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Catalog Data

Creator:
Dugmore, Edward, 1915-  Search this
Subject:
Day, Lucien B.  Search this
Cherry, Herman  Search this
Crehan, Hubert  Search this
Grillo, John  Search this
Hultberg, John  Search this
Drexler, Rosalyn  Search this
McChesney, Mary Fuller  Search this
Morris, Kyle  Search this
Kadish, Reuben  Search this
Kaldis, Aristodimos  Search this
Pollock, Charles C.  Search this
Voulkos, Peter  Search this
Pace, Pam  Search this
Pace, Stephen  Search this
Weber, Hugo  Search this
Still, Clyfford  Search this
Copley, Alfred L.  Search this
Briggs, Ernest  Search this
Harris, Harvey  Search this
Brandt, Warren  Search this
Arnold, Anne  Search this
Abend, George  Search this
Drake University  Search this
Type:
Photographs
Place of publication, production, or execution:
United States
Physical Description:
2 Linear feet
Arrangement:
The collection is arranged into 7 series: Series 1: Biographical Material, 1948-1993 (Box 1; 3 folders) Series 2: Correspondence, circa 1943-1992 (Box 1, 2; 1.5 linear feet) Series 3: Business Records, circa 1951-1972 (Box 2; 2 folders) Series 4: Notes, circa 1969-1980 (Box 2; 1 folder) Series 5: Drake University Summer Session File, 1972-1973(Box 2; 5 folders) Series 6: Printed Material, circa 1937-1993 (Box 2; 25 folders) Series 7: Photographs, circa 1960-1983 (Box 2; 9 folders)
Access Note / Rights:
The collection is open for research. Use requires an appointment.
Summary:
The papers of painter and instructor Edward Dugmore measure 2.0 linear feet and date from 1937-1993. Found within this small collection are biographical materials, scattered business and financial records, notes, a file concerning the Drake University Summer Session, printed material, and photographs. The bulk of the papers consist of correspondence exchanged with art critic Hubert Crehan and artist colleagues including George Abend, Ernie Briggs, Herman Cherry, Lucien Day, Harvey Harris, Reuben Kadish, Mary Fuller McChesney, and Clyfford Still.
Citation:
Edward Dugmore papers, 1937-1993. Archives of American Art, Smithsonian Institution.
Use Note:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Related Materials:
Among the holdings of the Archives of American Art is a transcribed oral history interview with Edward Dugmore conducted by Tram Combs in 1994.
Biography Note:
Edward Dugmore (1915-1996) was a painter and arts instructor working in New York, San Francisco, Illinois, and Maryland.
Edward Dugmore was born in 1915 in Hartford Connecticutt, the son of Walter and Ellen Spragg Dugmore. Dugmore received a four year scholarship to study painting at Hartford Art School from 1934 to 1938. In 1938, he also married Edith Oslund. He briefly studied lithography and etching under Thomas Hart Benton at the Kansas City (Missouri) Art Institute in 1941. After serving in the U.S. Marine Corps during World War II, he returned to New York City. From 1946 to 1948, he taught painting and drawing at St. Joseph's College in West Hartford, Connecticut.
In 1948, Dugmore moved to San Francisco and began two year's study of art under the G.I. Bill at the California School of Fine Arts, were he befriended Clyfford Still and Ernest Briggs. He co-founded the artists' collaborative Metart Gallery, where he had his first solo exhibition in 1950.
From 1951 to 1952, Dugmore studied at the University of Guadalajara, Mexico, earning a master's degree in fine arts. In 1952, he moved back to New York City where he had solo exhibitions at the Stable Gallery over the following three years. He also had solo exhibitions at the Howard Wise Gallery in New York and Cleveland during the 1960s.
Between 1961 and 1962, Dugmore was Visiting Artist at the University of Southern Illinois, and in 1970, he was Visiting Artist at the Des Moines Art Center and Drake University. From 1964 to 1974, he taught painting and drawing part time at the Pratt Institute, and in 1965, he was Artist-in-Residence at the Montana Institute of Fine Arts, sponsored by a Ford Foundation Grant. From 1973 to 1982, he taught part time at the Maryland Institute, College of Art in Baltimore, Maryland.
Dugmore's paintings are in the collections of the Albright-Knox Art Gallery, the Walker Art Center, the Corcoran Gallery of Art, and the Hirshhorn Museum and Sculpture Garden.
Edward Dugmore died in 1996 in Minneapolis, Minnesota.
Language Note:
English .
Provenance:
The Edward Dugmore papers were donated in several increments between 1980 to 1993 by the artist.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Topic:
Painters -- New York (State) -- New York  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5857
(DSI-AAA_SIRISBib)208697
AAA_collcode_dugmedwa
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208697