The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Correspondence, photographs and printed materials documenting the career of Gertrude Fiske and the Boston Society of Etchers, of which Fiske was a founding member.
Letters from friends, colleagues, and museums include a small number of letters from Frank Benson, Harry Leith-Ross, Charles Hopkinson, and H. Dudley Murphy. A notebook on the Boston Society of Etchers contains a list of members, minutes of the founding meeting (1917), notes on expenses, lists of works exhibited (includes a sketch of works on exhibition), announcements, catalogs, and letters from members including Philip Little, Ignaz Gaugengigl and others. Other materials consist of biographical notes, two sketches, one possibly of Fiske, a sales receipt, a scrapbook of clippings and catalogs, and photographs of Fiske and friends, works, and exhibitions.
Gertrude Fiske papers, 1915-1986, 1915-1933 (bulk dates). Archives of American Art, Smithsonian Institution.
Microfilm reel 4280 and 4281 available at Archives of American Art offices and through interlibrary loan.
Location of Originals:
Originals returned to the lender, Harold B. Willis, after microfilming.
Painter. Fiske studied at the School of the Museum of Fine Arts, Boston, under such luminaries as Tarbell, Benson and Hale, and later with Charles Woodbury in Ogunquit, Maine. A woman of means and socially well-connected, Miss Fiske was a co-founder of the Guild of Boston Artists (1914), the Boston Society of Etchers (1917), and the Ogunquit Art Association (1928).
Harold B. (Bus) Willis, the owner of the collection, is the nephew of Gertrude Fiske.
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001