exhibition for the artist at the Whitney Museum of American Art in 1990.

Goodman has acted as advisor to corporations including IBM, Polaroid, and Time Warner. In addition she acted as Director of the IBM Gallery of Science and Art, New York, New York from 1987-1990. She was appointed Fellow at the Center for Advanced Visual Studies, Massachusetts Institute of Technology, she was Director of Arttransition '90, an international conference on art, science and technology.

Provenance:

The collection was donated in 2019 by Cynthia Goodman.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Curators -- Ohio -- Cincinnati  Search this

Authors -- Ohio -- Cincinnati  Search this

Topic:

Computer Art  Search this

Women authors  Search this

Abstract expressionism  Search this

Interviews  Search this

Video art  Search this

Genre/Form:

Moving images

Motion pictures

Sound recordings

Video recordings

Panel discussions

Lectures

Citation:

Cynthia Goodman papers, circa 1944-2001, bulk 1975-1996. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.goodcynt

See more items in:

Cynthia Goodman papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b647b5a4-6a83-47db-bac0-73e1906029e8

EDAN-URL:

ead_collection:sova-aaa-goodcynt

Interviewee:

Bengelsdorf, Rosalind, 1916-1979  Search this

Interviewer:

Sandler, Irving, 1925-  Search this

Subject:

Browne, Byron  Search this

Hofmann, Hans  Search this

Holty, Carl  Search this

Gorky, Arshile  Search this

Greene, Balcomb  Search this

Lassaw, Ibram  Search this

Matulka, Jan  Search this

Diller, Burgoyne  Search this

De Kooning, Willem  Search this

Davis, Stuart  Search this

American Abstract Artists  Search this

Art Students League (New York, N.Y.)  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Rosalind Bengelsdorf Browne, 1968 January 29-February 16. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women painters  Search this

Women art critics  Search this

Women educators  Search this

Art, American  Search this

Art, Abstract  Search this

Cubism -- New York (State) -- New York  Search this

Theme:

Women  Search this

Record number:

(DSI-AAA_CollID)12786

(DSI-AAA_SIRISBib)212563

AAA_collcode_bengel68

Theme:

Women

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_212563

Interviewee:

Bengelsdorf, Rosalind, 1916-1979  Search this

Interviewer:

Sandler, Irving, 1925-  Search this

Names:

American Abstract Artists  Search this

Art Students League (New York, N.Y.)  Search this

Browne, Byron, 1907-1961  Search this

Davis, Stuart, 1892-1964  Search this

De Kooning, Willem, 1904-1997  Search this

Diller, Burgoyne, 1906-1965  Search this

Gorky, Arshile, 1904-1948  Search this

Greene, Balcomb, 1904-1990  Search this

Hofmann, Hans, 1880-1966  Search this

Holty, Carl, 1900-1973  Search this

Lassaw, Ibram, 1913-2003  Search this

Matulka, Jan, 1890-1972  Search this

Extent:

242 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1968 January 29-February 16

Scope and Contents:

An interview of Rosalind Bengelsdorf Browne conducted 1968 January 29-February 16, by Irving Sandler, for the Archives of American Art. Bengelsdorf Browne discusses her association with the American Abstract Artists group during the 1930s, 1940s, and 1950s. She speaks at length of her late husband, Byron Browne, and her associations with artists including Arshile Gorky and Willem de Kooning, among others. She reads excerpts from her speeches to artist groups.

Biographical / Historical:

Rosalind Bengelsdorf Browne (1916-1979) was a painter, art critic and teacher in New York, New York. She was a member of the New York Art Students' League and the American Abstract Artists.

General:

Originally recorded on 3 sound tape reels. Reformatted in 2010 as 12 digital wav files. Duration is 6 hrs., 20 min.

Provenance:

This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.

Restrictions:

This interview is open for research. Contact Reference Services for more information.

Occupation:

Painters -- New York (State) -- New York  Search this

Art critics -- New York (State) -- New York  Search this

Educators -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Women painters  Search this

Women art critics  Search this

Women educators  Search this

Art, American  Search this

Art, Abstract  Search this

Cubism -- New York (State) -- New York  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

This interview received support from the Smithsonian American Women's History Initiative Pool.

Identifier:

AAA.bengel68

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9f1a856b2-f2b2-412f-99e8-56bc75612602

EDAN-URL:

ead_collection:sova-aaa-bengel68

Interviewee:

Blaine, Nell Blair Walden, 1922-1996  Search this

Interviewer:

Seckler, Dorothy Gees, 1910-1994  Search this

Subject:

Bell, Leland  Search this

Day, Worden  Search this

Freilicher, Jack  Search this

Freilicher, Jane  Search this

Hofmann, Hans  Search this

Kahn, Wolf  Search this

Kresch, Albert  Search this

Rivers, Larry  Search this

Ross, Alvin  Search this

Solomon, Hyde  Search this

American Abstract Artists  Search this

Jane Street Gallery (New York, N.Y.)  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Nell Blaine, 1967 June 15. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women painters  Search this

Women printmakers  Search this

Poliomyelitis  Search this

Artists with disabilities  Search this

Theme:

Women  Search this

Record number:

(DSI-AAA_CollID)12436

(DSI-AAA_SIRISBib)212221

AAA_collcode_blaine67

Theme:

Women

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_212221

Interviewee:

Blaine, Nell, 1922-1996  Search this

Interviewer:

Seckler, Dorothy Gees, 1910-1994  Search this

Names:

American Abstract Artists  Search this

Jane Street Gallery (New York, N.Y.)  Search this

Bell, Leland  Search this

Day, Worden, 1916-1986  Search this

Freilicher, Jack  Search this

Freilicher, Jane, 1924-2014  Search this

Hofmann, Hans, 1880-1966  Search this

Kahn, Wolf, 1927-2020  Search this

Kresch, Albert, 1922-2022  Search this

Rivers, Larry, 1925-2002  Search this

Ross, Alvin, 1920-1975  Search this

Solomon, Hyde, 1911-  Search this

Extent:

86 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1967 June 15

Scope and Contents:

An interview of Nell Blaine conducted 1967 June 15, by Dorothy Seckler, for the Archives of American Art.

Blaine speaks of her family background; her competitive spirit; commercial art; becoming a "disciple" of Hans Hofmann; Hofmann as a teacher; the influence of Arp, Helion, Leger and Mondrian; the American Abstract Artists group; the Jane Street Gallery; jazz musicians; painting in Paris, Italy, Mexico, Greece, England, and elsewhere; her paralysis caused by polio; design work with Alvin H. Ross; her interest in color and light; landscape and figurative paintings; and the contemporary art scene. She recalls Leland Bell, Worden Day, Jane and Jack Freilicher, Wolf Kahn, Albert Kresch, Larry Rivers, Hyde Solomon, and others.

Biographical / Historical:

Nell Blaine (1922-1996) was a painter in New York, New York.

General:

Originally recorded 2 sound tape reels. Reformatted in 2010 as 6 digital wav files. Duration is 2 hr.

Provenance:

This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.

Restrictions:

This interview is open for research. Contact Reference Services for more information.

Occupation:

Printmakers -- New York (State) -- New York  Search this

Painters -- New York (State) -- New York  Search this

Illustrators -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Women painters  Search this

Women printmakers  Search this

Poliomyelitis  Search this

Artists with disabilities  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

This interview received support from the Smithsonian American Women's History Initiative Pool.

Identifier:

AAA.blaine67

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw90dab60cd-70c6-4a88-a98b-da4794a49583

EDAN-URL:

ead_collection:sova-aaa-blaine67

Artist:

Hans Hofmann, American, b. Weissenburg, Germany, 1880–1966  Search this

Medium:

Oil on wood

Dimensions:

48 1/8 x 36 1/8 in. (122 x 91.5 cm)

Type:

Painting

Date:

1957

Credit Line:

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966

Accession Number:

66.2482

See more items in:

Hirshhorn Museum and Sculpture Garden Collection

School:

Formalist Abstraction

On View:

Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor

Data Source:

Hirshhorn Museum and Sculpture Garden

GUID:

http://n2t.net/ark:/65665/py2314cafe8-e2fd-4911-9dd9-6d6d8dbe0fc8

EDAN-URL:

edanmdm:hmsg_66.2482

Creator:

André Emmerich Gallery  Search this

Names:

Galerie André Emmerich  Search this

Sotheby Parke Bernet & Co.  Search this

Sotheby's (Firm)  Search this

Caro, Anthony, 1924-  Search this

Emmerich, André  Search this

Francis, Sam, 1923-1994  Search this

Frankenthaler, Helen, 1928-2011  Search this

Greenberg, Clement, 1909-1994  Search this

Hockney, David  Search this

Hofmann, Hans, 1880-1966  Search this

Louis, Morris, 1912-1962  Search this

Noland, Kenneth, 1924-2010  Search this

Olitski, Jules, 1922-2007  Search this

Pepper, Beverly  Search this

Extent:

311.4 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Visitors' books

Sound recordings

Video recordings

Scrapbooks

Etchings

Date:

circa 1929-2009

Summary:

The André Emmerich Gallery records and André Emmerich papers measure 311.4 linear feet and date from 1929 to 2009. The collection documents the business of the André Emmerich Gallery as well as André Emmerich's life and activities related to the business of selling art. Gallery records include correspondence; appointment books; administrative and subject files; exhibition files; artist files and accounts; inventory, sales, purchase, and consignment records; chronological files; financial and legal records; printed materials; original artwork; photographic and audiovisual materials. Also found are personal papers and records relating to André Emmerich. A small addition received in 2014 includes general correspondence, administrative files, exhibition files, artists' files, inventory records, consignment records, printed material, photographic materials, and André Emmerich personal papers and records.

Scope and Content Note:

The André Emmerich Gallery records and André Emmerich papers measure 311.4 linear feet and date from 1929 to 2009. The collection documents the business of the André Emmerich Gallery as well as André Emmerich's life and activities related to the business of selling art. Gallery records include correspondence; appointment books; administrative and subject files; exhibition files; artist files and accounts; inventory, sales, purchase, and consignment records; chronological files; financial and legal records; printed materials; original artwork; photographic and audiovisual materials. Also found are personal papers and records relating to André Emmerich.

The records document the gallery's daily business operations, exhibitions, and relationships with artists, dealers, clients, galleries, and museums. Artists particularly well-represented throughout the collection include Anthony Caro, Sam Francis, Helen Frankenthaler, David Hockney, Hans Hofmann, Morris Louis, Kenneth Noland, Jules Olitski, and Beverly Pepper.

Records pre-dating the gallery's establishment in 1954 are primarily newspaper and magazine clippings related to artists, personal photographs and photographs of artists, an original etching, and some of André Emmerich's personal records including biographical materials, correspondence, writings, and legal and financial records. Records post-dating the gallery's closure in 1998 are primarily residual business records related to the final disposition of artwork, clippings, photographs of André Emmerich and gallery staff, biographical materials, personal correspondence, writings, legal and financial records, and condolences received by Emmerich's wife upon his death in 2007.

Correspondence is primarily with galleries, museums and clients about business matters. Correspondence files also cover topics such as appraisals, authentications, offers of sale, artists seeking representation, image requests, job applications and recommendations. Also included are the New York gallery's copies of correspondence between the New York staff and the Zurich staff.

André Emmerich's appointment books document appointments, notes, and reminders about Emmerich's business and personal activities. Four appointment books relating to the birth of Emmerich's three sons and second marriage were kept by the family. The appointment books are access restricted and require written permission to use.

Administrative files include corporate records establishing the Andre Emmerich gallery's structure, records documenting the gallery's daily operations, advertising and publicity material, and records about the Sotheby's acquisition. There are also materials related to Top Gallant Farm, from its establishment to its closure. Travel records relate to André Emmerich's business trips and vacations along with some files on the travels of a several staff members at the gallery. Files about the operations of the Galerie André Emmerich in Zurich, Switzerland are included in the series as well.

Subject files relate to Emmerich's gallery business as well as personal and political interests, such as antiquities, art fairs and exhibitions, lecture research, art associations, and sculpture parks. There are several files on the art critic Clement Greenberg and former president of Gay Men's Health Crisis, Nathan Kolodner, who was also an art dealer and director of the Andre Emmerich Gallery.

Exhibition files contain numerous exhibition catalogs and printed materials related to exhibitions held or organized by the André Emmerich Gallery in Manhattan and Galerie André Emmerich in Zurich. The files contain materials ranging such as exhibition invitations, posters, printed materials, press releases, and guest books. Photographs of exhibitions can be found in the Photographic Materials series.

Artist files include biographical materials, clippings, correspondence, mailing lists, price lists, printed materials, and occasionally lectures, writings, and audiovisual materials for many of the artists represented or shown by André Emmerich Gallery. The General Correspondence files might contain duplicates or expanded versions of some of the correspondence. Photographs of artists can be found in the Photographic Materials series.

Artist accounts comprise account statements prepared periodically by the gallery documenting each artist's expenses and sales. Ledgers and general accounting files can be found in the Other Financial and Legal Records series.

Inventory records include inventory cards describing artwork entering and leaving the gallery and files containing various gallery inventories. Artist inventory cards, representing artists from both the New York and Zurich galleries, list the artist, title, date, media and measurements of an artwork. The cards also indicate whether the work was ultimately sold, returned to the artist, consigned, etc., and divided into categories accordingly. Inventory files show various gallery inventories.

Sales records document gallery sales and include paid invoices, records relating to Zurich sales, general sales records such as price lists and canceled sales, and Sotheby's Parke-Bernet auction reports. There are gaps in sales invoices in 1961-1964 and 1969-1971.

Purchase records include correspondence and invoices related to purchases and offers; annotated invoices for works of art bought by the gallery; André Emmerich, Inc. related purchase records; "Non-Modern" art related purchase records.

Consignment records include correspondence and consignment agreements documenting consignments to and from the André Emmerich Gallery; consignments from other galleries to André Emmerich, Inc.; and general consignment records.

Chronological files include copies of invoices or cover letters documenting the movement of artwork into and out of the gallery through sales, consignments, loans, and approvals. Records dating January through August 1968, January through March 1969, and September 1969 through July 1971 are missing.

Financial and legal records include client and partner account statements, resale and exempt organization certificates, accounting ledgers, and legal files related to disputes involving or of interest to the gallery.

Printed materials include auction catalogs and reports, books, and clippings describing André Emmerich, the galleries in New York and Zurich, Top Gallant Farm, and the art world. Also included is a large scrapbook created by the gallery containing clippings and gallery announcements dated 1955-1958. Clippings relating to particular artists can be found in the Artists Files series.

There are two pieces of original artwork in the collection. One is a 1974 print of a 1933 composite etching by Esther Dick Gottlieb, Adolphe Gottlieb, Edgar Levy, Lucille Corcos Levy, David Smith, and Dorothy Dehner Smith. The second is a 1998 lithograph by Louise Bourgeoise, called The Face of the Critic. The artist gave the lithograph as a gift in honor of Robert Hughes and the Archives of American Art and is numbered 61 out of a series of 300.

Photographic materials include prints, slides, negatives, and transparencies. Subjects include artists, André Emmerich, gallery installations, Top Gallant Farm, events, artists' studios, gallery staff, gallery space, and artwork. Photographs which show André Emmerich are indicated as such in the finding aid.

Audiovisual materials includes videocassettes and one audiocassette related to the art world. Videocassettes related to specific artists can be found in the Artists Files series. Videocassettes related to André Emmerich can be found in the André Emmerich Personal Papers and Records series. Videocassettes related to Top Gallant Farm and Sotheby's can be found in the Administrative Files series.

Personal papers and records relating to André Emmerich include biographical materials, personal correspondence, writings and lectures, and legal and financial records. The biographical materials include an address book, interviews and identifying documents. Writings include articles, edits, dissertations, lectures, etc. There are also some miscellaneous correspondence which is organized chronologically.

The small addition received in 2014 includes general correspondence, administrative files, exhibition files, artists' files, inventory records, consignment records, printed material, photographic materials, and André Emmerich personal papers and records.

Arrangement:

The collection is arranged as 19 series:

Missing Title

Series 1: General Correspondence Files, 1958-2006 (boxes 1-18, OV 314-315; 18.2 linear feet)

Series 2: André Emmerich Appointment Books, 1954-2007 (boxes 19, 325, 326; 1.7 linear feet)

Series 3: Administrative Files, 1954-2003 (boxes 20-31, 306, OV 314, OV 316-319; 11 linear feet)

Series 4: Subject Files, 1958-1967, 1971-2000 (boxes 31-32, 306, OV 318, OV 320; 2 linear feet)

Series 5: Exhibition Files, circa 1954-1998 (boxes 32-40, 306, 307, OV 318-322; 8.5 linear feet)

Series 6: Artists Files, 1929-1932, 1938-2007 (boxes 40-68, 307, 308, OV 320-323; 28 linear feet)

Series 7: Artist Accounts, 1958-1998 (boxes 68-81; 13.5 linear feet)

Series 8: Inventory Records, circa 1954-2000(boxes 82-128; 46.5 linear feet)

Series 9: Sales Records, 1959-1998 (boxes 128-168; 40 linear feet)

Series 10: Purchase Records, 1961-1966, 1972-1994 (boxes 168-170; 2 linear feet)

Series 11: Consignment Records, 1961-2002 (boxes 170-177; 7.7 linear feet)

Series 12: Chronological File of Incoming and Outgoing Artwork, 1968-1998 (boxes 178-185; 8 linear feet)

Series 13: Other Financial and Legal Records, 1956-1999 (boxes 186-202; 16.5 linear feet)

Series 14: Printed Materials, 1955-1960, 1965-2008 (boxes 202-204, 308, 309; 3 linear feet)

Series 15: Original Artwork, 1933, 1974, 1998 (box 205, 310; 0.7 linear feet (2 folders))

Series 16: Photographic Materials, circa 1930-1935, 1941-1998, circa 2005 (Boxes 205-296, 311-313, OV 324; 92.8 linear feet)

Series 17: General Audio and Video Recordings, 1985, 1990-1995 (Boxes 297-298; 1.3 linear feet)

Series 18: André Emmerich Personal Papers and Records, 1937-1940, 1946-2008 (Boxes 298-305, OV 321, OV 323; 7.7 linear feet)

Series 19: Addition to the The André Emmerich Gallery records and André Emmerich papers, 1956-2009 (Boxes 328-329, OV 330; 2.1 linear feet)

Historical Note:

André Emmerich (1924-2007) was one of America's most noted contemporary art dealers and opened the André Emmerich Gallery in New York in 1954. The gallery showcased contemporary art, particularly Color Field painting and monumental sculpture.

André Emmerich was born on October 11, 1924 in Frankfurt, Germany. From age 7 he was raised in Amsterdam before emigrating with his family to New York City in 1940. He studied at Oberlin College and developed an interest in pre-Columbian art and antiquities. After graduation, he spent ten years in Paris working as a writer and editor before returning to New York. He married Constance Emmerich and the couple had three sons, Adam, Noah, and Toby.

In 1954 Emmerich opened the André Emmerich Gallery at 18 East 77th Street and initially specialized in contemporary American and European art and pre-Columbian antiquities. In 1956, the gallery moved to 17 East 64th Street, and in 1959 to the Fuller Building at 41 East 57th Street. Emmerich wrote two books about pre-Columbian art, Art Before Columbus in 1963 and Sweat of the Sun, Tears of the Moon: Gold and Silver in Pre-Columbian Art in 1965.

In 1961, Emmerich learned that French and Company, a gallery advised by art critic Clement Greenberg, was closing its department of contemporary art. French and Company had represented Color Field painters Morris Louis, Kenneth Noland, and Jules Olitski. Emmerich immediately invited Louis and Noland to be represented by his gallery. In 1966 he extended the invitation to Olitski as well, and Helen Frankenthaler joined soon after. The gallery's reputation as one of the earliest and most important promoters of Color Field painters was launched.

In addition to Color Field painters, the gallery represented, among others, Pierre Alechinsky, Karel Appel, Milton Avery, Herbert Ferber, Sam Francis, John Graham, Al Held, David Hockney, Hans Hofmann, John Hoyland, Judy Pfaff, Miriam Schapiro, and Anne Truitt.

Until January 1983, sales of pre-Columbian art primarily went through an entity called André Emmerich Inc. (AE Inc.), while sales of contemporary went through the André Emmerich Gallery Inc. (AEG). In 1983, the two entities were merged and operated under the name André Emmerich Gallery Inc.

In 1971, Emmerich began operating a downtown gallery at 420 West Broadway, in SoHo, in space shared with Leo Castelli, Virginia Dwan, and Ileana Sonnabend. In 1972, Emmerich opened a branch of his gallery in Zurich. He incorporated the Galerie André Emmerich Gmbh primarily for the purpose of leasing gallery space in Zurich. Until February 1974, sales of Pre-Columbian art in Zurich were made by an entity called André Emmerich Gallery Inc., New York Filiale Zurich. The Galerie André Emmerich Gmbh was officially liquidated in May 1982. The Filiale was formally closed in October 1996. Galerie André Emmerich also enjoyed a short-lived joint venture with Gimpel & Hanover.

André Emmerich served as president of the Art Dealers Association of America from 1972-1974 and again from 1991-1994.

Emmerich opened a private 150 acre sculpture park, Top Gallant Farm, on his estate in Pawling, New York, in 1982, where he stored and exhibited monumental sculptures by artists his gallery represented including Anthony Caro, Beverly Pepper, Alexander Liberman, Alexander Calder, Mark di Suvero, George Rickey, and Keith Haring. David Hockney painted waves onto floor of the property's swimming pool in 1986. Emmerich operated the sculpture park until 1996.

Emmerich sold his gallery to Sotheby's in 1996. He continued to be affiliated with the gallery until Sotheby's closed the gallery in 1998. Emmerich then began work on his memoir, My Life With Art, excerpts of which have been published in Art News, the Wall Street Journal, and The New Criterion.

Andre Emmerich died in New York 2007 and is survived by his second wife, Susanne Emmerich.

Related Material:

Among the holdings of the Archives of American Art is an oral history interview with André Emmerich conducted by Mona Hadler on January 18, 1993.

Provenance:

The André Emmerich Gallery records and André Emmerich papers were donated to the Archives of American Art by André Emmerich in eight accretions between 1999 and 2002. Two additional accretions were donated by Emmerich's wife Susanne in 2008 and 2009; and by James Yohe, executive director (1990-1999), in 2009 and 2014.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Sculpture, Abstract  Search this

Color-field painting  Search this

Art -- Economic aspects  Search this

Artists' studios -- Photographs  Search this

Function:

Art galleries, Commercial -- New York (State)

Art galleries, Commercial -- Switzerland

Genre/Form:

Photographs

Visitors' books

Sound recordings

Video recordings

Scrapbooks

Etchings

Citation:

André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Leon Levy Foundation.

Identifier:

AAA.andremmg

See more items in:

André Emmerich Gallery Records and André Emmerich Papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw995f3b4aa-1b0f-46f4-8b5d-e0bf1191a740

EDAN-URL:

ead_collection:sova-aaa-andremmg

Creator:

Kootz Gallery (New York, N.Y.)  Search this

Subject:

Kootz, Samuel M.  Search this

Hare, David  Search this

Picasso, Pablo  Search this

Hofmann, Hans  Search this

Baziotes, William  Search this

Motherwell, Robert  Search this

Type:

Scrapbooks

Citation:

Kootz Gallery records, 1923-1966. Archives of American Art, Smithsonian Institution.

Topic:

Abstract expressionism  Search this

Modernism (Art)  Search this

Theme:

Art Gallery Records  Search this

Art Market  Search this

Record number:

(DSI-AAA_CollID)9163

(DSI-AAA_SIRISBib)211357

AAA_collcode_kootgall

Theme:

Art Gallery Records

Art Market

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211357

Creator:

Knaths, Karl, 1891-  Search this

Subject:

Einstein, Carl  Search this

Hofmann, Hans  Search this

Phillips, Marjorie  Search this

Mondrian, Piet  Search this

Mocsanyi, Paul  Search this

Meierhans, Joseph  Search this

Mehler, F. A.  Search this

Malevich, Kazimir Severinovich  Search this

Knaths, Karl  Search this

Phillips, Duncan  Search this

Roseberg, Paul and Company  Search this

Type:

Diaries

Sketchbooks

Paintings

Manuscripts

Prints

Sketches

Transcripts

Citation:

Karl Knaths papers, 1890-1973, bulk 1922-1971. Archives of American Art, Smithsonian Institution.

Topic:

Painting -- Study and teaching  Search this

Painting -- Technique  Search this

Cubism  Search this

Art -- Technique  Search this

Color in art  Search this

Art -- Study and teaching  Search this

Theme:

Diaries  Search this

Sketches & Sketchbooks  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)7754

(DSI-AAA_SIRISBib)209919

AAA_collcode_knatkarp

Theme:

Diaries

Sketches & Sketchbooks

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209919

Creator:

Halper, Nathan, 1907-1983  Search this

Subject:

Stankiewicz, Richard  Search this

Smith, David  Search this

Avery, Milton  Search this

Brodie, Gandy  Search this

Botkin, Henry  Search this

Caro, Anthony  Search this

Motherwell, Robert  Search this

Cuddihy, John Murray  Search this

Gottlieb, Adolph  Search this

Hartley, Marsden  Search this

Hofmann, Hans  Search this

Kootz, Samuel Melvin  Search this

National Association of Women Artists (U.S.)  Search this

Sun Gallery (Provincetown, Mass.)  Search this

H.C. Gallery (Provincetown, Mass.)  Search this

H.C.E. Gallery (Provincetown, Mass.)  Search this

Kootz Gallery (N.Y.)  Search this

Type:

Photographs

Gallery records

Visitors' books

Citation:

Nathan Halper business records, 1952-1979. Archives of American Art, Smithsonian Institution.

Topic:

Art -- Massachusetts -- Provincetown  Search this

Art, Modern -- 20th century -- United States  Search this

Theme:

Art Market  Search this

Record number:

(DSI-AAA_CollID)9671

(DSI-AAA_SIRISBib)211879

AAA_collcode_halpnath

Theme:

Art Market

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211879

Creator:

Kootz Gallery (New York, N.Y.)  Search this

Subject:

Baziotes, William  Search this

De Kooning, Willem  Search this

Gorky, Arshile  Search this

Gottlieb, Adolph  Search this

Graves, Morris  Search this

Hofmann, Hans  Search this

Motherwell, Robert Burns  Search this

Pollock, Jackson  Search this

Reinhardt, Adolph Friedrich  Search this

Rothko, Mark  Search this

Tobey, Mark  Search this

Tomlin, Bradley Walker  Search this

Kootz Gallery (New York, N.Y.)  Search this

Type:

Printed Materials

Date:

1949 Sept. 14 - Oct. 3

Citation:

Kootz Gallery (New York, N.Y.). The Intrasubjectives, 1949 Sept. 14 - Oct. 3. Kootz Gallery records, 1923-1966. Archives of American Art, Smithsonian Institution.

Topic:

Art galleries, Commercial  Search this

Record number:

(DSI-AAA)9561

See more items in:

Kootz Gallery records, 1923-1966

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_9561

Creator:

Redmond, Roland Livingston, 1892-1982  Search this

Subject:

Baziotes, William  Search this

Bourgeois, Louise  Search this

Brooks, James  Search this

Bultman, Fritz  Search this

De Kooning, Willem  Search this

Ernst, Jimmy  Search this

Ferber, Herbert  Search this

Gottlieb, Adolph  Search this

Grippe, Peter J.  Search this

Hare, David  Search this

Hofmann, Hans  Search this

Lassaw, Ibram  Search this

Lipton, Seymour  Search this

Motherwell, Robert Burns  Search this

Newman, Barnett  Search this

Pollock, Jackson  Search this

Pousette-Dart, Richard  Search this

Reinhardt, Adolph Friedrich  Search this

Roszak, Theodore  Search this

Rothko, Mark  Search this

Schnabel, Day N.  Search this

Stamos, Theodoros  Search this

Sterne, Hedda  Search this

Still, Clyfford  Search this

Tomlin, Bradley Walker  Search this

Metropolitan Museum of Art (New York, N.Y.)  Search this

Type:

Correspondence

Place:

New York, N.Y.

Date:

1950 May 20

Citation:

Open letter to Roland L. Redmond, President of the Metropolitan Museum of Art, 1950 May 20. Hedda Sterne papers, 1939-1977. Archives of American Art, Smithsonian Institution.

Topic:

Exhibitions  Search this

Protesting  Search this

Record number:

(DSI-AAA)9959

See more items in:

Hedda Sterne papers, 1939-1977

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_9959

Artist:

Hans Hofmann, American, b. Weissenburg, Germany, 1880–1966  Search this

Medium:

Ink and crayon on paper

Dimensions:

14 x 16 15/16 in. (35.5 x 43 cm)

Type:

Drawing

Date:

1942

Credit Line:

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum purchase, 1977

Accession Number:

77.245

See more items in:

Hirshhorn Museum and Sculpture Garden Collection

School:

Formalist Abstraction

Data Source:

Hirshhorn Museum and Sculpture Garden

GUID:

http://n2t.net/ark:/65665/py2127075b0-ab20-49cc-b62e-5478ec044776

EDAN-URL:

edanmdm:hmsg_77.245

Interviewee:

Ferrara, Jackie  Search this

Interviewer:

Berman, Avis  Search this

Creator:

United States. General Services Administration. Design Excellence and the Arts Oral History Project  Search this

Names:

Michigan State University -- Students  Search this

United States. General Services Administration. Design Excellence and the Arts Oral History Project  Search this

Wayne State University -- Students  Search this

Addams, Charles, 1912-1988  Search this

Andre, Carl, 1935-  Search this

Beauchamp, Robert, 1923-  Search this

Bellamy, Richard  Search this

DeLap, Tony, 1927-2019  Search this

Eisenhauer, Lette  Search this

Ferrara, Don  Search this

Forst, Miles, 1923-  Search this

Frank, Mary, 1933-  Search this

Frankenthaler, Helen, 1928-2011  Search this

Gallo, Frank, 1933-  Search this

Graves, Nancy Stevenson, 1940-1995  Search this

Gross, Sally  Search this

Hesse, Eva, 1936-1970  Search this

Hofmann, Hans, 1880-1966  Search this

Judd, Donald, 1928-1994  Search this

LeWitt, Sol, 1928-2007  Search this

Marcus, Marcia, 1928-  Search this

Motherwell, Robert  Search this

Oldenburg, Claes, 1929-  Search this

Protetch, Max  Search this

Rockburne, Dorothea  Search this

Rosenquist, James, 1933-  Search this

Samaras, Lucas, 1936-  Search this

Smithson, Robert  Search this

Extent:

3 Items (Sound recording: 3 sound files (5 hr., 12 min.), digital, WMA files)

115 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

2009 January 16-February 13

Scope and Contents:

An interview of Jackie Ferrara conducted 2009 January 16-February 13, by Avis Berman, for the Archives of American Art's U.S. General Services Administration, Design Excellence and the Arts oral history project, at the Ferrara's home, in New York, New York.

Ferrara speaks of growing up in Detroit, Michigan; her early interest in mathematics and its ever present role in her work; attending Michigan State University for one year; taking fashion drawing classes at Wayne State University and her supposed lack of drawing skills; an early interest in pottery and leather making; moving to New York City in 1951 on a night train from Detroit; working at the Henry Street Playhouse and its influential role on her art; her relationship with Robert Beauchamp and her friendship with many artists in Provincetown, Massachusetts; early works, including the cotton batting works and the rope works, most of which were destroyed; her dislike of traveling and her use of imagination for inspiration; participating in the performances and happenings of Claes Oldenburg; her friendship with Robert Smithson and his influence on her later works; working with Max Protetch; never teaching art because she herself did not attend art school; her creation process of her wood and stone pieces, including their conception in early drawings; having a positive attitude towards her pieces being rebuilt because of decay; quickly moving into public art in the late 1970s, early 1980s; living and working in the same loft in New York for over 40 years; the helpful role the women's movement played in her successful career though she did not participate; receiving art grants to enable her to work for a year or two without having to find an odd job to support herself; various public art projects around the country, how they came to be, creating the works and their significance to her. Ferrara also recalls Charlotte Tokayer, Don Ferrara, Alvin Nikolai, Richard Bellamy, Mary and Paul Frank, Miles and Barbara Forst, Sally Gross, Hans Hofmann, Robert Motherwell, Helen Frankenthaler, Nat Halprin, Lucas Samara, Letty Lou Eisenhauer, James Rosenquist, Marcia Marcus, Charles Addams, Eva Hesse, Frank Gallo, Tony DeLap, Dorothea Rockburne, Time Doyle, Sol LeWitt, Donald Judd, Carl Andre, Nancy Graves, Marty Greenbaum, Abe Sachs, Mel Bochner, Jan Groover, Alice Aycock, Alice Adams, Jackie Windsor, Scott Burton, Siah Armajani, Michelle Stuart, Lucy Lippard, Zaha Hadid, Max Hutcinson, Andrea Blum, and others.

Biographical / Historical:

Jackie Ferrara (1929- ) is a sculptor. Ferrara works with the built environment in her designs for courtyards and architectural structures.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

Audio: ACCESS RESTRICTED; Use requires written permission.

Occupation:

Sculptors -- New York (State) -- New York  Search this

Draftsmen (artists) -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Women sculptors  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for this interview was provided by the U.S. General Services Administration, Design Excellence and the Arts.

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.ferrar09

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9efd0b315-7933-452d-945c-e6f5dc917f90

EDAN-URL:

ead_collection:sova-aaa-ferrar09

Artist:

Hans Hofmann, 21 Mar 1880 - 17 Feb 1966  Search this

Sitter:

Hans Hofmann, 21 Mar 1880 - 17 Feb 1966  Search this

Medium:

Ink and pen on paper

Dimensions:

Sheet: 28 × 21.6 cm (11 × 8 1/2")

Mat: 44.1 × 38 cm (17 3/8 × 14 15/16")

Type:

Drawing

Date:

1942

Topic:

Self-portrait  Search this

Hans Hofmann: Male  Search this

Hans Hofmann: Visual Arts\Artist\Painter  Search this

Hans Hofmann: Visual Arts\Art instructor  Search this

Hans Hofmann: Visual Arts\Artist\Abstract Expressionist  Search this

Hans Hofmann: Literature\Writer\Art writer  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution; the Ruth Bowman and Harry Kahn Twentieth-Century American Self-Portrait Collection

Object number:

NPG.2002.274

Restrictions & Rights:

Usage conditions apply

Copyright:

© Estate of Hans Hoffman / Artists Rights Society (ARS), New York

See more items in:

National Portrait Gallery Collection

Location:

Currently not on view

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm417dc4f4f-f6bf-48da-a320-b3b11fcd5e04

EDAN-URL:

edanmdm:npg_NPG.2002.274

Artist:

Irving Penn, 16 Jun 1917 - 7 Oct 2009  Search this

Sitter:

Hans Hofmann, 21 Mar 1880 - 17 Feb 1966  Search this

Medium:

Gelatin silver print

Dimensions:

Image: 39.7 x 39.6 cm (15 5/8 x 15 9/16")

Mount: 50.5 × 45.8 cm (19 7/8 × 18 1/16")

Type:

Photograph

Date:

1965

Topic:

Interior  Search this

Hans Hofmann: Male  Search this

Hans Hofmann: Visual Arts\Artist\Painter  Search this

Hans Hofmann: Visual Arts\Art instructor  Search this

Hans Hofmann: Visual Arts\Artist\Abstract Expressionist  Search this

Hans Hofmann: Literature\Writer\Art writer  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution; gift of Irving Penn

Object number:

NPG.88.70.27

Restrictions & Rights:

Usage conditions apply

Copyright:

© 1965 The Conde Nast Publications Inc.

See more items in:

National Portrait Gallery Collection

Location:

Currently not on view

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm47e80a3f9-3ca6-4a0a-ad78-6d027c2f07a9

EDAN-URL:

edanmdm:npg_NPG.88.70.27

Artist:

Arnold A. Newman, 3 Mar 1918 - 6 Jun 2006  Search this

Sitter:

Hans Hofmann, 21 Mar 1880 - 17 Feb 1966  Search this

Medium:

Gelatin silver print

Dimensions:

Image: 32.3cm x 25.4cm (12 11/16" x 10")

Sheet: 35.4cm x 27.7cm (13 15/16" x 10 7/8")

Type:

Photograph

Place:

United States\Massachusetts\Barnstable\Provincetown

Date:

1952

Topic:

Architecture\Window  Search this

Interior\Studio\Art  Search this

Art implements\Easel  Search this

Home Furnishings\Lighting Devices\Light bulb  Search this

Hans Hofmann: Male  Search this

Hans Hofmann: Visual Arts\Artist\Painter  Search this

Hans Hofmann: Visual Arts\Art instructor  Search this

Hans Hofmann: Visual Arts\Artist\Abstract Expressionist  Search this

Hans Hofmann: Literature\Writer\Art writer  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution; gift of Arnold Newman

Object number:

NPG.91.89.75

Restrictions & Rights:

Usage conditions apply

Copyright:

© Arnold Newman

See more items in:

National Portrait Gallery Collection

Location:

Currently not on view

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm4a00f07bb-7202-4813-8669-5c6f1cfb67ca

EDAN-URL:

edanmdm:npg_NPG.91.89.75

Artist:

Bill Witt, 1921 - 2013  Search this

Sitter:

Hans Hofmann, 21 Mar 1880 - 17 Feb 1966  Search this

Medium:

Gelatin silver print

Dimensions:

Image: 28.5cm x 26.9cm (11 1/4" x 10 9/16"), Accurate

Sheet: 30.6cm x 27.5cm (12 1/16" x 10 13/16"), Accurate

Mount: 38.2cm x 27.4cm (15 1/16" x 10 13/16"), Accurate

Type:

Photograph

Place:

United States\Massachusetts\Barnstable\Provincetown

Date:

1948

Topic:

Artwork\Painting  Search this

Interior\Studio\Art  Search this

Art implements\Easel  Search this

Architecture\Balcony  Search this

Home Furnishings\Fan  Search this

Hans Hofmann: Male  Search this

Hans Hofmann: Visual Arts\Artist\Painter  Search this

Hans Hofmann: Visual Arts\Art instructor  Search this

Hans Hofmann: Visual Arts\Artist\Abstract Expressionist  Search this

Hans Hofmann: Literature\Writer\Art writer  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution; gift of Bill Witt

Object number:

NPG.93.143

Restrictions & Rights:

Usage conditions apply

Copyright:

© BIll Witt

See more items in:

National Portrait Gallery Collection

Location:

Currently not on view

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm4f6995743-7767-415e-ae35-231c6756bbab

EDAN-URL:

edanmdm:npg_NPG.93.143