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Catalog Data

Artist:
Consuelo Jimenez Underwood, born Sacramento, CA 1949  Search this
Medium:
embroidered and quilted cotton and silk with graphite
Dimensions:
58 x 36 in. (147.3 x 91.4 cm.)
Type:
Decorative Arts-Fiber
Crafts
Date:
1994
Luce Center Label:
Consuelo Jimenez Underwood created Virgen de los Caminos (Virgin of the Roads) to reflect the struggles of Mexicans looking for opportunity in the United States. In the center of the quilt, she embroidered the Virgin of Guadalupe, to whom the travelers pray as they make the dangerous crossing. The barbed wire symbolizes the literal border between the two countries that separates insiders from outsiders, while the flowers at the corners refer to Mexican festivals and holidays. The word caution and the image of a running family appear throughout the background, but are stitched in nearly invisible white thread. Underwood added these details to suggest that undocumented immigrants are invisible in the eyes of United States citizens. (Yorba, Arte Latino, Treasures from the Smithsonian American Art Museum, 2001)
Luce Object Quote:
"I am a colonized indigenous artist that speaks with the authentic voice of the universal woman . . . el Hilo (Thread). With formal grace and beauty, I express the quiet rage that has permeated the indigenous culture of the Americas for over five hundred years." Underwood, October 2004
Topic:
Religion\New Testament\Mary  Search this
Allegory\civic\injustice  Search this
Figure\fragment\skeleton  Search this
State of being\other\imprisonment  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase
Object number:
1996.77
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7b1d1ca80-15a9-43c0-b7be-51827d9b2fcc
EDAN-URL:
edanmdm:saam_1996.77