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Marsden Hartley : die deutschen Bilder 1913-1915 / für die Nationalgalerie - Staatliche Museen zu Berlin herausgegeben von Dieter Scholz ; mit Beiträgen von Ilene Susan Fort [and seven others]

Catalog Data

Artist:
Hartley, Marsden 1877-1943  Search this
Author:
Hartley, Marsden 1877-1943 Paintings Selections  Search this
Editor:
Scholz, Dieter 1960--  Search this
Contributor:
Fort, Ilene Susan  Search this
Issuing body:
Staatliche Museen zu Berlin (Germany)  Search this
Host institution:
Neue Nationalgalerie (Germany)  Search this
Los Angeles County Museum of Art  Search this
Subject:
Hartley, Marsden 1877-1943  Search this
Physical description:
207 pages : illustrations (some color), map, portraits, plans ; 28 cm
Type:
Exhibitions
Exhibition catalogs
Date:
2014
20th century
Notes:
Published in conjunction with the exhibition, Marsden Hartley: Die deutschen Bilder - The German paintings 1913-1915, held at Neue Nationalgalerie, Berlin, Germany, April 5 - June 29, 2014, and Los Angeles County Museum of Art, August 3 - November 30, 2014.
Contents:
Marsden Hartley in Berlin / Dieter Scholz -- Katalog -- Marsden Hartleys spirituelle Entwicklung und die deutschen Bilder / Ilene Susan Fort -- Das Ende der Parade - Marsden Hartley und das preussische Militär / Thomas Weissbrich -- Marsden Hartley und das homosexuelle Berlin / Bruce Robertson -- Wege der Bilder - Marsden Hartleys in Deutschland verkaufte Gemälde / Cornelia Wieg -- Marsden Hartleys Korrespondenz mit dem Blauen Reiter / Thomas W. Gaehtgens -- Das "sehr schöne Dreieck" - Arnold Rönnebeck, Marsden Hartley und Carl von Freyburg / Kaitlyn Hogue Mellini -- Singulär im Kollektiv - Marsden Hartley und die Tradition der amerikanischen Künstlerreise nach Europa / Alexia Pooth
Summary:
"American painter Marsden Hartley (1877-1943) lived in Europe from 1913 to 1915. After spending some time in Paris and Munich he moved to Berlin, where he painted his most impressive works. Hartley was associated with Herwarth Walden's Sturm gallery and participated in its 'First German Autumn Salon' in 1913, which featured numerous international artists. Immediately prior to and after his Berlin years, Hartley cultivated a style of painting that was moderately figurative, however the years 1913 to 1915 marked an apogee of abstraction in his career. During these years he developed a completely independent vernacular, which placed him at the forefront of the avant-garde of the time. His paintings from this period literally explode off the canvas, they are composed of bright, starkly contrasting colours that directly border one another. The theme around which these works revolve is the First World War. Flags, military standards and insignia such as the Iron Cross form recurring motifs in the paintings. Hartley's relationship with the Prussian Officer Karl von Freybourg, who died just months after the outbreak of war, led to Hartley producing such masterworks as 'Portrait of a German Officer' (1914, Metropolitan Museum, New York), in which abstract forms and military paraphanalia are so densely interwoven that the resulting portrait is composed purely of symbols."--Staatliche Museen zu Berlin website, viewed June 5, 2014.
Topic:
Painting, American  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1033744