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Oasis in the city : the Abby Aldrich Rockefeller Sculpture Garden at the Museum of Modern Art / edited by Peter Reed and Romy Silver-Kohn ; with contributions by Quentin Bajac, Peter Reed, Romy Silver-Kohn, and Ann Temkin

Catalog Data

Publisher:
Museum of Modern Art (New York, N.Y.)  Search this
Writer of added commentary:
Reed, Peter 1955-  Search this
Silver-Kohn, Romy  Search this
Bajac, Quentin  Search this
Temkin, Ann  Search this
Subject:
Museum of Modern Art (New York, N.Y.) Abby Aldrich Rockefeller Sculpture Garden  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Physical description:
284 pages : illustrations (some color) ; 29 x 41 cm
Type:
Pictorial works
Place:
New York (State)
New York
New York (N.Y.)
Date:
2018
Notes:
HMSG copy 39088016281685 gift of Evelyn Hankins.
Summary:
In 1953, architect Philip Johnson and landscape architect James Fanning designed a Modernist sculpture garden for the Museum of Modern Art in Midtown Manhattan, dedicated to patron Abby Aldrich Rockefeller. The rectangular, open-air courtyard was set on two levels and paved in long, rectilinear slabs of Vermont marble. The western, upper platform comprised a dining terrace shaded by a line of eight hornbeams. The lower terrace, sunken two-feet below grade, was incised by two water channels spanned by marble platforms and planted with cryptomeria and birch trees, which helped break up the space and control visibility of the sculpture placed throughout the garden. An 18-foot high, gray brick wall with climbing ivy formed the garden's north edge, screening it from West 54th Street. Under Johnson's aegis the garden was enlarged to the east in 1964, at which time landscape architects Zion & Breen unified the planting scheme by replacing the cryptomerias with weeping beeches and planting additional weeping birch trees to echo an existing cluster of trees in the west end. Following museum expansion between 2000 and 2004, the half-acre garden was recreated by Zion Breen & Richardson Associates. Johnson's overall plan was restored, but with lighter-colored, Georgia marble paving and a 14-foot high aluminum screen in place of the brick north wall. Now approached from the west, the garden is elevated on the three sides abutting museum buildings, while the centralized sunken space includes the water features, clusters of single-species trees, moveable chairs, and large pieces of modern art. -- Cultural Landscape Foundation website (viewed on October 26, 2018)
Topic:
Sculpture gardens  Search this
Outdoor sculpture  Search this
Buildings, structures, etc  Search this
Call number:
N620.M9 A89 2018
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1100353