Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Antoin Sevruguin photographs in the Myron Bement Smith collection are part of the "Islamic Archives," a collection assembled in part by the Committee for Islamic Culture under the direction of architectural historian Myron Bement Smith (1897-1970). The widow of Myron Bement Smith, Katharine Dennis Smith, donated her husband's papers to the Smithsonian Institution in 1972. The collection was housed in the National Museum of Natural History. Mrs. Smith granted partial rights of the materials to the Institution in 1973 and full rights, interests, and title in 1985. The collection was transferred to the Freer Gallery in 1977.
According to the official minutes of the fourth meeting of the Committee for Islamic Culture, held on September 15, 1951, Myron Bement Smith viewed and purchased 82 black-and-white gelatin silver photoprints of part of Antoin Sevruguin's negatives when he visited Sevruguin's shop in Tehran (Iran) in 1934.
Gelatin silver prints organized by Myron B. Smith into subject categories (People; Architecture - Pre-Islamic; Royalty - Residences - Gulistan Palace (Tehran); Architecture; Landscapes). This print is in the following subject category: Architecture
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "832."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "---(?)."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fars; Shiraz, Tomb of Hafiz; 2 men sitting on carved stones graves?"
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
Shelf 7: Box 5, Folder 17
Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery Archives, 1050 Independence Avenue, S.W., Washington, DC 20013-7012