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Catalog Data

Artist:
Jorge Soto Sánchez, born New York, NY 1947-died White River Junction, VT 1987  Search this
Medium:
hand-colored screenprint
Dimensions:
sheet and image: 25 7/8 x 39 7/8 in. (65.7 x 101.3 cm)
Type:
Graphic Arts-Print
Date:
1974, revised 1984
Exhibition Label:
In the early 1970s, Soto Sánchez saw Francisco Oller’s El Velorio (1893), an iconic Puerto Rican painting that depicts a baquiné, a folk Catholic custom that commemorates the death of a child. On the island this tradition resonates with African diasporic belief systems. Soto Sánchez’s version takes place in New York City and is populated by figures that sprout heads from joints and other parts of their bodies. These mutating forms are visual manifestations of ritualized spirit possession central to Santeria. Soto Sánchez formed part of a community of diasporic Puerto Rican artists who, unlike many cultural elites on the island, affirmed the importance of Afro-Puerto Rican culture.
Our America: The Latino Presence in American Art, 2013
Topic:
Figure group  Search this
Cityscape\New York  Search this
Architecture Interior  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Copyright:
© Hermiñia Ramos
Object number:
2013.60.1
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk73c4db987-53a7-4445-97e8-85e669dceefa
EDAN-URL:
edanmdm:saam_2013.60.1